Rachel Smith

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About The Author - not Penny
Biography: On casse ta porte c'est la gestapo - Rédactrice sur @cinemaclubfr

1hours, 34minutes Mystery cast=David Lawrence Brown liked it=5939 vote Brief=The Grudge is a movie starring Tara Westwood, Junko Bailey, and David Lawrence Brown. A house is cursed by a vengeful ghost that dooms those who enter it with a violent death creator=Nicolas Pesce, Takashi Shimizu. The grudge match. The grudge 3. The grudge trailer reaction. The drudge report 2019. The judgements of god. Quality HD一个年?女人?上了一个有一个秘密的家伙，两人?始了一段??的恋??系.改?自安娜托?的小?.1.
But if you do decide to read this, then know that I enjoyed this movie quite a bit. An "R" rating was exactly what The Grudge needed. The ending could have been better, plus any one who has seen the original will know what is going to happen. This is still a better sequel than The Grudge 2 and 3. Nicolas Pesce took a giant swing and missed when he decided to helm another installment in the long-running "Grudge" series of films. Unfortunately, this rendition of the haunted house tale does very little to mystify and terror audiences as Takashi Shimizu's 2002 classic, Ju-On: The Grudge" did so many years ago. The film does nothing new to reinvent the horror space in any meaningful way, instead, it utilizes the same old tired and overused tropes of the 2010s we have all grown accustomed to; ominous noises, character investigation, music sting, jump scare, rinse and repeat. "The Grudge (2020) is a dime a dozen, it is no exception to the rule, it is the rule.

"The Grudge (2020) features a handful of characters we are introduced to throughout the entirety of the film's ninety-minute runtime. We are first presented with the character of Fiona Landers (Tara Westwood) who was presumably working in Tokyo at the original home before deciding to flee back to the states out of sheer panic. Despite her eagerness to leave, it means nothing because when she returns home to 44 Rayburn Drive, the curse of Kayako has already infected the family and plagued the home. This inciting event kicks off the haunting that will alter the lives of all who enter the home. However, it is not Fiona who functions as our main protagonist, it is instead Detective Muldoon (Andrea Riseborough) that takes up that role. As an audience member, you will recognize that Muldoon will be the primary character because Buhler and Pesce pull out all of the stops in an attempt to make you emotionally care for her and her situation. Nevertheless, we follow her as she and her partner Goodman (Demián Bichir) investigate a car crash from a couple of years ago. It is then revealed to everyone present that this grizzly death has been linked to the sinister house on Rayburn Drive. Goodman's response to hearing this information ignites the spark that lights Detective Muldoon's obsession with the history of the home. From this moment forward the film begins its story by showcasing the tales of multiple families from across the years who have had the displeasure of stepping foot inside the home. We see real estate agents Nina (Betty Gilpin) and Peter Spencer (John Cho) as they deal with the stress of their unborn child, along with long-time married couple, Faith (Lin Shaye) and William Matheson (Frankie Faison) who's warped reality of the curse leads to a few inexplicable events. The family matters are all uncovered by Muldoon as she sifts through voice recordings and case files in order to uncover what truly occurred to the people connected to 44 Rayburn Drive. Muldoon chooses to investigate the case with such a burning desire, but due to her detachment from the house and the prior cases, we are left wondering why she would even continue. All the while, we go along for the ride with Muldoon as she falls deeper into the rabbit hole unshrouding the mystery. However, with every discovery, Muldoon's world becomes more consumed with the curse of Kayako. The film's nonlinearity is a genius reflection of the structure utilized in the 2002 original. Unfortunately, the issue with this scattered nonlinear technique of storytelling is that it sets up scares, frightens the viewers, and immediately jumps to the next scene without letting things breathe; it refuses to force the audience to sit with the traumatic actions being played out in front of them. The film would rather make you jump with cheap scares than establish a meaningful and terrifying mythos that can linger with viewers for years to come. As with many horror films, characters always insist on showing a lack of competence and reasoning when faced with the circumstances at hand; let me be the first to tell you, The Grudge (2020) is no different. Whether it's Muldoon or Peter, almost everyone involved finds a way to display a lapse in judgment when the hauntings begin. Why did this person choose to hide there? Because they need a scare. Why did they step foot in that room? Because they need a scare. Why don't they just leave? Because they need a scare. "The Grudge (2020) is littered with dozens of jump scares that are tremendously predictable and uninspired. Yet, the worst sin this film commits is that it just simply is not scary at all. Besides a few low effort jump scares featuring some corpses being flashed on-screen accompanied by a loud musical sting, the film does nothing more than make you groan and roll your eyes. To make matters even worse, this film has access to one of the most iconic j-horror monsters and completely wastes it. Kayako never comes across as a scary demon hellbent on vengeance but is instead perceived as nothing more than an unbathed prankster that wanders around aimlessly. At any chance he can get, Pesce always puts Kayako in the frame but never cleverly hides her or alludes to her presence; he just outright shows her. There is no inherent problem with that method, but when it is the only method applied, it becomes stale and feels as though they are simply baby feeding us. It is as if Kayako is nudging us and saying, Hey look, I'm over there." The fear of the unknown is a beautiful tool this film seems to have forgotten. Ultimately, The Grudge (2020) suffers from a multitude of problems stemming from poor writing, terrible character development, a jumbled narrative that goes nowhere and some of the dullest scares the genre has to offer. Despite that, Pesce understands how to competently shoot a film, as majority of his choices when working behind the camera are extremely well thought out and executed. But, throughout the entirety of the film's runtime, The Grudge (2020) fails to plant any long-lasting seeds of genuine fear. It fails to deliver any meaningful scares, so if you are looking for a night of frights, you would be better served visiting YouTube and typing in the search bar, scary videos. Final Verdict: D.

?”Time to make like a failing New Jersey business”terally made me lol at work. The grudge full movie. There's a grudge alright because Hollywood is running out of ideas. Im scared watching w/my baby haha xD the grudge it so not very scared just lite LOL. The grudge 2 movie. The Grudge is the 2004 American remake of the Japanese film Ju-on: The Grudge and the first installment in the American horror film series The Grudge. The film was released in North America on October 22, 2004 by Columbia Pictures, directed by Takashi Shimizu (director of the original series) and written by Stephen Susco. In the same tradition as the original Ju-on series, the plot of the film is told through a non-linear sequence of events and includes several intersecting subplots. The Grudge tells the story of an American social worker crossing paths with a mysterious curse lying in a house she is hired to work for. The film has spawned two sequels: The Grudge 2 (which was released on October 13, 2006) and The Grudge 3 (released on May 12, 2009). Synopsis Edit The Grudge describes a curse that is born when someone dies in the grip of a powerful rage or extreme sorrow. The curse gathers in the place where that person died. Those who encounter this murderous supernatural force die and the curse is reborn, passed from victim to victim in an endless, growing chain of horror. The following events are explained in their actual order (which differs from the order shown on film). Intro Edit The film opens on a man, Peter Kirk - An American Professor in Japan's capital, Tokyo. One morning, he is standing on his high rise balcony, with a troubled look on his face. His wife, Maria, looks at him from inside their apartment and asks him what's wrong. Without any word or hesitation, he flings himself over the balcony, committing suicide, as a shocked Maria looks on. The Williams family Edit Matthew Williams, his wife Jennifer, and his ailing mother Emma, move into the Seaki house. Jennifer is unhappy with her life in Japan: she is unable to speak the language, and has gotten lost once on a walk. Matthew assures her things will improve and that if they don't, the family will return to the United States. Jennifer falls asleep on a couch in the living room. The sound of her bowl hitting the floor awakens her and she discovers the bowl on the floor, the contents strewn everywhere. She scolds Emma for making the mess, but sees a trail of wet child's footprints leading out to the hall. She sees a cat on the landing of the stairs and sees a pair of white arms gently pick it up. She continues upstairs and enters her bedroom (Toshio's former bedroom). The door closes behind her. Matthew returns from work and finds the house in complete disarray with trash strew everywhere. He calls out to his wife who doesn't answer. He finally finds her on the bed, unable to move or speak and struggling to breath. Before he can call an ambulance he is startled by the sudden appearance of a young boy making a cat sound named Toshio. He backs up against the closet as Toshio appears suddenly over his head. Later, Susan, Matthew's sister, is preparing to leave the office. After attempting to call, Susan increasingly becomes concerned from not being able to reach Matthew. She starts to leave her office building but she is stopped by the sound of moaning coming from the hallway. She quickly exits to the stairs but is frightened when the lights start to flicker and shatter. Susan looks over the railing to see Kayako's ghost crawling up the stairs. Susan flees to the closest hallway but Kayako grabs her cell phone charm and pulls it off. Susan goes to the security office, seeking help. There the security guard promises to check it out. Susan watches the monitor as the security guard investigates. However, he finds nothing and leaves. Then the lights flicker and Kayako's ghost rises up out of the shadows in the hallway and walks toward the security camera. Susan runs. Susan is pursued. Susan takes a taxi cab back to her apartment. She enters an elevator, and it ascends several floors. Susan does not notice, however, that Toshio is standing outside each set of elevator doors she passes, getting progressively closer with each passing floor. Susan makes it safely inside when her phone rings. It is Matthew claiming to have forgotten her?apartment number and asking to be buzzed inside. She tells him where to find her and activates the buzzer with the phone. The doorbell rings immediately after she hangs up. Thinking Matthew could not possibly have had time to arrive, she checks the peephole of the door. Shocked to find it is Matthew, Susan believes he is pranking her. She angrily throws open the door, but no one is there. The death rattle emanates loudly through the phone in Susan's hand. She drops and breaks the phone, yet the rattle can still be heard. Cowering in the bed, Susan reaches beneath the covers and pulls out the rabbit's foot phone charm from her phone and drops it in fear. A lump billows from underneath the covers and moves toward Susan. She lifts the sheets, seeing Kayako's face. She is abruptly pulled under and both disappear. Edit Karen about to get a surprise. Yoko is a girl whose work is to take care of Emma and clean the house. While picking up trash on the floor and stairs, she hears someone walking around up in the attic. Following the noise, Yoko enters a closet in the bedroom and sees a small door in the ceiling, which leads to the attic. Using a lighter, Yoko sticks her head up through the door and slowly turns around, looking for the source of the sound. She eventually comes face to face with Kayako, who attacks her and pulls her up into the attic. Karen Davis is then called in to work at the house (in Setagaya) and care for Emma after Yoko disappears. While working, Karen finds a closet that has been taped shut with cat-like noises coming from it. When she rips off the tape and opens the door, she finds a little boy. The boy refuses to come downstairs so she asks him for his name. "Toshio", he says, in a monotone, eerie voice. Emma begins stirring and muttering in the other room. As Karen calms her, a dark shadow of hair emerges from a corner of the room, terrifying Emma. Karen looks up to see Kayako reaching for Emma. Kayako's hair, which was covering her face, flies back to reveal the whites of her eyes. The irises roll into place and focus on Karen as she backs away in fright. Alex, Karen's boss, finally arrives to find Emma unconscious and Karen in a state of shock. Karen is taken to the hospital while detectives question Alex. Detective Nakagawa asks Alex about the people that lived there, and tell him that Yoko has been missing from work. The detectives notice that the phone handset is missing from the cradle and push the page button. They trace the sounds to the attic where they discover the corpses of Matthew and his wife. They also make a grisly discover of a human jaw and wonder to whom it belongs and where the rest of the body might be. Later, Yoko is spotted again by Alex as she is shuffling down the stairs of the caretaking facility where Alex, Karen, and Yoko work. As he is walking towards her, he accidentally slips on a liquid, which he discovers is blood when he touches it. Alex calls to Yoko, who does not answer in any way until he reaches the bottom of the stairs. She then turns around to reveal her face. As Alex screams in horror and dies, her face is shown to now be horribly disfigured, missing her lower jaw and with her tongue hanging out, while the screen fades to black. Karen tells her story to detectives, emphasizing the appearance of a boy. Over the next few days, she is constantly tormented by Kayako. Frightened but determined, she starts researching the history of the house on the Internet. Eventually, she learns of the murders from the website of a Japanese newspaper. On the same page, she also comes across the news of the death of the American professor, Dr. Peter Kirk. She now decides to learn the entire history from Dr. Kirk's widow, Maria Kirk. Detective Nakagawa becomes convinced that the rash of deaths and missing people is connected to the house when he views the entire security video taken at Susan's office building. He watches as Kayako proceeds down the hall, then comes face to face with the camera as the video fuzzes out. He then returns to the Saeki house with two cans of gasoline. He is distracted by the sound of Toshio drowning in the bath tub. He enters and finds a boy hanging out of the tub, and tries to revive him. His eyes snap open, and Takeo appears behind him. Nakagawa only has time to turn around before Takeo shoves him into the bathtub and drowns him like Toshio. Karen questions Maria Kirk, Peter's widow, who does not appear to know anything about the house, its occupants, or why her husband committed suicide. She allows Karen to search through old photos. Karen discovers a living Kayako in the background of every photograph, clearly following the couple. Karen then attempts to go talk with her boyfriend, Doug, at their apartment. However, she discovers he has gone looking for her at the house after seeing her research. Karen then returns to the house in search of Doug. Karen has a vision of Peter reading the diary, and uncovers the truth. Inside the house, Karen experiences a flashback of Peter's visit. It is revealed that Kayako had fallen in love with him. Kayako's husband, Takeo, discovered her obsession and in a fit of rage, murdered her and their son, Toshio. This is the strain, the 'grudge' of the house. Karen's flashback shows Peter discovering their bodies at the house. Overwhelmed by the brutality of Takeo's murder of Kayako, Karen staggers downstairs and the house returns to the present time. Doug grabs her ankle before she leaves. He is incapacitated, and she tries to drag him to the door. A door opens upstairs. Kayako crawls do
Batman Kevin. Beckrich Wayne. The grudge 2. The drudge report. You: eat Girl: YEET. The gruge. The grudge japanese. Okay imma watch this. yup. From now on only listening to the genuine content from the official channel ?????.
The grudge 1. The grudge 3 trailer. The grudge. The grudge release date. The grudge cast. This movie, scratch that, I don't even consider this piece of garbage a MOVIE! I don't even know where to begin..... No suspense involved here, and WHY OH WHY does she keep going back to that stupid house!!! If she KNOWS something bad is there then WHY GO BACK! And This movie, scratch that, I don't even consider this piece of garbage a MOVIE! I don't even know where to begin..... No suspense involved here, and WHY OH WHY does she keep going back to that stupid house!!! If she KNOWS something bad is there then WHY GO BACK! And don't call me a harsh critic because i've never ever said a movie to be as bad as this one, in fact before this, the lowest level of a movie I had seen was a "meh". The movie was confusing all around and didn't really give the viewers a sense of relevance to keep on watching. But the most confusing thing about this movie is, above all else, why the critics loved it so much? … Expand.

Something went wrong, but don’t fret ? let’s give it another shot. YES I WAS WAITING FOR THIS EPISODE HELL YEAH. They might make a Candyman reboot, but for this? I'm not sure. Sniper Elite animations. PLAESTAYSHUN. Edit before potential likes: Wolverine without adamantium claws. Or claws in general.

The grudge trailer 2004. I remember thinking this movie was bad because of the ending but I completely forgot that it actually scared me. The grudge online. "???? ???? ?? ??????, ???? ?? ????????. " ????? ?????, ???????????? ?????????-????????? ?? ??????, ??????????? ?????????? ???????? ? ??????. ?????? ? ?? ????? ?????? ???????? ??????????? ???????????? ????, ? ?????? ?? ?????? ????????????? ?????? ?????????? ???????. ??????? ??? ?? ?????, ??? ????????? ??????????? ???????? ?????????, ??????????? ? ?????? ?????? ?????????? ?????????? ????, ??? ??? ?? ?????? ????????? ???????? ???? ? ??? ?????????? - ? ??????? ??? ?? ????, ??? ??? ???? ????? ??? ???????. ?????? ???????????? ????????? ?????? ??????, ????????????? ??? ?? ??????????, ??????? ???? ???????? - ?????? ??????.
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The grudge stair scene. I don't think the ring was scary at all, but the grudge scared the shit out of me.