Crystal Zheng

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• Reporter: Manjur Ahmed
• Biography I am bengali muslim. I have retired from services.

Director Hlynur Palmason Drama Ingvar Sigurdsson year 2019

Segir hver og afh ertu þá að hlusta á það. Ingumundur lives alone on a desolate farm. He is trying to rebuild his house and is looking after his granddaughter from time to time. He is quiet on the surface, but underneath he is grieving for his recently deceased wife. When a disturbing detail about his wife's past suddenly comes to the surface it threatens to destroy the fragile peace he has created, and affects everyone he loves. When the movie starts with good few minutes of a car driving down a misty road you know you are in for a long ride. The harsh landscape of the setting is almost a character in the film. It gives the movie almost a magnetic quality. But there's a sense of imminent tragedy lurking underneath it all. WHITE WHITE DAY tells a seemingly simple story, but is secretive at times, letting the viewers decide for themselves what motivates the characters. And it is often what happens off screen that has the real impact. The cinematography however goes a bit overboard with still static shots of everchanging nature, as beautiful as they are they quickly turn irritating. There are wonderful performances from all involved, specifically a tour de force from the lead Ingvar Siggurdson, as he slowly goes to pieces, his anger, pain and frustration tearing him apart on the inside, as he is just sitting there quietly like a bomb ready to go off. WHITE WHITE DAY has a story to tell and has some interesting characters to match. It is, however first, and foremost an Arthouse film that tries to experiment with cinematography, light and pacing. It also relies on the viewer's attention, but it is a long, slightly depressing movie and not everyone will last the distance. But if you do it is rather rewarding. Some movies hide the fact that they have little to say beyond the artistic impressions. WHITE WHITE DAY is not such a film.