Amanda Stone

We need more Easter movies. Moment when Yul Brynner places his hand on Deborah Kerr's waist! Goosebumps. Tyttö ja kosija movie. I love judy garland with all my heart. A great talent who was misused by just about everybody in her life.

When i came back from vac &had a sense of dread hving to survey again spelled end to that line of work. it just don't face it unless u break out of the routine. Prev we had been pulling extremely short work days for 2 weeks or more. Like that almost again w/codes ect. Greetings again from the darkness. There are, even amongst otherwise intelligent movie lovers, those who proudly proclaim "I don't like musicals. It's a somewhat understandable stance since so many of this genre are simply a group of songs linked together by a thin story with uninteresting characters. However, when done well, the musical can be a most enjoyable, emotional and entertaining ride. One of the best and most beloved is director Vincente Minnelli's Meet Me in St. Louis.

If you were making a musical in 1944, your dream cast would certainly include Judy Garland. She was 22 years old at the time, just a few years removed from her iconic role as Dorothy in The Wizard of Oz. Ms. Garland was desperately trying to break free of her "Oz" and "Andy Hardy" teenage ingénue image and transition to adult roles. In fact, she pushed back hard at MGM against being cast in this film. Because of this, she initially struggled with the character of Esther until finally grasping the tone that director Minnelli was after. The result is clearly one of her best performances, and maybe her most beautiful look ever on screen. The story is broken into four sections ? the four seasons leading up to the 1904 World's Fair to be held in St. Louis. The Smith family lives in a charming upper middle class Victorian home that serves as the centerpiece for most scenes ? especially the intricate, winding mahogany staircase, and the elaborate gaslight fixtures throughout. Mr. and Mrs Smith are played by Leon Ames and Mary Astor (known best for The Maltese Falcon. They are joined in the house by a son Lon (Henry H Daniels, Jr) four daughters (Rose ? Lucille Bremer, Esther ? Judy Garland, Agnes ? Joan Carroll, Tootie ? Margaret O'Brien) a spry grandfather (Harry Davenport) and wise-cracking housekeeper (Marjorie Main. The family dynamics are such that numerous sub-stories are constantly being juggled. There are numerous pieces and tidbits associated with this film, so let's discuss just a few. While audiences today may find 7 year old Margaret O'Brien's performance as the youngest daughter Tootie to be a bit over the top, she won an honorary Oscar that year as the Best Juvenile Actor. Two sequences in particular stand out: the quite dark and harsh Halloween portion which accurately displays the dangerous activities of that era (today's trick or treat seems quite tame) and the song and dance routine performed in the parlor while wearing a nightgown. This is also the film where director Vincente Minnelli and Judy Garland first met. They were married the following year and of course had a daughter, Liza Minnelli. All three were Oscar winners: Judy in 1940 for Best Juvenile Actor, Vincente for directing Gigi (1958) and Liza for Best Actress in Cabaret (1972. Sally Benson's series of short stories published in the New Yorker magazine inspired the film. The stories were based on Ms. Benson's childhood in St. Louis and she consulted on the script and set. In the movie, the Smith house is located at 1935 Kensington. For filming, the house was built on the MGM backlot on what became known as St. Louis Street. The street was used for many films, and the same house was used for the original Cheaper By the Dozen (1950. Sadly, the street fell into disrepair and was later destroyed and sold off by MGM (it's now condos and office buildings. Of course, this is a musical so the songs deserve mention. Many were original compositions for the film, including "The Trolley Song" nominated for a Best Song Oscar) and "Have Yourself a Merry Little Christmas" the latter showcasing Ms. Garland in peak singing voice. The film was a huge box office success and was nominated for four Oscars (no wins. The set design and costumes are extraordinary, and the story is quite affecting as it focuses on family and what makes a home so special. This is a wonderfully sentimental taste of Americana at the turn of the century, and one of the best examples of how effective a musical can be in telling a story and connecting an audience to the characters.

I just want throw everything in my room. THAT VOICE. I. CAN'T. Tytt c3 b6 ja kosija movie download. Tytt c3 b6 ja kosija movie online. Tyttà ja kosija movie database. Tytt c3 b6 ja kosija movie hindi. At a girl. And that is how it is done. Tytt c3 b6 ja kosija movie remix. Best classic movie of all time. This song is my theme song, my life's theme song. Like some people, ive been through so many tough times, mainly due to my ocd, adhd and anxiety, and even though in every single one of them i brokedown- literally let myself breakdown to release the pain- ive conquered most of them and reminded myself that i will get through these all... And my life aint over yet and so are challenges(problems,hardships) But this song always gives me hope that someday ill get to the rainbow, someday, where troubles melt like lemom drops...
My biggest beef with today's movies, is that, they move the cameras around too much when someone is singing or dancing, with cuts, close ups, pans, and you just know that it took 20 takes to get ONE sequence. These guys, and of course Astaire and Rogers, and all the rest of these great early talents, all did it in one or a few takes with the cameras way back showing all their moves. No gimmicks, just raw talent. Cagney, Hope, Hayworth, all of them, just sang and danced with the cameras showing their whole bodies. Even Flashdance is all cut up and you know that a body double was doing the dancing. I miss these really talented actors of old, they did it all.
Mr. Miller, RIP I always adored you.

Directed by Vincente Minnelli Writing Credits Irving Brecher... (screen play) and Fred F. Finklehoffe... (screen play) Sally Benson... (based on the novel by) Victor Heerman... (uncredited) William Ludwig... Sarah Y. Mason... Doris Gilver... Cast (in credits order) verified as complete Judy Garland... Esther Smith Margaret O'Brien... 'Tootie' Smith Mary Astor... Mrs. Anna Smith Lucille Bremer... Rose Smith Leon Ames... Mr. Alonzo Smith Tom Drake... John Truett Marjorie Main... Katie (Maid) Harry Davenport... Grandpa June Lockhart... Lucille Ballard Henry H. Daniels Jr.... Lon Smith Jr. Joan Carroll... Agnes Smith Hugh Marlowe... Col. Darly Robert Sully... Warren Sheffield Chill Wills... Mr. Neely Rest of cast listed alphabetically: Sidney Barnes... Hugo Borvis Judi Blacque... Girl on Trolley Victor Cox... A Driver Donald Curtis... Dr. Girard Kenneth Donner... Hugo Gorman Mary Jo Ellis... Ida Boothby Helen Gilbert... Buddy Gorman... Sidney Gorcey Gary Gray... Boy at Pavilion Sam Harris... Mr. March Darryl Hickman... Johnny Tevis Charlotte Hunter... Girl in Blue on Trolley Victor Kilian... Baggage Man Beverly Luff... Girl on the Trolley / Singer Belle Mitchell... Mrs. Braukoff The Music Maids... Singers Mayo Newhall... Mr. Braukoff Sid Newman... Boy on Trolley Robert Emmett O'Connor... Motorman John Phipps... Mailman Ellen Ray... Dorothy Raye... Girl at Party Beth Renner... Billy Royle... Boy in Halloween Sequence Group Seckler... Performers William Smith... Little Boy Myron Tobias... George Dorothy Tuttle... Leonard Walker... Conductor Frank Whitbeck... Trailer Announcer Kenneth Wilson... Quentin Produced by Arthur Freed... producer Roger Edens... associate producer (uncredited) Music by Conrad Salinger... Cinematography by George J. Folsey... director of photography (as George Folsey) Film Editing by Albert Akst... film editor Art Direction by Lemuel Ayers Cedric Gibbons Jack Martin Smith Set Decoration by Edwin B. Willis... (set decorations) Costume Design by Irene Sharaff... (as Sharaff) (costumes designed by) Makeup Department Jack Dawn... makeup creator Dorothy Ponedel... makeup artist (uncredited) Production Management Dave Friedman... unit manager (uncredited) Second Unit Director or Assistant Director J. E. Jennings... assistant director (uncredited) Wallace Worsley Jr.... Art Department Paul Huldschinsky... associate set decorator William H. Cunningham... greensman (uncredited) Clarence J. Falk... greens supervisor (uncredited) Sound Department Douglas Shearer... recording director Joe Edmondson... unit mixer (uncredited) Standish J. Lambert... re-recording & effects mixer (uncredited) Frank McKenzie... Robert Shirley... Newell Sparks... William Steinkamp... Michael Steinore... John A. Williams... Special Effects by Mark Davis... camera operator: matte paintings (uncredited) A. Arnold Gillespie... minatures and transparency projection shots (uncredited) Donald Jahraus... miniatures assistant (uncredited) Warren Newcombe... matte paintings (uncredited) Camera and Electrical Department Robert J. Bronner... second camera (uncredited) Costume and Wardrobe Department Irene... costume supervisor Eugene Joseff... costume jeweller (uncredited) Music Department musical adaptation orchestrator George Stoll... musical director (as Georgie Stoll) David Crocov... violin (uncredited) Sidney Cutner... orchestrator (uncredited) Robert Franklyn... Lennie Hayton... composer: additional music (uncredited) Wally Heglin... Frederick Herbert... music mixer (uncredited) Calvin Jackson... M. J. McLaughlin... Joseph Nussbaum... Robert Tucker... vocal arranger (uncredited) Other crew Henri Jaffa... associate technicolor color director Natalie Kalmus... technicolor color director Charles Walters... dance director adviser: settings (uncredited) Paul Jones... choreographer (uncredited) Rose Paidar... voice double: Mary Astor (uncredited) Gwen Vernon... assistant choreographer (uncredited) Ellen Wilson... Crew verified as complete.
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BDRIP Meet Me in St. Louis Movie