David Pennington

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Writed by - Alexis Manenti, Giordano Gederlini. brief - Brigadier Stéphane Ruiz is a young and light-heartened cop who moves to Paris to be closer of his little son after the divorce of his wife. Working in the impoverished suburb of Montfermeil, in the 93th district, where Victor Hugo wrote his famous 1862's novel "The Miserables", Ruiz joins the local Anti-Crime Brigade, being paired with veterans but unscrupulous colleagues Chris and Gwada, who are charged with the task to train Ruiz about the way Montfermeil's works and the people to meet. However, his first day in Montfermeil twists in bad way when the owner of a circus and his men meet where drug-lord Le Maire ("The Mayor") claiming for a stolen baby lion a few hours ago, blaming him by the theft. Avoiding a fight between Le Maire and circus' owner, the three cops patrol the hood looking for the animal, learning that a troubled kid named Issa is the thief, who stolen to have it as pet. But when Ruiz, Chris and Gwada locate Issa to recover the baby lion, Issa's friends attempt to liberate him from the cops. With the situation out of control, Gwada shots a rubber ball just when Issa tried to escape and hits him in the face, just in the moment that all they realize that a drone of a boy named Buzz recorded all the incident. Patrolling around, Chris and Gwada locate Buzz and start a prosecution to catch him after to learn that drone's card is gone. Hiding in a downstairs, Buzz escapes from Chris and runs to ask refuge to Salah, a Kebab's owner and leader of the each time more powerful Muslim brotherhood in the hood. While Issa's friends run to advise Le Maire about the drone and the record, Ruiz, Chris and Gwada moves where Le Pince ("The Clamp"), a bar's owner in addition to Le Maire's rival and Chris' partner in business, looking for help, at the same time that Ruiz goes to a pharmacy to heal Issa's hurts. But when a confident alerts about Buzz's location, Le Maire, the cops and Le Pince meet at the same time at Salah's local claiming by the card, not measuring the consequences of their acts. Genre - Thriller, Crime. Runtime - 1 h, 44Minutes. 2019. rating - 8,3 / 10 Star.
Los miserables wiki. Watch Online Nairaland... Omg karens in love everyone. ラッセル・クロウ走るんだよなぁ. Los miserables band. Los miserables cast. Los miserables capitulo 21 parte 6. Los miserables musical madrid. Los miserables capitulo 5 parte 3. This movie deserves a round of applause for tackling such a big issue with such a refine style and a cautious but reasonable neutrality. So what is it all about ?

Stéphane, a cop who recently joined the Montfermeil anti-crime brigade quickly discovers the tensions between the different groups in the neighbourhood, as well as the curious methods of his team mates. During an arrest, one of them gets overwhelmed by the evenets and made a terrible blunder but a drone has filmed all the scene. Beyond the police blunder, it's a denonciation of several misconducts in those areas and the complete state of neglect that all suffer from that is tackled in this film. In fact this movie has a lot of qualities starting of course by its content: real whistle blower of a latent conflict. A bit of a bolt out of the blue for those who were still dreaming of a pacified country. Don't get it wrong. The film does not call for civial war. It's just a depiction of what happens every day in some cities of France. The Victor Hugo's reference is just a wink, a little tribute as Monfermeil (the city where the story takes place) is also where the Thenardier family in Les Misérables (the book) used to live. In fact the movie is more about what the word "Les Misérables" means than about the story of the book. The film focuses on the miserable people living, working (the cops of course) growing (the kids) and their interractions an conflicts in those abandoned lands of the French republic. The director wanted to send a message to the authorities and make them realize what are the feelings of the people living there who had been left in the lurch after political promises for so many years. The fact that the director tackles this issue through the policemen' eyes is daring and intelligent since we quickly realize that the policemen are part of these miserable people as well. Then starts on a vicious circle which leads to the final phrase of Victor Hugo himself: there is no bad seeds, or bad men but just bad growers. In terms of rythm, intensity and style the film is a great success. You never loose the tension, you never want to take sides but you want to know where and how it will end up even if you fear it will end up badly. The amateur actors and profesional actors are all of them very genuine especially the bad and the good cop. The scene of the conflict between the gypsies and the kids of the neighborhood was quite of a shock, and the plot in general is gripping from the beginning to the end. I highly recommend it.

This one goes to Lea Salonga. Many moviegoers, noting the arrival of “Les Misérables, ” will assume that Tom Hooper’s musical extravaganza of 2012 has been granted a rerelease. That would certainly be a pleasure; one should never spurn the opportunity to watch Russell Crowe singing slightly too high for (a) his manly britches and (b) his peace of mind. Alas, the new “Les Misérables” really is new, and crushingly Crowe-free, and although a quotation from Victor Hugo is tacked onto the end, the story bears only the faintest relation to his enormous novel. On the other hand, we do hear the populace singing en masse?in the opening minutes, with the credits still under way. And the first thing we see is a kid named Issa (Issa Perica) wearing a French tricolor as if it were a cape, with a matching daub of red, white, and blue on his cheek. “Bet you five that Mbappé scores, ” he says to a friend, at which point any soccer fans in the audience will know just what’s going on. It’s July 15, 2018, and France is playing Croatia in the World Cup final. In Paris, thousands upon thousands of people are gathering to watch the game in bars, or on public screens, and Issa and his buddies join the throng. Their ardor is inflamed by pride, for the brightest young star on the French team, Kylian Mbappé, hails from Bondy, not far west of Montfermeil, the rough suburb where Issa lives; Mbappé is the son of a Cameroonian father and an Algerian mother, and most of the characters mustering in “Les Misérables, ” likewise, are of African descent?as is Ladj Ly, the movie’s director, who was born in Mali. When the French win the Cup (Mbappé having scored their final goal), we are shown the Champs-Élysées, crammed with a merry mob: the ultimate image of a festive, multiethnic, and self-confident nation, whose chanting citizens have laid aside their differences and united in joy. It’s enough to make a politician swoon. Up comes the title, in huge letters: “Les Misérables. ” Ouf. The rest of the film, unfolding in the wake of the sporting triumph, is set almost entirely in Montfermeil. (Ly himself grew up there, and Fantine, the long-suffering heroine of Hugo’s book, goes there with her daughter. ) We tag along with a taciturn fellow named Ruiz (Damien Bonnard), who is reporting for duty on his first day with the local police; specifically, with the Street Crimes Unit, or S. C. U. In practice, his job involves cruising around the district in the company of Chris (Alexis Manenti), his feral superior, with their cool-tempered colleague Gwada (Djebril Zonga) at the wheel. Chris’s nickname is Pink Pig, and he’s happy to accept it?revelling in his reputation as a brute, truffling for trouble and, if necessary, creating it where none exists. His idea of fun is to confront teen-age girls at a bus stop and sniff their fingers, claiming to smell drugs. When one girl tries to film him, mid-provocation, he grabs her phone and throws it to the ground. The gesture is a telling one, because?in France as elsewhere?what actually happens in any flash point between suspects and officers of the law matters less than what can be proved to have happened. Hence the importance of Buzz (Al-Hassan Ly), a harmless kid with a potentially damaging drone at his command; on a lark, he flies it from the roof of his apartment building, in Les Bosquets, the infamous projects of Montfermeil. The drone is equipped with a camera, and, pretty much by accident, it captures video footage of Issa, who is wanted for questioning, being chased by the S. He is grievously wounded by one of his pursuers?precisely the sort of incident that could stoke a riot. So what will Buzz do with the memory card from the drone? And can, or should, Pink Pig prevent its contents going viral? “Les Misérables” is hardly alone in patrolling the zone of the disenchanted. Think of Mathieu Kassovitz’s “ La?Haine, ” which, nearly a quarter of a century ago, led us into outlying patches of Paris where few films had previously trod. And Chris, for all his bigotry, doesn’t stand particularly tall in the cinematic roster of corrupted cops; he wouldn’t last long in a snarl-off against someone like Mike Brennan, the mountainous bully played by Nick Nolte in Sidney Lumet’s “ Q & A ” (1990). What is unusual about Ly’s movie, however, and oddly counterintuitive, is that it plucks at your nerves most tightly not when the plot speeds up?during the quest for Buzz’s damning evidence, say?but as the police mosey through their parish, greeting the locals (including one whom they put in jail a few years back) and browsing the goods at a street market. Kids get their kicks from tobogganing down a concrete slope on the lid of a plastic trash can; an argument rumbles, rages, and subsides over the kidnapping of somebody named Johnny, who, it turns out, isn’t human at all. He’s a lion cub from the circus. If you yield to these strolling, often lighthearted sequences, it’s because they seem plausible and bereft of strain; and also because, though nothing explodes, you realize that anything could. There’s no shortage of people who are itching to light the fuse. The dénouement of the film left me split in two. The mood appears to die down, in twilit tranquillity, at the close of Ruiz’s début day, with Les Bosquets gilded by the sun’s last rays. You feel exhausted yet satisfied; somehow, for now, Ruiz and his comrades have kept anarchy at bay. That’s all, folks! Except it’s not. Ly isn’t finished with us. The movie flickers back to life like a Terminator, plowing onward for another twenty minutes or more, and the sense of suspended animation is snapped; everything that has hitherto been hinted at?the will to rebel, a deep resentment of the state, the furies of disenfranchised youth?now erupts. Montfermeil goes to war. There’s no denying the fervor of the conflict that ensues, up and down the stairwells of the projects, but do we need it? Would Ly not have done better to let “Les Misérables” hang fire at dusk, the evening before? I can’t decide. What I do know is that the look on Issa’s face, in the final shot, is swollen with such unappeasable contempt for the established order of things that the future, not just for France, seems suddenly and hopelessly dark. So much for the soccer-loving boy, draped in the national flag. Victor Hugo would watch this film and weep. Let us pry, though not too deeply, into the minds and the motives of those who decide when a film should be released. Profitability, I guess, is the main driving force, along with a delicate sense of the seasonal; “ Jaws, ” for instance, came out on June 20, 1975, just as most hardworking sharks and their families were heading for the beach. With all due respect, however, I cannot fathom the plan of action for “Clemency, ” a new film from Chinonye Chukwu. Maybe some bright spark stood up in a meeting and said, “Hey, guys, it’s all about death row. Let’s bring it out at Christmas! ”.
Nominated for 1 Oscar. Another 19 wins & 47 nominations. See more awards ? Learn more More Like This Drama 2 3 4 5 6 7 8 9 10 7. 7 / 10 X Daniel experiences a spiritual transformation in a detention center. Although his criminal record prevents him from applying to the seminary, he has no intention of giving up his dream and decides to minister a small-town parish. Director: Jan Komasa Stars: Bartosz Bielenia, Aleksandra Konieczna, Eliza Rycembel Documentary | Short 6. 8 / 10 Bruce Franks Jr. is a 34-year-old battle rapper, Ferguson activist and state representative from St. Louis, Missouri. Known as Superman to his constituents, he is a political figure the... See full summary ? Directors: Sami Khan, Smriti Mundhra King Bruce Franks III, Bruce Franks Jr. 7. 1 / 10 An off duty police begins to suspect a local man for having had an affair with his recently dead wife. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. Hlynur Palmason Ingvar Sigurdsson, Ída Mekkín Hlynsdóttir, Hilmir Snær Guðnason History Thriller 7. 3 / 10 In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at Devil's island. Roman Polanski Jean Dujardin, Louis Garrel, Emmanuelle Seigner 8 / 10 The last female bee-hunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. Tamara Kotevska, Ljubomir Stefanov Hatidze Muratova, Nazife Muratova, Hussein Sam Comedy Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine. Elia Suleiman Elia Suleiman, Tarik Kopty, Kareem Ghneim War 8. 5 / 10 FOR SAMA is both an intimate and epic journey into the female experience of war. Waad Al-Kateab, Edward Watts Hamza Al-Khateab, Sama Al-Khateab In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another. Mati Diop Mame Bineta Sane, Amadou Mbow, Traore Romance 7. 6 / 10 A couple in crisis. He, disillusioned, sees his life upset the day an entrepreneur offers him to plunge back into the time of his choice. Nicolas Bedos Daniel Auteuil, Guillaume Canet, Doria Tillier Biography 7. 5 / 10 The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. Terrence Malick August Diehl, Valerie Pachner, Maria Simon Crime 6. 7 / 10 With a gun at his belt and a truncheon in his hand, Pento has just joined the Seine-Saint-Denis anti-crime brigade. With his teammates, he develops specific methods. Ladj Ly Damien Bonnard, Djebril Zonga, Alexis Manenti Jo March reflects back and forth on her life, telling the beloved story of the March sisters - four young women each determined to live life on their own terms. Greta Gerwig Saoirse Ronan, Emma Watson, Florence Pugh Edit Storyline Brigadier Stéphane Ruiz is a young and light-heartened cop who moves to Paris to be closer of his little son after the divorce of his wife. Working in the impoverished suburb of Montfermeil, in the 93th district, where Victor Hugo wrote his famous 1862's novel "The Miserables", Ruiz joins the local Anti-Crime Brigade, being paired with veterans but unscrupulous colleagues Chris and Gwada, who are charged with the task to train Ruiz about the way Montfermeil's works and the people to meet. However, his first day in Montfermeil twists in bad way when the owner of a circus and his men meet where drug-lord Le Maire ("The Mayor") claiming for a stolen baby lion a few hours ago, blaming him by the theft. Avoiding a fight between Le Maire and circus' owner, the three cops patrol the hood looking for the animal, learning that a troubled kid named Issa is the thief, who stolen to have it as pet. But when Ruiz, Chris and Gwada locate Issa to recover the baby lion, Issa's friends attempt to... Written by Chockys Plot Summary Add Synopsis Motion Picture Rating ( MPAA) Rated R for language throughout, some disturbing/violent content, and sexual references See all certifications ? Details Release Date: 20 November 2019 (France) See more ? Also Known As: Les Misérables Box Office Opening Weekend USA: $24, 154, 12 January 2020 Cumulative Worldwide Gross: $627, 697 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival, where it won the Jury Prize. See more ? Connections Featured in The Oscars (2020) See more ?.
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Les miserables movie. Les banlieues décrites dans ce film sont devenues ce qu'elles sont parce que les populations ont changé. Ces banlieues populaires étaient habitées par des gens d'une autre culture d'une autre éducation. Et ces gens modestes des années 60 et 70 n'avaient pas le niveau de prestations sociales actuel. Maintenant c'est du tribal en France. La culture de la magouille des incivilités l'absence de respect des us et coutumes français. Nous avançons à grands pas vers des sociétés similaires aux sociétés dont sont issues l'écrasante majorité des nouveaux habitants de ces banlieues.
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Los miserables capitulo 2. Los miserables capitulo 15. Slow moving but engaging, Les Misérables is a well-crafted modern take on Victor Hugo's classic novel. Ultimately a police procedural, the story often feels familiar, but strong performances from complex characters will hold your attention through the film's intense final act. Los miserables capitulo 39. Les miserables musical. Los miserables capitulo 1. Enjolras: Revolution! Marius: Love! CIVIL WAR : Out in theaters 6 May 2016. Los miserables capitulo 45. Los miserables telemundo. Los miserables teatro telcel. Los misérables les.

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