Jesse Kinlaw

Cunningham
4.6 (98%) 546 votes
Cunningham
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Rating=7 / 10; Genres=Music; 1 Hour 33Minute; cast=John Cage, Carolyn Brown; Creators=Alla Kovgan. Cunningham charlie. Cunningham park san jose. Cunningham security. Cunningham kansas. 3:23 song. Cunningham nfl. Cunningham school.
A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.

Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009. At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018. Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.

Cuningham group. Very nice. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on May 10, 2015 Format: Prime Video Verified Purchase Season 3 develops and expands themes and plots. I was disappointed in season 2 as it seemed too complex, with too many short-scripted plots. At least in season 3, some of those plots are more comprehensible. The power of Kalisi is expanding as well as her humanity. I fear for Sansa, who doesn't seem to have the hutzpa to protect herself... hopefully she will "get smart". Jon Snow's part seems to be fading in the early episodes of season 3, wonder what will become of him? Movement and consolidation of kingdoms towards a common enemy seems to be moving in that direction. Still, there is quite a lot of confusion with so many kingdoms. Love the locations, scenery, costumes and cinematography. The programs appear to have cost a lot to set up. In the long run, I think this program (Seasons 1, 2, 3 will be among my classic collection). I have season 4 but have not watched it yet. May go back to season 2 for clarification before advancing. Still, I remain disappointed in the porno as it does not advance the stories and seems unnecessarily distracting to the progress of themes and plots. (Not in the books as my grand child has told me. ) Reviewed in the United States on April 20, 2016 Format: Prime Video Verified Purchase Game of Thrones. Need I say more? No. But I will. I got hooked on this show awhile back. It had already been out for some time and I was able to binge watch (which is always good for me). Let me tell you, I was hooked. I love the intricate characters, the ever changing story and multiple plot lines. You are never bored watching this show. I will say that if you are an emotional TV viewer, such as myself (I am a cryer and get connected easily with characters) you will find yourself in tears, raging mad and upset throughout the show. The point is, it is a good enough show to draw you in and make you part of the experience. This show has left me soaring, left me sad, made me angry, made me cry, made me laugh, made my day. It is thought provoking and entertaining all at the same time. Love it. Reviewed in the United States on October 27, 2017 Format: Prime Video Verified Purchase I find I'm watching just for Peter Dinklage. I don't think I ever appreciated him as an actor quite so much as I do in this series. Awesome actor! He should be cast for more roles!! The story is somewhat hard to follow but even a complete novice (like myself) can pick it up in time. It helps to watch the commentary episodes whenever possible because they sometimes give you a better idea about the story progression. I love the series and, like Downton Abbey, each episode just zooms by -- a sign of good storytelling. And also like Downton Abby, the season is too short in episodes and too long until the next one comes along. Reviewed in the United States on October 8, 2014 Format: Prime Video Verified Purchase This show is brutal. Season three ends with a shock that will have your jaw drop. it has incredible production values and is fun to watch. The casting is perfect, and the actors are clearly having a lot of fun putting the show together. The action is fantastic and fast paced. But it is brutal. Don't get too attached to a character because no one is safe. This is one of the things that makes the show so game changing. it doesn't follow the rules. It breaks them. All of them. If you have made it to season 3, you are probably already addicted to the show. If you are on the fence about it, then this might not be the show for you. But i love it. I loved the books and I love the way they have kept the story alive with minor deviations. Reviewed in the United States on March 10, 2014 Format: Prime Video Verified Purchase A somewhat slow start to the season also leads one to believe that the nudity and violence have been intentionally cut from the show. Things pick up a few episodes in, as does the nudity, erotica and graphic portrayal of violence. A few scenes late in the season are actually cringe-worthy. However, - overall the nudity, sex and violence are (as usual for the series) integral to flushing out this world, it's inhabitants and the story itself. It seems the screen plays are more nuanced then in past seasons when dealing w/ mature subject matters; in a graphic visual sense. The plot lines twist and turn (to the worst) for many characters, and almost no one is safe from Bad happenings. Really Bad. Three plot lines out of what-ten? on and/or never really come to full fruition, but even those have a final revelation or the genesis of one- which will continue in season out of ten episodes are so riveting at some point that you find your self saying" just one more episode before bedtime" etc. Holy mother of spectacle- this show just keeps getting better in most ways. 9 out of 10 Reviewed in the United States on May 7, 2015 Format: Prime Video Verified Purchase Same as the other seasons. Fantastic story, too much graphic sex, violence and language to make me comfortable. I watched every episode with my finger on the fast forward control -which is a shame because cut out or make some of the graphic stuff suggestive instead (you know it happened without seeing all the shocking details) and you'd easily have one of the best fantasy epics I'd ever seen. Not for kids, and probably not for many adults -and I hate to say this because the 3/4 of each episode that I am able to stomach is stupendously awesome. Reviewed in the United States on November 16, 2014 Format: Prime Video Verified Purchase I love A Song of Ice and Fire, but merely like the show. I know they have limited budgets, and multiple locations across the world, and make up and effects are expensive, but some scenes just are not as grand in scope as they are in the book, and those who are described as hideously disfigured merely have little scars. Also, it is a bit disconcerting how much older most of the characters are in the show. Children who are supposed to be 13 and 14 look like they are 18 or even 20. Gratuitous violence replaces the consequences of the actual violence described in the books. Some aspects of the book, particularly those that deal more directly with magic, were better left out or minimized. Personally I hope we do not see Lady Stoneheart in the show, and as little of her as possible in future books. Top international reviews 5. 0 out of 5 stars The Rains Of Castamere Reviewed in the United Kingdom on December 24, 2017 Verified Purchase Following the completion of Season 7, I decided to re-watch the series from the beginning and it has been interesting to see how much better scripted the earlier series were. Series 2 had ended with Stannis Barratheon's humiliating defeat at Blackwater; Sam Tarly witnessing an army of White Walkers on the march; Danaerys rescuing her dragons from the House of the Undying at Qarth; and Brienne's attempt to safely escort Jamie Lannister back to King's Landing. In this series, we are introduced to several new characters, such as Diana Rigg's sharp-tongued Olenna, matriarch of the Tyrell family; Ramsey Snow, the cruel and illegitimate son of Roose Bolton; Mance Rayder, the King Beyond the Wall; and Jojen Reed, who befriends Brandon Stark. We also see the return of Barriston Selmy, who pledges his allegiance to Danaerys. It is interesting to observe how the various characters storylines are balanced and interwoven; how some tread water for awhile, while others are advanced at a rapid pace. For instance, it would be fair to say that Stannis does not do much but lick his wounds after Blackwater, whereas Jaime's character is given far more weight and depth as he and Brienne go through various trials and tribulations following their capture by Bolton's men. We are also allowed to feel some sympathy for Theon Greyjoy, who blotted his copybook in the previous series with his cruel and petulant behaviour at Winterfell. Also in this series, Dany displays her increasing confidence in herself, cleverly outwitting all those around her as she leads her growing army in triumph around Slaver's Bay; Jon Snow faces a tough choice between betraying the Night's Watch, and thus his friends or the woman he loves; while, Arya is captured by the Brotherhood Without Banners, led by the enigmatic Beric Dondarrion. All this and so much more is covered in series 3 but what everyone remembers most about this series are the events of the Red Wedding in episode 9. It is one of the most shocking and emotionally heart-wrenching pieces of television I've ever witnessed and stayed with me for a very long time afterwards. As with previous releases, there are bonus features but they're nothing to write home about. However, a series this good doesn't need them! 5 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse 3 times a charm! The peerless Game of Thrones gets better again! Reviewed in the United Kingdom on August 11, 2016 Verified Purchase Game of Thrones is one of the few series ever that seem to get better with every season and this series is no exception to the rule. As opposed to the last series (6), they were still introducing more characters than they were not by much as you would expect. There are many classic episodes in this season, not least the infamously shocking and heart breaking episode 9, Rarely does a TV episode carry as much emotional weight as the so-called 'Red Wedding, ' and never have I seen such a shocking twist better executed and shot. As usual, there are loads of intertwining stories and many new and old ones appear and begin as others end. Another surprise about this season is that it is only 15, it is just as, if not more violent than the previous two and also contains some off screen horrors as well. The extras are also great and very interesting both for
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• Great to see a film about dancing! A relatively unexplored sub-genre of documentary, and Cunningham was welcome for this alone. It adds to a hole that I suppose Wenders' Pina opened.

• On that note, this film should not have been shot in 3d, which added nothing but nausia. We expect the 3d was entirely for the purpose of (a) copying Pina and, relatedly, b) getting funding. But Cunningham's dances are far less spectacular and their presentation here likewise. The 3d only distracts from the movement in all but one Warhol-involved set, especially when edited with 2d archival.

• First half entertaining, second boring. The film progresses at a monotonous pace: one thing happens and then another and then another. No real conflict or tension.

Which is a problem. Because there evidently was plenty of this, but only in reality. The movie, on the other hand, brushes past unconvincingly. No one in the film is given space apart from Cunningham - everyone else speaks to convince the audience how great he is. I wanted to hear from one of his female dancers honestly, in long form, of the darkness of Cunningham. This would help to flesh out his character, give us something to chew on, and organise the film into a narrative. As is, we grew progressively distrusting and disengaged with the Greatest Hits/ Victory Lap tone, before the film ends suddenly with the news that all his dancers left.

• Ultimately we were left unconvinced that Cunningham (the dancer) was all that interesting. Fashionable certainly, he's attached to the right people, and I'm sure it would be great to be dancing as him, but the just-over-half-full prime-time-at-the-festival cinema was an endless circuit of yawns.

• Nevertheless we feel cultured now.

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