Antoinette Jin

7.0 / 10

Votes: 434

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Vincente Minnelli 7,3 / 10 countries=USA Creator=Alan Jay Lerner Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound Scores=28510 Vote.
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An american in paris playbill. Uggh! I really wasn't that impressed by this film, though I must admit that it is technically well made. It does get a 7 for very high production values, but as for entertainment values, it is rather poor. In fact, I consider this one of the most overrated films of the 50s. It won the Oscar for Best Picture, but the film is just boring at times with so much dancing and dancing and dancing. That's because unlike some musicals that have a reasonable number of songs along with a strong story and acting (such as MEET ME IN ST. LOUIS) this movie is almost all singing and dancing. In fact, this film has about the longest song and dance number in history and if you aren't into this, the film will quickly bore you. Give me more story! As a result, with overblown production numbers and a weak story, this film is like a steady diet of meringue- it just doesn't satisfy in the long run.

To is the film that beat out "A Streetcar Named Desire" and "A Place in the Sun" for Best Picture! And, to make matters worse, The African Queen" and "Ace in the Hole" weren't even nominated in this category! Even more amazing to me is that "Ace in the Hole" lost for Best Writing, Screenplay to this film- even though "An American in Paris" had hardly any story to speak of and was mostly driven by dance and song.

An american in paris tmc. An american in paris cast and crew. A german genius like Beethoven, an Italian maestro like Muti, a great orchestra like Chicago with wonderful musicians from all over the world. Ode to Joy from Europe to America and all over. An american in paris play. An american in paris musical 1951 leslie caron. An american in paris gershwin. Went to watch him in the Khayam cinema in Baghdad May 8 1958, Paul Desmond was ill and Brubeck played his solos on piano.
Such a stunningly marvelous piece of music. An american in paris nyt review. La performance dans l'aéroplane et l'imitation de Maurice Chevalier excellentes. Though rightfully regarded as one of the top musical-comedy talents of the 1940s and '50s, Gene Kelly's performances as an actor never get much notice- and that's because as an actor he makes a terrific dancer. Partly due to his insistence on playing much the same role over and over again (sort of an overripe, adult Andy Hardy, always on the make and always expressing it grandly) Kelly is rather hard to take seriously when a girl breaks his heart. Although his whispered vocals just pass muster in the song department, Kelly's skill as a choreographer and his uncanny and graceful abilities as a hoofer are faultless. Here he's a former soldier in post-WWII Paris who is hoping to gain attention for his artistic abilities; a rich benefactor (Nina Foch) seems to want romance in exchange for helping him along, but Kelly's heart belongs to a French salesgirl (Leslie Caron, in a sparkling debut. The plot-thread with Foch never satisfies because nobody's heart was in it (not director Vincente Minnelli's, nor Kelly's) and I was feeling more for her than I was probably supposed to. Still, the George and Ira Gershwin songs are used to great effect (except "I'll Build a Stairway to Paradise" shoehorned in along with a lighted staircase) and the closing ballet is eye-candy in motion. Some of Gene's extreme close-ups are quite breathtaking (he can be charming when he wants to be) but one senses that both he and Minnelli were out to bowl us over with razzle-dazzle, and that doesn't leave much room for real substance. from.
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