Crystal Robinson

His version of Hamlet is amazing. He did something no other director has ever done. He took a 400 year old play & made it cinematic. Branagh theatre live 3a the winter 27s tale karaoke. I dont- n-no I did-didn- Ive nev- thats something Ive not- I havent put out- no its- I didn- its- uh- th-they-theyre- look- th-theyre generally um-uh-m-ts-you know um-theyre generally the very articulate Tom Hiddleston.
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What an outstanding video! Thank you so much for uploading. Here's almost two hours of Sir Ken Branagh at his very best. emotional, fantastic, sexy, more than talented actor. Thanks really. Annak a 86 szerencsétlennek mondom: Az a nyomógomb nem a letöltésé... Branagh theatre live winter& 39;s tale.

Branagh theatre live the winter& 39;s tale 2019. Áldott és Békés karácsonyi ünnepeket kívánok! Zsóka. Branagh theatre live 3a the winter 27s tale remix. Branagh theatre live the winter& 39;s tale (encore. Gyönyörű ez a vers, minden karácsonykor meghallgatom, Szép karácsonyt minden emberenek a földön. Great stuff. Pls put up more renaissance drama. (This is a review undertaken when our area finally got this ballet through FATHOM's Ballet Cinema; it's long, but there is so much to get carried away about in this wonderful new work! Our area finally got what I assume is the film from the premiere last season. It was sooooo worth the wait. After Alice's Adventures in Wonderland, I wasn't quite sure what to expect from choreo Christopher Wheeldon (likewise designer Bob Crowley and composer Joby Talbot) but this creative team has proven its range knows no bounds. I kept seeing bits of Martha Graham and bits of Anthony Tudor, but Wheeldon and friends have again turned out something as original as it was beautiful, as beautiful as it was poignant. We did get the State Occasion Cast. The lead roles- there are six- were all danced by principals who will be familiar to US audiences who have been following the Ballet Cinema series from FATHOM. The ballet was a dramatic and technical tour de force for Edward Watson, whose depiction of King Leontes and his descent into madness hit all the right notes. He made you wish drugs like Haldol had been available in Elizabethan England. I don't often notice a man's line or feet to remark on, but his actually excel those of some of the RB's ballerinas. The play could have made a very bumpy transition to the ballet stage, but the creative team handled it masterfully. The music for the heavily dramatic first act had my musician husband making remarks about tone clusters, which he hates; it took seeing the second act to understand Talbot's vision for the ballet. The tortured quality of the first act music served the story, as did the lighting and cold, angular lines of the set pieces. One fine example had Leontes stalking the wife he suspects of infidelity (Lauren Cuthbertson, Federico Bonelli. The stage is all light and shadow; in shadow, the couple do seem to be canoodling; in the light, they are clearly no more than good friends. Who but three masters could not only tell this complex story but give us a look into a disintegrating mind? Fast forward to Act 2 and a virtually non-stop pastorally-themed montage of music and dance. Folk musicians share the stage with the dancers, and the musical themes move back and forth between onstage musicians and the orchestra much as the corps weaves in and out among the solo and double work of the soloists. The children of Leontes and Polixenes (Bonelli) have come of age and, of course, fallen in love (hey- it's Shakespeare. Wheeldon combines moments of scintillating bravura with lifts as clever as they are charming. He makes the most of Steven McRae's jump and Sarah Lamb's gorgeous feet, insanely flexible back, and ethereal movement quality. It's difficult to say if Zenaida Yanowski or Cuthbertson and Watson make the third act. The young lovers arrive at Leontes' court, seeking refuge from an angered my son is NOT marrying one of the local shepherdesses Polixenes. Lamb's character is revealed as the daughter Leontes thought abandoned and deceased. Yanowski, as the housekeeper Paulina, has at this point been the support and savior of most of the other characters. The poignancy of her recognition of the daughter and, later, her revelation that she has kept Cuthbertson alive in seclusion for 16 years (Shakespeare, remember. are the glue that holds the act together. Cuthbertson and Watson do a gorgeous dance of forgiveness and redemption, but the ballet closes with Yanowski touching a fond hand to the statue of the young son who was stricken to death at the sight of his mother being tried for treason by his father. This is not a brainless happy ending, but one arrived at by characters having come through the fire.
Branagh Theatre Live: The Winter's tavern. Branagh Theatre Live: The Winter's sales. Branagh theatre live the winter& 39;s tale online. Branagh theatre live the winter's tale. Branagh Theatre Live: The Winter's tale of the tape. This creeps me out but in a good way. Branagh Theatre Live: The Winter's take. I love how he used benign to describe his fans. ??? Either that meant we are affectionate or a disease (I'd say both because every fandom has the good and the bad. Anyways, I love him ?. Branagh theatre live the winter's tale running time.

Branagh theatre live the winter& 39;s tale watch online. Branagh Theatre Live: The Winter's talent. RADA President Kenneth Branagh to Direct Tom Hiddleston in 'HAMLET' Articles Kenneth Branagh Joined by Judi Dench, "Cinderella" Stars for West End-Bound Theatre Company, Playbill, 16 April 2015 Kenneth Branagh Announces New West End Season Starring Judi Dench and Cinderella Lovers, The Telegraph, 17 April 2015 Kenneth Branagh Unveils All-star Residency at Garrick Theatre in London, The Guardian, 17 April 2015 Kenneth Branagh Unveils Year-long Garrick Season; Judi Dench Joins Winter's Tale, What's on Stage, 17 April 2015 Sir Kenneth Branagh Interview: 'My Bones Are in the Theatre', The Independent, 17 April 2015 Kenneth Branagh On His Big Return to the London Stage, TimeOut London, 17 April 2015 Baz Bamigboye: Act My a Chance, Says Sir Derek Jacobi As He Prepares to Play Mercutio on Stage in 'Romeo and Juliet', Daily Mail, 30 April 2015 Baz Bamigboye: Branagh, Dench and a Very Lucky Young Star, The Telegraph, 3 June 2015 Kenneth Branagh Company Further Casting Announced,, 5 June 2015> Kenneth Branagh Productions to Be Broadcast Internationally in Live Screenings, Playbill, 11 September 2015 Kenneth Branagh's Garrick Productions To Be Shown Live in Cinemas Worldwide, The Guardian, 12 September 2015 Kenneth Branagh Theatre Company to Run Front Row Mobile Lottery for Inaugural Season, Broadway World, 6 October 2015 Kenneth Branagh: Can He Succeed Where Olivier Failed?, The Guardian, 8 October 2015 Kenneth Branagh: 'An Audience of 100, 000 Makes For a Different Feeling In the Tights', The Guardian, 9 October 2015 Photo Flash: First Look at Judi Dench, Kenneth Branagh, Zoe Wanamaker and More in Rehearsals for 'The Winter's Tale' and 'Harlequinade/All On Her Own', Broadway World, 22 October 2015 Kenneth Branagh Returns to the Stage, With More Roles, New York Times, 26 October 2015 Zo? Wanamaker: Kenneth Branagh? He?s just like Jeremy Corbyn, Evening Standard, 30 October 2015 Interview With Kenneth Branagh, November 2015 Kenneth Branagh's Plays at the Garrick ? What the Critics Said, The Guardian, 9 November 2015 'The Winter's Tale'/'All On Her Own'/'Harlequinade': Theater Review, Hollywood Reporter, 9 November 2015 'All On Her Own' ? 'Harlequinade' at the Garrick Theatre Review, LondonTheatre1, 10 November 2015 'Harlequinade' / 'All On Her Own', Garrick Theatre, Review: 'Farcical Froth', The Telegraph, 10 November 2015 'The Kenneth Branagh Theatre Company Is, In the Best Sense, Mostly About Kenneth Branagh, The New Statesman, 12 November 2015 'The Winter?s Tale'; 'Harlequinade'; 'All on Her Own' Review ? A Gift to Eye and Heart, The Guardian, 13 November 2015 Review: ?The Winter?s Tale, ? ?Harlequinade? and ?The Moderate Soprano?, New York Times, 19 November 2015 When It Comes to Shakespeare, Composer Patrick Doyle Knows the Score, Los Angeles Times, 27 November 2015 Photo Flash: In Rehearsal for Kenneth Branagh Theatre Company's RED VELVET at the Garrick,, 20 January 2016 Photos / Videos Season Trailer for Kenneth Branagh Live Photos from the Kenneth Branagh Theatre Company Launch, 15 April 2015 Rehearsal photographs from A Winter's Tale and Harlequinade/All On Her Own, October 2015 Performance photographs from Harlequinade Photographs from the Harlequinade/All On Her Own Opening Night Performance photographs from A Winter's Tale Press Night After-party for Red Velvet, February 2016 In rehearsal for The Painkiller, March 2016 In rehearsal for Romeo and Juliet, April 2016 Kenneth Branagh Introduces Romeo and Juliet Ahead of Opening Night, May 2016 Press Night After-party for Romeo and Juliet, 25 May 2016 Trailer for Branagh Theatre Live showing of Romeo and Juliet, July 2016 The Kenneth Branagh Theatre Company asked a group of teenagers to tell the story of Romeo and Juliet in their own words, July 2016 Tap Dance Rehearsal for The Entertainer, August 2016 Articles: The Winter's Tale 'The Winter?s Tale' Review at the Garrick Theatre, London ? ?Splendid, Starry and Sincere?, The Stage, 7 November 2015 'The Winter's Tale' Review ? Kenneth Branagh and Judi Dench Offer Intriguing Touches, The Guardian, 8 November 2015 Kenneth Branagh Theatre Company, Garrick Theatre, Review: Judi Dench Inspires In a Marathon For Theatre Lovers, The Independent, 8 November 2015 'The Winter?s Tale', Garrick Theatre, Review: ?Ripe With Operatic Excess?, Ham & High, 13 November 2015 Kenneth Branagh Season Storms Out Of The Gate, Londonist, 9 November 2015 The Luminous Judi Dench Gives a Shakespearean Masterclass in Kenneth Branagh's Winter Wonder, Daily Mail, 14 November 2015 Dench's Withering Stare Goes Global in Branagh's 'Winter's Tale', Reuters, 24 November 2015 Kenneth Branagh?s Production of ?Winter?s Tale? Tops U. K. Movie Box Office, Variety, 27 November 2015 The Kenneth Branagh Theatre Company Presents 'The Winter's Tale', Sydney Arts Guide, 23 January 2016 The Winter's Tale Review: Kenneth Branagh and Judi Dench Superb In Dazzling Shakespearean Showcase, Sydney Morning Herald, 27 January 2016 Articles: Harlequinade / All On Her Own 'Harlequinade'/'All on Her Own' Review ? Branagh and Co Send Up Vanished Theatrical World, The Guardian, 8 November 2015 Dame Judi Dench, 80, Supports Kenneth Branagh and Zoe Wanamaker As They Perform In New Production of 'Harlequinade', Daily Mail, 8 November 2015 Harlequinade / All On Her Own, Official London, 9 November 2015 Articles: The Painkiller Kenneth Branagh and Rob Brydon ? A Farcical Encounter With the Odd Couple, Times, 16 March 2016 The Painkiller (Garrick Theatre), What's On Stage, 16 March 2016 West End Review: Kenneth Branagh in ?The Painkiller?, Variety, 17 March 2016 Play of the Week: Rob Brydon and a Drugged-up Kenneth Branagh Have a Ball in 'The Painkiller', Radio Times, 17 March 2016 'The Painkiller' Sees Branagh and Brydon At Their Comic Best, The Telegraph, 17 March 2016 The Painkiller Review ? Branagh and Brydon Are Perfect Pair In Furious Farce, The Guardian, 17 March 2016 'The Painkiller' ? Garrick Theatre, London, Reviews Hub, 17 March 2016 'The Painkiller' Review ? Kenneth Branagh and Rob Brydon Star at the Garrick Theatre, London, The Stage, 17 March 2016 Review: 'The Painkiller', Garrick Theatre, British, 17 March 2016 'The Painkiller' at the Garrick Theatre, The Upcoming, 17 March 2016 Sir Ken and Co Are a Riot With Their Trousers Down But 'The Painkiller' Is Not Quite Needle Sharp, Daily Mail, 18 March 2016 'The Painkiller': Theater Review, Hollywood Reporter, 18 March 2016 'The Painkiller', Official London Theatre, 18 March 2016 Review Roundup: Kenneth Branagh and Rob Brydon's 'The Painkiller', Broadway World, 18 March 2016 'The Painkiller', Garrick Theatre, The Arts Desk, 18 March 2016 Articles: Romeo and Juliet In Rehearsal: 'Romeo and Juliet', Official London Theatre, 22 April 2016 Romeo and Juliet, Garrick Theatre, Culture Whisper, May 2016 Luminous Lily James Flowers Into a Star Performer: Quentin Letts' First Night Review of 'Romeo and Juliet', Daily Mail, 26 May 2016 Kenneth Branagh?s 'Romeo & Juliet', Daily Mail, 6 July 2016 Sir Kenneth Branagh's Teen Film Project Shows Love, ?Twas Ever Thus, Evening Standard, 7 July 2016 Review: Romeo And Juliet, Garrick Theatre,, 11 July 2016 Italian Rhapsody, Shakespeare Magazine, 25 October 2016 Articles: The Entertainer John Hurt Joins Kenneth Branagh in 'The Entertainer', The Stage, 20 February 2016 John Hurt and Kenneth Branagh to Play Father & Son in 'The Entertainer',, 26 February 2016 Kenneth Branagh on 'The Entertainer': 'I've Been Bending Rob Brydon's Ear About Standup', The Guardian, 9 May 2016 Sir John Hurt Pulls Out of Sir Kenneth Branagh Entertainer Play, BBC News, 1 July 2016 Gawn Grainger Replaces John Hurt in Kenneth Branagh Theatre Company's 'The Entertainer', Broadway World, 12 July 2016 Kenneth Branagh Taps Into His Many Dkills As He Rehearses For 'The Entertainer', The Irish Examiner, 5 August 2016 How John Osborne?s Entertainer Still Speaks To a Broken Britain, The Guardian, 12 August 2016 Kenneth Branagh on Brexit, Battling the Blues, the Last Time He Cried - and His Biggest Film Flop (That Cost Hollywood $45 million), The Telegraph, 16 August 2016 Kenneth Branagh Dances in Olivier's Shoes in 'The Entertainer' ? Review, The Telegraph, 31 August 2016 'The Entertainer', Garrick Theatre, Review: 'Kenneth Branagh Rises to the Occasion', The Independent, 1 September 2016 'The Entertainer', Garrick Theatre, Review: ?Branagh Misses the Desperation of Addiction?, Ham & High, 7 September 2016 Excerpted from Review: ?The Entertainer, ? ?Unfaithful? and ?They Drink It in the Congo?, New York Times, 10 September 2016 Misplaced Nostalgia For A Past With Little Relevance Now, Morning Star Online, 14 September 2016 Matt Trueman: We Need a New Branagh to Revitalise the West End, The, 22 September 2016 BWW Interview: Jonah Hauer-King on Kenneth Branagh and 'The Entertainer', Broadway World, 19 October 2016 The Kenneth Branagh Theatre Company's 'The Entertainer' Plays Final Weeks at The Garrick, Broadway World, 21 October 2016 Evening Standard Theatre Awards 2016: The Shortlist, Evening Standard, 25 October 2016 Review: 'The Entertainer', Garrick Theatre, British Theatre, 26 October 2016 Kenneth Branagh Theatre Company Presents "The Entertainer", Sydney Arts Guide, 23 November 2016 'The Entertainer' At Cineplex On Sunday, Jamaica Gleaner, 25 November 2016.
Branagh Theatre Live: The Winter's tales. Branagh theatre live 3a the winter 27s tale style. Branagh theatre live the winter's tale (2015. Branagh Theatre Live: The Winter's tale of two. Gyönyörű vers,a mai világban jó volna ha sokan meghallgatnáABÓ GYULA igazi művész szivéből mondta el !Köszönöm. Branagh theatre live 3a the winter 27s tale lyrics. Branagh theatre live the winter& 39;s tale cast. Branagh theatre live the winter& 39;s tale (2015.
Saw this production while studying abroad at Oxford. Most amazing production ever. Branagh theatre live 3a the winter 27s tale cakes. Branagh theatre live the winter's tale (encore. Branagh Theatre Live: The Winter's table. Branagh theatre live: the winter's tale (2015. Branagh Theatre Live: The Winter's tale. Branagh theatre live the winter& 39;s tale dvd. Branagh theatre live the winter's tale dvd. Sir Kenneth Branagh Branagh in the premiere of Thor, 2011 Born Kenneth Charles Branagh 10 December 1960 (age?59) Belfast, Northern Ireland Nationality British and Irish Alma?mater Royal Academy of Dramatic Art Occupation Actor director producer screenwriter Years?active 1981?present Home?town Reading, Berkshire, England Spouse(s) Emma Thompson ( m. 1989; div. 1995) Lindsay Brunnock ( m. 2003) Partner(s) Helena Bonham Carter (1994?1999) Sir Kenneth Charles Branagh (; born 10 December 1960) [1] is a Northern Irish actor, director, film producer and screenwriter. Branagh trained at the Royal Academy of Dramatic Art in London; in 2015 he succeeded Richard Attenborough as its president. He has both directed and starred in several film adaptations of William Shakespeare 's plays, including Henry V (1989) (for which he was nominated for the Academy Awards for Best Actor and Best Director), Much Ado About Nothing (1993), Othello (1995), Hamlet (1996) (for which he was nominated for the Academy Award for Best Adapted Screenplay), Love's Labour's Lost (2000) and As You Like It (2006). Branagh has starred in numerous other films and television series including Fortunes of War (1987), Woody Allen 's Celebrity (1998), Wild Wild West (1999), as the voice of Miguel in The Road to El Dorado (2000), as SS leader Reinhard Heydrich in Conspiracy (2001), Shackleton (2002), Harry Potter and the Chamber of Secrets (2002), Warm Springs (2005), as Major General Henning von Tresckow in Valkyrie (2008), The Boat That Rocked (2009), Wallander (2008?2016), My Week with Marilyn (2011) as Sir Laurence Olivier (Academy Award nomination for Best Supporting Actor), and as Royal Navy Commander Bolton in the action-thriller Dunkirk (2017). He has directed such films as Dead Again (1991), in which he also starred, Swan Song (1992) (Academy Award nominated for Best Live Action Short Film), Mary Shelley's Frankenstein (1994) in which he also starred, The Magic Flute (2006), Sleuth (2007), the Marvel superhero film Thor (2011), the action thriller Jack Ryan: Shadow Recruit (2014) in which he also co-stars, the live-action adaptation of Disney 's Cinderella (2015), and the mystery drama adaptation of Agatha Christie 's Murder on the Orient Express (2017), in which he also starred as Hercule Poirot. He narrated the series Cold War (1998), the BBC documentary miniseries Walking with Dinosaurs (1999) (as well as The Ballad of Big Al), Walking with Beasts (2001) and Walking with Monsters (2005). Branagh has been nominated for five Academy Awards and five Golden Globe Awards; he has won three BAFTAs and two Emmy Awards. He was appointed a Knight Bachelor in the 2012 Birthday Honours and knighted on 9 November 2012. [2] He was made a Freeman of his native city of Belfast in January 2018. [3] Early life [ edit] Branagh, the middle of three children, was born in Belfast, the son of working class Protestant parents Frances ( née Harper) and William Branagh, a plumber and joiner who ran a company that specialised in fitting partitions and suspended ceilings. [4] He lived in the Tigers Bay area of the city [5] and was educated at Grove Primary School. [6] At the age of nine, he moved with his family to Reading, Berkshire, England, to escape the Troubles. [7] [8] He was educated at Whiteknights Primary School and Meadway School, a local comprehensive in Tilehurst, [9] [10] where he appeared in school productions such as Toad of Toad Hall [11] and Oh, What a Lovely War!. [12] At school, he acquired Received Pronunciation to avoid bullying. On his identity today he has said, "I feel Irish. I don't think you can take Belfast out of the boy", and he attributes his "love of words" to his Irish heritage. [13] [14] He attended the amateur Reading Cine & Video Society (now called Reading Film & Video Makers) [15] as a member and was a keen member of Progress Theatre of which he is now the patron. After disappointing A-level results in English, History and Sociology, [16] Branagh nonetheless went on to train at the Royal Academy of Dramatic Art in London. [17] In 1980 the Principal of RADA, Hugh Cruttwell, asked Branagh to perform a soliloquy from Hamlet for Queen Elizabeth II, during one of her visits to the academy. [18] Career [ edit] Theatre [ edit] Branagh achieved some early measure of success in his native Northern Ireland for his role as Billy, the title character in the BBC's Play for Today [19] trilogy known as the Billy Plays (1982?84), written by Graham Reid and set in Belfast. He received acclaim in the UK for his stage performances, first winning the 1982 SWET Award for Best Newcomer, for his role as Judd in Julian Mitchell 's Another Country, after leaving RADA. Branagh was part of the 'new wave' of actors to emerge from the Academy. Others included Jonathan Pryce, Juliet Stevenson, Alan Rickman, Anton Lesser, Bruce Payne and Fiona Shaw. In 1984 he appeared in the Royal Shakespeare Company production of Henry V, directed by Adrian Noble. The production played to sold-out audiences, especially at the Barbican in the City of London. It was this production that he adapted for the film version of the play in 1989. He and David Parfitt founded the Renaissance Theatre Company in 1987, following success with several productions on the London 'Fringe', including Branagh's full-scale production of Romeo and Juliet at the Lyric Studio, co-starring with Samantha Bond. The first major Renaissance production was Branagh's Christmas 1987 staging of Twelfth Night at Riverside Studios in Hammersmith, starring Richard Briers as Malvolio and Frances Barber as Viola, and with an original score by actor, musician and composer Patrick Doyle, who two years later was to compose the music for Branagh's film adaptation of Henry V. This Twelfth Night was later adapted for television. Branagh became a major presence in the media and on the British stage when Renaissance collaborated with Birmingham Rep for a 1988 touring season of three Shakespeare plays under the umbrella title of Renaissance Shakespeare on the Road, which also played a repertory season at the Phoenix Theatre in London. It featured directorial debuts for Judi Dench with Much Ado About Nothing (starring Branagh and Samantha Bond as Benedick and Beatrice), Geraldine McEwan with As You Like It, and Derek Jacobi directing Branagh in the title role in Hamlet, with Sophie Thompson as Ophelia. Critic Milton Shulman of the London Evening Standard wrote: "On the positive side Branagh has the vitality of Olivier, the passion of Gielgud, the assurance of Guinness, to mention but three famous actors who have essayed the role. On the negative side, he has not got the magnetism of Olivier, nor the mellifluous voice quality of Gielgud nor the intelligence of Guinness. " [20] A year later in 1989 Branagh co-starred with Emma Thompson in the Renaissance revival of Look Back in Anger. Judi Dench directed both the theatre and television productions, presented first in Belfast then at the London Coliseum and Lyric Theatre. In 2002, Branagh starred at the Crucible Theatre, Sheffield as Richard III. In 2003 he starred in the Royal National Theatre 's production of David Mamet 's Edmond. Branagh directed The Play What I Wrote in England in 2001 [21] and directed a Broadway production in 2003. [22] [23] From September to November 2008, Branagh appeared at Wyndham's Theatre as the title character in the Donmar West End revival of Anton Chekhov 's Ivanov in a new version by Tom Stoppard. His performance was lauded as the "performance of the year" by several critics. [24] It won him the Critics' Circle Theatre Award for Best Male Performance but did not get him a Laurence Olivier Award nomination, to the surprise of critics. [25] In July 2013 he co-directed Macbeth at Manchester International Festival with Rob Ashford. With Branagh in the title role, Alex Kingston played Lady Macbeth and Ray Fearon featured as Macduff. The final performance of the completely sold-out run, was broadcast to cinemas on 20 July as part of National Theatre Live. [26] He repeated his performance and directorial duties opposite Ashford and Kingston when the production moved to New York City 's Park Avenue Armory in June 2014. The production marked his Broadway stage debut. [27] In April 2015, Branagh announced his formation of the Kenneth Branagh Theatre Company, in which he would appear as actor-manager. With the company, he announced he would present a season of five shows at London's Garrick Theatre from October 2015 ? November 2016. The shows were The Winter's Tale, a double bill of Harlequinade and All On Her Own, Red Velvet, The Painkiller, Romeo and Juliet and The Entertainer. Branagh directed all but The Entertainer, in which he starred. Branagh also starred in The Winter's Tale, Harlequinade and The Painkiller. Kenneth Branagh Theatre Company also includes Judi Dench ( The Winter's Tale), Zoë Wanamaker ( Harlequinade/All On Her Own), Derek Jacobi, Lily James and Richard Madden ( Romeo and Juliet) and Rob Brydon ( The Painkiller). In September 2015 was announced that The Winter's Tale, Romeo and Juliet, and The Entertainer would be broadcast in cinemas, in partnership with Picturehouse Entertainment. [28] Film [ edit] Branagh is known for his film adaptations of William Shakespeare, beginning with Henry V (1989), followed by Much Ado About Nothing (1993), Hamlet (1996), Love's Labour's Lost (2000) and As You Like It (2006). As You Like It premiered in theatres in Europe, but premiered on television in the U. S., where it aired on HBO in

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