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Bel sound fresco e contemporaneo, bello anche il testo. This eerily looks like a Wes Anderson movie, so visually stunning. The costume designer too did a marvelous job. Moi Olen suomalainen. We got Saoirse Ronan and Emma Watson also timothée chalamet hereeeeeee. Emma Title page of first edition, volume 1 of 3 Author Jane Austen Country United Kingdom Language English Genre Novel of manners Published 23 December 1815 [1] (title page gives 1816) John Murray Preceded?by Mansfield Park Followed?by Northanger Abbey Emma, by Jane Austen, is a novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among people from a small number of families. [2] The novel was first published in December 1815, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian ? Regency England. Emma is a comedy of manners, and depicts issues of marriage, sex, age, and social status. Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like. " [3] In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and a happy disposition... and had lived nearly twenty-one years in the world with very little to distress or vex her. " [4] Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray. Emma, written after Austen's move to Chawton, was her last novel to be published during her life, [5] while Persuasion, the last novel Austen wrote, was published posthumously. This novel has been adapted for several films, many television programmes, and a long list of stage plays. It is also the inspiration for several novels. Plot summary [ edit] Emma Woodhouse has just attended the wedding of Miss Taylor, her lovely friend and former governess, to Mr. Weston. Having introduced them, Emma takes credit for their marriage and decides that she likes matchmaking. After she returns home to Hartfield with her father, Emma forges ahead with her new interest against the advice of her sister's brother-in-law, Mr. Knightley, and tries to match her new friend Harriet Smith to Mr. Elton, the local vicar. First, Emma must persuade Harriet to refuse the marriage proposal from Robert Martin, a respectable, educated, and well-spoken young farmer, which Harriet does against her own wishes. But Mr. Elton, a social climber, thinks that Emma is in love with him and proposes to her. When Emma tells him that she had thought him attached to Harriet, he is outraged. After Emma rejects him, Mr. Elton leaves for a stay at Bath and returns with a pretentious, nouveau-riche wife, as Mr. Knightley expected. Harriet is heartbroken, and Emma feels ashamed about misleading her. Frank Churchill, Mr. Weston's son, arrives for a two-week visit to his father and makes many friends. Frank was adopted by his wealthy and domineering aunt, and he has had very few opportunities to visit before. Mr. Knightley suggests to Emma that, while Frank is intelligent and engaging, he is also a shallow character. Jane Fairfax also comes home to see her aunt, Miss Bates, and grandmother, Mrs. Bates, for a few months, before she must go out on her own as a governess due to her family's financial situation. She is the same age as Emma and has been given an excellent education by her father's friend, Colonel Campbell. Emma has not been as friendly with her as she might because she envies Jane's talent and is annoyed to find all, including Mrs Weston and Mr. Knightley, praising her. The patronizing Mrs. Elton takes Jane under her wing and announces that she will find her the ideal governess post before it is wanted. Emma begins to feel some sympathy for Jane's predicament. Emma decides that Jane and Mr. Dixon, Colonel Campbell's new son-in-law, are mutually attracted, and that is why she has come home earlier than expected. She shares her suspicions with Frank, who met Jane and the Campbells at a vacation spot a year earlier, and he apparently agrees with her. Suspicions are further fueled when a piano, sent by an anonymous benefactor, arrives for Jane. Emma feels herself falling in love with Frank, but it does not last to his second visit. The Eltons treat Harriet poorly, culminating with Mr. Elton publicly snubbing Harriet at the ball given by the Westons in May. Knightley, who had long refrained from dancing, gallantly steps in to dance with Harriet. The day after the ball, Frank brings Harriet to Hartfield; she had fainted after a rough encounter with local gypsies. Harriet is grateful, and Emma thinks this is love, not gratitude. Meanwhile, Mrs. Weston wonders if Mr. Knightley has taken a fancy to Jane, but Emma dismisses that idea. When Mr. Knightley mentions the link he sees between Jane and Frank, Emma denies them, while Frank appears to be courting her instead. He arrives late to the gathering at Donwell in June, while Jane leaves early. Next day at Box Hill, a local beauty spot, Frank and Emma continue to banter together and Emma, in jest, thoughtlessly insults Miss Bates. 1898 illustration of Mr. Knightley and Emma Woodhouse, Volume III chapter XIII When Mr. Knightley scolds Emma for the insult to Miss Bates, she is ashamed and tries to atone with a morning visit to Miss Bates, which impresses Mr. Knightley. On the visit, Emma learns that Jane had accepted the position of governess from one of Mrs. Elton's friends after the outing. Jane now becomes ill and refuses to see Emma or receive her gifts. Meanwhile, Frank was visiting his aunt, who dies soon after he arrives. Now he and Jane reveal to the Westons that they have been secretly engaged since the autumn, but Frank knew that his aunt would disapprove. The strain of the secrecy on the conscientious Jane had caused the two to quarrel, and Jane ended the engagement. Frank's easygoing uncle readily gives his blessing to the match, and the engagement becomes public, leaving Emma chagrined to discover that she had been so wrong. Emma is confident that Frank's engagement will devastate Harriet, but instead, Harriet tells her that she loves Mr. Knightley, although she knows the match is too unequal, Emma's encouragement and Mr. Knightley's kindness have given her hope. Emma is startled and realizes that she is the one who wants to marry Mr. Knightley returns to console Emma from Frank and Jane's engagement thinking her heartbroken. When she admits her foolishness, he proposes, and she accepts. Now Harriet accepts Robert Martin's second proposal, and they are the first couple to marry. Jane and Emma reconcile, and Frank and Jane visit the Westons. Once the period of deep mourning ends, they will marry. Before the end of November, Emma and Mr. Knightley are married with the prospect of "perfect happiness". Principal characters [ edit] Emma Woodhouse, the protagonist of the story, is a beautiful, high-spirited, intelligent, and 'slightly' spoiled young woman from the landed gentry. She is twenty when the story opens. Her mother died when she was young. She has been mistress of the house (Hartfield) since her older sister got married. Although intelligent, she lacks the discipline to practice or study anything in depth. She is portrayed as compassionate to the poor, but at the same time has a strong sense of class status. Her affection for and patience towards her valetudinarian father are also noteworthy. While she is in many ways mature, Emma makes some serious mistakes, mainly due to her lack of experience and her conviction that she is always right. Although she has vowed she will never marry, she delights in making matches for others. She has a brief flirtation with Frank Churchill; however, she realises at the end of the novel that she loves Mr. Knightley. George Knightley is a neighbour and close friend of Emma, aged 37 years (16 years older than Emma). He is her only critic. Knightley is the owner of the estate of Donwell Abbey, which includes extensive grounds and farms. He is the elder brother of Mr. John Knightley, the husband of Emma's elder sister Isabella. He is very considerate, aware of the feelings of the other characters and his behaviour and judgement is extremely good. Knightley is furious with Emma for persuading Harriet to turn down Mr. Martin, a farmer on the Donwell estate; he warns Emma against pushing Harriet towards Mr. Elton, knowing that Mr. Elton seeks a bride with money. He is suspicious of Frank Churchill and his motives; he suspects that Frank has a secret understanding with Jane Fairfax. Frank Churchill, Mr. Weston's son by his first marriage, is an amiable young man, who at age 23 is liked by almost everyone, although Mr. Knightley sees him as immature and selfish for failing to visit his father after his father's wedding. After his mother's death, he was raised by his wealthy aunt and uncle, the Churchills, at the family estate Enscombe. His uncle was his mother's brother. By his aunt's decree, he assumed the name Churchill on his majority. Frank is given to dancing and living a carefree existence, and is secretly engaged to Miss Fairfax at Weymouth, although he fears his aunt will forbid the match because Jane is not wealthy. He manipulates and plays games with the other characters to ensure his engagement to Jane remains concealed. Jane Fairfax is an orphan whose only family consists of her aunt, Miss Bates, and her grandmother, Mrs. Bates. She is a beautiful, bright, and elegant woman, with the best of manners. She is the same age as Emma. She is extraordinarily well-educated and talented at singing and play
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Theatrical release poster Directed by Autumn de Wilde Produced by Tim Bevan Eric Fellner Graham Broadbent Pete Czernin Screenplay by Eleanor Catton Based on Emma by Jane Austen Starring Anya Taylor-Joy Johnny Flynn Josh O'Connor Callum Turner Mia Goth Miranda Hart Bill Nighy Music by Isobel Waller-Bridge David Schweitzer Cinematography Christopher Blauvelt Edited by Nick Emerson Production companies Perfect World Pictures Working Title Films Blueprint Pictures Distributed by Focus Features Release date 14?February?2020 (United Kingdom) Running time 124 minutes Country United Kingdom Language English Box office $20. 9 million [1] [2] Emma. [a] is a 2020 British comedy-drama film directed by Autumn de Wilde, from a screenplay by Eleanor Catton and is based on Jane Austen 's 1815 novel of the same name. Its story follows Emma Woodhouse, a young woman who interferes in the love lives of her friends. It stars Anya Taylor-Joy, Johnny Flynn, Josh O'Connor, Callum Turner, Mia Goth, Miranda Hart, and Bill Nighy. It was released in the United Kingdom on 14 February 2020 and in the United States on 21 February 2020. It received generally favorable reviews from critics and has grossed $20 million worldwide. Synopsis [ edit] Emma Woodhouse is a young, beautiful, and vain woman who lives in a large mansion on the Hartford estate of her elderly father in the village of Highbury. She has no wish to marry but enjoys pairing her family and friends. The film follows Emma and her friend Harriet as they experience friendship, love and heartbreak in this adaptation of Jane Austen¡Çs book. Cast [ edit] Production [ edit] In October 2018, Anya Taylor-Joy was cast in the film adaptation of Emma, with Autumn de Wilde making her directorial debut with the film. [4] In December 2018, Johnny Flynn joined the cast of the film. [5] In March 2019, Bill Nighy, Mia Goth, Josh O'Connor, Callum Turner, Miranda Hart, Rupert Graves, Gemma Whelan, Amber Anderson and Tanya Reynolds joined the cast of the film. [6] Alexandra Byrne was costume designer for the film. [7] Principal photography began on March 18, 2019. [8] [9] Firle Place in Sussex was used for the exterior of Emma¡Çs home. [10] Release [ edit] It was released in the United Kingdom on February 14, 2020, coinciding with Valentine's Day, and was released in the United States on February 21, 2020. [11] Reception [ edit] Box office [ edit] The film made $230, 000 from five theaters in its opening weekend for a per-venue average of $46, 000, the highest of 2020 at that point. [12] The film went wide weeks later, grossing $5 million from 1, 565 theaters and finishing sixth at the box office. [13] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 85% based on 178 reviews, with a weighted average of 7. 19/10. The website's critics consensus reads: "Other adaptations may do a better job of consistently capturing the spirit of the classic source material, but Jane Austen fans should still find a solid match in this Emma. " [14] On Metacritic, the film was assigned a weighted average score of 71 out of 100, based on 45 critics, indicating "generally favorable reviews". [15] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, and PostTrak reported it received an average 3 out of 5 stars, with 44% of people saying they would definitely recommend it. [13] Notes [ edit] References [ edit] ^ "Emma. (2020)". Box Office Mojo. Retrieved 8 March 2020. ^ "Emma". The Numbers. Retrieved 8 March 2020. ^ Carr, Flora (14 February 2020). "Emma. director Autumn de Wilde explains the film's unusual punctuation". Radio Times. ^ Kit, Borys (25 October 2018). "Anya Taylor-Joy to Star in Jane Austen Adaptation 'Emma' (Exclusive)". The Hollywood Reporter. Retrieved 29 October 2018. ^ D'Alessandro, Anthony (20 December 2018). "Johnny Flynn Joins Focus Features-Working Title's 'Emma ' ". Deadline Hollywood. Retrieved 2 March 2019. ^ Grater, Tom (21 March 2019). "Bill Nighy, Mia Goth, Josh O'Connor, Callum Turner board 'Emma' for Working Title, Blueprint (exclusive)". Screen International. Retrieved 21 March 2019. ^ "Alexandra Byrne". Independent Talent. Retrieved 14 May 2019. ^ "Production Weekly" (PDF). Production Weekly. No.?1123. 20 December 2018. p.?19. Retrieved 28 January 2019. ^ de Wilde, Autumn (18 March 2019). "DAY ONE of production complete".. Retrieved 19 March 2019. I am thrilled to announce that I am directing Jane Austen¡Çs ¡ÉEmma¡É starring @anyataylorjoy for @focusfeatures @workingtitlefilms & // screenplay by eleanorcatton // photo by @anyataylorjoy // @emmafilm // ¡ÈEmma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. ¡É // #emma #hansomecleverandrich ^ Medd, James. "Where was 'Emma' filmed? ". CN Traveller. ^ "Emma". Launching Films. Retrieved 22 August 2019. ^ Ramos, Dino-Ray (23 February 2020). " ' Emma' Delivers Charming Opening, 'Impractical Jokers: The Movie' Laughs Its Way To $2M Debut ? Specialty Box Office". Retrieved 23 February 2020. ^ a b D'Alessandro, Anthony (8 March 2020). " ' Onward' Seeing Blasé $40M Domestic Opening, $68M WW: Are Coronavirus Fears Impacting B. O.? ? Sunday Update". Retrieved 8 March 2020. ^ "Emma. Rotten Tomatoes. Retrieved 6 March 2020. ^ "Emma. Reviews". Metacritic. Retrieved 7 March 2020. External links [ edit] Emma. on IMDb Emma. at Rotten Tomatoes Emma. at Metacritic.
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Emma movie watch online free. Credit... Jingyu Lin for The New York Times Reporter¡Çs Notebook Other movie versions of the Jane Austen heroine emphasized her charms. This time she doesn¡Çt care about pleasing her audience. Anya Taylor-Joy, left, the star of the new ¡ÈEmma, ¡É and her director, Autumn de Wilde. Jingyu Lin for The New York Times There¡Çs a moment toward the end of Jane Austen¡Çs ¡ÈEmma, ¡É when the heroine goes to a picnic and is horrified to discover that she is not as wonderful as she once believed. Bored and careless of other people¡Çs feelings, she makes a cutting remark that is meant to be witty but ends up humiliating its target, the kindly, twittery, tedious professional spinster Miss Bates. It¡Çs one of those instances that turns everything around, for a story and for a character. But how to get the tone right while filming it? How awful should Emma be before she learns not to be awful at all? That was the problem facing the director Autumn de Wilde, whose ¡ÈEmma¡É features a heroine (played by Anya Taylor-Joy) destined to try the patience of the audience. In this case, de Wilde filmed the scene several different ways, ultimately rejecting the cruelest version in favor of one in which Emma is not vicious so much as thoughtless. ¡ÈShe¡Çs not a bad person; she¡Çs not a psychopath, ¡É de Wilde said recently, on a visit to New York. ¡ÈShe has a magic to her¡É ? a charismatic charm ? but she¡Çs also ¡Èa misguided, spoiled, selfish girl. ¡É Emma, at least as the novel begins, is queen of her tiny neighborhood and the most problematic, and hardest to like, of Austen¡Çs best-known heroines. She doesn¡Çt have Elizabeth Bennet ¡Çs playful sense of humor about herself, or Elinor Dashwood ¡Çs maturity, or Anne Elliot ¡Çs deep understanding of her place in the world. Instead, Emma has lived ¡Ènearly 21 years in the world with very little to distress or vex her, ¡É Austen writes ? spoiled from having had ¡Èrather too much her own way, and a disposition to think a little too well of herself. ¡É That is one challenge; the other is the burden, if that is the right word, of remaking something that has often been remade before. There have been three other ¡ÈEmma¡É movies in the last 15 years, four if you go back to 1995 and include ¡ÈClueless, ¡É the ¡ÈEmma¡É-inspired comedy set in the cutthroat world of a Southern California high school. Mostly they emphasized Emma¡Çs charm over her shortcomings. Even when we are exasperated by Emma ? or, actually, by Gwyneth Paltrow, or Kate Beckinsale, or Romola Garai, or Alicia Silverstone ? we can¡Çt help but find her delightful. Image Credit... Focus Features But Taylor-Joy, 23, came to the part animated, she said in an interview, by Austen¡Çs own description of Emma as ¡Èa heroine whom no one but myself will much like. ¡É She is perhaps best known for portraying people in extremis: the possibly possessed 17th-century farmer¡Çs daughter in ¡ÈThe Witch¡É (2016) and one of the girls trapped in the basement by the psychopathic James McAvoy in M. Night Shyamalan¡Çs horror movie ¡ÈSplit¡É (2017). She plays Emma with style and attitude and sharpness, as if the character has stepped out of a Regency England version of ¡ÈMean Girls. ¡É If every era gets its own ¡ÈEmma, ¡É perhaps the time is right for one whose job is not always to please the audience. ¡ÈI was really sick of women having to be not just likable, but also easy to like, ¡É Taylor-Joy said. ¡ÈWhenever she had a bad moment, I wanted it to be a moment in which people would see her behaving badly. ¡É In the film, Taylor-Joy wears true-to-the-period gowns that are not always flattering (one has a neckline so high that it appears to be choking her). Meanwhile, her hair is corralled into tight curls on either side of her face, à la Nellie in ¡ÈLittle House on the Prairie¡É and when she is displeased, she can look as if she¡Çs sucking on a lemon drop. The film emphasizes Taylor-Joy¡Çs striking, almost otherworldly appearance but at times plays down her natural physical appeal in the service of her character¡Çs haughtiness. ¡ÈToo many decisions are made in order to make girls look attractive to modern audiences, ¡É de Wilde said. ¡ÈWe¡Çre moving into a time, luckily, where we can have Emma be as I wanted to depict her, as she was in my mind. ¡É If her vision of Emma was daring, so was de Wilde as a daring choice. A photographer and music-video director known for her meticulous composition and witty eye, she had never directed a feature film before. (You can see her photographic work in the film¡Çs poster, which she also shot. ) In the interview, she had a ready answer to the question of why we need another Emma: Why not? ¡ÈNo one would ever say that about ¡ÆKing Lear¡Ç or ¡ÆRomeo and Juliet, ¡Ç¡É she said. ¡ÈWhen something is as well-written as ¡ÆEmma, ¡Ç there are endless possibilities to grab on to with your interpretation. ¡É What she wanted to emphasize were the poignancy of the relationship between Emma and her less well-born friend Harriet, as Emma realizes how wrong she has been to meddle in Harriet¡Çs love life; and the dead-on humor with which Austen skewers small-town life. De Wilde envisioned the movie as part romantic comedy, part slapstick, and got her actors to watch the Cary Grant-Katharine Hepburn classic ¡ÈBringing Up Baby¡É to set the right mood. For Mr. Knightley, Emma¡Çs neighbor, voice of reason and love interest, she wanted someone sexy and a little bit dangerous rather than pedantic and preachy, as the character can too often seem. She cast the British musician and actor Johnny Flynn, who exudes a non-Regency sex appeal. ¡ÈI called up a musician friend of mine in England and I said, ¡ÆIf you were to pick a British actor who you would have a crush on, who would it be? ¡Ç¡É she recalled. ¡ÈHe sent me five photos of Johnny Flynn. He said, ¡ÆI want to be Johnny Flynn; I¡Çm in love with Johnny Flynn; my fiancée is in love with Johnny Flynn. ¡É Miss Bates is played by Miranda Hart (¡ÈCall the Midwife¡É) who has an almost uncanny ability to combine physical comedy with pathos. She and the director are both very tall ? each 6-foot-2, de Wilde said ? and de Wilde has a particular sympathy for the humiliated Miss Bates during the picnic at Box Hill because she herself was bullied as a girl. ¡ÈShe¡Çs taller than Emma; she¡Çs in Emma¡Çs way; she¡Çs a spinster, ¡É de Wilde said. ¡ÈShe is a giant woman who is mad and joyous but talks too much and is annoying. What I wanted was the audience to go along laughing at her so by the time we get to Box Hill, they realize they have become part of the bullying ? and they regret their laughter. ¡É She added: ¡ÈIf that scene at Box Hill doesn¡Çt break your heart, the movie is ruined ? it¡Çs over. ¡É She cast the great British character actor Bill Nighy as Mr. Woodhouse, Emma¡Çs super-nervous father ? afraid of change, afraid of drafts, afraid that he or the people he loves will catch cold or move away or get married or be beset by some other calamity. ¡ÈHe¡Çs a valetudinarian as opposed to a hypochondriac, who is entirely concerned with their own health ? he¡Çs obsessively concerned with everybody else¡Çs, ¡É Nighy said in an interview. He had never read Jane Austen and was a little wary of period dramas, he said, but was tickled by de Wilde¡Çs concept for the character. ¡ÈThe idea of the uptight, paranoid, nervous Englishman makes me laugh, and there is a great pleasure in playing that kind of character, ¡É said Nighy, who spends much of the movie positioned next to the fire in his drawing room, protected from the draft by screens whose choreographed positioning and repositioning makes them almost a character unto themselves. Emma¡Çs patience for her father¡Çs neuroses is expressed in the tender, loving way Taylor-Joy treats Nighy in their scenes together. But she has a lot to learn about the other people in her life, and the film emphasizes the felicity in the way she makes amends ? a rare and happy thing in our one-strike-and-you¡Çre-canceled era. (And of course she finds love, because ¡ÈEmma, ¡É after all, is a romantic comedy. ) ¡ÈNowadays people are so quick to condemn, ¡É de Wilde said, ¡Èand so it¡Çs really nice to watch someone make mistakes, and grow, and redeem themselves. ¡É.
I never thought I'd like an adaptation of Emma as much as I liked the one with Gwyneth Paltrow (go figure. but this certainly seems as though it will shatter all my expectations. Free Movie emmanuelle. Bernie 2020?. Free Movie. Let me just say I tried doing this exact thing with my hair when I was 16 and my hair FELL OFF. So Emma changing her mind was probably for the best because my hair literally fell out of my head and that sucked as you can imagine.
Free movies emma thompson. No one: nobody at all: not even danielle cohn herself: emma having so much fun in that one dress: if i do this fast enough ill fLy AwAy. Löikö mörkö sisään suomi tykkää jos oot suomalainen. YouTube. Critics Consensus Other adaptations may do a better job of consistently capturing the spirit of the classic source material, but Jane Austen fans should still find a solid match in this Emma. 84% TOMATOMETER Total Count: 180 73% Audience Score Verified Ratings: 836 Emma. Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Emma. Videos Photos Movie Info Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of EMMA. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along. Rating: PG (for brief partial nudity) Genre: Directed By: Written By: In Theaters: Feb 21, 2020 limited Studio: Focus Features Cast News & Interviews for Emma. Critic Reviews for Emma. Audience Reviews for Emma. Emma. Quotes Movie & TV guides.
After reading up about the real story its actually much much sadder and not a happy ending for gerda lily passed from a womb operation but gerda spiralled into depression after lily died gerda is the epitome of true love and I am sad lily couldnt love her back because Mân or woman gerda was there for her thorough everything even when she was being hurt. Love this movie, but wish they were more faithful with the ending. And not so abrupt. Emmanuel movie free.
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