The Turning
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The Turning ?Pirate Bay?

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Countries - USA
average ratings - 4,5 / 10 Stars
Rating - 2885 votes
Floria Sigismondi
Horror
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| Christy Lemire January 24, 2020 If "The Turning” leaves you screaming, it’ll probably be out of frustration over its abrupt, unsatisfying ending and not?the actual frights that precede it. This latest version of Henry James ’ classic, oft-adapted novella “The Turn of the Screw” gets a grunge makeover, radiating style and mood in the hands of director Floria Sigismondi. The music video veteran?whose clips for Marilyn Manson ’s “The Beautiful People” and Justin Timberlake ’s “Mirrors” are just a couple of prime examples in her lengthy filmography?creates an unsettling vibe that’s quickly and deeply immersive. The James source material, which most notably has been adapted as 1961’s “ The Innocents ” starring Deborah Kerr, is straight-up Gothic horror. Its setting is a chilly, sprawling mansion where things go bump in the night, windows and doors slam shut on their own and whispers down dusty hallways eventually turn to screams. Advertisement Clearly, nothing good will happen here, despite the elegant trappings. But the imagery eventually grows repetitive?you can only see so many skittering spiders and severed doll heads?and the talented supporting performers reach a limit as to what they can convey about their characters in the script from “ The Conjuring ” writers Chad Hayes and Carey W. Hayes. Then there’s that ending, which feels like a sudden shriek, and a shrug. Initially, though, Mackenzie Davis is full of optimism as Kate, a kindergarten teacher excited about her new job as a live-in instructor and governess for a young orphan. (This is an extremely different nannying gig than the one Davis had in “Tully. ”) The setting has been updated to the somber spring of 1994, as we see from television coverage of Kurt Cobain ’s death, but Kate is nothing but upbeat. “I’m going from 25 screaming kids to one little girl, ” she tells her skeptical roommate. “How hard could it be? ” But once Kate arrives at the foreboding estate, she soon realizes she has more to deal with than her precocious charge, the sunny second-grader Flora (“ The Florida Project ” star Brooklynn Prince). She also must contend (and compete for authority) with the home’s longtime housekeeper, the angular and antagonistic Mrs. Grose ( Barbara Marten). Soon, Flora’s arrogant teenage brother, Miles ( Finn Wolfhard of “Stranger Things”), shows up unexpectedly from boarding school with some secrets of his own. And eventually, the legend of what happened to Flora’s previous teacher, as well as the riding instructor with whom Miles had forged a strong bond, comes into sharper focus. Sigismondi, with just her second feature following the 2010 rock biopic “ The Runaways, ” establishes Kate’s feeling of isolation early and often, shooting her from a distance on the estate grounds, her bright, red coat providing a striking contrast with the home’s cold, gray facade. It’s a perpetually cloudy place, where a leisurely stroll past the koi pond or a horseback ride in the woods are opportunities for dread rather than joy. Cinematographer David Ungaro works deftly within the many creepy corners of the cavernous estate?hidden hallways, an abandoned sewing room, a garishly wallpapered bathroom?all of which hint at a deeply rooted evil that never truly materializes. And the dark strings of composer Nathan Barr ’s score are a key factor in putting us on edge. Davis, meanwhile, convincingly suggests her character’s descent into madness; whether the origin is internal or the result of her surroundings is the film’s ultimate question. You can see her growing more frail and frazzled each morning after yet another restless night. It’s a physically and emotionally demanding role, and Davis is up for every challenge. The look on her face as Kate begins to realize exactly what she’s gotten herself into?and can’t get out of for a variety of reasons?is quietly chilling. Prince provides an eerily spritely presence without a trace of child-actor cuteness, and Wolfhard continues to display his versatility with this surly and subversive portrayal. “The Turning” suggests the devastation that can linger as a result of childhood trauma, and its players seem game to go deeper, but ultimately the film only scratches the surface of this thorny subject. Reveal Comments comments powered by.
Le tour d'écrou pdf. Le tour d& 39;écrou bande annonce vf. Lets see the movie: online. Learn more More Like This Fantasy | Horror Thriller 1 2 3 4 5 6 7 8 9 10 5. 4 / 10 X A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. Director: Oz Perkins Stars: Sophia Lillis, Samuel Leakey, Charles Babalola Comedy Drama 6. 3 / 10 Hoping to change her life, Marina, a small town girl, embarks on a journey to a life coaching event. But an unexpected delay at a St. Petersburg airport sends her on a 24 hour comedic spree... See full summary ? Darya Charusha Yuliya Aug, Pavel Derevyanko, Aleksandr Gudkov 5. 7 / 10 Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. Benh Zeitlin Yashua Mack, Devin France, Gage Naquin Action Mystery 5. 3 / 10 A woman seeks revenge against those who orchestrated a plane crash that killed her family. Reed Morano Blake Lively, Jude Law, Sterling K. Brown Adventure History 6. 1 / 10 A group of officers of the Russian Imperial Guard prepare a revolt in December 1825, when about 3, 000 officers and soldiers refused to swear allegiance to the new tsar. Andrey Kravchuk Sergey Agafonov, Yuriy Baturin, Klim Berdinskiy 5. 9 / 10 The year 1910, before revolution in Russian Empire. The gold miner from Yekaterinburg, Nikolai Kamenev makes the profitable deal with Bulgarian manufacturer Dimitar Yvovich, with the... See full summary ? Lyudmila Tomilova Valentina Sizonenko, Artem Potapov, Mariya Yasnaya Sci-Fi With the fall of the alien ship Julia's life changed, now three years later mankind is about to experience new encounter. Fedor Bondarchuk Oleg Badyu, Konstantin Bogomolov, Yuriy Borisov 6. 5 / 10 A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position. Kitty Green Julia Garner, Matthew Macfadyen, Makenzie Leigh 7. 1 / 10 After a mysterious accident a young architect comes back to his senses in a very odd world. He must find out the exact laws and regulations of it as he fights for his life and keeps on looking for the exit to the real world. Nikita Argunov Milos Bikovic, Lyubov Aksyonova, Aleksey Serebryakov Romance Masha, a gynaecology doctor, is so absorbed by her work that she doesn't immediately come to notice that her husband is about to leave her. Her life is shattered: Masha is overloaded at... See full summary ? Anna Parmas Olga Albanova, Vitali Daushev, Anton Filipenko Ilya Kulikov Sergey Burunov, Roman Popov, Sofya Kashtanova Biography 5. 1 / 10 Inspired by real events in the life of French New Wave icon Jean Seberg. In the late 1960s, Hoover's FBI targeted her because of her political and romantic involvement with civil rights activist Hakim Jamal. Benedict Andrews Kristen Stewart, Yvan Attal, Gabriel Sky Edit Storyline A young woman quits her teaching job to be a private tutor (governess) for a wealthy young heiress who witnessed her parent's tragic death. Shortly after arriving, the girl's degenerate brother is sent home from his boarding school. The tutor has some strange, unexplainable experiences in the house and begins to suspect there is more to their story. Plot Summary Plot Synopsis Taglines: Watch the Children With Care. Motion Picture Rating ( MPAA) Rated PG-13 for terror, violence, disturbing images, brief strong language and some suggestive content See all certifications ? Details Release Date: 24 January 2020 (USA) See more ? Also Known As: The Turning Box Office Budget: $14, 000, 000 (estimated) Opening Weekend USA: $6, 950, 045, 26 January 2020 Cumulative Worldwide Gross: $18, 261, 468 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia The second film in which Mackenzie Davis plays a nanny, the first being Tully. See more ? Quotes Kate: Where were you hiding? Flora: Like I'd tell. Soundtracks Mother Performed by Courtney Love See more ?.
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Só vim aqui por causa q tem o Finn. YouTube. Horror thrives on ambiguity. What's out there lurking in the dark? Did that object really just move? Is there actually something spooky going on, or is it all happening inside the main character's head? There's a line, though, and The Turning crosses it. Audiences like to be scared, but they also like their stories to have conclusions, even if they're grim ones. Floria Sigismondi's horror film, in which a young nanny named Kate (Mackenzie Davis) relocates to the cavernous ? and probably haunted ? Bly Manor to take care of two orphans, Miles and Flora (Finn Wolfhard and Brooklynn Prince, respectively), doesn't really have an ending. It just stops, leaving viewers to puzzle over the surreal images that close out the film. The Turning doesn't offer enough information to definitively say what happened right before the credits roll, but with a little digging, you can piece together an explanation that's at least somewhat satisfying. You just have to work at it. Don't worry. If you, like everyone else, were baffled by The Turning 's bizarre ending, we're here to help. A tale of two endings The Turning offers two explanations for the spooky events at Bly Manor. Either Bly is haunted by the ghosts of its late stablemaster, Quint, and Flora's former governess, Miss Jessel, or Kate has gone completely crazy. In a sense, the film has it both ways. After Kate receives a package full of paintings from her mother, who's mentally ill, The Turning quickly devolves into a frantic chase through a haunted house. In this version, everything has a clear and obvious answer. Quint assaulted Miss Jessel, then murdered her when she tried to flee. Bly Mansion's caretaker, Mrs. Grose, killed Quint a few weeks later. Quint and Miss Jessel's spirits now haunt the manor, and when Quint turns violent, Kate loads the kids into the car and flees. Once Kate escapes Bly, the film cuts back to the scene in which she's looking at her mother's paintings. It ends differently. This time, instead of running, Kate confronts the children, clearly insane. Miles taunts Kate, and then Kate has a vision of her mother painting. As Mom lifts her head to Kate, Kate screams. Cue credits. The way the film is structured implies that the second ending is the "real" one. At the end of the movie, Kate is insane. It's not clear if the first ending was a prophetic vision or crazy person's fantasy, and we don't know if Bly is actually haunted. It doesn't matter. Either way, Kate has lost her mind. Going back to the source So, what are we supposed to do with that information? The original text might hold some clues. The Turning is actually an adaptation of Henry James' novella The Turn of the Screw, which was published in 1898, and has been a popular ghost story ever since. On the surface, both The Turning and The Turn of the Screw have the same plot: A young woman moves to an old estate, where she's charged with teaching an orphaned girl. The girl's big brother arrives home unexpectedly after being expelled from his boarding school. The governess begins to see the ghosts of Quint and Miss Jessel, and becomes convinced that the kids do, too. However, in the book, the endingis very different. In the novella, the kids are very clearly haunted by two ghosts. Flora is freed from Miss Jessel's spirit and escapes. However, when the governess tries to make Miles explain why he was expelled, Quint appears. The governess breaks Quint's hold on Miles, but the boy dies in her arms. If you take the text at face value, then the ghosts at Bly Manor are very real ? but, as you'll see, that's a big "if. " Following in Henry James' footsteps Of course, while The Turn of the Screw 's ending seems a lot clearer than The Turning 's, ambiguity is one of this story's oldest traditions. As early as 1907, one critic suggested that The Turn of the Screw 's ghosts aren't real. Instead, the argument goes, everything supernatural happens in the governess' mind. She killed Miles, not some evil spirit. The blood is on her hands. Some people agree. Others don't, defending the governess and insisting that we're supposed to take The Turn of the Screw at face value. None of Henry James' other ghost stories play fast and loose with the narrator's sanity, and nothing he said about the novella later suggests that we shouldn't take the governess at her word. It's a debate that continues to this day, although the discussion kind of misses the point. James scared his audience. That was his real goal. The Turning 's weird and confusing ending seems to be director Floria Sigismondi's attempt to capture that same ambiguity. No, that doesn't explain exactly what happened at the conclusion of the film, but at least it explains why the filmmaker decided to end things on such an odd note. Revisiting the Quint, Jessel, and the ghosts Here's what we do know: Bly's stablekeeper, Peter Quint, had a thing for the first governess, Miss Jessel. She did not return his feelings. That's all laid out in Jessel's journal, which Kate finds when she first moves into the manor. Because of Quint's advances, Jessel felt increasingly unsafe. She had good reason. Quint was a straight-up creep, as evidenced by the Polaroid he took of Jessel while she slept, which he then left for her to find with a menacing note scrawled underneath. We also know that Quint attacked Miss Jessel when she tried to leave. Jessel's escape opens the film, and if you look carefully, you can see Quint's face reflected in the window of Jessel's car as she waits for the gate to open. Kate isn't in this scene. It's not shown from Kate's point-of-view, so it can't be a result of her insanity. It's also very hard to rule out the ghosts entirely. Kate starts hearing voices almost as soon as she moves into the manor, before Miles starts playing psychological games with her. Flora draws pictures of Miss Jessel The mannequin modeled after Miles and Flora's ancestor moves its head after Kate leaves the room. We're not seeing that through Kate's eyes, so it seems like it's real. If it's not? That's pretty sloppy storytelling. Finn Wolfhard: possession victim, or grade-A jerk? So, is Miles possessed? That's what The Turning 's false climax implies. When Kate tries to gather the children and take them to the car, Miles cowers in his bedroom, claiming that Quint won't let him leave the house. In Henry James' original novella, Miles is obviously under the spirit's influence, too. On some level, we're supposed to believe that Quint is pulling the strings. Kate certainly thinks so: When she dreams about chasing Miles through the hedge maze, the boy briefly transforms into Quint himself. Of course, if the supernatural parts of the story are only figments of Kate's disturbed imagination, then Miles isn't a puppet for some supernatural entity. He's just a bad kid. We know that Miles nearly beat a kid to death, which is why he was expelled. He's moody and sullen and spoiled and used to getting his way. It's entirely believable that Miles torments Kate simply because he doesn't like her. Either way, Miles is using lessons he learned from Quint to torture Kate, as he acts exactly like Bly's former stable master. Miles watches Kate while she sleeps and touches her without her consent, exactly like Quint did to Jessel. When Miles teaches Kate how to ride horses, he flogs the animal with a whip, just like Quint taught him. When Quint was still alive, he was very close with Miles. Now, literally or figuratively, the man's spirit lives on through the boy. If it's not broke, break it in Quint's whole M. O. seems to be torturing strong creatures down until they obey or until they're broken. That's what he did to horses, as Miles explains. Whether the implied sexual assault and the specifics of Jessel's murder are true or not, Quint tortured and dominated the former governess, too. Finally, that's what Quint does to Kate, either through supernatural manipulation or through Miles, who carries on Quint's sadistic legacy. After all, the film clearly positions the conflict between Kate and Miles as a battle of wills. When Miles first gives his speech about breaking in horses, it seems like he's foreshadowing how Kate will get control over the children. Mrs. Grose refers to the kids as "thoroughbreds, " after all. That's not an accident. Of course, it quickly becomes clear that Miles, not Kate, is winning. Kate is constantly surrounded by images of shattered female faces ? the mannequin (twice), Flora's doll, and so on ? which symbolize her mental state. She suffers violent nightmares, and grows increasingly hysterical as the film continues. It's Kate, not the kids, who end up broken. It's unlikely that her mind will ever recover. The title is the key The Turning wasn't always called The Turning. When 28 Weeks Later helmer Juan Carlos Fresnadillo was set to direct and when Game of Thrones star Rose Leslie was attached as the lead, it was called The Haunting. A few weeks before production began, however, DreamWorks shut the project down and sent the script back for an overhaul. The characters changed, the plot was altered, and The Haunting got a new title. But why? The Haunting is painfully generic, but The Turning is straight-up gibberish. Once again, though, Henry James might be the key. In the original novella, the phrase "turn of the screw" appears twice, and each time it has different but complementary meanings. Turning, or tightening, a screw increases tension. The first time James uses it, he's talking about how to make a scary story even more frightening. The second time, the governess is discussing how the events at Bly Manor are testing her sanity. Changing the title of the movie from The Haunting to The Turning moves the focus away from the ghosts and puts it on Kate's deteriorating mental condition. The spirits are incidental. As long as Kate goes crazy, it doesn't really matter why. We all go a little mad sometimes Understanding tha
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Ρε μαλάκα. Critics Consensus Stylish but muddled, this misbegotten adaptation of Henry James' classic novel will send horror-hungry viewers Turning to the source material instead. 12% TOMATOMETER Total Count: 92 15% Audience Score Verified Ratings: 2, 184 The Turning Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Turning Videos Photos Movie Info For more than 100 years, a deeply haunting tale has been passed down to terrify audiences. Next February, DreamWorks Pictures' THE TURNING takes us to a mysterious estate in the Maine countryside, where newly appointed nanny Kate is charged with the care of two disturbed orphans, Flora and Miles. Quickly though, she discovers that both the children and the house are harboring dark secrets and things may not be as they appear. Rating: PG-13 (for terror, violence, disturbing images, brief strong language and some suggestive content) Genre: Directed By: Written By: In Theaters: Jan 24, 2020 wide Studio: Universal Pictures Cast News & Interviews for The Turning Critic Reviews for The Turning Audience Reviews for The Turning The Turning Quotes Movie & TV guides.
What in the pacific standard. For me I think The Autopsy of Jane Doe is one of those films. I was so hooked in during the first half of the movie from the mystery and tension. But then, when things started going down it just got so much less compelling and, instead of doing something different, it hit all the typical horror movie tropes. Amazing concept and beautifully filmed and scored marred by cliche execution. Making a new war of the world every ten just to show how stale Hollywood is.

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