Joe Rice

Look like The Pet. It's called Pica. Pica is a psychological disorder characterized by an appetite for substances that are largely non-nutritive, such as ice, hair, paper, drywall or paint, sharp objects, metal, stones, or soil, glass, feces and chalk.

Oh look, a biopic on Jared Leto. Sweet. I enjoyed the film for what it was just wish they showed them killing Shepard and the other women at the end that was pretty disappointing. 6/10. 2 nominations. See more awards ? Edit Storyline Life with Shepherd ( Michiel Huisman) is the only life Selah ( Raffey Cassidy) has ever known. Their self-sufficient community possesses no modern technology, and is hidden away in the woods, far from modern civilization. Shepherd is the group's guardian, teacher, and lover. Each of the many female members of the group is either his wife or daughter. Selah is pure in faith, but also dangerously headstrong. She was raised as a daughter of Shepherd, but it is only a matter of time before she also stands to become a wife. As an encounter with the authorities forces the women and Shepherd to build a new Eden further inland, Selah increasingly doubts her faith, and has strange, bloody visions. The onset of puberty brings with it harsh new rituals, and her first shocking glimpse of what happens to Shepherd's women as they age. Written by Toronto International Film Festival Plot Summary | Add Synopsis Details Release Date: 3 April 2020 (USA) See more ? Also Known As: The Other Lamb Company Credits Technical Specs See full technical specs ? Did You Know? Soundtracks Diorama Written by Pawel Mykietyn See more ?.
The Other Lamb comes from?Polish director Malgorzata Szumowska from a screenplay by C. S. McMullen and allows the viewer into the world of religious cults. As the story unfolds we meet?The Shepherd (played by Michiel Huisman) who leads a self-sufficient community hidden in the woods, free from modern technology. We learn that the majority of the female cult members are either the wife or daughter. One of those daughters, Selah (played by Raffey Cassidy), begins to question The Shepherd’s teachings as the group are forced to seek a new location for their camp after the authorities evict them. That is basically everything that happens in the movie, only with a lack of dialogue, some strong visual metaphors and some stunning cinematography sprinkled on top. It does explore the exploitation of women and in the case of the cult goes to some disturbing places especially when cult daughters can later become cult wives. Verdict: 5/10. In a way this movie is a coming of age story for Selah but its slow moving narrative does not have the impact the director hoped for. Instead of meaningful contemplative moments we get repetitive visuals and an urge to hit the fast-forward button. Founded Cult Faction in 2014; previously crawled out of the Black Lodge in 1976, only to find himself in the Village.
Grigory placed the diaphragm of the electronic stethoscope on the boy’s skinny chest, and the kid flinched at the touch of cold metal. Grigory put the earpieces in and listened. Lub-dub-lub-dub-lub-dub-lub-dub-lubdublubdublubdub He checked the audio output and hit record on his laptop, watching the screen as blocks of green light appeared and jumped in time with the frantic beat. “Did you know, my lamb, that, broadly speaking, the tempo of music spans the full range of the human pulse? ” He paused until the boy shook his head. “The beat of the piece mirrors a heart experiencing the emotion that the song evokes. A lullaby, soft and smooth, mimics your sleeping body as you lie warm in bed, waiting for Morpheus to pay you a visit. A salsa sways your arms, shuffles your feet, and swings your hips. It gets your blood up. How wonderful to be a living metronome. To measure your joy and pain, your comfort and fear in heartbeats. Take your friend over there. ” Grigory turned and nodded towards the girl draped on the chaise longue, her eyes rolled back in her head. “The cocktail of substances she’s imbibed tonight have numbed her to the point of catatonia, and induced a state known as bradycardia. She’s down to forty beats per minute. Slow and grave like the opening strains of The Moonlight Sonata. ” The girl groaned softly and Grigory turned his attention back to the boy. He picked up the small dagger which sat on the table next to them, and held it, glinting, in front of the kid’s face. Cold steel reflected the lights from the computer which danced and blinked red as they sped up and peaked. Grigory ran the tip of the blade lightly down the side of the boy’s face until it snagged the fabric of the gag. “But your heart is fluttering and tripping along at the same speed as the third movement of The Tempest. ” Grigory placed the tip of the knife against his own forearm and scored a deep red line along the length of it. He held it up in front of the boy’s face and watched his eyes grow impossibly wide as the parted skin healed over instantly. The lights on the laptop screen stuttered, stopped for a couple of seconds, and then leapt into life again. “Bravo! ” Grigory cried, clapping his hands together. “Palpitations will add a delightfully unexpected syncopation to the finished piece. ” The boy whimpered, and a tear slid down his cheek. “Wait! ” Grigory put down the knife and picked up a directional microphone, which he pointed at the boy’s face. “Do that again! ” Behind him, the girl moaned, her head slipping off the side of the couch and lolling about on her neck like a tulip with a broken stem. “Wait your turn, darling, ” Grigory said. “Now this, ” he told the boy, “is a little self-indulgent, I’ll admit, but I’m curious to know how many different ways you will say my name before the night is through. I’m going to remove this gag, and I promise you’ll whisper it, sigh it, moan it, scream it. When we’re through, we’ll have created something beautiful. And you will be immortal, beloved. How does that sound? ” *** Grigory took a sip of bourbon, leaned back in the plush leather armchair and closed his eyes as the song began to play. There was the girl’s sigh, the sound of blood pumping lazily around her veins. The little snuffle and swallow she did with a narcotic-thick tongue which sounded like a piglet suckling. Adorable in a way. Unbearably intimate. And there was the violin, like a baby’s cry, wrenched from ancient wood and catgut, soaring over the dull throb of the boy’s heart. The pitch of the Amati’s wail rose as the heartbeat sped up, building and building until Grigory’s fingers and toes curled with anticipation, and finally the tension was shattered by the boy’s cracked voice shouting the singer’s name. It was a virtuoso performance by any standards, nuanced and coloured with a thousand conflicting sensations and emotions. Grigory had really put the poor kid through the mill. A spine-tingling moment of viscous silence, then a guitar lick overlaid with grunts, snarls, sobs ? both Grigory’s and those of his human instruments. The melody, when it began, was punctuated with the hiccupping, kick drum sound of the boy’s terrified heart. Grigory was still enchanted by the novelty of being able to hear his own voice recorded and played back, to be enjoyed time and time again. For countless ages, his performances had been ephemeral, fleeting things, lingering only in the memories of those he’d moved to tears or raptures with his preternatural vocals. Grigory had seen the proof of his otherworldly skill reflected in the weeping eyes of millions, a talent forged in the angelic realm for a single purpose falling upon ears which were never meant to hear it. A sacred gift turned utterly profane. His influence was still audible in the works of great composers, in the trills of countless flutes, the galloping of nimble fingers across ivory keys. It was in their anguished love letters to mysterious muses, and their suicide notes. But now Grigory could crystallise his songs. He could edit and loop and tweak until he had the essence of the thing, trapped forever on media as intangible as he had once been before he was a thing of flesh. Gone were the hissing gramophones, the record players, the cassette tapes. Now music was electronic, portable, and stored in vast quantities on devices no bigger than his thumb. How far the world had come since the time when Grigory sat by a fire in the desert and taught a girl with eyes as black as his own to play a sad, simple tune on pipe made of animal bone. The song played on. Grigory wouldn’t share his latest creation with the rest of the band. This was just for him. He listened as his own voice echoed around the room, the brush of his lips against the microphone audible over the knocking of the boy’s heart and the girl’s gentle murmuring. Their terror and pleasure would have faded by now, their experience with their idol dwindled to a vague recollection of a fevered dream. They wouldn’t tell. They never did. Whether it was confusion, shame or fear which held their tongues, Grigory wasn’t sure, but they always came back. The singer had no doubt he’d see those two in the front row at one of his shows again in the future, just like all the others. The song finished and Grigory drained his glass. He trailed his fingers over his chest, tracing around the place where his own heart used to reside, then he hit repeat.
Guys, try visiting this site to watch the film above or other recent films. Did anyone else get butt twinges at end. Míralo ahora y no te pierdas la película. Ju lutemi klikoni në linkun e mësipërm, miq, për ata prej jush adhurues të filmave, ju me siguri nuk mund të prisni të shikoni filmin e fundit këtu është më e lehtë dhe më pak e komplikuar dhe gjithashtu e përballueshme ju lutemi klikoni dhe sigurohuni që ta shikoni deri në fund do të jetë argëtim nëse e shikoni së bashku gjatë pushimeve, kënaquni duke shikuar.
Masochistic girls have enter the chat. Free Movie L'Autre agneaux. I honestly thought this was a new willy Wonka trailer because of the thumbnail. Every week, new original films debut on Netflix, Hulu, and other streaming services, often to much less fanfare than their big-screen counterparts. Cinemastream is Vox’s series highlighting the most notable of these premieres, in an ongoing effort to keep interesting and easily accessible new films on your radar. The Other Lamb The premise: A group of girls and women live in a mysterious secluded compound with a man they call “Shepherd. ” On the cusp of puberty, one pious young woman starts to question the world she’s grown up in. What it’s about: The Other Lamb (from director Małgorzata Szumowska) is eerie and starkly beautiful. The film melds two familiar territories for horror ? cults and women’s bodies ? into one dread-soaked Bildungsroman. The tale centers on Selah (Raffey Cassidy), who is in her early teens. She lives with the all-female group in the woods, where they raise sheep and live off the grid. The girls wear blue dresses; the women wear red dresses. The split reflects their differing roles in the group: a blue dress means you’re a “daughter, ” and a red dress signifies that you are a “wife. ” These are not euphemisms. Selah has grown up in this group, a cult that operates as a large, polygamous family, with the man they call Shepherd (Michiel Huisman) as their adored, unquestioningly obeyed leader. The wives are women in dire circumstances whom Shepherd found and brought into his fold, and who worship him for the way he cares for them and makes them feel seen and special. The daughters are children the women have borne Shepherd. Selah, the eldest of the daughters, is Shepherd’s favorite. Shepherd seems kind, at first, but as Selah matures and then experiences menstruation for the first time, her relationships with both the man who is her father and the women who serve and love him starts to change. They shift even more when she meets Sarah (Denise Gough), who lives on the outskirts of the community, seemingly shunned but unwilling to leave the group. And with Selah’s growth into womanhood comes a change in her beliefs. The Other Lamb recalls everything from The Witch and The Handmaid’s Tale to Rosemary’s Baby and Carrie. Horror has long been interested in female bodies that are used, and abused, by men, and how they often become entwined inextricably with practices of twisted religious devotion. What makes The Other Lamb feel fresh is how Szumowska renders her world ? in vivid colors and inky blacks, with slow zooms that turn their placid, pastoral lives into something uncanny. She cuts away from a face mid-scream, or nestles a frightening image into a frame in such a way that it’s startling when you suddenly see it. Chilly, precisely designed scenes make for a sharp juxtaposition with images of blood, violence, and birth. And the feeling that something very wrong is going on here is inscribed into every exacting, unnerving shot. Critical reception: The Other Lamb has earned generally favorable reviews from critics. At SlashFilm, Marisa Mirabal writes that “ The Other Lamb is a festering wound of a film, one that elicits prolonged pain and suffering but offers a collective understanding. ” How to watch it: The Other Lamb is available on a variety of cable and on-demand services, including Amazon, Google Play, YouTube, and other streaming platforms.
The scenery is strikingly beautiful, but the whole story is so bizarre and disturbing.

I love ifc films. Transforming the way people see the world, through film. Email address You can unsubscribe at any time. See our privacy policy. Athena, the robot girl. Nice video keep up the amazing content. Polish filmmaker Malgorzata Szumowska, together with writer C.S. McMuller, presents a visually stunning, excellently performed, unsubtle and ideologically rich look at the cult/messiah phenomena, gendered power, narcissism and emotional imprisonment. It's a smart slow-burner with a touch too slight on some of the presented themes & threatens to be style>substance throughout, but it's a journey worth taking.

"The Other Lamb" is a revenge/female empowerment fable, a story about a Shepherd and his flock, or, in other words, a self-proclaimed narcissistic Messiah (played by Michiel Huisman) who's been devoting his life to creating a cult where he can be the only man, with multiple wives and daughters. The movie puts us in the mind of Selah (portrayed compellingly by Raffey Cassidy) as we go through her journey from being an utter devotee to the cult's 'cause' to the inevitable table-turn and revenge. Szumowska's direction and Cassidy's powerful and relatable performance grants a success at putting the viewer where it wishes to. "The Other Lamb" as compared to other movies about cults, doesn't explore the evil, abuse or psychology behind it all on a satisfactory level, meaning we don't get any real closure. However, it redeems some of the flaws with being visually captivating, the cinematography's patient, environments are scarily beautiful, coloring is eye-pleasing, and it's all presented in a somewhat rare, full 1920*1080 aspect ratio. Without a doubt, a lot in "The Other Lamb" relies on atmosphere of isolation, both physical and mental, and this shot the director does not miss. Despite the subjective substance flaws, at the end of it all "The Other Lamb" still has a strong perspective on actual issues, showed through a prism of cult politics and gender inequality. It's no "Midsommar" or "The Wicker Man" holds back in the department of violence and shock, but, as far as horror movies go, The Other Lamb" is a fairly great addition to the slow-burn, atmospheric, visually beautiful shelf of horror movies. Also, even though set in this century, it very much feels like a folk horror. My rating: 7/10.

A strange little movie, what makes a person do them sort of thing and how far do you go. Looks interesting. Just one thing: W T F.

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