Travis Boone

Yoshiaki Umegaki; &ref(https://m.media-amazon.com/images/M/MV5BMTkyNmU2ZjUtNzIwMy00MWRlLWE4ZWQtYzJhYjU0MmUxZjhiXkEyXkFqcGdeQXVyNDgyODgxNjE@._V1_SY1000_CR0,0,629,1000_AL_.jpg); directed by Shôgo Furuya; Animation; Christmas in Tokyo, Japan. Three homeless friends: a young girl, a transvestite, and a middle-aged bum. While foraging through some trash, they find an abandoned newborn. Hana, the transvestite with delusions of being a mother, convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way; Country Japan. Apple ı adamdan saymıyonuzmu onlarda dizi yapıyor dizide fena değil bu konu hakkindaki sohbetinizi bekliyorum bu arada sizi 5 6 gündür izlemeye başladım sohbetiniz harika iyi film dizi yok zaten yatmadan 2 tane yatay bakış vurup yatıyorum ağzınıza sağlık. Hosada's best film is pretty hard to choose, either The Girl who leap through time or Wolf Children. Also Shinkai's worst film (Kimi no Nawa) is the most succesfull film by him. Yoshitoki Ōima - A Silent Voice (about a deaf girl) Tatsuyuki Nagai - Anthem of the heart (about a girl loosing her ability to talk through a fairy) Hiroyuki Okiura - A Letter To Momo (about a girl meeting 3 Yōkai ) Takahiro Omori - Hotarubi no mori e (about a girl meeting a ghost in a forest and becoming friends with him) Keiichi Sugiyama - Origin - Spirits of the Past (dystopia movie, a young girl gets awaken after 300 years) Akio Nishizawa - Symphony in August (story of a girl whos dream it is to sing) All really great movies. tried to describe the main plot in as little words as just a bit so you know what it is about.

OMG THE ANIMATION IS SO BEAUTIFUL Y'ALL THIS IS BEST ANIMATION I'VE EVER SEEN. I love this movie so much. LAST WEEK: JIN-ROH: THE WOLF BRIGADE MOVIE: Tokyo Godfathers ( 2003) Director: Satoshi Kon (Memories, Paprika, Perfect Blue) Music: Keiichi Suzuki (No. 6, Ghastly Prince) Animated by: MADHOUSE Where to watch? CRACKLE LINK (SUB) Three fun facts! Tokyo Godfathers and Paprika both have virtually the same budget ($2. 4 Million USD) The film's animation director is veteran key animator Masashi Andou who's holds an impressive resume with key animation / animation directing on the following movies. (A Letter to Momo, Princess Mononoke, Paprika, Tekkon Kinkreet, Spirited Away and the Animatrix. ) Tokyo Godfathers only made $609, 525 USD in theaters internationally (including the U. S. & Japan). What to keep an eye and ear out for! Other than a few moments here and there, MADHOUSE does there best with the small budget of $2. 4 million to keep constant movement in characters even managing several sequences animated on 1s. The soft lighting used brilliantly to mimic light absorbed by snow. How claustrophobic the city feels during winter portrayed through great art direction and background design. Thoughts Before Viewing Tokyo Godfathers is a heart warming work from Satoshi Kon, expertly put together by the team at MADHOUSE who, despite their budget, managed to make it look and flow (animation wise) better than some movies with bigger budgets. Discussion - Once the movie is completed with your viewing it would be awesome of you to post what you think of the animation, art, soundtrack, characters and story! Thank you for participating! NEXT WEEK: GHOST IN THE SHELL (1995) SCHEDULE.

I'm a big fan of director Satoshi Kon. Both of his previous films feature stories and issues not normally seen in animated films. "Godfathers" continues this happy trend and goes even further by covering subjects not normally associated with Japan, period. Homelessness, immigrants, and homosexuality all play key elements in this tale. Perhaps the biggest difference here is the comedy, something Kon's previous films did not approach. "Perfect Blue" was a dark thriller and "Sennen Joyû" was more of a tearjerker. "Godfathers" is played for laughs, which for me weakened the movie a little bit. Some of the more outrageous moments made the other theatergoers crack up, but I felt it was a little too silly at times. While I would describe "Tôkyô Godfathers" as the weakest of Kon's three films to date, that's hardly a knock since his first two are among my favorites. "Godfathers" was just missing something, but I still openly recommend it to anyone, regardless of your disposition towards anime.