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1995; actor=Tom Hanks; Al Reinert; country=USA; &ref(https://m.media-amazon.com/images/M/MV5BNjEzYjJmNzgtNDkwNy00MTQ4LTlmMWMtNzA4YjE2NjI0ZDg4XkEyXkFqcGdeQXVyNjU0OTQ0OTY@._V1_UY190_CR0,0,128,190_AL_.jpg); 254194 vote. Apollo 13 Theatrical release poster Directed by Ron Howard Produced by Brian Grazer Screenplay by William Broyles Jr. Al Reinert Based on Lost Moon by Jim Lovell Jeffrey Kluger Starring Tom Hanks Kevin Bacon Bill Paxton Gary Sinise Ed Harris Kathleen Quinlan Music by James Horner Cinematography Dean Cundey Edited by Daniel P. Hanley Mike Hill Production company Universal Pictures Imagine Entertainment Distributed by Universal City Studios Release date June?30,?1995 (United States) Running time 140 minutes Country United States Language English Budget $52 million [1] Box office $355. 2 million [2] Apollo 13 is a 1995 American space docudrama film directed by Ron Howard and starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris. The screenplay by William Broyles Jr. and Al Reinert dramatizes the aborted 1970 Apollo 13 lunar mission and is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert, and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA 's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA 's technical assistance in astronaut and flight controller training for his cast, and obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the " weightlessness " experienced by the astronauts in space. Released to cinemas in the United States on June 30, 1995, [3] Apollo 13 was nominated for nine Academy Awards, including Best Picture (winning for Best Film Editing and Best Sound). [4] In total, the film grossed over $355 million worldwide during its theatrical releases. The film was very positively received by critics. Plot [ edit] In July 1969, astronaut Jim Lovell hosts a house party where guests watch Neil Armstrong 's televised first human steps on the Moon. Afterwards Lovell, who had orbited the Moon on Apollo 8, tells his wife Marilyn that he intends to return to the Moon to walk on its surface. Three months later, as Lovell conducts a VIP tour of NASA's Vertical Assembly Building, his boss Deke Slayton informs him that because of problems with Alan Shepard 's crew, his crew will fly Apollo 13 instead of 14. Lovell, Ken Mattingly, and Fred Haise train for their new mission. A few days before launch, Mattingly is exposed to German Measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert. Lovell resists breaking up his team, but relents when Slayton threatens to bump his crew to a later mission. As the launch date approaches, Marilyn has a nightmare about her husband getting killed in space, but goes to the Kennedy Space Center the night before launch to see him off. On April 11, 1970, Flight Director Gene Kranz gives the go-ahead from Houston's Mission Control Center for the Apollo 13 launch. As the Saturn V rocket climbs through the atmosphere, a second stage engine cuts off prematurely, but the craft reaches its Earth parking orbit. After the third stage fires to send Apollo 13 to the Moon, Swigert performs the maneuver to connect the command module Odyssey to the Lunar Module Aquarius and pull it away from the spent rocket. Three days into the mission, the crew makes a television transmission, which the networks decline to broadcast live. After Swigert turns on the liquid oxygen tank stirring fans as requested, one of the tanks explodes, emptying its contents into space and sending the craft tumbling. The other tank is soon found to be leaking. They attempt to stop the leak by shutting off fuel cells #1 and #3, but to no avail. With the fuel cells closed, the Moon landing must be aborted, and Lovell and Haise must hurriedly power up Aquarius to use as a "lifeboat" for the return home, as Swigert shuts down Odyssey before its battery power runs out. In Houston, Kranz rallies his team to come up with a plan to bring the astronauts home safely, declaring "failure is not an option". Controller John Aaron recruits Mattingly to help him invent a procedure to restart Odyssey for the landing on Earth. As Swigert and Haise watch the Moon pass beneath them, Lovell laments his lost chance of walking on its surface, then turns their attention to the business of getting home. With Aquarius running on minimal electrical power, the crew suffers freezing conditions, and Haise contracts a urinary infection and resulting fever. Swigert suspects Mission Control is withholding their inability to get them home; Haise angrily blames Swigert's inexperience for the accident; and Lovell quickly squelches the argument. When carbon dioxide approaches dangerous levels, ground control must quickly invent a way to make the command module's square filters work in the Lunar Module's round receptacles. With the guidance systems on Aquarius shut down, the crew must make a difficult but vital course correction by manually igniting the Lunar Module's engine. Mattingly and Aaron struggle to find a way to turn on the command module systems without drawing too much power, and finally transmit the procedure to Swigert, who restarts Odyssey by transferring extra power from Aquarius. When the crew jettisons the service module, they are surprised to see the extent of the damage. As they release Aquarius and re-enter the Earth's atmosphere, no one is sure that Odyssey ' s heat shield is intact. The tense period of radio silence due to ionization blackout is longer than normal, but the astronauts report all is well and splash down in the Pacific Ocean. As helicopters bring the three men aboard the recovery ship USS Iwo Jima for a hero's welcome, Lovell's voice-over describes the subsequent investigation into the explosion, and the careers of Haise, Swigert, Mattingly, and Kranz. He wonders if and when mankind will return to the Moon. Cast [ edit] Hanks, Bacon and Paxton portray the astronauts Lovell, Swigert and Haise respectively. Apollo Flight Crew: Tom Hanks as Apollo 13 Commander Jim Lovell: Jim Lovell stated that before his book Lost Moon was even written, the movie rights were being shopped to potential buyers [5] and that his first reaction was that Kevin Costner would be a good choice to play him. [5] However, by the time Howard acquired the director's position, Costner's name never came up in serious discussion, and Hanks had already been interested in doing a film based on Apollo 13. When Hanks' representative informed him that a script was being passed around, he had the script sent to him. [5] John Travolta was initially offered the role of Lovell, but declined. [7] Kevin Bacon as Apollo 13 backup Command Module Pilot Jack Swigert [8] Bill Paxton as Apollo 13 Lunar Module Pilot Fred Haise Mission Control: Gary Sinise as Apollo 13 prime Command Module Pilot Ken Mattingly: Sinise was invited by Howard to read for any of the characters, and chose Mattingly. [5] Ed Harris as White Team Flight Director Gene Kranz: Harris described the film as "cramming for a final exam. " Harris described Gene Kranz as "corny and like a dinosaur", but respected by the crew. [5] Apollo 13 would be Harris' second space travel-themed movie; he had starred as pioneering astronaut John Glenn in 1983's The Right Stuff. Chris Ellis as Director of Flight Crew Operations Deke Slayton Joe Spano as "NASA Director", a composite character loosely based on Chris Kraft Marc McClure as Black Team Flight Director Glynn Lunney Clint Howard as White Team Electrical, Environmental and Consumables Manager (EECOM) Sy Liebergot Ray McKinnon as White Team Flight Dynamics Officer Jerry Bostick Todd Louiso as White Team Flight Activities Officer Loren Dean as EECOM John Aaron Jim Meskimen as White Team Telemetry, Electrical, EVA Mobility Unit Officer (TELMU) David Andrews as Apollo 12 Commander Pete Conrad Christian Clemenson as Flight Surgeon Dr. Charles Berry Ben Marley as Apollo 13 backup Commander John Young Brett Cullen as Capsule Communicator (CAPCOM) 1 Ned Vaughn as CAPCOM 2 Carl Gabriel Yorke as SIM (Simulator) 1 Arthur Senzy as SIM 2 Civilians: Kathleen Quinlan as Marilyn Gerlach Lovell, Jim's wife Xander Berkeley as Henry Hurt, a fictional NASA Office of Public Affairs staff member [9] Tracy Reiner as Haise's wife Mary Mark Wheeler as Neil Armstrong, Apollo 11 Commander Larry Williams as Buzz Aldrin, Apollo 11 Lunar Module Pilot Mary Kate Schellhardt as Lovell's older daughter Barbara Max Elliott Slade as Lovell's older son James (Jay), who attended military school at the time of the flight Emily Ann Lloyd as Lovell's younger daughter Susan Miko Hughes as Lovell's younger son Jeffrey The real Jim Lovell appears as captain of the recovery ship USS Iwo Jima; Howard had intended to make him an admiral, but Lovell himself, having retired as a captain, chose to appear in his actual rank. Horror film director Roger Corman, a mentor of Howard, appears as a congressman being given a VIP tour by Lovell of the Vehicle Assembly Building, as it had become something of a tradition for Corman to make a cameo appearance in his protégés' films. [10] The real Marilyn Lovell appeared among the spectators during the launch sequence. CBS News anchor Walter Cronkite appears in archive news footage and can be heard in newly recorded announcements, some of which he edited himself to sound more authentic. In addition to his brother, Clint Howard, several other members of Ron Howard's family appear in the movie: Rance Howard (his father) appears as the Lovell family minister.
The courage and determination of the astronauts and other Americans. Too bad it was sullied by the greed of the commercial banner at the end. Shame. Imagine this: You have to keep your cool while riding in a tin can a few thousand or so miles from home and everything is going to shit all around you. One minor side note- if you dont -you die... We never heard of Michael Collins. In fact he is the guy who got Armstrong and Aldrin back home.

The Mandela effect messed it up ?

Very well explained, thank you

Ok boomer. Watching November 2019. I teer up everytime I see this scene all they way back to 1995 when I first saw it?????. RIP Alan Bean. Story of the 1970 Apollo 13 mission, the third manned moon launch. After three days in space, Apollo astronauts Jim Lovell, Fred Haise, and Jack Swigert finally approach their long-cherished destination, when suddenly their spacecraft's power and guidance systems go down--and the supply of oxygen begins to dwindle. The trio now face a grim reality: their crippled capsule, stranded 205, 000 miles in space, might never return to earth. With time running out, the crew and thousands of others, including flight director Gene Kranz, brave near-impossible odds in a daring attempt to guide the capsule earthward.
Bruh it went from. ¡È Houston we have a problem¡É then it went to Houston weve had a problem. And now its back to normal. What I had found out was that a technician assembling the surveyor probe had sneezed and the bacteria got on the part which actually survived the time on the moon. PS 107- close the doors. Imagine if somewon SCREAM I CALL MOVIE RIHGTs. This is great. i wish i had seen this video earlier. Yes, Kevin Spacey won the Best Supporting Actor for his role in the forgettable crime flick The Usual Suspects, however anyone who knows anything about cinema and acting knows that Ed Harris was the real winner. It always baffled me how they stirred the oxygen tanks. After 20 years I've finally understand. Liquid oxygen.
A good historical film that traces the Apollo 13 mission, we have three visions of action, the rocket where are the three astronauts, the NASA command post where the best scientists of the world try to help these three men stuck in the space and the families, mostly Jim Lovell's, played by Tom Hanks, these three points of view are quite interesting. I think that the fact that I already know the story, and therefore the end, disturbed me a bit, at no time did I think "they may not be able to survive" it's a disadvantage, we do with. All in all the movie is good or very good but I think, even if it seems harmless, I would have liked that the sentence "Houston, we've had a problem" has more importance and is said in a tone perhaps more solemn than just said like that, it is certainly why I rate 7 and not 8. "Houston, we've had a problem" was essential. Apollo 12, all present and accounted for, Sir! lol. Dang it, Balto! Stop playing with the switches! XD. Sept. 16, 2002 -- As a child, Tom Hanks dreamed of being an astronaut, playing zero-gravity games in his swimming pool. Now, he's playing the role of astronaut once again, in Apollo 13: The IMAX Experience, a mega-screen version of the 1995 hit film that Hanks starred in. Director Ron Howard's Apollo 13 is being completely repurposed for 70mm IMAX exhibition ? the first time such a transition has been done for a live-action 35 mm feature film. Apollo 13: The IMAX Experience opens in theaters on Sept. 20. The movie starsTom Hanks, Kevin Bacon, Bill Paxton and Ed Harris, and dramatizes the precarious 1971 mission of NASA's Apollo 13 shuttle using a combination of archival footage and special effects. Hanks spoke about his role in an interview with Good Morning America's Entertainment Correspondent Alex Cambert. Below is transcript of the interview as it aired on Good Morning America. TOM HANKS: (on his appearance on the large IMAX movie screen): The first thing you think is: is my head really that big? Because it is, it is a huge, huge head. ALEX CAMBERT: Yeah, cause the screen is ¡Ä HANKS: Eight stories ¡Ä CAMBERT: ¡Ä Eight stories high. HANKS: Essentially, your teeth are the size of cars (laughs). You know, they're huge. That being said, you forget THAT very, very quickly and you get into just whatever emotional story that the movie is able to tell. (movie clip: Apollo13: The IMAX Experience, sound "Houston, we have a problem") HANKS: It's a very emotional experience that you have ? watching this, this regular, like, story-telling movie up on IMAX. It's just different. CAMBERT: Did you snag any souvenirs from the movie? I mean, did you keep, like, a space suit? Or, what do you have? Come on! 'Fess up! What'd you take?! HANKS: Well, I still have the pressure suit. I still have the helmet. I still have a lot of the flight... CAMBERT: Where do you keep a pressure suit?! In the closet? I mean, like, 'Here's my Armani? my Boss? '... My pressure suit? HANKS: You never know when you might want to whip that thing out. It's to please the kids, you know. CAMBERT: As a kid, did you want to go up there yourself? HANKS: Sure. You bet. I used to ? I would put a brick in the bottom of my pants and sit at the bottom of the pool breathing through a, breathing through a garden hose and kind of, like, float. And I would have these little plastic tools; take apart the pool ladder and put it back together again because I wanted to be doing a service in zero gravity of outer space and also hearing the (heavy breaths) through the garden hose because that was as close as I could get to the tactile feeling of being in space. CAMBERT: Now, I heard, that you had ? actually ? astronaut DOLLS?! HANKS: Yeah, Major Matt Mason. Yeah. CAMBERT: What's he like? HANKS: Major Matt? CAMBERT: Yeah! Major Matt! HANKS: Major Matt Mason was an astronaut. And he was bendable and pose-able. CAMBERT: (pulling doll out of his jacket): I'm wondering if Major Matt looks anything like this... HANKS: (gasps) Oh my gosh! CAMBERT: (holding up doll) This is a Major Matt Mason! HANKS: (in unison) Major Matt Mason. There he is! Right there! Well, now, Okay. (handles doll) Yes. Because this would have ? used to have been white. Now, you don't have the helmet. (jokes) What's the point? But you'll notice there: see, there he would be relatively pose-able and this is what would go on. And this is what would go on for ? I would sit by the coffee table in my mom's living room, going like this (breathes deeply). I'd do that for hours and hours and hours. Was I sick or what? CAMBERT: Yeah, a little bit. HANKS (handing it back to CAMBERT): Major Matt Mason! CAMBERT: Its yours! HANKS: Oh, stop! CAMBERT: Although, you dissed me with the 'NO HELMET! ' thing, so maybe I should take it back ¡Ä HANKS (laughs): Well, no, that's alright. CAMBERT: Now, I think I want it back... HANKS: No, no, no. CAMBERT: I want Major Matt back. (sarcastically at doll in HANKS's pocket) Yeah, that'll look nice. You'll talk to Major Matt. Should I ask him questions? HANKS (talking to doll in his pocket): What do you think, Major Matt? (makes deep breathing noises) CAMBERT: At the very end of our interview, I'd like to do something called: 'True And False. ' HANKS: Okay. CAMBERT: Subject: 'Tom Hanks'. Are you ready? HANKS: Yeah. CAMBERT: True or false? You are a direct descendant of Nancy Hanks Lincoln ? Abraham Lincoln's mother. HANKS: True. CAMBERT: That is true?! HANKS: Yes. CAMBERT: Mm. True or False? : because of your love of space you asked George Lucas if you could have a role in Star Wars: Episode 3, playing the part of Jar Jar Hanks. HANKS (laughs): CAMBERT: True or False? HANKS: False. I'm sorry to say. CAMBERT: True or False: Steven Spielberg refers to you as 'Old Faithful. ' HANKS: Uh, not to my face! (laughs) CAMBERT: But it could be true?! HANKS: It could be true! CAMBERT: Well, Tom ? it was great to see you again, man. HANKS: Always a pleasure. Thank you very much. Thank you for Major Matt. And, oh ? just one last thing. (holds up doll, breathes deeply) CAMBERT: You're scaring me, now. HANKS: (keeps holding up doll, breathes deeply) CAMBERT: Bye-bye. CAMBERT: It's a two-hour show, Tom. Bye-bye. (off-camera laughter). To The Stars ¡ù Tom Delonge ?.
Do Sully (2016) And The Real US Airways 1549 Comparison Please. Problem, we have a Houston! CUT. sorry, LINE. 20:09 Houston we had a problem. Wonder if the rocket parts will fall into our houses.
Im wathiching from nepal great video thank you. | Roger Ebert September 20, 2002 At a time when screens and theaters grow smaller and movie palaces are a thing of the past, the new practice of re-releasing films in the IMAX format is a thrilling step in the opposite direction. Ron Howard's " Apollo 13, " which opens today at the IMAX theater at Navy Pier, looks bold and crisp on the big screen, and the sound has never sounded better--perhaps couldn't have ever sounded better, because IMAX uses some 70 speakers. Although it takes place largely in outer space, "Apollo 13" isn't the kind of adventure saga that needs the bigger screen so its effects play better. "Star Wars, " which is headed for IMAX theaters, fits that definition. "Apollo 13" is a thrilling drama that plays mostly within enclosed spaces: The space capsule, mission control and the homes of those waiting in suspense on Earth. Advertisement The film re-creates the saga of the Apollo 13 mission, which was aborted after an onboard explosion crippled the craft on its way to the moon. In a desperate exercise of improvisation, crew members and the ground support staff figure out how to return the craft safely to Earth, cannibalize life-support from both the mother capsule and the lunar landing module, and navigate into a terrifyingly narrow angle between too steep (the craft would burn up in the atmosphere) and too shallow (it would skip off and fly forever into space). Tom Hanks, Bill Paxton and Kevin Bacon play astronauts Jim Lovell, Fred Haise and Jack Swigert, respectively. On Earth, the key roles are by Gary Sinise, as the left-behind astronaut Ken Mattingly, who uses a flight simulator to help improvise a solution; Ed Harris, who is cool-headed flight director Gene Kranz, and Kathleen Quinlan, as Lovell's wife, Marilyn, who tries to explain to their children that "something broke on Daddy's spaceship. " The movie has been trimmed by about 20 minutes for the IMAX release. Filmed in widescreen, it has been cropped from the sides to fit the IMAX format. Neither change bothered me. Although I am an opponent of pan-and-scan in general, I understand when it is used to maximize a different projection format. The detail and impact of the IMAX screen essentially creates a new way of looking at the film. Reveal Comments comments powered by.
I really do not believe that anybody was able to go to space and walk on the moon. I remember being like 8 and this was on TV and then it went past my bedtime so I remember pretending to have gone and then hiding on the stairs for like an hour to watch the rest. Anyway my point is that this is the scene I always remembered and I had chills watching the reentry and then waiting for the parachute lol.

Mandela Effect, we have a Flip Flop Problem. 2019

From Universal Pictures, Imagine Entertainment and IMAX Corporation comes the very first Hollywood feature film to be digitally re-mastered into The IMAX Experience® using the revolutionary IMAX DMR® technology. Apollo 13: The IMAX Experience tells the dramatic true story of the heroic actions needed to bring a three-astronaut crew safely back to Earth after the Apollo 13 space mission suffered catastrophic mechanical problems en route to the Moon. Made with NASA's collaboration, the highly-suspenseful film is scientifically and historically accurate. Apollo 13 features strong performances from the ensemble cast, led by Oscar®-winning actor Tom Hanks, and brilliant direction by Ron Howard, another Oscar winner.
I want deeper then let know in mother ship mona. After understanding how a TLI works, I tried it in KSP and managed it first time. I love polythene Boden next time.

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