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User Ratings=8 / 10 Genres=Romance stars=Margaret O'Brien &ref(https://m.media-amazon.com/images/M/MV5BZWVmZmRlNWQtYzYyMy00ZDljLWE5MjgtNDE5MGVmYTQ5NDk0XkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_UY113_CR0,0,76,113_AL_.jpg) Year=1944 Directed by=Vincente Minnelli. Meet Me in St. Louis is a "family values" exercise in traditional Americana, following the life of a midwest family as the World's Fair comes to early 20th century St. Louis. There are songs, family crises, more songs, more crises, and more songs.
Meet Me in St. Louis is a 1944 American Technicolor musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis, leading up to the opening of the Louisiana Purchase Exposition (more commonly referred to as the World's Fair ) in the spring of 1904. The movie covers four seasons between the summer of 1903 and the spring of 1904. Based upon the recollections of Sally Benson (who wrote for the "New Yorker, 1941-1942) the spotlight is on the upbeat lives of the upper middle class Smith family that, residing in a suburban St. Louis Edwardian house, includes patriarch Alonzo Smith (Leon Ames) wife Anna (Mary Astor) four daughters, an uneventful son (Henry H. Daniels, Jr. a wisecracking grandpa (Harry Davenport) and even an imperturbable housekeeper, Katie (Marjorie Main. The main excitement is, of course, the announcement that St. Louis will host the 1904 World's Fair (Louisiana Exposition, the centennial of the Louisiana Purchase. The other story lines mostly focus on three of the Smith daughters. For two older girls (Esther and Rose) the emphasis is, of course, on romance. At dinnertime, twenty year-old Rose (Lucille Bremer) gets a long distance telephone call from her boyfriend in New York, waiting for a proposal that never comes. Seventeen year-old Esther (twenty-two year-old Judy Garland) falls in love with the boy next door, John Truett (Tom Drake. For the youngest girl, Tootie (Margaret O'Brien) a little terror, the focal point is on mischief, especially on Halloween. But the biggest threat of the happy existence of the family is the announcement of the patriarch, a successful attorney, after he arrives home from work on Halloween evening. Mr. Smith notifies his family that he will accept a job promotion to New York City effective January 1904. Uprooting the family's comfortable existence will shatter everyone's dreams as the Smiths are intrinsically linked to St. Louis, the heart of Midwest America.

Expertly directed by Vincente Minnelli, Meet Me in St. Louis" is one of the most beautiful musicals ever created, despite its formulaic storyline (not unusual among musicals anyway. Minnelli's eye for period detail is stunning. There are the impeccable sets (like the colorful rooms in the Smith house and the electrical lighting of the Fair) music score, early twentieth century costumes, and first-rate artistic performances. In particular, dark-eyed and auburn-haired Judy Garland danced, sang, and looked as well as she ever did. Charming with old-time innocence, the film's musical scores are almost beyond comparison ( The Trolley Song. Skip to My Lou. Have Yourself a Merry Little Christmas, etc. Note how deftly Director Minnelli handles the change from scene to song back to scene without skipping a beat. In fact, the songs are integrated with the storyline. Minnelli loved gorgeous color, especially red motifs. Note the shiny red automobile at the very beginning, reddish wallpaper, the family room table lamp, grandpa's fez, the hall bench seat across from the upstairs bathroom, the milk pitcher, the small rose wall picture, and the homemade ketchup. Then there are Judy Garland's winter dress and ruby red lipstick. Color red is also prominent in the four framed prints ? sepia photographs that come alive in color ? that herald each season. Each frame has its own character and does remind one of the Americana of Courier and Ives. The arrangement was probably copied five years later by Mervyn LeRoy in his "Little Women." As the coming-of-age members react to each predicament, there is that undertone of adieus that will change the family forever. Then there is that hint of a complex world (the Exposition itself) descending around the Smiths that foretell the end of the simple ways of the good old days (the period before World War I. But for the next few months the Smith family will be at its peak and the changes will be slight. It is the World's Fair that will garner attention. After all, as Esther remarks at the end, I can't believe it, right here where we live, right here in St. Louis...

The movie was adapted by Irving Brecher and Fred F. Finklehoffe from a series of short stories by Sally Benson, originally published in The New Yorker magazine under the title "5135 Kensington. Enter your location to see which movie theaters are playing Meet Me in St. Louis near you. ENTER CITY, STATE OR ZIP CODE GO. Fandango FANALERT Sign up for a FANALERT and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get. Meet Me in St. Louis by Vincente Minnelli, Judy Garland. Meet Me In St. Louis is warm, engaging, fun and a classic in every way. MGM was determined to make one of their best films ever in 1944 and assigned all of their top talent to it. A musical, it was given to Arthur Freed's unit which specialized in musicals. Freed gave it to Vicente Minnelli who he had recently hired in 1940.
Meet Me In St. Louis (1944. Rotten Tomatoes. Watch Meet Me in St. Louis, Prime Video. MEET ME IN ST. LOUIS ( 44. The Trolley Song. Lyrics to 'Meet Me In St. Louis' by Judy Garland. When Louis came home to the flat He hung up his coat and his hat He gazed all around but no wifey he found So he said, Where can Flossie be at? Judy Garland - Meet Me In St. Louis Lyrics, MetroLyrics Please click here if you are not redirected within a few seconds. Meet Me in St. Louis [Blu-ray] Judy Garland.

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