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Thanks! Share it with your friends! You disliked this video. Thanks for the feedback! Watch Now. Download Now. Zombi Child 2020(2019) HDCam Rip) Full Movie Watch Online, Download Category name: New Hollywood Dubbed Movies Stars: Linda Cardellini, Raymond Cruz, Patricia Velasquez, Genre: Horror, Mystery, Thriller, Audio: Hindi, english Subtitle: English Description: Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm. Length: 93 Mins Mad Max: Fury Road(HDCam Rip) is a Horror, Mystery, Thriller. movie released in. staring Linda Cardellini, Raymond Cruz, Patricia Velasquez. Movie Lenghth Mad Max: Fury Road(HDCam Rip) New Hollywood Dubbed Movies is 93 minuts and its dubbed is also avilable in HINDI, ENGLISH also you can watch movie subtitles in this movie video, subtitles is also avilable in ENGLISH. Zombi Child 2020(2019) 2019) HDCam Rip) New Hollywood Dubbed Movies download in HINDI, ENGLISH in our website moviesyugnet easly with ENGLISH subtitles. Zombi Child 2020(2019) 2019) HDCam Rip) is avilable for download in two part of mp4 formate and full hd format with smaple files for instant quality check. Post your comment Sorry, only registered users can create playlists. Sign in to repost a Post.
Zombi vaikas full movie video. The comment section is really sad and disturbing. Zombi vaikas Full movie page. Il est passé où le point. Zombi vaikas full movie 2015. Zombi Child. 2020. Directed by Bertrand Bonello. Starring Louise Labeque, Wislanda Louimat, Katiana Milfort, Mackenson Bijou, Adilé David, Ninon François, Mathilde Riu, Ginite Popote, and Néhémy Pierre-Dahomey. SYNOPSIS: Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret ? not suspecting that it will push one of them to commit the irreparable. Horror movie audiences have been trained to recall movies like Childs Play or Zombie or Hatchet when hearing the term “voodoo. ” Vengeful black magic curses, slithery serpent pets, straw dolls stuck with pins and such. Bertrand Bonellos Zombi Child exists on more hallowed grounds, as Haitian tragedy keys into spiritual enlightenment at the core of voodoo horror. Parallel timelines juxtapose true-to-life “zombi” kidnappings against a modern girl-gang unification, thoughtfully bonded by lineage. The presence of voodoo is meant to educate outsiders about a sacred way of life that eventually leads to the films crowning finale. I say “eventually” because outright scares lay dormant for a long while ? fear built on hushed rhythms. We open on Haiti, 1962, where Clairvius Narcisse (Mackenson Bijou) “dies” but is “brought back to life” by men who force him to work on a sugar plantation. Clairvius was merely poisoned and lulled into a comatose state that an antidote awakens, whose new purpose is to work while ingesting more of the numbing powder. This is the life of a “zombi, ” robbed of family, freedom, and memories. A sad fate that current-age Haitian descendants like Mélissa (Wislanda Louimat) escape by attending French boarding schools where they meet new friends. In this case, Mélissa is accepted by a sorority of girls who stay up late, gossip, but upon discovering their new sisters background, one soul foolishly sees voodoo as an answer to her heartbreak. Zombie Child sheds Hollywoodized accents around voodoo and presents a grounded, experiential way of life. Clouds dont cascade from the mountains or lightning bolts strike from the sky in prophetic fashion while incantations are uttered. Voodoo is described as “beautiful” and “powerful, ” proving the existence of life and death. Its handled as another classifiable religion versus the fantastical swamp sorcery as so many directors have oversold once upon a time. With a steady calm and ancestral reverence, Mélissa explains to her classmates the ordinariness of voodoo. What it inspires, how it heals, and the cultural impact it has on those with nothing left to believe. Clairvius journey is about the horrors of colonialism, calling back to the I Walked With A Zombie and White Zombie days of early “undead” cinema. The horror afoot is actual slave labor, using nothing but (what looks like) blowfish toxin and some other ingredients. Men snatched from their communities, destined for a lobotomized eternity while others profit. Again, elements of voodoo work themselves in with mundane normalcy ? but that doesnt lessen threat levels. Schoolgirls quip about the grossness of zombies in modern movies like 28 Days Later, but what we see of the real-life “zombi” movement is far scarier than most anything George A. Romero put to screen (film vs. reality a constant theme. Were shown two narratives ? both about oppression despite their vastly different landscapes. A man who can barely mumble his name and the girl who cant forget her peoples past. Years apart but forever united by their voodoo influences, which translates to a lecture-heavy first and second act. Quite literally as we digest Mélissas French Revolution curriculum; a countrys marred history when shown “forgotten” Haitian legacies. We watch, listen, and learn, but thats not what every breed of horror fan is programmed to do. I wouldnt say themes are subtle because they are in-your-face, just more soft-spoken. Sans a few inserts that break the coming of age angle with suggestions that more genre elements are at play than suspected. Thus brings us to adolescent Fanny (Louise Labeque) who voiceover narrates a string of “love letters” between her and a pen-pal crush as the film unfolds. Young love in its most volatile state, which eventually leads to Mélissas aunt (played by Katiana Milfort) showing horror fans what they crave. Katy is a “mambo, ” responsible for conjuring an energized third act that brings the thunder of voodoo temptations down upon those who wish to exploit its capabilities (Fanny, without Mélissas knowledge. Removing spoilers, just know warnings are ignored and Baron Samedi (brought to life by Néhémy Pierre-Dahomey) ? ruler of the cemetery ? may or may not make his presence known. Where fantasy and sensibility clash, finally allowing sparks to fly in the form of voodoo gone haywire but still ritualistically rooted. To its credit, Zombi Child is one of the most authentically in-touch films about voodoo youll find (from this non-practicing critics perspective. Its uniqueness deserves merit, bolstered by the films ability to conjoin two seemingly untethered storylines. Bertrand Bonello could have basely devolved into stereotypes by only focusing on a coven-in-training whose members summon the wrong deity, but thats a lesser experience. What were presented is historically inclined, respectfully taught, and still possession-session-freaky as a final climactic punch. You cant help but respect a film that knows how to deliver its third act, and if youre still around when Fanny gets her way, rewards are frenzied and alarming as voodoo terrorization takes centerstage. Flickering Myth Rating ? Film: ★ ★ ★ / Movie: ★ ★ ★ Matt spends his after-work hours posting nonsense on the internet instead of sleeping like a normal human. He seems like a pretty cool guy, but dont feed him after midnight just to be safe (beers are allowed/encouraged. Follow him on Twitter/Instagram/Letterboxd ( DoNatoBomb.
A real horror would be the USA government revealing all the crimes of the democRATS. 1 win & 5 nominations. See more awards ?? Learn more More Like This Drama, War 1 2 3 4 5 6 7 8 9 10 7. 2 / 10 X 1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins. Director: Kantemir Balagov Stars: Viktoria Miroshnichenko, Vasilisa Perelygina, Andrey Bykov Comedy Horror 6. 8 / 10 A man's obsession with his designer deerskin jacket causes him to blow his life savings and turn to crime. Quentin Dupieux Jean Dujardin, Adèle Haenel, Albert Delpy In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another. Mati Diop Mame Bineta Sane, Amadou Mbow, Traore Crime 6. 6 / 10 A policeman is intent on freeing a crooked businessman from a prison in Romania. He travels to Gomera, an island in the Canaries, where he must first learn the difficult local dialect, a language which includes hissing and spitting. Corneliu Porumboiu Vlad Ivanov, Catrinel Marlon, Rodica Lazar 6. 9 / 10 A gangster on the run sacrifices everything for his family and a woman he meets while on the lam. Yi'nan Diao Ge Hu, Lun-Mei Kwei, Fan Liao A young Israeli man absconds to Paris to flee his nationality, aided by his trusty Franco-Israeli dictionary. Nadav Lapid Tom Mercier, Quentin Dolmaire, Louise Chevillotte 6 / 10 A jaded psychotherapist returns to her first passion of becoming a writer. Justine Triet Virginie Efira, Adèle Exarchopoulos, Gaspard Ulliel 7. 3 / 10 A Cape Verdean woman navigates her way through Lisbon, following the scanty physical traces her deceased husband left behind and discovering his secret, illicit life. Pedro Costa Vitalina Varela, Ventura, Manuel Tavares Almeida Sci-Fi 5. 9 / 10 Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. Against company policy, she takes one home as a gift for her teenage son, Joe. Jessica Hausner Emily Beecham, Ben Whishaw, Kerry Fox A Belgian teenager hatches a plot to kill his teacher after embracing an extremist interpretation of the Quran. Directors: Jean-Pierre Dardenne, Luc Dardenne Idir Ben Addi, Olivier Bonnaud, Myriem Akheddiou Romance 8. 2 / 10 On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. Céline Sciamma Noémie Merlant, Luàna Bajrami 6. 2 / 10 The story of an American artist living in Rome with his young European wife Nikki and their 3-year-old daughter, Dee Dee. Abel Ferrara Cristina Chiriac, Willem Dafoe, Anna Ferrara Edit Storyline Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that it will push one of them to commit the irreparable. Plot Summary Add Synopsis Details Release Date: 24 January 2020 (USA) See more ?? Also Known As: Zombi Child Box Office Opening Weekend USA: 6, 051, 26 January 2020 Cumulative Worldwide Gross: 185, 714 See more on IMDbPro ?? Company Credits Technical Specs See full technical specs ??.

This was so underwhelming it was actually exhausting to watch ?. Zombi vaikas Full movie page imdb. Thats when Id shot the doll maker and put his body in the house, soak the dolls in gas and the house and set that shiht ablaze.

He's not someone who would do that stuff because he is very thoughtful of others. when it comes to suicide you are only thinking about yourself at that moment not other people, I hate this comment I hate how so many people say this and just he wouldnt do that he loves his family. that may be so but that has nothing to do with how he is feeling.
I cant be the only one who is over zombies. Totally. Over-exposed, slow-walking or sprinting, George A. Romero “Living Dead” or TV “Walking Dead, ” just enough already. But if you see one zombie movie this year, heres the one to catch ? “Zombi Child. ” It rips this Haitian curse out of Hollywood cultural appropriators and puts it back in Haiti, back in the realm of voodoo, where it belongs. Writer-director Bertrand Bonello (“Saint Laurent”) conjures up a tale with Haitian history, European exploitation, ethnography, race, and voodoo. He weaves three storylines through two settings ? Haiti and an exclusive French girls boarding school. And while there are horrors ? reserved for late in the third act ? its everything that comes before that makes “Zombi Child” fascinating. In 1962 Haiti, we see only a mans hands as he guts a spiny blowfish, grinds up its entrails with herbs and dusts a powder into a pair of penny loafers. We see a? young man ( Mackenson Bijou) wearing those loafers walk, stagger, collapse and “die. ” And then damned if he isnt dug up and hauled off as slave labor, cutting cane on a sugar plantation. In the present day, Fanny ( Louise Labeque) is a member of the French ruling class ensconced in an exclusive boarding school founded by Napoleon himself. All the girls wears red sashes and have this odd hands-crossed way of reverse bowing in respect to their teachers, et al. Napoleonic? Fanny writes long, poetically purple and passionate letters to her amour, Pablo, a long-haired motorcycling teen shes obsessed with. Among her classmates, she is most taken with the new girl, Mélissa ( Wislanda Louimat. She is black, from Haiti, and shes in this school because her mother won the Legion dHonneur for service for France, Haiti and humanity. Fanny likes that Mélissa dances “like Rihanna. ” “ Walmart Rihanna, ” one of the mean girls in her sorority snipes (in French, with English subtitles. Even in France, Walmart is a put-down. But this club is “a literary sorority. ” So “Who cares how she dances? Is she cool enough to hang with us? ” Can she pass the initiation? That involves sneaking off with the others, lighting a lot of candles, and reciting a piece of literature, from memory, that says a lot about her. Mélissa isnt all that “cool, ” but shes the very essence of “black girl magic. ” She tears off a poem, “Captain Zombi” ( a real poem) full of fire and fury for the “white world, ” reminding it of African contributions to life, work and ethnicity. “Black blood runs through your veins! ” Weird she may be (“Hear my zombi ROAR! ”) the schoolgirls are suitably impressed. Bonello shows us the rites and rituals of this exclusive school, including ones the “sorority” girls make up for their group, intercut with the funeral rituals of Haiti, and the commune-with-the-dead incantations of Mélissas aunt ( Katiana Milfort) her lone surviving relative who tutors and does odd jobs to keep them afloat in France, and practices voodoo as a “mambo. ” And we follow the further adventures of the living dead man enslaved on a sugar plantation way back when. Its an utterly immersive Franco-Haitian gumbo, complete with flashbacks, “magic” as practiced by those who know “the old ways, ” teen hormones and the zombi origin story. Thats the point of entree for a horror fan ? seeing where Haitian myth, magic and ritual were appropriated and twisted into the dead who feast on the living ? lurching and rotting their way through half a century of movies and TV shows inspired by “Night of the Living Dead. ” Its not the scariest zombi or “zombie” movie ever. But are any of them scary any more? Bonello uses the subject as his jumping off point for exploring what all this undead stuff is really about and how the “white world” has been messing around with it for cheap frights and corpse make-up entertainment. MPAA Rating: unrated, violence, brief nudity, profanity Cast: Louise Labeque, Wislanda Louimat, Katiana Milfort, Mackenson Bijou Credits: Written and directed by Bertrand Bonello. A Film Movement release. Running time: 1:43.
Just watched the full movie and. I still prefer this one. I love the fact that almost no words are spoken, which leads to an huge emotional punch when we read My name is Rosie. By the way kudos to Andy Rodoreda, the leading actor in this. He has a short but VERY impactful appearance in the full movie. Great actor.

Last man on Earth did it BETTER. Appreciated the effort. Really wished someone looked over the script and shooting beforehand. Very messy. Appreciated the theme nevertheless. Jay. If hes in the movie I'll be so happy. If I dont get 20 likes I will give out spoilers. Zombi vaikas Full movies. Zombi vaikas full movie dailymotion. Zombi vaikas full movie 2017. Screw this I wanna see him as a werewolf ?. Zombi vaikas full movie torrent. My tears falls. Because parents really do everything for their children. I don't remember L4D2'S Dead Center looking like this. Didn't John Wick kill this guy already. lol. My dad just died on the 1st. Thing song reminds me of him. Miss him everyday and still crying. Requiescat in pace dad ??.

Simon Abrams January 24, 2020 The new French voodoo/gothic drama “Zombi Child” is mostly satisfying, but also a little frustrating because of its creators walking-on-shells sensitivity. Written and directed by Bertrand Bonello (“ Nocturama, ” “House of Tolerance”) “Zombi Child” definitely feels like the kind of movie whose creators might defend its existence by noting that “the film is thoroughly and precisely documented” (as Bonello does in the movies press notes. After all, “Zombi Child” is a multi-generational cautionary tale thats focused on Haitian voodoo and the way that its seen with a mix of fascination and skepticism by a new generation of young Frenchwomen, including Mélissa ( Wislanda Louimat) a Haitian schoolgirl whose familys ties to voodoo culture are somewhat explained throughout the movie, but never fully demystified. Advertisement Much of “Zombi Child” isnt even directly about Mélissa or her heritage; instead, Bonello usually treats her as the subject of unsettling fascination for Fanny (Louise Labéque) a lovesick and very fair teenager whos also obsessed with the memory of her boyfriend Pablo ( Sayyid El Alami. In that sense, the slow, semi-naturalistic process by which we learn about Fannys intentions?she wants to use voodoo to get closer to Pablo?says a lot about “Zombi Child. ” Its a horror-drama that draws inspiration from earlier genre touchstones like “White Zombie, ” “I Walked With a Zombie, ” and “The Serpent and The Rainbow. ” Its also very much about its creators self-conscious outsiders view of the eerie beauty and material reality of voodoo, which is itself still an outsider culture in France and beyond. Plot isnt really the thing in “Zombi Child, ” since the movie is explicitly about a disjointed “subterranean history” of events, as Fanny and Mélissas 19th century history teacher ( Patrick Boucheron) explains during an introductory lecture. In this monologue, were told that the concept of history as a progress narrative is suspect given how exclusive that organizing principle is. Are stories or events that dont fit these narratives any less authentic? “Zombi Child” is, in some ways, an attempt to answer that question with a counter-narrative about an unidentified Haitian man ( Mackenson Bijou) who, in 1962, was buried alive by white colonists, and brought back to life as an undead zombi slave. This mans connection with Mélissa is unclear for a while, but there is obviously something between them, just as theres an undefined, but powerful kind of attraction between Fanny and Mélissa. Fanny wants something from Mélissa given her association with voodoo, like when Mélissa recites René Depestres Captain Zombi ?poem during an initiation ceremony for Fannys literary sorority. But its hard to tell how these two narrative threads are related until later on in the movie. Thankfully, following Bonellos disjointed story is never boring thanks to his and his collaborators knack for dramatizing the romantic, but callow aspects of Fanny and Mélissas angsty teenage lives. “Zombi Child” is obviously not a run-of-the-mill teen drama, but its still satisfying for the mix of empathy, fascination, and mild critical distance that Bonello uses to depict Fanny and Mélissas otherwise inaccessible world of sisterly bonding and schoolyard daydreaming. Many scenes in “Zombi Child” end without much dramatic fanfare; some scenes end right after some narratively inconsequential detail is used to paint a fuller picture of Fanny and Mélissas boarding school-life. So while Fanny s online keyword-searches for information on “voodoo possession” and priestess-like “mambos” may not be typical, but they are presented in a refreshingly matter-of-fact way. Bonello often resists the temptation to criticize his young protagonists too harshly. He lets their contradictory and sometimes fickle behavior speak for them, as when Fannys friends (all white) try to decide if Mélissa is “cool” or “weird” before they wonder aloud if a boy is genuinely attractive or only “fake sexy. ” Soon after that, they all sing a French rap song with lyrics like "I hate cops ‘cause cops hate what we are, ” "only my crew knows who I am, ” and "this ain't love, I just want your ass. ” Bonellos young heroines are, in that sense, allowed to be young without being condemned too harshly for it. Then again, Bonellos general preference for keeping several key plot points ambiguous is ultimately what makes “Zombi Child” a good, but not great story about counter-culture, as its experienced by members of a dominant culture. As involving and genuinely exciting as much of Bonellos frank teen drama may be, it only says so much about who gets to write history, and what their motives are. I like “Zombi Child” for its frank, seductive depiction of clashing cultures, as well as the care and reverence that Bonello brings to the direction and lighting of his movies Haiti-set scenes. I just wish there was more to the movie than whats presented on-screen. Reveal Comments comments powered by.

Just when i thought they finally finished the Chucky franchise. Zombi vaikas full movie 2. REALLY DAD IS DAD, REALLY EMOTIONAL STORY. Zombi vaikas full movie hd. Plot twist: He imagined her. she doesn't exist, thus the title, Alone. Hows this movie got so many likes? People are on drugs these days or they cant see a shit even if they step in it. I need the songs title his listening to. Hello Sir ! The animated film FROZEN 2 will be released on November 22, 2019. Zombi vaikas full movie youtube. Zombi vaikas full movies.
Zombi vaikas full movie full. Zombi vaikas Full movie. Hahaha Lupita is so amazing in this movie ?. Poor little. You're more safe in a closet. Zombi vaikas Full movie reviews. French director Bertrand Bonello ( Saint Laurent' tries his hand at horror, or something approaching it, in a new feature that premiered in the Directors Fortnight in Cannes. Applying his meticulous aesthetic and enigmatic narration to a genre typically marked by lots of blood, guts and brain-munching mayhem, French auteur Bertrand Bonello ( Saint Laurent, Nocturama) takes a stab ? or is that a chainsaw or a shotgun ? at the zombie movie for his eight feature, which debuted at the Directors Fortnight in Cannes. Entitled Zombi Child, with the z-word spelled in its original Creole, the film brings us back to the roots of a major contemporary pop culture phenomenon that actually has its origins in Haiti, where alleged cases of voodoo-induced zombiedom were documented during the last century. If that were the whole story, Bonello may have wound up with an intriguing and rather beautifully realized study of a “real-life” zombie who wakes from his spell and tries to sadly shuffle his way back home. Instead, he decided to combine that plot with another one entirely, involving a coterie of teenage girls ? one of whom may be a zombie as well ? living in a state-sponsored boarding school outside of Paris. The result feels like two incomplete movies in one, neither of them fully satisfying in the end. Still, there are some graceful moments scattered throughout, especially in the Haitian sequences, while its also rather refreshing to see a brand new take on a subject thats been worked to death elsewhere. A few art-house pickups should follow the films premiere on the Croisette, though its unlikely that many outfits specializing in genre fare will, um, take a bite. In the compelling opening scenes, set in Haiti in 1962, we follow what looks like the realistic transformation of a man ? named Clairvius (Bijou Mackenson) and based on a person who really existed ? into a living-dead spectre when someone slips him a voodoo potion. Dug up after his funeral, Clairvius joins a chain gang of zombies who work the sugarcane fields at night, existing in a state of semi-consciousness slavery. At the same time, we follow the parallel story of Fanny (Louise Labeque) a rebellious teenage girl who attends one of Frances Legion of Honor boarding schools, which are dedicated to the children and grandchildren of those who have received the prestigious national award. Along with classmates Salome (Adile David) Romy (Ninon Francois) and Adele (Mathilde Riu) Fanny presides over a secret sorority about to recruit its newest member: the recent transplant Melissa (Wislanda Louimat) who hails from Haiti and moved to France after the 2010 earthquake killed her parents. Cutting systematically back and forth between the two narrative arcs, Bonello, who wrote the script and also composed the music, shows how what happened to Clairvius back in the 1960s will gradually find its way to present-day France, with Melissa revealing signs of zombieness herself. (We learn at one point that she is actually Clairvius granddaughter and that her aunt (Katiana Milfort) is a voodoo mambo, or sorceress. ) The sequences in Haiti, which follow Clairvius after he manages to regain control of his body, escape from the chain gang and head back to his native town, are filled with moments of dark, contemplative beauty, focusing on the strange catatonic state that zombies ? or whatever you want to call them ? find themselves in. Bonello also mixes in a few details about Haitian history, drawing interesting parallels between the supernatural phenomenon and the countrys long and troubled past: Isnt being a slave, after all, not unlike being the living-dead prisoner of a colonial power? Its possible that Bonello could have fashioned an entire film out of such material, but instead he chose to focus more on the teen movie plot in the second half, which plays like a cross between The Craft and the directors own Nocturama, including the use of trap music (by French rap artists Damso and Kalash) as a soundrack to the girls subversive behavior. The voodoo arc does tie the two plotlines together toward the end, but in a way that feels forced and fairly ridiculous, as if Bonello were just trying to make a regular horror flick after all. Given the promise of the pitch, its too bad Zombi Child never provides the genuine scares of a genre movie nor fully explores the Haitian mythology at its core, floating somewhere between the two ? the same way that Clairvisius floats between the living and the dead. On the other hand, Bonellos exquisite use of craft, including poetic day-for-night photography by Yves Cape ( Holy Motors) and a strong electro-rock score, is definitely a plus, creating an ambiance that bewitchingly accompanies the action. But its not quite enough to compensate for a story (or stories) that may have some viewers zombying out before the film is over. Venue: Cannes Film Festival (Directors Fortnight) Production companies: My New Picture, Les Films du Bal Cast: Louise Labeque, Wislanda Louimat, Adile David, Ninon Francois, Mathilde Riu, Bijou Mackenson, Katiana Milfort Director, screenwriter: Bertrand Bonello Producers: Bertrand Bonello, Judity Lou Levy, Eve Robin Director of photography: Yves Cape Production designer: Katia Wyszkop Costume designer: Pauline Jacquard Editor: Anita Roth Composer: Bertrand Bonello Casting director: Marlene Serour, Ife Day Sales: Playtime In French, Creole 103 minutes.
What's the Wu assassin doing fighting zombies lol. Soon they'll be reanimating corpses to be in remakes - hollywood is truly pathetic. I love zombies one so I have to love zombies two.