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Sally Potter. &ref(https://m.media-amazon.com/images/M/MV5BN2UyM2U3NTctNTRlOS00Yzg5LTgxZTItNmM0MWE4ODEwMjg1XkEyXkFqcGdeQXVyNDY2MjcyOTQ@._V1_UY190_CR0,0,128,190_AL_.jpg). UK. Directed by Sally Potter.
The Roads Not Taken Theatrical release poster Directed by Sally Potter Produced by Christopher Sheppard Written by Sally Potter Starring Javier Bardem Elle Fanning Laura Linney Salma Hayek Music by Sally Potter Cinematography Robbie Ryan [1] Edited by Sally Potter Jason Rayton Emilie Orsini Production companies BBC Films HanWay Films British Film Institute Ingenious Media Chimney Pot Sverige AB Adventure Pictures Film i Väst Distributed by Bleecker Street Focus Features Release date February?26,?2020 ( Berlin) March?13,?2020 (United States) May?1,?2020 (United Kingdom) Running time 85 minutes [2] Country United States United Kingdom Sweden Language English The Roads Not Taken is a British-American drama film written and directed by Sally Potter. It stars Javier Bardem, Elle Fanning, Salma Hayek and Laura Linney. It had its world premiere at the Berlin International Film Festival on February 26, 2020. It is scheduled to be released on March 13, 2020, by Bleecker Street. Premise [ edit] A day in the life of Leo, who lives in New York City and is suffering from dementia. His daughter, Molly, comes to see him to take him to the dentist and the optometrist. While Molly struggles to help Leo with these appointments, Leo is reliving parallel versions of his life in his mind, including a life with his ex-wife Dolores in Mexico, and a time spent in Greece. Cast [ edit] Javier Bardem as Leo Elle Fanning as Molly Salma Hayek as Dolores Laura Linney as Rita Branka Katić as Xenia Milena Tscharntke as Anni Gerard Cordero as Police Officer Amenta Production [ edit] In December 2018, it was announced Javier Bardem, Elle Fanning, Salma Hayek and Laura Linney had joined the cast of the film, with Sally Potter directing and writing from a screenplay she wrote. Christopher Sheppard will produce under his Adventure Pictures banner, while BBC Films, HanWay Films, British Film Institute, Ingenious Media, Chimney Pot, Sverige AB, Adventure Pictures and Film i Väst will produce. Bleecker Street will distribute. Production began that same month. [3] The film is dedicated to Nic Potter, Sally's brother, who suffered from Pick's Disease, a type of dementia. [4] Release [ edit] In September 2019, it was announced Focus Features had acquired international distribution rights. [5] It had its world premiere at the Berlin International Film Festival on February 26, 2020. [6] [7] It is scheduled to be released in the United States on March 13, 2020. [8] Reception [ edit] On Rotten Tomatoes, the film holds an approval rating of 29% based on 7 reviews, with an average rating of 2. 67/10. [9] References [ edit] ^ "Robbie Ryan" (PDF). Gersh. Retrieved March 27, 2019. ^ "The Roads Not Taken". Berlin International Film Festival. Retrieved February 11, 2020. ^ Grater, Tom (December 10, 2018). "Javier Bardem, Elle Fanning, Salma Hayek to star in Sally Potter drama". Screen International. Retrieved December 10, 2018. ^ Debruge, Peter (February 26, 2020). " ' The Roads Not Taken': Film Review". Variety. Retrieved February 29, 2020. ^ Wiseman, Andreas (September 18, 2019). "Focus Pre-Buys Key Int'l Territories On Sally Potter Drama 'Molly' Starring Javier Bardem & Elle Fanning; HanWay Closes Most Of World". Deadline Hollywood. Retrieved September 18, 2019. ^ "The 70th Berlinale Competition and Further Films to Complete the Berlinale Special". Berlinale. Retrieved 29 January 2020. ^ "Berlin Competition Lineup Revealed: Sally Potter, Kelly Reichardt, Eliza Hittman, Abel Ferrara". Retrieved 29 January 2020. ^ Lang, Brent (October 25, 2019). "Bleecker Street Buys Harvey Weinstein-Inspired Drama 'The Assistant ' ". Retrieved October 25, 2019. ^ "The Roads Not Taken". Rotten Tomatoes. Retrieved 29 February 2020. External links [ edit] The Roads Not Taken on IMDb.
The roads not taken watch streaming. The Roads Not Taken Watch streaming. How is anyone not talking about the fact that SEAN IS IN THE MOVIE. Nghe câu đ?u c? t??ng l?ng nh?c vào bài th? The road not taken c?a Robert Frost ch?, ai ng? ko ph?i. I love thisssssss... Poetry with animation just made my day. The Roads Not Taken Watch streaming by ustream. Someone pleeeeeaaase tell us the music - Artist & track title please? It is just gorgeous. Omg Mia from Druck is here ?. Where my heart rever Ireland. The Roads Not Taken Watch stream online. The roads not taken watch streamers. Đ?t coi phim ghi?n nh?t bài này ?. Love this song! Your voice is so warm and comfortable to listen to! Best regards /Jazz drummer from Sweden. Cover of Mountain Interval, copyright page, and page containing the poem "The Road Not Taken", by Robert Frost The Road Not Taken Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves, no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I? I took the one less traveled by, And that has made all the difference. [1] " The Road Not Taken " is a well-known poem by Robert Frost, published in 1916 as the first poem in the collection Mountain Interval. Its central theme is the divergence of paths, literal yet also clearly figurative, although its interpretation is noted for being complex and ( like the road fork itself) potentially divergent. History [ edit] Frost spent the years 1912 to 1915 in England, where among his acquaintances was the writer Edward Thomas. Thomas and Frost became close friends and took many walks together. After Frost returned to New Hampshire in 1915, he sent Thomas an advance copy of "The Road Not Taken". Thomas took the poem seriously and personally, and it may have been significant in Thomas' decision to enlist in World War I. Thomas was killed two years later in the Battle of Arras. [2] Analysis [ edit] "The Road Not Taken" is a narrative poem. It reads naturally or conversationally and begins as a kind of photographic depiction of a quiet moment in woods. It consists of four stanzas of 5 lines each. The first line rhymes with the third and fourth, and the second line rhymes with the fifth (ABAAB). The meter is basically iambic tetrameter, with each line having four two-syllable feet. Though in almost every line, in different positions, an iamb is replaced with an anapest. The variation of the rhythm gives naturalness, a feeling of thought occurring spontaneously, and it also affects the reader's sense of expectation. [3] In the only line that contains strictly iambs, the more regular rhythm supports the idea of a turning towards an acceptance of a kind of reality: "Though as for that the passing there … " In the final line, the way the rhyme and rhythm work together is significantly different, and catches the reader off guard. [4] It is one of Frost's most popular works. Some have said that it is one of his most misunderstood poems, claiming that it is not simply a poem that champions the idea of "following your own path", but that the poem, they suggest, expresses some irony regarding that idea. [5] [1] Frost's biographer Lawrance Thompson suggests that the poem's narrator is "one who habitually wastes energy in regretting any choice made: belatedly but wistfully he sighs over the attractive alternative rejected". [6] Thompson also says that when introducing the poem in readings, Frost would say that the speaker was based on his friend Edward Thomas. In Frost's words, Thomas was "a person who, whichever road he went, would be sorry he didn't go the other. He was hard on himself that way. " [7] Regarding the "sigh" that is mentioned in the last stanza, it may be seen as an expression of regret or of satisfaction, but there is significance in the difference between what the speaker has just said of the two roads, and what he will say in the future. [8] According to the biographer Lawrance Thompson, as Frost was once about to read the poem, he commented to his audience, "You have to be careful of that one; it's a tricky poem?very tricky, " perhaps intending to suggest the poem's ironic possibilities. [6] [9] A New York Times Sunday book review on Brian Hall's 2008 biography Fall of Frost states: "Whichever way they go, they're sure to miss something good on the other path. " [10] References [ edit] ^ a b Robinson, Katherine. "Robert Frost: "The Road Not Taken " ". Poetry Foundation. Retrieved 9 August 2016. ^ Hollis, Matthew (2011-07-29). "Edward Thomas, Robert Frost and the road to war". The Guardian. London. Retrieved 8 August 2011. ^ White, James Boyd (2009). Living Speech: Resisting the Empire of Force. Princeton University Press. ISBN 9781400827534. p. 98 ^ Timmerman, John H. (2002). Robert Frost: The Ethics of Ambiguity. Bucknell University Press. ISBN 9780838755327. 71 ^ Sternbenz, Christina. "Everyone Totally Misinterprets Robert Frost's Most Famous Poem". Business Insider. Retrieved 13 June 2015. ^ a b Thompson, Lawrance (1959). Robert Frost. Minnesota: University of Minnesota Press. ^ Thompson, Lawrance Roger; Winnick, R. H. (1970). Robert Frost: The early years, 1874-1915. Holt, Rinehart and Winston. p.?546. ^ Finger, Larry L. (November 1978). "Frost's "The Road Not Taken": A 1925 Letter Come to Light". American Literature. 50 (3): 478?479. doi: 10. 2307/2925142. JSTOR 2925142. ^ Kearns, Katherine (2009). Cambridge Studies in American Literature and Culture. 77. Cambridge University Press. ISBN 9780521109987. 73 ^ Miles, Jonathan (May 11, 2008). "All the Difference". New York Times. Retrieved June 13, 2015. External links [ edit] The Road Not Taken at 3 audio readings of The Road Not Taken Information about the poem and about Frost's life Critical essays on "The Road Not Taken" " The Most Misread Poem in America " by David Orr, The Paris Review, September 11, 2015.
The Roads Not Taken Watch. I feel like they forgot the reason why they started fast and the furious. What happened to the movie being about car racing. The Roads Not Taken Watch stream of consciousness. Bruh, Illumination needs to stop with these Despicable me and Minions movies. It's nice to see some background of Gru, but this is getting annoying. You have three DM ( despicable me) movies, THREE! At this point, we all know y'all are doing this to sell toys and earn money.
YouTube. It's my way or the highway. &ref(https://drscdn.500px.org/photo/215313533/m%3D2048_k%3D1/v2?sig=72e7b77940d8e5f1946621167e6145ef6980ca61beee9f481ce2f99d7085eae0) They asked him to do something evil, he did do eEEEEeevil. I want to be co-CEO of a company that raises children and mows lawns and stuff. My favorite line.
Great explanation. I will never be able to see this poem the same way. it was my favorite. The Roads Not Taken Watch streamline. They never mentioned him. He is probably drinking anything except Corona. What can I say... it ain't the country for old men.
The Roads Not Taken Watch streams. The Roads Not Taken Watch streaming media. The Roads Not Taken Watch streaming sur internet. Ooooo nice. The Roads Not Taken Watch stream.nbcolympics. We memorized it in school. The Roads Not Taken Watch stream new albums. This is cool! Great multi-instrumental performance, composition and production! I subscribe to your channel immediately. Javier Bardem and Elle Fanning shine as a father and daughter struggling with his dementia Dir/scr: Sally Potter. UK. 2020. 85mins The game we all play of wondering where we’d be if we’d taken different forks in life’s journey provides the narrative bedrock of Sally Potter’s new film, which pairs Javier Bardem and Elle Fanning as a dementia sufferer and his journalist daughter having a bad day in New York. But two bravura performances can’t disguise the thinness of a script that exposes just how uninteresting this ‘sliding doors’ game can be. The Roads Not Taken redeems itself, partly, through the compassion and sensitivity with which it deals with the mind-ravaging illness at its core. Sensitive, nuanced performances High production values, including some fine, caressing camerawork by DoP Robbie Ryan, and the draw of the two leads (ably abetted by a couple of extended cameos from Salma Hayek and Laura Linney) will help The Road Not Taken find an audience on a world tour that begins when Bleecker Street release it in selected theatres Stateside starting on 13 March. It’s an awkward fit between the arthouse and commercial melodrama, and an out of competition slot may have served it better in Berlin. Skewing towards older viewers, Potter’s latest may turn out to lack box-office staying power. Adapting its title from Robert Frost’s much-quoted poem ‘The Road Not Taken’, the film follows the lead of Still Alice in trying to convey a degenerative mental disorder (in this case frontotemporal dementia) from the inside. But The Roads Not Taken does more than adopt the point of view of Bardem’s Leo, who at the start of the film is seen staring into space in his unadorned Brooklyn apartment while his carer Xenia (Branka Katic) rings the doorbell and his daughter Molly (Fanning) desperately attempts to reach him by phone. It goes further, entering the mind of a man who outsiders (including a brusque optometrist) consider to be “not all there”. Over the course of the film’s day, we watch as a loving but distressed Molly, wrangles her father to the dentist and to that optometrist, while simultaneously dealing with a work crisis over the phone, What should be a simple task becomes an ordeal punctuated by little incidents that befall the inarticulate, confused Leo ? he wets himself, bangs his head, hugs a stranger’s dog in the supermarket. What Molly is not seeing, but we are, is where Leo goes when he’s not in the here and now. Today, it’s two places; a Greek island and some unspecified part of rural Mexico. We soon realise that these sequences spliced into the New York present are not flashbacks, but little imagined stories he’s playing on some sort of cerebral projector; stories about who he might have become if he had taken two of those other roads way back then. Alas, this laudable attempt to show how intensely the light can still burn in the mind of a person who seems to be dimming is compromised by the overwrought melodrama of the Mexican story, in which Leo imagines what would have happened if he had stayed in his native country with his first love, the fiery Dolores (Salma Hayek), and the sheer weakness of the Greek strand, a nothing of a tale that sees a melancholy Leo meeting a young woman (Milena Tscarntke) who reminds him of the daughter he abandoned years before to pursue a career as a novelist. Leo’s imagination seems to tend to clichés ? Mexican rooms done out in red ochres and sunflower yellows, a blue and white Greek beachside taverna just ready to be Instagrammed ? and these alternative outcomes he drifts us off to are far less compelling, in the end, than the father and daughter story that is playing out in the real world. With their sensitive, nuanced performances, Fanning and Bardem both lift a script that, in the hand of less able actors, would have risked coming across as a grotesquely sentimental. Ryan’s gentle handheld camera often homes in on their faces, blurring the background as if to convey the loneliness of each character’s ordeal, before pulling back to frame the two sharing, for example, a rare moment of mutual laughter. A string, keyboard and percussion soundtrack composed by Potter herself strikes an unexpectedly jaunty note at times, in a film that, for all its dark subject matter, is suffused by sunlight. Production companies: Bleecker Street, Hanway Films, BFI, BBC Films International sales: Hanway Films, Producer: Christopher Sheppard Production design: Carlos Conti Editing: Emilie Orsini, Sally Potter, Jason Rayton Cinematography: Robbie Ryan Music: Sally Potter Main cast: Javier Bardem, Elle Fanning, Branka Katic, Milena Tscharntke, Laura Linney, Salma Hayek.
Sally Potter re-teams with "Ginger & Rosa" star Elle Fanning for a heartfelt but moribund drama about what might have been. Editor’s note: This review was?originally published?at the 2020 Berlin Film Festival. Bleecker Street releases the film on Friday, March 13. Molly (Elle Fanning) is sick of the way that people tend to dehumanize her dad (Javier Bardem), as soon as they realize that he suffers from some kind of advanced dementia. The cab drivers are nice enough, but the dentist, the eye doctor, and even Leo’s ex-wife (Laura Linney) talk to him as if he’s nothing more than his tragically premature condition. “Why does everyone always refer to dad as if he’s not here?, ” Molly asks her mom. And the inevitable, exasperated reply is one of those lines that you can hear in your head before it’s even spoken: “Is he? ” That might sound like a rhetorical question, but Sally Potter ’s “ The Roads not Taken ” doesn’t frame it like one. On the contrary, this curious and heartfelt dirge of a movie hinges on the magical thinking that Leo has actually left his body, and that nobody knows where he went. The shell is still there, mumbling and walking and pissing itself in public, but the ghost has gone AWOL. Potter, an idiosyncratic British filmmaker (“Orlando, ” “Yes”) who seems to have rediscovered an urgent creative purpose in her 60s, draws from her personal experience of caring for her younger brother as he died from early onset Alzheimer’s. At first, she captures the inner tension of loving someone in that state ? the heartbreaking friction between presence and absence. But Potter is determined to fracture her movie even further from there and develop it into a strained, time-hopping tale about ? well ? the roads not taken. Where has Leo gone? Into the other lives that he might have lived had he never emigrated from Mexico to New York, or had he returned home after having Molly and pursued a solitary existence as a writer. ? The moribund character drama that Potter wrings from that premise is far too sensitive and searching to become what Leo might describe as “a beautiful disaster. ” And yet, its hero’s journey back to himself is impossible to square with a disease that doesn’t just obfuscate a person’s identity, but obliterates it completely. There’s nothing speculative or romantic about a massacre like dementia. It’s a process of erosion, not discovery; it asks “what was, ” not “what might have been. ” And while it’s touching how Potter tries to restore a measure of humanity to someone who’s being robbed of what little they have left, her movie never takes you anywhere because there’s nowhere for Leo to return. The exact nature of Leo’s dementia is never diagnosed on screen, but it’s rather advanced by the time that “The Roads not Taken” begins. Molly shows up at her dad’s ramshackle Brooklyn apartment beside the Myrtle Avenue J/M/Z tracks, relieves Leo’s hired aide, and immediately puts on a brave face and a pained smile to prepare for the day they’re about to spend together. Fanning is a palpably intuitive actress, and you can feel her character negotiating her grief in real time ? fighting to find her dad inside the ruins of his own mind, even if there’s no reality in which she could. If she keeps looking, he must still be in there. She refuses to treat his mutterings like gibberish, which means that when Leo mentions a mystery woman named Dolores, his daughter interprets it as a clue. Molly doesn’t get to see the glimpses into her father’s parallel realities ? the flashes of what Leo might have found had he followed the roads not taken, which Potter weaves into the movie between harried scenes of the here and now ? but it doesn’t take long for us to figure out that Dolores was Leo’s first love, and that he once sacrificed a life with her for a shot in America. Leo deliriously envisions an alternate timeline in which he returned to Dolores, and to the home they shared together in a dusty corner of their home country. But something is off; there’s a deep wound between them. Every hard choice in life comes with its own measure of heartache. “The Roads not Taken” The other scenario Leo imagines is similarly haunted, even if it first seems to be glazed with a layer of male fantasy. The frustrated author follows the thread of what might’ve happened if ??after having Molly ? he left her in pursuit of his muse. And so Leo finds himself trying to finish his novel along the waters of a beautiful Greek island, where he smolders in solitude and takes an overly keen interest in a beautiful young tourist who’s no older than his daughter. This strand of the story is the hardest to watch, but also the most wrenching; it’s the only part of the film that fully courses with the extraordinary torture of a writer’s imagination. It’s here that we best appreciate what Bardem brings to his thankless role, as he balances all three shades of Leo with the same general hue of dislocated sadness. No matter where his mind takes him, regret will never pave the path towards happiness. As dour in practice as it is bright-eyed in principle, Potter’s film makes an earnest but enervating attempt to erase mental boundaries (“Everything is open, ” Leo exhales with his very first line). It’s an effort that “The Roads not Taken” stress with the physical borders that Leo has crossed in his life, and the split identity at the heart of the immigrant experience. In a movie that gets much less mileage from Robert Frost than it does the Confucian logic of “wherever you go, there you are, ” there’s certainly room to explore the idea that anyone who chooses a life in America is forsaking a life somewhere else ? that being and belonging aren’t as far removed as Republicans might have you believe. But the clumsy scene where Leo is accosted by a xenophobic Costco shopper is typical of a torpid film that struggles to reconcile its poetic imagination with the coarseness of real life; its fantastical approach to dementia with the undignified grind of dying from it. “You are always you, ” someone says as Leo tries to find his way back to the life that he chose for himself. But anyone who’s been in Molly’s shoes knows that’s just wishful thinking. Grade: C “The Roads not Taken” premiered in Competition at the 2020 Berlin International Film Festival. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
The fact that The Lighthouse wasn't nominated for Best Picture or even mentioned at the end of this video is a crime. I always thought that when it said 'though as for that the passing there had worn them really about the same' was more of the passing of time. IE, they'd both been built at the same time, not that he was fooling himself. I can see where you're coming from and it's an interesting idea, although I think the other interpretations are just as valid. Let every soul be subject to a higher power for there is no power but that of god.

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