Rebecca Broadnax

Panipat the great betrayal full movie. Arjun Kapoor, Sanjay Dutt and Kriti Sanon in posters of Panipat | Facebook Text Size: T he last time he was here, the Yamuna ran red for seven days. This time he has come with one lakh soldiers. ” That’s a line from Ashutosh Gowariker’s upcoming Hindi movie Panipat, the lodestar battle that Home Minister Amit Shah loves to slide into his conversations. But as battles go, the Third Battle of Panipat in 1761 is an odd choice for a newly patriotic, flag-waving, cheerleading Indian film industry. After all, the most significant and popular memory of the battle between the forces of the Afghan warlord Ahmad Shah Abdali and the Marathas is that it was a military debacle. It drove the Marathas out of the north for a decade. (Not that you would get the sentiment if you saw the trailer of the Sanjay Dutt, Arjun Kapoor and Kriti Sanon-starrer film. ) So, why would a new India, supposedly still suffering from and still avenging the psychic wounds of hundreds of years of foreign rule, want to revisit the Panipat battle through Ashutosh Gowariker’s ninth film, releasing on December 6? Do Indians in 2019 really want to see the brave Marathas, led by the Peshwa’s cousin Sadashiv Rao Bhau, being brutally destroyed by Abdali, who invaded India nine times between 1747 and 1769? It’s not a simple memory of victory and loss. This was a decisive battle that changed history, humiliated the Hindu Marathas even as they were on a winning spree, and signalled a shift in power, the fallout of which reverberated for centuries. The battle, as Amit Shah said, “paved the way for foreigners to enter India”. At a BJP meeting in January this year, he said the Lok Sabha elections this year were like the battle of Panipat, and they just could not afford to lose it. The key lies in the geopolitics of the time. Also read: Panipat film raises alarm in Afghanistan over Abdali portrayal, embassy writes to MEA ‘The great betrayal’ The Marathas were virtually ruling Delhi?by the middle of the 18 th century.?The much-weakened 16th Mughal emperor, famously blind Shah Alam II, had been installed by Sadashiv Rao Bhau after deposing Shah Jahan?III. The British East India Company was hovering around Delhi, and in 1764 would defeat Shah Alam II in the Battle of Buxar, a blow from which the crumbling Mughal empire?would?never?recover. But as the Panipat trailer hints, and the tagline emphasises (“The Great Betrayal”), instead of battling the growing power of the British, the Mughals considered the Marathas their real enemy.?The movie appears to be based on Marathi historian T. S. Shejwalkar’s work, Panipat 1761, where he argued that the Marathas sacrificed themselves to save the Mughals, who were busy surrendering to the British. The trailer shows an emperor, clearly Shah Alam II, convinced that no one would dare go against the Marathas. Until a Mughal courtier says: “ Ek hai, Jahapanah ”. It also shows another Muslim ruler handing over his guns to Abdali. “ Ham Maratha ka safaya kar denge. (We will remove all evidence of Marathas from here), ” to which the Muslim ally, either from the Rohillas or Awadh, says: “ Phir hamari bandookein aapki (Then our guns are yours)”. Also read: A rarely told story of a Maratha vote-bank in deep, distant Haryana The Muslim ‘invader’ Abdali fits the Alauddin Khilji mould of “otherness” ? tall, imposing, and dismissive of Hindu martial prowess.?The two manifest the stock Muslim “invader” tropes that dominate the 21st-century?Hindu psyche.?As one of the Panipat posters?on Abdali says: “Death strikes where his shadow falls. ” “Why are you throwing your life away for such a small piece of land, ” Abdali asks Sadashiv in the trailer, and he answers even more dramatically (or at least as dramatically as Arjun Kapoor’s acting will allow him): “I am ready to die for even a single grain of dust of my motherland. ” Despite?Sadashiv’s?best intentions, as?historian Audrey?Trushcke puts it: “The battle was a bloodbath. A standard number given is that 40, 000 or 50, 000 Marathas were slaughtered. As a Bollywood film in 2019, I would expect to see a strong Muslim vs Hindu storyline and glorification of the Marathas. ” Which would mean the demonisation of Abdali.?No wonder the Afghan embassy has already written to the Narendra Modi government fearing misrepresentation of Abdali in the film. Abdali was the first king of Afghanistan, founder of the Durrani dynasty, but not their greatest ambassador to India. As popular historian Archana Goradia Gupta points out to ThePrint, even now in Punjab, which Abdali looted so thoroughly, a saying goes: “ Khanda peenda lahe da, baki Ahmad Shahe da (only what we’ve eaten and drunk is ours, the rest belongs to Ahmad Shah Abdali). ” Also read: The horrifying timeline of India going crazy over Padmavati Fact and fiction For Reliance?Entertainment, the distributors of the film, “all the three main cast are looking exciting in their roles”. “The story is patriotic. So, I expect it to do well. In India, traditionally costume dramas do well and in this case, the story is established, ” Reliance Entertainment CEO Shibasish Sarkar told ThePrint. Indeed, unlike Sanjay Leela Bhansali’s Padmaavat (2018) and Gowariker’s own Jodhaa Akbar (2008) ??which were part-myth, part-real?? there is no ambiguity about anyone’s existence?here. Gowariker has been earlier criticised by many Hindutva advocates for greenwashing Mughal history and introducing distortions in the portrayal of Akbar. It was finally the Supreme Court that intervened as the fact-checker for Jodhaa Akbar. Panipat has been produced by Ashutosh?Gowariker?Private Limited and a new company started by London-based pharma professional Rohit Shelatkar, Vision World. Shelatkar has been quoted as saying: “The hardships Marathas faced reaching Panipat and fighting the battle with the mighty Afghans 1, 000 miles away from their homes in Pune just to protect our motherland from the invaders is something our youth can learn from. There’s a lot to take from Panipat ? bravery, might, loyalty, discipline, and patriotism. ” And chest-thumping patriotism is an evergreen winner ? in cinema, in deodorant ads or TV channel debates. Especially when it is invoked against the foreigner in history. The subtext in these polarised times is simple: when it came to the crunch, it was the Hindu Marathas who defended India, not the Muslim Mughals. Is it a coincidence that the movie is being released on 6 December, the day when the mosque built by Babur ? who established the Mughal empire after the First Battle of Panipat in 1526 ? was demolished in Ayodhya 27 years ago? The author is a senior journalist. Views are personal. ThePrint is now on Telegram. For the best reports & opinion on politics, governance and more, subscribe to ThePrint on Telegram. Subscribe to our YouTube channel.
Sabse aham baaat. maratha shayad Harte nahi jabki puri sainy 3 din se bhuke the. hariyana ki -2 temperature ki kadakadati thandi jo Maratho ko uski aadat n thi. firbhi 3 mahino tak maratha waha rahe isliye Marath hare. abdali ki sainy shkti hamse 4 guna jyada thi. wo 3-4 lakh the aur ham 80,000 ke karib the firbhi nikal 3 baje tak hamare taraf tha par 2 ghante baji palti aur hame haar ka samna karna pada. proud to be a that spirit of MARATHA.
Panipat: the great betrayal scene. Panipat the great betrayal trailer reaction. Ye bakwas band Karo Sanjay dut villain Yani hamara Ahmad Shah Baba ek villain tha Nahi wo lalchi Nahi pehla hamla maratho nay Kia phir hm ko jawab dena para samjhay bakwas karta hai... padmawati Ka history to Ulta Kar k bataya hai lkn panipat ki story ko agar ghalat banaya to hm bhi gandi Baba Ka film banaye aisa mat Karo story ko Ulta mat Karna warna ????Ka ye dosti ek film ki wajah say nafrat may badal Sakta hai.

2 nominations. See more awards ? Learn more More Like This Comedy | Drama 1 2 3 4 5 6 7 8 9 10 7. 3 / 10 X Two couples with the same surnames pursue in-vitro fertilization and wait for their upcoming babies. Trouble ensues when they find that the sperms of each couple have been mixed with each other. Director: Raj Mehta Stars: Akshay Kumar, Kareena Kapoor, Diljit Dosanjh Romance 5. 9 / 10 Chintu Tyagi is an ordinary, middle class man who finds himself torn between his wife and another woman. Mudassar Aziz Kartik Aaryan, Bhumi Pednekar, Ananya Panday Action Crime 7. 4 / 10 A 21-year old boy Sunny has a penchant for sexually assaulting and killing girls. He's locked horns with top cop Shivani Shivaji Roy. Will she nab him? Gopi Puthran Rani Mukerji, Vishal Jethwa, Jishu Sengupta Biography 8. 3 / 10 Tanhaji Malusare, a military chieftain in the army of the Maratha king Shivaji, leads the charge to capture the strategically important Kondhana fort guarded by the army of the fierce Rajput chieftain Udaybhan Rathod. Om Raut Ajay Devgn, Saif Ali Khan, Kajol 2. 1 / 10 Shikara is the story of resilience in the face of insurmountable odds. It's also the story of a love that remains unextinguished through 30 years of exile. A timeless love story in the worst of times. Vidhu Vinod Chopra Aadil Khan, Sadia, Faisal Simon Horror 6. 3 / 10 A couple is trapped on an abandoned ship lying static on a beach. Bhanu Pratap Singh Vicky Kaushal, Ashutosh Rana Thriller 5. 6 / 10 Karan goes to London to stop a terrorist attack on India. Aditya Datt Vidyut Jammwal, Adah Sharma, Gulshan Devaiah 7. 5 / 10 It tells the story of a man who is balding prematurely and how he copes up with the situation. Amar Kaushik Ayushmann Khurrana, Yami Gautam Music 3. 8 / 10 A coming-of-age story based on the lives of street dancers. Remo D'Souza Varun Dhawan, Shraddha Kapoor, Prabhu Deva Mystery 5. 5 / 10 When the body of a powerful businesswoman disappears from the morgue, the inspector in charge hunts for the truth. But when he questions her husband he realizes that there is much more to the case than meets the eye. Jeethu Joseph Emraan Hashmi, Rishi Kapoor, Sobhita Dhulipala 5. 7 / 10 Two different individuals on a journey of love, loss and life through the phases of Reincarnation. Imtiaz Ali Sara Ali Khan, Randeep Hooda 6. 5 / 10 An Indian soldier chases after his mentor who has gone rogue after an unexpected kill. Siddharth Anand Hrithik Roshan, Tiger Shroff, Vaani Kapoor Edit Storyline The film is based on the third battle of Panipat which took place on the 14 of January in 1761 between the Marathas and the King of Afghanistan, Ahmad Shah Abdali. Plot Summary Add Synopsis Details Release Date: 6 December 2019 (India) See more ? Box Office Opening Weekend USA: $295, 624, 8 December 2019 Cumulative Worldwide Gross: $3, 349, 899 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia Art Director Nitin Desai created a huge film set at ND studios in Karjat to recreate Shaniwar Wada. See more ? Goofs Mahadji Shinde is left out of the movie though he took part in the Third Battle of Panipat. See more ? Alternate Versions Due to protests against a scene involving Maharaja Surajmal, his inaccurate dialect and depiction as a greedy ruler, the makers cut removed 11 minutes of the controversial content. This new version playing at cinemas was 162 minutes long as opposed to the 173 minute original version. See more ?.

Panipat: the great betrayal quotes. Sirf film me hi marathon ko jitawo etihash gawah Hai ke musalmano ne pure hindustan pe hukumat Kiya aur martho siwaji ko pahari chuha banaya Tha aurangjeb rahmatullah ne bhul Gaye wo din. Panipat: The Great Betrayal is a 2019 period war drama Hindi film directed by the AshutoshGowariker of Lagaan (2001), Swades (2004) and Jodhaa Akbar (2008) fame starring an ensemble cast of Arjun Kapoor as SadashivRaoBhau, Kriti Sanon as ParvatiBai, Sanjay Dutt as Ahmad Shah Abdali, ZeenatAman as Sakina Begum, RavindraMahajani as MalharRaoHolkar, Abhishek Nigam as VishwasRao, GashmeerMahajani as JankojiShinde, MohnishBahl as Nana SahebPeshwa, PadminiKolhapure as GopikaBai, SahilSalathia as ShamsherBahadur, Kunal Kapoor as Shuja-ud-Daula, Mir Sarwar as Imad-ul-Mulk, MilindGunaji as DattajiShinde, Nawab Shah as Ibrahim Khan Gardi, SuhasiniMulay as Radhabai, Arun Bali as Ala Singh, PradeepPatvardhan as Lingoji Narayan, Mantra as Najib-Ud-Daula, S. M Zaheer as Mughal Emperor Alamgir and PareshShukla as Govind Pant Bundela. The film is produced by Sunita Gowariker and RohitShelatkar with Ashok Chakradhar penning the dialogues. The screenplay has been written by Chandrashekhar, Dhavalikar, AdityaRawal, RanjeethBahadur and the director himself. The movie has its music composed by the Ajay and AtulGogavale brother duo. C. K. Muraleedharan who has worked as the cinematographer for Ashutosh’s previous venture Mohenjo-Daro and other well-known films such as PK, 3 Idiots, LageRahoMunnaBhai has cranked the camera for this film. Panipat is produced by Ashutosh Gowariker Productions and Vision World Films at a budget of 100 crores and is distributed by Reliance Entertainment. Also, read… Defining the Purpose of Education What are 10 different types of high school students Self-reflection of a teacher How to improve Indian education system How to live a healthy lifestyle The movie which released on 6 December 2019 is set in the Maratha Empire of the 18 century and is based on the Third Battle of Panipat which took place on 14 January 1761. The battle took place between the Maratha Empire and the Afghan army under Ahmad Shah Abdali. The invasion by the King of Afghans was supported by the Afghans of the Doab region, Najib-ud-daulah and the Nawab of Awadh, Shuja-ud-Daula. SadashivraoBhau was the third in power ranks after the King and Prime Minister of the Maratha Empire. Though widely disputed to be the exact battle spot, most historians believe that the largest and most eventful to have fought in the 18th century with possibly the largest number of fatalities took place somewhere near modern-day Sanauli Road and KaalaaAamb. The battle lasting several days involved around 1, 25, 000 troops. Though both sides had losses and gains, Ahmad Shah emerged victoriously. A considerable amount of soldiers were injured in battle and around 70, 000 were killed. The baker, a chronicle by Shuja-ud-Daulah’s DiwanKashi Raj considered being the best eye witness to the even has recorded that about 40, 000 Maratha prisoners were killed mercilessly the day following the battle. The results of the battle created a minor block to the advances of the Maratha Empire in the north and also led to the destabilization of the Maratha territories for a period of around 10 years. The domination of the Maratha in the north of India was brought back by the rule of PeshwaMadhavrao who ruled the Empire during those 10 years. The Peshwa sent a large army into northern India in an expedition in 1771 which punished the Afghan powers and re-established the domination of the Marthas. In the movie, however, the Shadashivrao Bhau played by Arjun Kapoor is the commander in the army of his cousin Nanasaheb Peshwa played by Mohnish Bahl. ShadashivraoBhau is chosen by the Maratha Peshwa to lead their army to Delhi after he emerged victorious in leading the army against the Nizam of Udgir. On the other side, Ahmad Shah Abdali played by Sanjay Dutt has formed an alliance with Najib-Ud-Daula and began his way into India to defeat and cut off the growing power of the Maratha Empire. Kriti Sanon who plays ShadashivraoBhau’s wife ParvatiBai accompanies him in his thousand-kilometer journey from Pune to Delhi. ShadashivraoBhau is also accompanied by his nephew who is the Peshwa heir, his cousin and Ibrahim Khan Gardi played by Nawab Khan who is his trusted aide. In their journey toward Delhi, the Maratha army form alliances with other kings which aid them in recruiting a large robust army to counter the Afghan forces equipped with one lakh soldiers. Almost mid-way, both the armies come to face each other, the Yamuna in between them. Ashutosh Gowariker’s 173-minute long magnum opus has mostly received positive reviews from both the critics and the audience with C. Muraleedharan’s cinematography gaining applause throughout the movie for his aerial shots during the dance sequences and the extremely well shot final fight sequence. The Times of India stated that “Panipat delves into a significant chapter in history and is a war drama that lauds the unshakable bravery, courage and the strong principles of the Maratha’s” and gave 3. 5 out of 5 stars. Namrata Joshi of The Hindu wrote “Gowariker may have taken liberties with history, but doesn’t play around with the form. He sticks to the tried and tested, the long and languorous and old-fashioned”. Monika RawalKukreja of Hindustan Times wrote “Panipat is an honest attempt at recreating the war that we only read in history books until now. It’s a tribute to the Maratha community in its truest form and even it was shorter by an hour, it could have had the same impact”. The Deccan Chronicle stated that “Directors like Gowariker do no service to the nation or their audience by twisting the truth, ignoring military, diplomatic, common sense follies and rewriting history with jingoistic fervor”. India Today gave 2. 5 out of 5 stars writing “AshutoshGowariker may not be able to do grandeur like Sanjay Leela Bhansali, but he can do war. Yet, lackluster cinematography and terrible CGI mars this solid attempt. It would have worked 10 years ago”. CNN-News18 wrote “Panipat, a film about Maratha warrior SadashivRaoBhau who staves off Afghan ruler Ahmad Shah Abdali, disappoints only because of a linear screenplay that fails to rouse dramatic emotions so important to historicals” and gave 2. Zee News gave 3 out of 5 stars stating “The film is a great effort by Gowariker and deserves to be watched for some impeccable performances and adrenaline-pumping action”. Bollywood Hungama gave 3 out of 5 stars stating “Panipat throws light on an important chapter of Indian history with the battle scenes as its USP”. NDTV stated that “The burden on Arjun Kapoor is too heavy for him though he rises manfully to the challenge. Panipat definitely isn’t Mohenjo-Daro. But is that saying much? It will take three hours of your life and a whole lot of patience to sit through this labored film” The movie created unrest among the people of Afghanistan as Panipat followed the trend set by movies like Padmaavat and Kesari in portraying their ancestors as ruthless, treacherous and brutal savages while the Marathas were portrayed to be righteous. The Consul General of Afghanistan and many Afghan journalists lashed out at this nature of the film as it promoted Islamophobia and discrimination against Afghans. Pajhwok Afghan News also reported that the film’s trailer showed that the Maratha Empire emerged victorious against Ahmad Shah Durrani though history records otherwise. Also, read… Next Trend in Online education Upcoming trends of online education How does an Educated Person behave Defining the importance of education How to live a healthy lifestyle ArjunKapoordelivers a sincere performance and manages to get under the skin of the character especially during the war scenes. Kriti Sanon, on the other hand, seems not in tune with her character especially with the Marathi accent and dialect though her character arch is well etched in the movie. Though there are shades of Ranveer Singh’s Sultan AlavudinKhilji from the movie Padmaavatcan be seen in the character portrayal of Sanjay Dutt, he makes his menacing and terrifying presence felt as the Afghan invader. Mantra, MohnishBahland PadminiKolhapure all manage to shine in the screen time allotted to them. The let-down, however, was ZeenatAman’sperformanceas Sakina Begum. Her portrayal of the character was lifeless and her dialogue delivery seemed like she was reading her dialogues from a teleprompter. Overall, Panipat: The Great Betrayal puts forth a layered narrative that dives deep into the complex politics, war strategies, and the importance of forming alliances prevalent during the 18th century and also neatly interweaves the love story between ShadashivraoBhau and ParvatiBai. Though the chemistry between Kriti Sanon and Arjun Kapoor in the romantic scenes, the lavish scale that garners attention in every scene of the film, the costume design of Neeta Lulla, the intricate sets and production design by Nitin Chandrakant Desai, the well-choreographed songs by Ajay Gogavale and AtulGogavale, the sound design by Stephen Gomes take the movie to a high note; the close to three hours run time of the film with too many characters and plot points makes the film a lengthy and tedious narrative. The key highlight of the film is undoubtedly the climactic war sequence which is both elaborate and gripping. The thousands of war soldiers along with their majestic animals add to the grandeur of the film. Panipat opened to a domestic collection was 4. 12 crore on an opening day 5. 78 crore on the second day and 7. 78 crores on the third day making the total opening weekend collection to 17. 68 crores. The film made 5. 45 crore overseas and a worldwide gross collection of 26. 50 crores. Next… Best ways to study effectively.
Panipat the great betrayal box office. Jay shivaji. Jay bhavani. Panipat: the great betrayal video. Panipat: the great betrayal walkthrough. Amazing storyline ??. Panipat 3a the great betrayal dj. This is a great movie, period. It is low on unnecessary drama, and heavy on history. The third battle of panipat saw lots of tactics, betrayals and bravery. Marathas were betrayed and they lost to Abdali. But because of his domestic reasons and fearing constant attacks, he never came back. That is written in historian texts all over. Rest all is humbug. Arjun was decent and looked stunningly similar in armor to ancient paintings. Kriti looked amazing, and showed her true acting range. Sanjay was cunning and menacing as usual. Mantra hammed it up. Direction and technical deptts did their job well. A very engaging piece of elagant filmmaking. Go for it.
This movie should be called Pati, patni aur beti ??. Durfjg the. Where the movie I cannot found. I love salman khan,im from indonesia ??????. ??? ?????? ????? ???? ??? ???????? ?????????? ????? ???? ?????? ????? ????? ???? ????? ???? ??? ???????? ??? ?????? ?? ????. Known for his larger-than-life period dramas, Ashutosh Gowarikar has been MIA since his 2016 historical drama Mohenjo Daro. Even with just eight films in his kitty, this filmmaker has had a mighty impact on Bollywood with films like Lagaan, Swades, and Jodhaa Akbar. While Mohenjo Daro was not as well-received as these films, his latest period drama could be the director’s greatest comeback ever. Featuring Kriti Sanon, Sanjay Dutt, and Arjun Kapoor in pivotal roles, Gowarikar’s next period drama titled Panipat revisits the greatest battle in Indian history. The story is based on the Third Battle of Panipat and revolves around the theme of vengeance, as mentioned in its tagline ? The Great Betrayal. The first teaser poster of the film was revealed in March last year and the cast and crew have been busy with this film ever since. Only recently, we got a glimpse of every actor in their character posters, which were shared across social media pages. We see Arjun Kapoor as Sadashiv Rao Bhau, son of Chimaji Appa who served as the Commander-in-Chief of the Maratha army during the battle. Kriti Sanon plays his second wife Parvati Bai. It is popularly known that she refused to acknowledge her husband’s death in the battle as his body was never found. Sanjay Dutt takes on the role of Ahmad Shah Abdali, founder of the Durrani Empire who fights the Maratha forces at Panipat. The battle had resulted in the victory of the Afghan forces, re-establishing their control over Northern India. There are many instances in the Panipat trailer that remind us of Sanjay Leela Bhansali ’s magnum opus Padmaavat. Like Rani Padmavati, Parvati Bai has been given a lot of prominence and scenes even show her fighting for herself while her husband takes on the battlefield. She shares a close relationship with Sadashiv Rao, who loves her dearly. Arjun Kapoor’s character also seems to be styled around Ranveer Singh ’s Bajirao from yet another SLB film. Sanjay Dutt’s Ahmad Shah Abdali bears a close resemblance to Singh’s Khilji as both the characters have been depicted in similar dark tones. Besides the lead cast, Mohnish Bahl seems to have an important role as his character hands over the fate of the Marathas to Sadashiv Rao. From the trailer, it is evident that Panipat is all about glorifying the might of the Marathas even in their defeat. Panipat hits theatres on the 6 th of December, clashing with Pati Patni Aur Woh at the box office. The star power and grandiose that this movie brings might just make it emerge as the winner but we might have to wait another month to know for sure. Until then, click on the ‘Interested’ button below for the latest updates on Panipat.
Panipat: the great betrayal youtube. Panipat: the great betrayal movie.

Panipat the great betrayal wiki. Panipat: the great betrayal book. Panipat the great betrayal movie. Panipat 3a the great betrayal emiway. Panipat: the great betrayal game. Panipat: the great betrayal stories. Can't wait more ?. Panipat: the great betrayal full. Panipat 3a the great betrayal quotes.
Panipat the great betrayal songs. JAST WOSSAM.

Panipat the great betrayal film. Panipat 3a the great betrayal pdf. Panipat: the great betrayal season. Nonika Singh The Third Battle of Panipat, fought in 1761, is testimony as much to the might of Ahmad Shah Abdali as the valour of his adversary the Maratha Empire. What for many of us might be a one-line note in history books transforms into a full-fledged story replete with background and detail. Ashutosh Gowariker, who has a penchant for translating history onto silver screen, brings to us this fascinating battle. Though history, it is often said, is written from the victor’s point of view, he glorifies the vanquished. The hero here is Sadashiv Rao Bhahu, a Peshwa (Arjun Kapoor) who decides to take on Ahmad Shah Abdali after he is invited by disgruntled elements in India. Sure India was not India back in the 18th century but the idea of Hindostan both Gowariker and his protagonist uphold and float with the secular fabric intact. Though Marathas chant Har Har Mahadev with gusto, Gowariker does not make this a Hindu-Muslim battle and certainly does not feed Islamophobia. Early on in the film, he establishes how traitors are born in every community. Clearly treachery is a thread that runs through the film but Marathas are let down not just by Shuja?ud?Daulah (Kunal Kapoor) but also by Hindu rulers, a few of them on the battleground itself. Indeed, no one can take issues with Gowariker’s intentions or his ambition to take us back into the lanes of history. But, it is in trying to strike a balance between historical veracity and the commerce of cinema that he fails. Much of the film as expected is spent in building up the romance between Sadhashiv and Parvati (Kriti Sanon). No doubt, Kriti looks beautiful and has a meaty part too. The film also boasts of two heroines of yesteryear, Padmini Kolhapure and Zeenat Aman. Zeenat, in a small but significant part of Sakina Begum, retains the grace of her youth but doesn't quite stand up to be counted. Padmini shows the same spark that distinguished her in her heydays but is hemmed in by the archetype that her role demands. Much here follows the hackneyed. Marathas breaking into a song every now and then doesn’t help except introduce us to the scale of those times and the opulence of the sets. The treatment of the film is rich and the grandeur of those times comes across though not in the same fashion as a Bhansali film. With a smattering of Marathi, the language just about passes muster. Words like gathbandhan shatbhandhan stand out like a sore thumb. Even Abdali (Sanjay Dutt) is introduced with a rather insipid one-liner. Unlike Khilji played to menacing perfection by Ranveer Singh in Padamavaat, Abdali is not so demonised. But then despite looming large on the screen, Sanjay Dutt fails to create a solid impact. And that is the biggest problem of the film. For a film that recreates an epic battle, it doesn’t create a powerful impression. Even on the battle ground, everything is spelt out thus diluting the otherwise formidable battle scene formations. Since it all finally boils down to eulogising the bravery of one man Sadashiv, the bloodbath leaves you more cold than emotive. Making a historical, we all know, requires tremendous hard work, research and money. If only Gowariker had added astute skills to his armoury we would not have been forced to say love’s labour lost. For, while history stands as witness to Maratha’s loss, despite their peerless courage, we hate to see Gowariker lose a cinematic battle. More so for alongside goes the earnest endeavour of Arjun Kapoor who looks the part but can’t rise above the film.
Panipat 3a the great betrayal worksheet. Panipat: the great betrayal series. Ahmad shah abdali ko hindostan waly nae hra saky to unho nangi auraty bej di ab ye drama hy. Panipat the great betrayal 2019. Panipat: the great betrayal song. Panipat the great betrayal movie review. Maratha always right like Chatrapati Shivaji maharaj and also Shambhu Raje. Panipat the great betrayal story. Panipat 3a the great betrayal new. Panipat the great betrayal imdb. Panipat: the great betrayal story. Panipat: the great betrayal meaning. Panipat the great betrayal. Panipat the great betrayal scene. ???? ?? ???? ???? ???? ?? ????? ????? ???? ????? ?? ???? ??? ???? ???? ??? ????? ?? ???? ??? ??? ?????? ???? ????? ??? ?? ??? ???? ??? ???? ?? ?? ???? ???? ?? ???? ?? ????? ???? ????? ??? ??? ?? ???? ???? ??? ???? ?? ???????? ?? ???? ??? ??? ?? ?? ?? ?? ???? ????? ???? ?????.
I cannot understand such underwhelming rating and the audience response. The movie is far better than Baajirao Mastaani and Padmaavat in that regard. Ashutosh Gowarikar has done a very commendable job and shows his capability of handling such a large scale movie. One of the rare occasions where I do not agree with the IMDB rating.

1. 
2. Coauthor - History Of Rajputana
3. Resume: ?? ? ???? ?????? ??:?? ? ????? ?? ????? ????????? ??? ???? ??? ???????: ?????? ?????? ?????? ?