Rachael Jenkins

Branagh Theatre Live: The Winter s Tale Rated 4.5 / 5 based on 52 reviews.

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&ref(https://m.media-amazon.com/images/M/MV5BODE5MmU4MTYtNzA4NC00ZGM2LWJiODItYmJiY2QxZDBiMWUyXkEyXkFqcGdeQXVyMTk3NDAwMzI@._V1_UX182_CR0,0,182,268_AL_.jpg); 3 h 0 m; Rob Ashford; 2015; 8,2 of 10 Star; King Leontes of Bohemia (Sir Kenneth Branagh) suspects his wife, Hermione (Miranda Raison), and his friend, Polixenes (Hadley Fraser), of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events that lead to death, a ferocious bear, an infant left in the snow, young love, and a statue coming to life. Kenneth Branagh Theatre Company - Shakespeare: Téli regeneration. Kenneth Branagh Theatre Company - Shakespeare: Téli teli rege.
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Edit (1992) Stage play: Coriolanus - playing Coriolanus, for the Renaisance Theatre Company. (autobiography) "Beginning", London: Chatto and Windus (1989) (1987) Stage play: Public Enemy - writer director and star. The play is an adaptation of The Public Enemy (1931) and the playtext was published by Faber in 1988. (1989) Book: "Henry V - a screen adaptation", London, Chatto & Windus, 1989. The book is about his film Henry V (1989). (1993) Book: "Much Ado About Nothing" by William Shakespeare - screenplay, introduction and notes on the making of the film Much Ado About Nothing (1993), London, Chatto & Windus, 1993. (2001) Stage play - The Play What I Wrote, at the Playhouse Theatre, Liverpool, UK - director. The play is a tribute to Eric Morecambe and Ernie Wise, based on their work. It transferred to Wyndham's Theatre in London in 2001 and Broadway's Lyceum Theatre, NYC, USA in 2003. Played the title role in "Edmond" by David Mamet, directed by Edward Hall -National Theatre (Olivier stage), London (2003). His Royal Shakespeare Company credits include: the title role in "Henry V", Laertes in "Hamlet", the King in "Love's Labour's Lost", Mike in "Golden Girls" a new play by (1984) and the title role in "Hamlet" (1992). Performed excerpts from "A Midsummer Night's Dream" (playing several roles) on a CD recording of Felix Mendelssohn's incidental music for the play. Claudio Abbado conducted. Has recorded "The Diary of Samuel Pepys" in 1994. It is available in a seven disc set on CD, and also available on cassette tape. (2003) Narrator for the unabridged audiobook version of "The Magician's Nephew" from the C. S. Lewis series The Chronicles of Narnia. Directed "The Life of Napoleon" by John Sessions - Pheonix Theatre, London (1987). Played St Francis of Assisi in "Francis" by Julian Mitchell - Greenwich Theatre, London (1983). His one man show "The Madness" based on the poem "Maud" by Alfred Lord Tennyson premiered at the Upstream Theatre Club, London in 1983. Played Judd in "Another Country" by Julian Mitchell - Queen's Theatre, London (1982). Directed "Ducktastic!, a new play which premiered at the Theatre Royal Newcaste in 2005. (2008) Played the title role in Anton Chekhov 's "Ivanov" - Wyndham's Theatre, London (2008). (1987) He directed William Shakespeare's play, "Twelfth Night, " in a Renaissance Theatre Company production at the Birmingham Repertory Studio Theatre in Birmingham, England and the Tour with Frances Barber, Richard Briers, Christopher Ravenscroft, James Saxon, Abigail McKern, James Simmons, Anton Lesser, Caroline Langrishe, and Shaun Prendergast in the cast. (August 1988) He played the title role in William Shakespeare 's "Hamlet" in a Renaissance Theatre Company production during the Renaissance Shakespeare Festival at the Phoenix Theatre in London, England with Samantha Bond, Richard Easton, Edward Jewesbury, David Lloyd Meredith, Dearbhla Molloy, David Parfitt, Shaun Prendergast, Sophie Thompson, Jay Villiers and Jimmy Yuill in the cast. Derek Jacobi was the director. (August 1988) He acted in William Shakespeare 's play, "As You Like It", in a Renaissance Theatre Company production during the Renaissance Shakespeare Festival at the Phoenix Theatre in London, England with Samantha Bond, Richard Easton, Edward Jewesbury, David Lloyd Meredith, Dearbhla Molloy, David Parfitt, Shaun Prendergast, Sophie Thompson, Jay Villiers and Jimmy Yuill in the cast. Geraldine McEwan was the director. (August 1988) He played Touchstone in William Shakespeare 's play, "Much Ado About Nothing", in a Renaissance Theatre Company production during the Renaissance Shakespeare Festival at the Phoenix Theatre in London, England with Samantha Bond, Richard Easton, Edward Jewesbury, David Lloyd Meredith, Dearbhla Molloy, David Parfitt, Shaun Prendergast, Sophie Thompson, Jay Villiers and Jimmy Yuill in the cast. Judi Dench was the director. (1991) He and Peter Egan directed the Renaissance Theatre Company Tour of Anton Chekhov's play, "Uncle Vanya, " with Richard Briers, Peter Egan, Sian Thomas, Annabel Arden, and Patrick Godfrey in the cast. (2002) Stage play: William Shakespeare's play Richard III - playing Richard III, at the Crucible Theatre in Sheffield, South Yorkshire, England with Danny Webb, Robert Demeger, Barbara Jefford, Michael Jenn, Richard Durden, Avril Elgar, Gerard Horan, Claire Price, Phyllis Logan, Robert East, Gideon Turner, and William Rycroft in the cast. Michael Grandage was director. (1994) Directed and starred as Romeo in a BBC radio dramatization of Romeo & Juliet. (1984) He played Laertes in William Shakespeare's "Hamlet" in a Royal Shakespeare Company production at the Royal Shakespeare Theatre in Stratford-Upon-Avon, England with Roger Rees, Brian Blessed, and Virginia McKenna in the cast. Ron Daniels was director. (1984) He acted in William Shakespeare's play, "Henry V, " in a Royal Shakespeare Company production at the Royal Shakespeare Theatre in Stratford-Upon-Avon, England with Ian McDiarmid and Patricia Routledge in the cast. Adrian Noble was director. (1984) He acted in William Shakespeare's play, "Love's Labour's Lost, " in a Royal Shakespeare Company production at the Royal Shakespeare Theatre in Stratford-Upon-Avon, England with Roger Rees, Edward Petherbridge, Amanda Root, Frances Barber, Emily Richard, Harold Innocent, Kate Buffery, Josette Simon, Frank Middlemass, and Alphonsia Emmanuel in the cast. Barry Kyle was director. (2008) Radio Play - Title role in Cyrano de Bergerac on BBC Radio 3. (1987) He directed the play, "The Life of Napoleon, " at the Albery Theatre in London, England with John Sessions in the cast. (1989) He played Jimmy Poter in John Osborne 's play, "Look Back in Anger", at the Lyric Theatre in London, England with Emma Thompson, Siobhan Redmond, Gerard Horan and Edward Jewesbury in the cast. Judi Dench was the director. (2013) Stage play: Macbeth - playing Macbeth, at the Manchester International Festival, UK with Alex Kingston as Lady Macbeth. The production was broadcast as National Theatre Live: Macbeth (2013). The production transferred to Park Ave Armory, NYC, USA in 2014. (2005) He directed the play, "Ducktastic, " at the Albery Theatre in London, England with Hamish McColl, Sean Foley, Clive Hayward, and Liz Crowther in the cast. (January 21 to March 4, 1990) He directed William Shakespeare's play, "King Lear, " in the American debut of the Renaissance Theatre Company productions at the Mark Taper Forum Theatre in Los Angeles, California. He also played Edgar in the production. (January 7 to March 4, 1990) He directed William Shakespeare's play, "A Midsummer's Night Dream, " in the American debut of the Renaissance Theatre Company productions at the Mark Taper Forum Theatre in Los Angeles, California. He also played Quince in the production. (2015) Stage play: the double bill Harlequinade and All On Her Own, at the Garrick Theatre, London, UK - co director. (2016) Stage play: The Entertainer - playing Archie Rice, at the Garrick Theatre, London, UK. (2016) Stage play: Romeo and Juliet, at the Garrick Theatre, London, UK - director. (2015) Stage play: The Winter's Tale - playing Leontes, at the Garrick Theatre, London, UK. He also co directed the production which was broadcast live as Branagh Theatre Live: The Winter's Tale (2015). (2011) Stage play: The Painkiller - playing Ralph, at the Lyric Theatre, Belfast, UK. He played the same role at the Garrick Theatre, London, UK in 2015. (Monday November 29 to Saturday December 4, 2004) He was original director for Hamish McColl, Sean Foley and Eddie Braben's play, "The Play What I Wrote, " at the Yvonne Arnaud Theatre in Guildford, Surrey, England with Kim Wall, Clive Hayward and Andy Williams in the cast.
T H RO UG H K ENNETH BR A N AGH O N S TAG E A N D SCR EEN T H RO U G H K EN N E T H B R A N AG H AND SCREEN Few have done more to celebrate and popularise the work of Shakespeare than actor and director, Kenneth Branagh, born in Belfast in December 1960. From his early days at RADA Drama School to his present theatrical work, Branagh’s name has been closely intertwined with that of the Bard. His remarkable ? and prolific - career has seen Branagh breathe new life into Shakespeare on stage and screen, and open up the work of Shakespeare to a global audience. Thanks to: Special Collections, The McClay Library, Queen’s University Belfast Exhibition Curation and Text: Rosaleen Hickey Exhibition Consultant: Prof. Mark Thornton Burnett, QUB Supported by the GREAT campaign. ‘ W E FE W, W E H A PPY FE W, W E BA N D O F B ROT H ER S; FO R H E TO DAY T H AT S H EDS H I S B LOO D W IT H M E SHALL BE M Y B ROT H ER ’ HENRY V AC T IV SCENE III Kenneth Branagh in Henry V (1984). Joe Cocks Studio Collection © Shakespeare Birthplace Trust ON S TAG E & SCR EEN H EN RY V Remarkably, Branagh made his debut with the Royal Shakespeare Company in 1984 as the leading man in Henry V, directed by Adrian Noble. Aged just 23, he was the youngest Henry V in the company’s history. Branagh undertook extensive research to help his development of the character, even securing a meeting with Prince Charles to better understand the responsibilities and isolation associated with royal life. Branagh won critical acclaim for his depiction of Henry V as a complex, doubting character and for his clarity in speaking the Shakespearean verse. Following his depiction of the young king on stage, Branagh turned his sights to portraying Henry V on the big screen. Confident that Shakespeare’s historical play could be a truly popular film, Branagh determined to not only reprise his role but make his film directorial debut with Henry V. He wrote a script in early 1988, assembled a fine cast including Judi Dench and Derek Jacobi, secured £4. 5 million and began filming in October 1988. Contrary to expectation, shooting of the film was finished in seven weeks and under budget. Henry V was released in autumn 1989. Kenneth Branagh in Henry V (1984). Joe Cocks Studio Collection © Shakespeare Birthplace Trust A desire to make the play accessible to a wide audience meant that importance was placed on naturalistic acting, clear delivery of the Shakespearean verse, a short running time and strong visual imagery. Box office figures were testimony to the film’s wide popularity. Henry V also won critical acclaim, particularly in the U. S. In fact, Branagh was nominated for both Best Actor and Best Director at the 1990 Academy Awards. Importantly, in earning success with Henry V, Branagh reinvigorated Shakespeare on screen and proved that the Bard’s work could be genuinely popular with a mass audience. Kenneth Branagh in Henry V (1989). © Exclusive Media and Park Circus S TAG E ROYA L S H A K E S PE A R E CO M PA N Y In his opening season with the Royal Shakespeare Company, from 1984 to 1985, Branagh not only notched up 139 public performances as the leading man in Henry V but had supporting roles in Love’s Labour’s Lost and Hamlet. He therefore showed his versatility in acting in a Shakespearean comedy, tragedy and history play. Branagh did not return to the company until 1992 when he performed as Hamlet, a part he returned to many times during his career. The production utilised a fuller version of the play ? giving it a running time of over four hours - and transported the action to an Edwardian setting. The director was Adrian Noble who had also directed Branagh in Henry V. Amazingly, the entire six month run of the play was sold out before the first performance. Box office success was mirrored by the critical reception of the play; in particular, Branagh impressed with his clarity and naturalistic performance. Joane Pearce and Kenneth Branagh in Hamlet (1992). TBC Davies (c) Shakespeare Birthplace Trust Kenneth Branagh in Henry V (1984). Joe Cocks Studio Collection © Shakespeare Birthplace Trust Jane Lapotaire and Kenneth Branagh in Hamlet (1992). TBC © RENAISSANCE T H E AT R E In April 1987, Branagh and fellow actor David Parfitt launched the Renaissance Theatre Company. The title reflected Branagh’s belief that the company represented a rebirth of sorts in British theatre. A fundamental principle underpinning Renaissance was that actors would be directed by fellow actors, promoting a sense of camaraderie and lack of hierarchy within the company. A further aim was to improve the reach and accessibility of Shakespeare. Alongside two contemporary plays, Twelfth Night opened the inaugural season of the company. The Shakespearean comedy, directed by Branagh, played over December 1987 at the Riverside Studios, London. The production - featuring a fine cast including Anton Lesser, Frances Barber and Richard Briers - earned rave reviews and established the credentials of the Renaissance Theatre Company. Branagh cemented the company’s relationship with Shakespeare ? and his own association with the Bard by following Twelfth Night with a touring Shakespeare season, beginning in March 1988, titled Renaissance Shakespeare on the Road. The season featured three Shakespeare plays, each directed by an esteemed actor making his or her directorial debut. Much Ado About Nothing, directed by Judi Dench, featured Branagh as Benedick. As You Like It was directed by Geraldine McEwan, with Branagh as the comedic Touchstone. Finally, Derek Jacobi directed Hamlet with Branagh in the leading role. The national reach of the touring season and the use of actors as directors fulfilled two of the key principles of the company. After a three month run at Birmingham Repertory Studio, the touring season travelled to venues across the U. K. and Ireland, beginning with the Grand Opera House in Branagh’s home town of Belfast. The tour also included a two week run in Denmark, at Kronberg Castle at Elsinore, Production photograph, Coriolanus (1992) at Chichester Festival Theatre, Kenneth Branagh as Caius Martius and Iain Glen as Tullus Aufidius. Photographer: Richard Smith. CFT archive held at West Sussex Records Office the famous setting of Hamlet. By the time the tour reached London for a three month run at the Phoenix Theatre, hype about the Shakespeare season was at a peak. Branagh built upon this wave of popularity for Shakespeare by beginning filming Henry V just two days after the end of the nine month touring season. In 1990 Branagh further expanded the reach of Shakespeare when the Renaissance Theatre Company brought King Lear and A Midsummer Night’s Dream on a world tour, starting in Los Angeles. In 1992, to celebrate the fifth anniversary of Renaissance, the company performed Coriolanus at the Chichester Festival. The play, directed by Tim Supple, featured Renaissance stalwarts including Judi Dench and Richard Briers, with Branagh in the title role. Significantly, Coriolanus was to be the company’s final theatre production. Working both in front of the camera and behind, Branagh has brought a wide range of Shakespeare’s plays to life on the big screen. Branagh followed up his film debut of Henry V with Shakespeare’s classic comedy Much Ado About Nothing. With a budget of £5. 6 million, Much Ado was shot over seven weeks in 1992 on location in Tuscany. Branagh not only directed and acted in the film but also adapted Shakespeare’s text into a screenplay, editing and reordering the play to reduce the running time and make the story as accessible as possible. He also assembled an international cast, including Keanu Reeves and Denzel Washington that helped make Much Ado a truly popular film and Shakespeare globally marketable. As ever, the emphasis was on a naturalistic style of acting, with the American actors speaking in their own accents. Astonishingly, the film earned over $22. 5 million at the American box office when it opened in 1993 and made over $30 million worldwide. Kenneth Branagh in Much Ado About Nothing (1993). © MGM and Park Circus The 1995 screen version of Othello, directed by Oliver Parker, starred Laurence Fishburne as Othello, Irène Jacob as Desdemona, and Kenneth Branagh playing against type as Iago, a villainous character who wreaks havoc by planting seeds of jealousy in the mind of the title character. Branagh’s portrayal of Iago, which saw him speaking directly to the camera, earned rave reviews. Branagh’s 1996 film of Hamlet was truly epic in scale. With a budget of $18 million, it featured large sumptuous sets, the use of Blenheim Palace for exterior shots and a starry cast from both sides of the Atlantic, including Derek Jacobi, Julie Christie, Charlton Heston and Billy Crystal. Significantly, Branagh’s Hamlet was also the first film of the Shakespearean tragedy to utilise a full version of the play. With a running time of over four hours, the film was radical for both Shakespeare on screen and cinema in general. Branagh wrote the screenplay, Laurence Fishburne and Kenneth Branagh in Othello (1995). © Warner and Park Circus directed and starred in the film, drawing on his previous theatrical performances of Hamlet to bring the title character to life on screen. The film won critical acclaim and earned Branagh a nomination for Best Adapted Screenplay at the 1997 Academy Awards. For his fourth Shakespeare film as actor-director, Branagh brought one of Shakespeare’s comedic plays ? Love’s Labour’s Lost ? to life on the big screen in 2000. Branagh converted the play into a musical, incorporating classic songs into the screenplay, and set the action in the late 1930s. Cutting the original text down significantly and assembling a young, international cast, including Alicia Silverstone, Branagh made one of Shakespeare’s more obscure plays accessible to a modern audience. In a fundamental way, Branagh’s f
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