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Story - During WWII, a Belarusian boy is thrust into the atrocities of war, fighting with a hopelessly unequipped Soviet resistance movement against ruthless German forces. Witnessing scenes of abject terror and surviving horrifying situations, he loses his innocence and then his mind directed by - Elem Klimov writer - Ales Adamovich Country - Soviet Union 142Min Olga Mironova. Ad blocking detected, consider supporting in an other way X Movie details A boy is unwillingly thrust into the atrocities of war in WWII Byelorussia, fighting for a hopelessly unequipped resistance movement against the ruthless German forces. Witnessing scenes of abject terror and accidentally surviving horrifying situations he loses his innocence and then his mind. Movie rating: 8. 3 / 10 ( 47408) Directed by: Elem Klimov Writer credits: Ales Adamovich Cast: Aleksey Kravchenko - Olga Mironova Liubomiras Lauciavicius Vladas Bagdonas Jüri Lumiste AKA: Idi i smotri, I i , Go and Look, Go and see, Go and See: Come and See, Ela na deis, Masacre, Spain (Masacre (ven y mira) Upload subtitles If you want to be pernament logged-in, check in form remember me Log-In.
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Idi i smotri movie watch live. Idi i smotri movie watch 2016. A. k. Come and See (1985) Drama, War [ USA:Not Rated, 2 h 22 min] Aleksey Kravchenko, Olga Mironova, Liubomiras Laucevicius, Vladas Bagdonas Director: Elem Klimov IMDb rating: ★★★★★★★★☆☆ 8. 2 /10 (33, 009 votes) During WWII, a Belarusian boy is thrust into the atrocities of war, fighting with a hopelessly unequipped Soviet resistance movement against ruthless German forces. Witnessing scenes of abject terror and surviving horrifying situations, he loses his innocence and then his mind. IMDb) Critical reception: Initial reception was positive. Walter Goodman wrote for The New York Times that "The history is harrowing and the presentation is graphic. Powerful material, powerfully rendered. and dismissed the ending as "a dose of instant inspirationalism. but conceded to Klimov's "unquestionable talent. Rita Kempley, of the Washington Post, wrote that "directing with an angry eloquence, Klimov] taps into that hallucinatory nether world of blood and mud and escalating madness that Francis Ford Coppola found in Apocalypse Now. And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky's in his epic Siberiade. Mark Le Fanu wrote in Sight & Sound 03/01/1987 that Come and See is a "powerful war director has elicited an excellent performance from his central actor Kravchenko. According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad. Wikipedia) More info at IMDb, Wikipedia, Rotten Tomatoes, Netflix, Wikidata. I am a bot. Send me feedback. Data sources and other information.

16 Come and See (1985) with English subtitles recently requested that I subtitle Belarusian film "Come and See. I found that someone has already done so, but it's not on utubes, hence the upload. Yeah, it's weird, but so is the crowd here on LL. Sorry it's in three parts, it would take a few hours to stitch it back together with the software that I have, didn't feel like doing it. At the time this Belarusian film was first screened in the Soviet Union it was so shocking to the public that ambulances had to patrol the movie theaters where it was shown. This film has 95% certified fresh" rating on Rotten tomatoes and was an inspiration to Tarantino and Ridley Scott. This was the last film Belarusian director made. After making the film he said he was too exhausted and felt that he said everything that he wanted to say in the film. He died in 2003. Wikipedia Roger Ebert on It's said that you can't make an effective anti-war film because war by its nature is exciting, and the end of the film belongs to the survivors. No one would ever make the mistake of saying that about Elem Klimov's "Come and See. This 1985 film from Russia is one of the most devastating films ever about anything, and in it, the survivors must envy the dead. Roger Ebert. To the mods: this movie is old and was made in the country that does not exist anymore (BSSR) it is in the public domain, so please don't delete it. And it's very LL-worthy. Part 1: Part 2: Part 3.
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Idi i smotri Movie watch the trailer. Idi i smotri Movie watch online. Critics Consensus As effectively anti-war as movies can be, Come and See is a harrowing odyssey through the worst that humanity is capable of, directed with bravura intensity by Elem Klimov. 96% TOMATOMETER Total Count: 23 Audience Score User Ratings: 8, 487 Come and See (Idi i smotri) Ratings & Reviews Explanation Come and See (Idi i smotri) Photos Movie Info As seen through the eyes of teen-aged protagonist Alexei Kravchenko, the landscape of Byelorussia is devastated by the incursion of Nazi troops in 1943. The genocide perpetrated on the citizens of this region is almost secondary to the rape of the region itself. Despite his disillusionment with humanity, Florya (Kravchenko) emerges from his experiences vowing to survive no matter what comes. and in so doing, personifies a resilience and dignity. Come and See, originally released as Idi i Smorti, was the winner of the Grand Prix at the 1985 Moscow Film Festival. Rating: NR Genre: Directed By: Written By: In Theaters: Oct 17, 1985 wide On Disc/Streaming: Oct 23, 2001 Runtime: 142 minutes Studio: Kino International Cast News & Interviews for Come and See (Idi i smotri) Critic Reviews for Come and See (Idi i smotri) Audience Reviews for Come and See (Idi i smotri) Come and See (Idi i smotri) Quotes Movie & TV guides.
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Idi i smotri Movie watches. Idi i smotri movie watch. Idi i smotri movie watch 2. Idi i smotri movie watch free. Idi i smotri Movie watching. Idi i smotri movie watch now. BYELARUSFILM,MOSFILM Are you crazy? What the shit? What the hell are you doing? You playing games? Who are you playing with? With whom? You're digging? You're digging again! All right, go on digging, bastards! You goddamn bastards! So you are hiding? But you can't hide anymore! They'll find you even underground., They'll get you! Come out! Do as I told you! Come on, get out! It's you I'm talking to! Do this, do that! Wipe your ass with your fingers! Ordering me around like,another Flemish idiot! That's what I used to be, now I'm a German idiot! We'll see about this. You won't obey your uncle, you'll obey a strong stick! Get up! They're hiding, shitting cans! The pioneers of hiding! You're only good for one thing: milking goats or slopping pigs! You laughing? You won't laugh for long. Enough! The good times are over. You'II learn your lesson! What are you sitting here for? Go work, or I fuck your mutter! Byelorussia, 1943 Go on, dig! Without any guns, they won't let us join. Nothing around here. And where have I got mine? I didn't buy it in a store. It's not for me you're digging., I'm ready to go! Hello? Is this Berlin? So, you did it? Your pants are full, right? What did I tell you? COME AND SEE Screenplay by,A. ADAMOVICH, E. KLIMOV Directed by,E. KLIMOV Director of Photography,A. RODIONOV Production Designer,V. PETROV Music by O. YANCHENKO,Sound by V. MORS Starring A. KRAVCHENKO, O. MIRONOVA,UTSYAVICHUS, GDONAS Yu. LUMISTE, V. LORENTZ,K. RABETSKY, Ye. TILICHEYEV Music by Mozart,was used in the film Oh, sonny. Oh, sonny. How will you explain it to your,dad when he returns? He will come back,and find nobody here. Have pity on yourself. If you can't have any pity for me, then have pity for them. For the love of God. Have you no heart? Stop talking like that, mom., They're all going, I can't stay here. What are you doing? Then kill all of us, right now., Why wait? Go on, kill them! Kill all of us! You're not going anywhere! You're not going! Mother! Hello there., Or should I say good morning? Right. Your weapon, where is it. Where's your weapon. It's right here. And who are these two? Twins? That's right, twins. Out of the same litter. The sun's nearly up. Shall we go? Not yet., When they put the cows out. We want a crowd to watch. Take these, sonny., They will make you warm. With us, he'll stay warm. Don't you worry, we'll see that he's alright. He'll be like in a pioneer camp. Buttermilk. Take what you like. Got something stronger? Milk with a little kick? If I'd known you wanted to drink. We never do., Only on holidays. And at funerals. We maintain discipline. Our commander,is a career officer. Kossatch! That's the man, alright. You come too close, he'll make you go,away. You go away, he'll get you. Remember Bobok. What Bobok? The one who was half deaf. He wanted to sleep on guard duty., Kossatch didn't bother to wake him up. Enough of that! Woke up or didn't, it doesn't matter. Makes you laugh, eh? Women here like to sleep late., Why are you standing? Sit down! We don't have time to sit here., If they catch us, that'll be the end. One day I was sitting so good,that now I never sit down. Know what I mean, mother? A shrapneI, as big as a fist! You may laugh, but it was right here. What's the matter with those cows? A couple of rounds in the air,would wake them. Women! Get'em out! Alright, let's go! Why are you taking him away? Get a good breath of air. Milked or not, get'em out! Where are you taking him? He's a good boy, he hurts nobody! He's always polite! Good people! Who could throw,a stone at such a boy. What are you doing. Keep your hands off! Come, say goodbye to your brother. Here, hold the bird., And don't move! Out of the way! Out of the way! Look. It's Yustin, mayor of the village., Idiot! I don't understand. My little Fliora! My son! My son! Hello, everybody! Hello. Just keep going, lad, keep going. Why rip it off with the skin? What are you doing? I'm still alive! Nurse, water. Hello. Go on, move. Hello. Hello. Who is the last one? Don't sit in the Major's chair! All of you, shut up! Close up a little! And you, look forward! What's that? You call it your face? Look at your comrade's face! Ah, what a suit! Over here. You'II lie down right here. Like that., Don't take your suit off yet. Hey, you cow! WE'D RATHER EAT YOU,THAN LET THE ENEMY GET YOU Make room for the cow! Hurry up, Perekhod! We ain't got,all day! I've got only one sheet of film., This is the last one, so hold it. Our father is here! Quiet down! I'm ready. Look at this man. He put on,a new suit and he stays still. Let's make a trade., I took it from a live guy. Ah, our Chief. Welcome, Comrade. Will you give us a picture? Rise up, our country wide and great, Rise up for a deadly fight With fascists daring to invade, With black hordes of the night. Let our noble wrath swell on, Like a big and surging wave. The people's war is going on, Our sacred war of faith. Who is there? Password. Password. Are you new. Yeah. Your name. Gaishoun. Third squad. Why didn't you shoot. I recognized you, Comrade Commander. Whenever a man doesn't stop or say,the password, shoot! Yes, only. No excuses., Extra duty as a punishment. Thanks. Where is he. Who? Password. Where'd he go. Password, I said! That damned owI again! Go to sleep. Your watch is up. the immediate proximity,of the enemy. are fulfilling their duty day and,night. And today I got two notes, Very cryptically drawn. Every line contained just dots, For me to guess it on my own. How am I to find,What is on his mind. Ivan, come here! I'm going to tell you the truth., This will be a hard time for us. Old partisans know only too well,what a siege means. It means Hitler's "all-out war. His objective is to exterminate,all of us. Our duty is to defend to the end,every territory that the High Command,has put into our hands. But the situation is complicated, and it's going to change every,moment. So we must be vigilant. You have a weapon in your hands,and a head on your shoulders. Or, as our Commander says, to live and never say "What the heck" is not my way. I've said it before, I'll say it,again: A partisan never asks how many,fascists are there? No. He asks, Where are the fascists. Well, right now, they are here, on our soiI. Every one of you,helps decide how long this war will last. We won't have any cowards here. Not one of you is going to be,a coward. Their main weapon is fear. They want to make slaves of you, just bugs, to crush you down. They're the ones who are going,to be scared of us! No mercy to them! They don't deserve any. We'll all be asked one day,what we did here. Any wounded or sick? Any who can't march alone? There's nothing to be ashamed of. We have to organize a reserve,station in any case. No wounded or sick. No one playing tricks! You see, my boots are no good at all. Swap boots with the new one., He's staying behind. All sections, by fours, fall in,and follow me, forward march! Move it! Move it! You heard the commander? Come on, sit down. Let's go, men! Don't fall behind! What's your name? Fliora. And your first name? That's it, Fliora. Florian., And yours? Rose. Rose of the kolkhoze! Ever hear that one? Tell me, how did you get here? They deported me to Germany., But here I am! They rescued you? Kossatch did? I want to ask you, Rose, you were,all dressed up over there. Why? Where was that? This morning, in front of the men., I couldn't get it, Rose, really. My name is Glasha. Glafira. You understand now, idiot. What's wrong. And what's wrong with you? Fliora! Just exactly what are you doing,here? What, they took pity on the little,one, leaving you here? Kossatch took pity on you? Pity? Yes, pity! They'll be lucky if I take pity,on them! He can pity, yes, he can. Only it makes him cry in his sleep. Kossatch? Cries in his sleep? He won't last long., I'm telling you that. You're Iying! Filthy liar! Liar! Why don't you say something? Why won't you see me? I'm right here. I exist. Here I am. You're not living., You don't hear birds singing. You're deaf and blind. Here I am. here. I want to love. I want to have children. Do you hear? I can do anything for you, anything! Do you want me to get blown up? Don't do that. You idiot! Idiot! Idiot! I'm carrying 60 ammunition rounds, a grenade, an automatic rifle. I'm here to fight, and you treat me like an imbecile. Kossatch! I'm not Kossatch! Are you crazy or what? What are you doing? What's got into you? Fliora, Fliora, little silly Fliora! Did I shock you, boy? Not again! Don't be angry. Are you starting again? What's that? It must be the beavers howling., I guess, I broke their dam. Everybody's howling today. Look. That's the one that's always flying. Want me to shoot it down. Hey, don't! Give it back! One. Two, three. Glasha. Glasha. Come on, hurry! Hurry! Glasha. Tomorrow, Mom is going to be,reaI happy. I'll hide all of us. I know where. You'll see my funny sisters. Then we'll find Kossatch's,detachment. Wait a minute. Mom! They're not here. It's alright., Sit down. They're gone. Still warm. That's great. Eat. Mom made it. I know where they are. Let's go. What an idiot! Let's go! That's where they all are. Come on, let's go! It's right down here. Let's run! They're here! They've gone to the island! They're here! Glasha! They're back there, not here! No, they're not here! They're dead! They were all killed! All of them! Dead! They're not! They're here! Glasha! His family have all been killed! He's led me into the bogs! He's deaf! He's crazy! He's gone mad! He can't hear! He's taking me to the bogs! His whole family have been killed! Fliora, my dear child! They killed your mother and sisters! Didn't I tell you. Didn't I tell you not to dig. Dead to the last one. To the very last one. Poured gasoline over me. I burned. I
Come and See

Growing up watching war movies from Apocalypse Now to Black Hawk Down, I thought I knew what war movies are. Apparently, I was wrong. Come and See is not like those films. It does have soldiers, explosions, and people dying. However, Come and See doesn't have John Williams making you feel like storming the beaches of Normandy is somehow best expressed by French horn. What makes Come and See so interesting are 3 basic elements: 1. We experience war through the eyes of a teenager, 2. It doesn't follow a formulaic approach and 3. It's brutally real. First of all, war movies are typically seen (in America) through the eyes of some brave (almost always white) man heading off to the glory of the war. Ben Affleck in Pearl Harbor, Tom Hanks in Saving Private Ryan, Tom Sizemore in every major American war movie or TV Show since 1989 (including the two aforementioned. In Come and See, our protagonist Florya is a teenager who eagerly jumps at the chance to fight with the Russians against the Nazi invasion. His youth and innocence at the beginning is just like the audiences. He believes he knows what war looks like, but when confronted with the reality of it he, along with the audiences, slowly loses his mind and his prefabricated ideals. He (and we) become lost in this seemingly alien world of war that had previously been a clear vision to us. Our joint progression is a testament to Klimov's smart design. What I cannot stand about American war movies is the obviousness of plot. That doesn't mean all American war films are bad, but I do believe they follow a very specific pattern. Here it is: Someone goes off to war; they battle, lose a friend, gain some friends, recover from loss, learn some important lesson, and come home. Saving Private Ryan's title character (Matt Damon) Pearl Harbor's Danny Walker (Josh Hartnett) Jarhead's Anthony Swofford (Jake Gyllenhaal) all follow this line. In Come and See, Florya does go off to war with some ideals, he makes and loses some friends, but he never comes home. Also, he's not doing it in any cookie-cutter/Michael Bay way. He is literally destroyed of all his innocence, family, self- worth, and judgment. He never recovers from his losses, he simply pushes them deeper within or ignores them (which could be argued is the same thing) he never learns lessons from his experiences (he becomes angry and disavowed with own thoughts and ethics) and he never comes home, because he doesn't have a home anymore and he wants to keep fighting (I also understand that "war" and "The Army" could be his home, but I disagree with that. I feel his home is truly destroyed, when his innocence is destroyed. Lastly, Come and See's realistic approach to filming is remarkable and startling. There are no sweeping shots of the horizon and the soldiers walking through vast fields, epic crane moves around the statuesque protags (a la every Michael Bay-type war film) or funky color separation or manipulation. It is really is 2 hours of hand-held camera, live ammunition and explosions, real color, and original WWII uniforms. Come and See is an intelligent exploitation of your senses and emotions that are clearly visible in the young actors own minds. When Florya stands next to the nearly leaded cow you see his real fear just like the guy watching the film next to you. Some documentaries are a cleaner look at war than Klimov's film.

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