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Resume The trials and triumphs of Malti, an acid attack survivor. From the investigation of the attack to the court proceedings, the medical treatment to the emotional healing. Chhapaak is the story of the unquashable human spirit
Rating 22784 Votes Directed by Meghna Gulzar Writer Meghna Gulzar country India

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Chhapaak Watch stream. Every time I listen and watch the song. but this time I literally felt the song... This is way too far from the other music videos this proves that glamour is not the only thing required to make a song good. Yaar aisa kark Kya milta h nd q Karte ho?????. Chhapaak Watch stream new. 1:31 victim Yani gunahgar. konse dictionary mey bro. Love u DeePiKa mam. Chhapaak Watch stream of consciousness. Something went wrong, but don’t fret ? let’s give it another shot. After watching this i really loved depikka. love from she was closed to. 1:22 I would punch ? on her face Oh God everyone is devil ?. Chhapaak Watch stream online. Chhapaak watch streaming.
Critics Consensus No consensus yet. 87% TOMATOMETER Total Count: 15 85% Audience Score Verified Ratings: 93 Chhapaak Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Chhapaak Videos Photos Movie Info Malti (Deepika Padukone) was attacked with acid on a street in New Delhi, in 2005. Through her story, the film makes an attempt to understand the on-ground consequences of surviving an acid attack in India, the medico-legal-social state of affairs that transpires after the acid has been hurled and the face is irreparably burnt. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 10, 2020 limited Runtime: 122 minutes Studio: FIP Cast Critic Reviews for Chhapaak Audience Reviews for Chhapaak Chhapaak Quotes Movie & TV guides.
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Vikrant massey ki acting jisko pasand aai like kare. Chhapaak Watch streams. Chhapaak Watch. Its all what other girls, people, parents, brothers of their sisters learn from her. Anything. Cast: Deepika Padukone, Vikrant Massey, Madhurjeet Sarghi, Payal Nair, Chitranjan Tripathy, Geeta Agarwal, Manohar Teli, Vishal Dahiya, Ankit Bisht, Vaibhav Upadhyay, Delzad Hivale, Sharvari Deshpande, Ipshita Chakraborty Director: Meghna Gulzar Despite the standard disclaimer that appears at the start of pretty much every film these days (“any resemblance to persons living or dead is entirely coincidental” etc), Chhapaak ? as is evident from its promotions ? is based on the true story of acid-attack survivor and activist Laxmi Agarwal. In the film she becomes Malti (played by Deepika Padukone) whose life changes forever one day when acid is thrown on her face. Malti is 19 at the time and Basheer Khan a. k. a. Babbu, a family friend, is 30. His motive: she had ignored his romantic overtures and was clearly involved with a boy in a neighbouring school. Director Meghna Gulzar’s film, which she has co-written with?Atika Chohan, is far from being a conventional high-pitched melodrama. Chhapaak ’s narrative style is largely documentary-like, leaving the horror of Malti’s reality to do its work on viewer emotions. Besides, when we are first introduced to the protagonist, it is with her damaged face, and only in the climactic moments of the film do we get to see her for what she once was. Through most of the running time then, it is impossible not to compare the corroded skin on screen with the beauty we know Padukone to be. The mere thought that one human being could do this to another, that scores of men continue to do this to women in India, is obviously shocking?(and yes, dear offended MRAs, stats do show that the perpetrators are mostly men). Unfortunately, the film’s bid to be understated is stretched too far. Deepika Padukone in a still from Chhappak. YouTube Chhapaak means well, no doubt, but the screenplay is surprisingly thin ? surprising because of Meghna’s brilliance with Raazi and Talvar. Combine that with plotline weaknesses, an excessive effort to stay?low key and the unexpected shot at being a conformist fairytale in the end, and the result is a film that seems curiously detached from its heroine, despite the devastating true story that inspired it. When Chhapaak (meaning: Splash) opens, we are in 2012 and Delhi is out on the streets protesting against a brutal gangrape on a bus. At this point, Malti has chosen to disappear from the public eye despite having earlier filed a high-profile PIL demanding a ban on the sale of acid in India. She soon starts working with an NGO for?acid-attack survivors run by journalist-turned-activist Amol (Vikrant Massey). Thus?begins her journey as the most visible face of this horrific crime in the country. Chhapaak ’s narrative structure, which involves some back and forth in time, is slightly confusing. When did Malti stop being desperate for a job? When did rights-consciousness overcome her despair? What might have been a natural progression in a linear storyline comes across as swings in?the state of mind of both the central figure and a couple of those around her because?of the?jagged timeline of events. This though is not the primary issue with Chhapaak. The primary issue is that while trying to avoid being high-decibel masala, it ends up seeming oddly uninvolved. Perhaps I have been spoilt for Chhapaak because just last year I watched ? and loved and rewatched ? the Mollywood film Uyare starring the wonderful Parvathy Thiruvothu as a woman whose controlling boyfriend throws acid on her face. That Malayalam film directed by Manu Ashokan?managed to be subtle yet emotionally stirring, optimistic?yet heart-rending. Chhapaak tries but fails to attain that fine balance. The film does have its positives. Such as its unobtrusive background score by Shankar Ehsaan Loy and Tubby, and a gentle title track by SEL. Or that?amusing, heart-warming conversation between two survivors about the kind of face that they want post-surgery. Or the solid courtroom arguments between two lawyers who are neither wolf-whistle-worthy in the Sunny “ dhai kilo ka haath ” Deol league?nor the twerps we usually see in commercial Bollywood. Their intelligent exchanges are real, low-volume yet gripping. The winner among all the episodes in Chhapaak is the one where Malti in a celebratory mood has a face-off with Amol. The writing and acting in this scene are flawless. The treatment of the villains’ Muslim identity too is interesting.?The man behind the attack on the real-life Laxmi was Muslim, so too are the antagonist?in Chhapaak and his accomplice, but they are portrayed factually in the film, not as ugly Muslim stereotypes of the sort that have pervaded Hindi cinema in the past couple of years. In the current political atmosphere in India, this was perhaps the trickiest part of the story and Meghna acquits herself well here. Not so smoothly done is a fleeting scene involving Malti’s brother and a member of Basheer Khan’s family. (Alert: minor spoilers in the next four paragraphs) Considering that Meghna’s handling of gender is usually faultless, it is surprising to see her go down a conventional path in Chhapaak ’s finale. The last we see of Malti in her present-day avatar is of a man she loves acknowledging his own feelings for her. Read: the standard happily-ever-after of formulaic fairytales. A woman getting a man is the socially accepted definition of a happy ending because getting a man was and still is widely assumed to be every woman’s primary goal and ultimate achievement. In a changing world, where Hollywood has tossed convention out of the window in films like Frozen and Maleficent, and our very own Uyare refused to go down that well-worn road, it needs to be asked why Chhapaak alters Laxmi’s truth to fit this old straitjacket. For a film that aims at realism, this and one other element are particularly jarring. You see, the real Laxmi did indeed fall in love with the founder of the NGO she worked with, they did enter into a relationship and even have a child together. The inconvenient ‘after’ to this ‘happily-ever-after’ that the film avoids though is that they soon broke up, and according to media reports, as of now she is a financially struggling single mother. Everything else in Chhapaak is perhaps debatable, what is not is its portrayal of Malti being recruited as an anchor by Aaj Tak. Considering this media group’s reputation for wanting its female anchors to look like Fox-News-style models, this part of Chhapaak is almost laughable. It is unclear why the writers could not have thought up a fictional TV channel or, better still, come up with a more believable profession for Malti. This passage in Chhapaak defies believability in another way. While Malti is giving an interview in Aaj Tak ’s studio, a producer watching from the control room says “she is good”, and seconds later she has a job offer. Actually, Malti is particularly ineffective while answering questions in that scene. The writing and acting here are at their feeblest. (Spoiler alert ends) The fulcrum of Chhapaak is Padukone. The superstar, who also debuts as a producer with this film, has the benefit here of sensitive camerawork by Malay?Prakash and prosthetic makeup that?somewhat mirrors the real-life Laxmi’s appearance. This?is a talented actor who managed to make a mark even in the horribly Islamophobic, misogynistic and clichéd Padmaavat in 2018. In Chhapaak, however, she is inconsistent. She does a good job of her present-day scenes, especially her hesitant flirtation with Amol. In the passage where she is shown as a teenaged school-goer though, she is decidedly awkward. The supporting cast is fair enough. The one actor who truly stands out in Chhapaak is Massey playing Amol. Hindi TV’s Darling Young Man, the sturdy Dev from Lootera (2013) and the loveable, troubled Shutu from A Death In The Gunj (2017) is all grown up and a really sexy man in Chhapaak. He is so hot, and his performance so nuanced, that it becomes easy to see why Malti would fall in love with the irritable Amol. The blend Massey achieves is what Chhapaak needed as a whole. Without that, what we are left with are good intentions, a heart in the right place, a major star taking a huge risk with an unorthodox role and a bunch of pluses that somehow do not come together to deliver an immersive?experience. Find latest and upcoming tech gadgets online on Tech2 Gadgets. Get technology news, gadgets reviews & ratings. Popular gadgets including laptop, tablet and mobile specifications, features, prices, comparison. Updated Date: Jan 12, 2020 13:11:55 IST.
Chhapaak watch streamer. January 10, 2020 6:37PM PT Director Meghna Gulzar and Indian superstar Deepika Padukone are affecting without excess in this fact-based drama about the aftermath of a horrible crime. There’s a scene late in “ Chhapaak, ” writer-director Meghna Gulzar ’s stirringly crafted and intelligently uplifting fact-based drama, where Malti (Deepika Padukone), the survivor of a horrific assault, tentatively expresses her warm feelings to Amol (Vikrant Massey), the crusading activist who has taken up the cause of women who have suffered similar attacks. But, true to form for this fiery idealist, Amol gruffly interrupts her romantic overtures. “This stuff, ” he insists, “belongs in the movies. ” It’s tempting to read the exchange as Gulzar’s meta commentary on her own movie, which scrupulously avoids the emotional and stylistic extremes that, for better or worse, have come to define much of contemporary Indian cinema (and not just for Western audiences). To put it another way: If you walk into “ Chhapaak ” expecting typical Bollywood razzamatazz, you may be disappointed. There are no lavish production numbers, no exhilarating romantic interludes, no slo-mo acrobatics of any sort ? and only two songs, neither of which are sung by anyone onscreen. On the other hand, if you’re up for a conventional yet compelling tale of an exceptional young woman who overcomes brutish mistreatment and regains control of her destiny, you won’t miss the usual song-and-dance at all. Working with co-writer Atika Chohan, Gulzar has taken a reasonable amount of dramatic license in telling the real-life story of Laxmi Agarwal, a 15-year-old New Delhi girl who, in 2005, was splashed with acid and hideously disfigured by a thirtysomething man whose stalkerish advances she had rebuffed. In “Chhapaak, ” the victim is slightly older, and known as Malti. Although Gulzar presents the attack early in the film ? shockingly, but with sympathetic discretion ? she doesn’t explicitly detail motivation for the crime until a third-act flashback. In the meantime, she smartly focuses on Malti’s efforts to will herself out of despair and depression, undergo a series of restorative surgeries, and press a legal case against her attacker. Malti’s chief allies are Archana Bajaj (Madhurjeet Sarghi), a crusading attorney who rails against a national legal system that appears to treat acid assaults on women (a commonplace crime in India) as scarcely worse than misdemeanors, and the aforementioned Amol, the type of single-minded zealot who would serve as buzzkill at a party celebrating a legal victory because, well, he didn’t think the ruling went far enough. (It speaks volumes about Vikrant Massey’s underlying charisma that his character doesn’t come across as a complete pill. ) Occasionally calling to mind socially conscious Warner Bros. melodramas of the 1930s, “Chhapaak” repeatedly emphasizes how ludicrously easy it is (or at least was, until recently) for acid-tossers to procure their assault weapon of choice throughout India. Worse, as attorney Bajaj explains in a key scene that is all the more potent for being so matter-of-factly subdued, the attackers are able to avoid appropriately long prison sentences because, according to the criminal code, throwing acid at someone is no more heinous than dousing them with hot tea. (A nice touch: Bajaj has ample time to do her crusading because her husband, played by Anand Tiwari, assumes without complaint most of the day-to-day parenting responsibilities for their daughter ? whose growth, not incidentally, is a primary indication of time passages in the film. ) As Malti, Indian superstar Deepika Padukone relies less on exceptionally convincing makeup than straight-from-the-heart conviction to give her multifaceted performance the solid ring of truth. Neither she nor Gulzar resort to undue yanking of heartstrings while charting the evolution of Malti’s resolve and recognition of her self-worth. At the same time, however, Padukone brings welcome touches of infectious humor and tart sassiness to the character, particularly while dealing with Amol and interacting with real-life acid-maimed women who appear (most notably, and affectingly, during a train trip) in bit parts. Two observations on the film’s structure are in order. First: When the audience finally gets to see the untouched beauty of Malti in the third-act flashback, we’re brutally reminded of the sheer monstrousness of her attacker, just at the perfect time to make the film’s resolution even more satisfying. On the other hand, be forewarned: The epilogue is quite capable of slapping the smile right off your face. Vertical Entertainment has picked up U. S. and U. K. rights to Andrea Dorfman’s comedy “Spinster, ” starring “Brooklyn Nine-Nine’s” Chelsea Peretti. The film makes its U. premiere today in the Cinema 360 section at the Miami Film Festival. Toronto-based Game Theory Films has Canadian rights. “Spinster” follows Peretti’s character Gaby who, unceremoniously dumped on her 40th birthday, [... ] Leading European festivals, film academies and funders have called for the freedom of Iranian film director Mohammad Rasoulof. 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With hundreds of guests from [... ] U. equity markets opened sharply lower on Monday, triggering a 15-minute halt to stock trading minutes after bell rang as investors absorb the latest information on the impact of coronavirus around the world. The Dow Jones Industrial average was down 1, 884 points, or 7. 2%, at the start of the session. The S&P fell more than [... ] Magnolia Pictures is delaying the release of “Slay the Dragon” by a month and overhauling the distribution plan for the documentary about gerrymandering, Variety has learned. “Slay the Dragon” will open on April 3 instead of March 13 and will now be released on VOD and digital platforms. It was originally supposed to be released [... ] AMC Entertainment has named Mark Pearson its chief strategy officer, a newly created role that will focus on streaming partnerships. Pearson, who joins the company from 20th Century Fox, will be based in Los Angles and will report to AMC Theatres CEO Adam Aron. 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Chhapaak Watch stream new albums. Chhapaak Watch streaming. This is a good story People should learn about it and respect and support women I request you all. Masha Allah she is so beautiful her hairs are also amazing. I guess the dislikers are those who attacked her or some other girl or else doesnt respects/care for their mothers and sisters. Deepika par deshdroh ka mamla darj ho. So true. Underrated vikrant had to be appreciated. Chhapaak Watch stream.nbcolympics.
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