Amanda Wilson

Color out of space 2019 trailer. OMG, John Cena is in the movie! But I can't see him. OH MY FUUUUUUUCK. NIC GAGE' LOVECRAFT. Color out of space monster. Escaped out from the cycle of reincarnation. Plot twist: they wont release this movie until 10 years later so youll always have a memory of it being released in 2019. Color out of space soundtrack. | Peter Sobczynski January 23, 2020 According to IMDb, the seemingly inexhaustible Nicolas Cage has no fewer than six additional movies in various stages of production that are currently scheduled for release in 2020, ranging from high-profile studio outings to the kind of demented head-scratchers that he somehow manages to sniff out in the manner of a pig finding truffles. And yet, none of these films may be able to top his latest effort, "Color Out of Space, " in terms of sheer nuttiness. Considering that the film?takes its inspiration from one of the most famous short stories by the legendarily weird H. P. Lovecraft, and was directed and co-written by Richard Stanley (making his first stab at narrative filmmaking since being fired from his remake of “The Island of Dr. Moreau” after only a few days of shooting), there was very little chance that it was every going to be just another run-of-the-mill project. However, the addition of Cage to the already heady cinematic brew definitively puts it over the top, making it the kind of cult movie nirvana that was its apparent destiny from the moment the cameras started rolling. Advertisement The film centers on the Gardner family, who have recently left the hustle and bustle of the city for a more bucolic life in a remote house near a lake in the deep woods of Massachusetts. While father Nathan (Cage) is gung-ho about becoming a farmer and raising alpacas (“the animal of the future”) despite no discernible talent for either, wife Theresa ( Joely Richardson) is preoccupied with recovering from a recent mastectomy, eldest son Benny ( Brendan Meyer) is off getting stoned most of the time, teen daughter Lavinia (Madeline Arthur) vents her annoyance at the move by dabbling in the black arts with her paperback copy of “The Necronomicon” and young son Jack ( Julian Hilliard) more often than not simply gets lost in the shuffle. The Gardners are not crazy or hostile in any way, but it also becomes quickly obvious that their isolation has begun to drive them all a bit batty. That weirdness escalates one night when the sky turns an almost indescribable shade of fuchsia, and a meteorite crashes into their front yard. Although the meteorite itself soon crumbles away, strange things begin happening in its wake. A batch of new and heretofore unseen flowers begin blooming while Nathan’s tomato crop comes in weeks ahead of schedule; the family’s phones, computers, and televisions are constantly being distorted by waves of static that render them all but useless. The Gardners themselves begin exhibiting signs of strange behavior as well: Nathan begins acting daffier than usual, flying off into rages at the drop of the hat; a seemingly dazed Theresa chops off the tops of a couple of her fingers while cutting carrots; Jack is constantly staring and whistling at a well that he claims contains a “friend. ” Before long, everything in the area begins mutating in indescribable ways, and while Benny and Lavinia recognize what is happening around them, even they appear to be powerless to escape the grip of whatever is behind everything. The stories of H. Lovecraft have inspired, directly or otherwise, any number of films over the years but with very few exceptions (chiefly Stuart Gordon ’s cult classics “ Re-Animator ” and “ From Beyond ”), most of them have not been especially good. In most cases, the problem is that Lovecraft’s stories tended to focus on indescribable horrors?and much of the impact for the reader came from taking the vague hints that he did parcel out and then picturing it in their own minds, where their imaginations had no limitations or budgetary restrictions. To successfully adapt one of his works, a filmmaker needs either an unlimited budget to try to bring his horrors fully to life, or the kind of unlimited imagination that allows them to take Lovecraft’s suggestions and go off in their own unusual directions. When these requirements are missing, the results can be fairly dire, as anyone who saw “The Curse, ” a dire low-budget 1987 adaptation of Color of Outer Space, can attest. In this case, the film works because it is clear that Stanley is not only working on the same wavelength as Lovecraft was when he wrote the original story, but has managed to transform the author’s decidedly purple prose into cinematic terms. Take the titular color, for example. In the original story, it is never properly described to us other than being of a shade never before seen on the typical color spectrum. That sort of non-description description can work on the page but isn’t especially helpful as a guide for someone who has to bring it to life. Stanley proves himself to be up to the challenge, and hits upon a wild color scheme that honors Lovecraft’s intentions by bathing everything in a genuinely otherworldly tinge. Not content to rest there, he builds upon that weirdness with an equally vivid soundscape, including a creepily effective score by Colin Stetson. Stetson's score shifts levels of reality in aural terms and conjure up the kind of terrors that are even harder to shake than the numerous and undeniably eye-popping physical mutations on display. Stanley also manages to work the film’s additional otherworldly element?Cage's performance?organically into the material,?without losing any of its total strangeness in the process. For fans of oddball cinema, a Cage-Stanley collaboration is the stuff dreams are made of. In that respect, it does not disappoint. Obviously, once things go crazy in the second half, Cage brings out the weirdness full force (even randomly employing the wheeling vocal tic that he used decades earlier in “Vampire’s Kiss”).?But what is interesting is that, instead of making Nathan into a completely normal guy who does an immediate 180 as a result of the strange occurrences, he and Stanley instead see him as a guy who is already a bit off right from the start, albeit in endearingly oddball ways. As a result of his work in these early scenes, there is an unexpected degree of poignance that he brings to the proceedings later on even as things go fully gonzo. The chief problem with “Color Out of Space” is that, at nearly two full hours, it is a little too much of a good thing at times, with some plot elements?chiefly one involving potentially shady dealings by the?town’s mayor (Q’orianka Kilcher)?that could have easily been jettisoned. For the most part, however, the film is the kind of audacious and deliriously messed-up work that fans of Stanley, Cage, and cult cinema have been rooting for ever since the existence of the project became known. Both as an effective cinematic translation of Lovecraft’s particular literary skills, and as a freakout of the first order with sights and sounds that will not be easily forgotten, this is one of those films that I suspect is going to grow in significance and popularity in?due time. Hopefully it will serve as just the first of many collaborations between Stanley and Cage, two decidedly kindred artistic spirits. Reveal Comments comments powered by.
I loved watching Joes face slowly change to disgust when Alex and Other Joe were talking about plot holes and bad writing. Color out of space movie ending. Color Out of spades hq. Color out of space showtimes. Color out of space release date. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on January 24, 2020 Format: DVD Has the pleasure of seeing this at the Alamo Drafthouse near me. The movie is remarkably true to the key story points and while the performances are over the top, Richard Stanley captures the dread and charm of Lovecraft in a way I've not seen before. There are a few elements that felt extraneous and felt a bit indulgent for my tastes, but I cannot wait to see Spectrevision and Stanley put together the Dunwich Horror and whatever the third film in his Lovecraft Trilogy might be. Also, I hope you like alpacas, as they feature prominently in this film. Reviewed in the United States on February 25, 2020 Format: Prime Video Verified Purchase Unfortunately it still suffers from a few problems that for me, were hard to get past. For one, anyone even remotely familiar knows, as soon as they see "Based on the story by H. P. Lovecraft, " that the meteor is a harbinger for some ancient evil god that defies human conception. You're five minutes into the movie and there's nothing to figure out, even if you have never read Color Out of Space. Second, is this trying to be a horror movie? I never really felt a sense of dread. Monster reveals were too early and in too full detail. Is Lovecraft even supposed to be frightening? Third, some of the visual effects which could have really contributed to the experience were poorly done, especially the vision at the end of the film. But, forgiving all of that, this is still the best that Lovecraft has ever been done on screen. Nick Cage is hilarious early in the movie. And most of the flaws that people will point too arise directly from the difficulty in trying to migrate Lovecraft from writing to cinema. My 5 star review is a vote for more high budget Lovecraft movies. Reviewed in the United States on February 25, 2020 Format: Prime Video Verified Purchase As an avid reader of Lovecraft's work, this was the one I wanted to see in movie form the most. The creators behind this film didn't disappoint. Color out of Space has a healthy mix of original plot, some new stuff thrown in to "moviefy" it, and a healthy dose of shlock sprinkled on top. The effects are good and so is the acting (yes, we get plenty of Nicolas Cage screaming), and there never really feels like a slow point. Some of the visuals are disturbing, so keep that in mind if you're watching with younger people. Mild spoilers below! If you're looking for a 1 to 1 reflection of the original story, you will not find it here. It hits plenty of the same notes, with the thing coming down from space and slowly ruining the lives of the nearby family, though it's been turned into more of a supernatural thriller/creature feature. It works well enough; the monsters and effects are one part John Carpenter's The Thing and one part From Beyond. All of the practical effects are very well done, and most of the CGI is subtle and looks good too (there's a jumpscare with a creature about halfway through the movie which had me worried, but the rest was pretty good). If you're a fan of Lovecraft, a fan of weird monster films, or just interested in an unconventional alien movie, I recommend you check this one out. Reviewed in the United States on February 26, 2020 Format: Prime Video Verified Purchase Amazon laced my movie purchase with acid,... because this movie Be Tripp-eN!!! Nicolas Cage,... makes for the perfect middle age, cool,... gone crazy dad!!! The film is beautifully shot, & TheGhoststarOriginaL has to agree with so many of the other reviews already posted,... THE BEST VISUAL INTERPRETATION FOR A H. LOVECRAFT FILM TO DATE!!! Production values are very high,... the acting is excellent,... the direction is on point, as how seamlessly, you the viewer, will slowly ease your way into madness,... then into complete escapism insanity!!! Is this science fiction or the wrath of a pagan God??? GREAT PURCHASE!!! For your Nick Cage collections #1,... #2 for your extreme Sci-Fi / alien collections!!! Reviewed in the United States on January 25, 2020 Format: Prime Video Color Out of Space was based upon a story by H. Lovecraft, the celebrated American horror-science fiction writer. The story revolves around a family that live out in the woods who happen to have a meteor crash into their backyard. It infects the water and completely distorts reality for everyone involved. The movie is very mixed and will likely have people love it and hate it as well. Here’s the good. The story is very original. There are mixes of great visuals and horror mixed in together. Nicolas Cage who plays the father Nathan gets to play crazy and does a great job, and the daughter Lavinia played by Madeleine Arthur is a standout as well. The problem for me was that I never felt a connection to the film. Even when things started getting weird, which I usually like it just didn’t get me interested enough to care. The only redeeming quality was to watch Cage go nuts which is always fun, otherwise the movie did very little for me. Reviewed in the United States on February 27, 2020 Format: Prime Video Verified Purchase This movie was soo bad that it hurt me to even give it 1 star. This was pure garbage and a waste of my rental fee. Reviewed in the United States on January 27, 2020 Format: DVD I love the works of HPL and the mythos around them. A problem for me has always been the adaptations that have come from his work as I find 99% of them to be awful or nothing like the source material they are based on. "The Color Out of Space" is, in my opinion, a return to form for HPL adaptations AND for writer/director Richard Stanley. I loved every minute of this film and thought it did a great job updating the story that takes place around 100 years prior to today. The cinematography, the use of lines from the actual story, the tone, the references to the rest of "Lovecraft Country", the performances, and the actual horror were all great. I will definitely be buying the BD when its released in Feb and I hope it comes with plenty of extras and commentary. I saw this film at Central Cinema in Knoxville, TN Reviewed in the United States on February 25, 2020 Format: Blu-ray Verified Purchase I found this movie to be relatively enjoyable, but I can see how some people may not derive as much enjoyment as I did. Prior to watching this: I read the original short story, watched the older foreign-language film, and seen all of the prior Richard Stanley movies including the documentary about his attempt to film The Island of Doctor Moreau. Needless to say, this movie was right up my alley and while the scares were lacking, the final product left me wanting more Richard Stanley movies and more Lovecraft adaptations that are not just your run of the mill Cthulhu-mainstream-watered down drivel.
I saw this movie at the premiere at the 2019 hp lovecraft film festival and cthulhucon. Richard Stanley looked like nicholas cage cosplaying as Richard Stanley. Dark Idiots come to our planet. Color out of space nicolas cage.

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Correspondent - Dino Gargano
Biography: già ufficiale delle forze speciali dell'esercito, rugbista , opero nella riabilitazione e preparazione atletica .

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