John Hemmen

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• Coauthor - Ben Rimmer

Luke Lorentzen. story=Midnight Family is a movie starring Fer Ochoa, Josue Ochoa, and Juan Ochoa. In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent. runtime=1 H, 21Minute. genres=Crime. scores=640 Votes. Release date=2019. I remember when Superman and Action Comics were relaunched in 2016. Those first 2 issues got me hooked on Superman for the first time and I still remember reading the Hamilton fair issue in 2017. Even though I didn't like it that much at first, it stuck with me for some reason. Now I look back at it fondly, a reminder of good times.
No other movie has filled me with such anxiety and thrill and so much dread in my intire life. Uncut gems is a masterpiece and should be placed right alongside the joker for its unique atmosphere. La buscaré urgentemente, espero poder verla en AMBULANTE o en Cine Tonalá. Te menciono que yo tuve una relación de pareja con una persona que trabaja en la Cruz Roja. Tu comentario sobre la persona que de alguna manera sirve como válvula de escape con el protagonista, yo la viví directamente y pude de alguna forma ayudar para aliviar parte de su pesar, impotencia, impresión y desasosiego. Es impresionante saber por lo que pasan estas personas que para mi son héroes anónimos que muy poca gente sabe de ellos. Como dato adicional mencionaré que la serie 'Paramédicos' de Canal Once, es una verdadera joya; es magnífica y trata el tema de las emergencias de la Cruz Roja en la CDMX, desafortunadamente muy pocas personas la conocen o la han visto. Como siempre es un gusto ver tus reseñas. Si vienes a Tijuana en alguna oportunidad, por favor menciónalo si llega a suceder, me encantaría saludarte en persona. Por último Fernanda, ¿usas página de Facebook, Twitter o Instagram.
What the heak. Bish i got goosebumps when reflection started playimg in the background. This is so funny ????.

Plot Twist: This movie already came out before but no one remembers it.

See the thing is this story is based on a place called the smalls. I live just off the coast of the smalls. Wales pembrokeshire. What is the music ? I'm totally in love with it.

Midnight Family (@midnightfamilyfilm) ? Instagram photos and videos.

I am 25 minutes late and there's 103 comments. Your voice was fine Jordan. 8:04 I love how Shannon looked at Keith there ?. “Is this expensive? ” asks the distraught and bloodied young woman being ushered into an ambulance to be treated for injuries inflicted by her boyfriend. “Is this really expensive? It is, right? ” The paramedics skirt around the question awkwardly, then try to gauge the woman’s financial circumstances by inquiring about her medical insurance (she has none) and family situation (she lives with her mother, who has no money). Juan, a 17-year-old paramedic, phones the victim’s mother and recommends that she be taken to a hospital for further treatment. There he tries to collect the ambulance fee (3800 Mexican pesos; approximately $300AUD) but the mother refuses to pay. Juan returns empty-handed to the vehicle where his father Fernandes, a fellow paramedic, grumbles his displeasure: “Cheap fucking people who won’t pay. ” The sequence demonstrates the practical and moral dilemmas faced every night by the operators of a private ambulance in Mexico City, the subjects of Luke Lorentzen’s excellent observational documentary Midnight Family. The Ochoas’ family business?comprised of Juan, Fernandes, 9-year-old Josué, and a rotating roster of assistants?is part of a cutthroat industry of unlicensed paramedics who race their rivals to scenes of emergency, hoping that the patient they collect is willing and able to pay. Their work fills an urgent need: an opening caption explains that there are only 45 government ambulances servicing a population of 9 million. The film goes on to show how the inadequacy of the city’s healthcare is compounded by poverty, overcrowded hospitals, and corrupt police, whom the Ochoas must bribe to receive tipoffs and prevent being shut down. It’s all a giant mess?but as Juan rationalises, the city would be in an even bigger mess without them. Midnight Family belongs to a long and rich tradition in documentary, stretching from Robert Flaherty’s Nanook of the North (1922) to the films of Michael Glawogger, which pays tribute to the difficult work that ordinary people do to survive. It also taps into a current trend in fiction cinema?as seen, for example, in the two most recent Palme d’Or winners, Hirokazu Kore-eda’s Shoplifters (2018) and Bong Joon-ho’s Parasite (2019)?focusing on families whose members band together in unconventional ways to make ends meet. In the case of the Ochoa family, Juan has assumed a leadership role despite his young age, and is usually behind the wheel of the ambulance; his lethargic father is ostensibly the head of the family, but defers a great deal of responsibility to his eldest son; and Josué skips school to join them on their shifts?sometimes to help, but mostly just to tag along. Their ambulance is effectively their second home: a workplace which doubles as a space for hanging out in during periods of downtime, and a shelter in which they eat and rest (Josué is shown napping on the very spot where a pool of blood is earlier mopped up). As unusual as this life may seem, the casual manner in which Juan recounts the night’s events over the phone to his girlfriend reminds us that it’s unusual only to those who don’t need to live such a life. The Ochoas never turn down patients and seem to genuinely care for their welfare, even when they’re unable to pay. However, their ethics become increasingly compromised as their financial pressures worsen. When Juan declares that “We need something good tonight, ” having not been paid in three consecutive shifts, he appears to be wishing for an accident tragic enough that payment will be guaranteed. When the family suggest one hospital over another to an injured patient, their motives are left unclear, as are explanations of how the payment system actually works in this industry?troubling ambiguities which prevent an accurate read of the Ochoas and their methods. Meanwhile, the family’s quibbles about money, their frugal spending habits, and their relatively unhealthy lifestyle (their work involves little physical exercise despite its often frantic nature, the kids regularly gorge on junk food, and Fernando takes medication for a presumed heart condition) all remind us of the precariousness of their hand-to-mouth existence?and suggest that they might not be able to pay for their own services should they ever require it. Lorentzen spent six months riding with the family and is well attuned to the rhythms of their work. Serving also as the cinematographer, editor and co-producer, he observes their routine?long stretches of waiting, punctuated by scenes of medical rescue that become progressively more serious?with clarity and empathy. When filming emergency situations that could easily slip into exploitation or sensationalism, he juggles the difficult task of conveying the gravity of each incident while maintaining the dignity and anonymity of the victims (their identities are obscured through framing and focus). Although some scenes are edited in a way that makes the family’s interactions feel stiff and unnatural?a problem often seen in observational documentaries that cut frequently, and particularly those where shooting continuous footage may not always have been practicable?Lorentzen succeeds in constructing a fluid narrative using the limited coverage options available inside the ambulance. The film’s signature shot is taken from a camera mounted at the top of the front windscreen, level with the flashing siren and looking into the vehicle. It’s over this shot that much of the drama plays out: one person drives, whoever rides shotgun directs traffic through the PA system, while another sometimes sits in between and gives directions or tunes into accident reports on the radio. Cutting between this wide shot and separately-filmed inserts pointed outside the vehicle or at the people seated inside, Lorentzen crafts some of the more understated?but nevertheless kinetic and thrilling?car sequences in recent cinema. Such kinetic thrills take on a different dimension in a harrowing sequence late in the film. The Ochoas rush a young trauma patient to hospital, weaving through traffic with an urgency previously unseen, as the girl’s terrified mother sits in the front. It’s the first time the family are shown truly racing against time to save a patient’s life, not merely against other ambulances to score a job. None of this changes the fact that they must later chase up the victim’s mother for payment?and she too refuses to pay, accusing the Ochoas of taking her daughter to a private hospital rather than the closest one (“Can you help us with just 1500 pesos? ” they try to plead with her. ) It becomes clear that the Ochoas’ financial survival and a patient’s literal survival will always remain at odds within this broken system; one will always be compromised by the other. Tragedy doesn’t discriminate, and falls on rich and poor alike?but making an honest living with a clear ethical conscience may be a privilege available only to those who can afford it.
Подробнее Сюжет фильма: В?огромном городе Мехико, где живут 9 миллионов человек, работают всего лишь 45 государственных машин скорой помощи. Поэтому в?городе действуют множество частных машин скорой помощи, которые работают нелегально. В?центре сюжета фильма ?Полуночная семья??? семейство Очоа, которое работает на?частной скорой помощи. Как только поступает вызов от?пациента, машина Очоа вступает в?гонку с?другими частниками в?борьбе за?каждого больного. Премьера 26 января 2019 (Мир) Подробнее Свернуть ?Кино ? представляет вашему вниманию информацию о фильме Полуночная семья (Midnight Family, 2019): актеры, список похожих фильмов, возможность оставить отзыв к фильму Полуночная семья. Также вы можете посмотреть трейлер к фильму Полуночная семья, получить информацию об авторе сценария и режиссере фильма. История моих просмотров Скрыть Показать.
GUAUUUUUUU. In the Saw movies, what does Jigsaw say?do you want to play a game would you like to play a game i want to play a game the correct answer is i want to play a game. Семья Очоа работает на ?скорой?. Это их собственная амбулатория на колесах: в Мехико на девять миллионов жителей приходятся 45 карет медицинской помощи, и частные ?семейные? машины становятся одновременно попыткой завести свое дело, обустроить жизнь, и ответом неравнодушных жителей на удручающую ситуацию в городе.