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Born Rembrandt Harmenszoon van Rijn 15 July 1606 [1] Leiden, Dutch Republic (now the Netherlands) Died 4 October 1669 (aged?63) Amsterdam, Dutch Republic (now the Netherlands) Nationality Dutch Education Jacob van Swanenburg, Pieter Lastman Known?for Painting, printmaking, drawing Notable work Self-portraits The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Belshazzar's Feast (1635) The Night Watch (1642) Bathsheba at Her Bath (1654) Syndics of the Drapers' Guild (1662) The Hundred Guilder Print ( etching, c.?1647?1649) Movement Dutch Golden Age Baroque Rembrandt Harmenszoon van Rijn (, also, [2] Dutch: [?r?mbr?nt ???rm?(n)so?n v?n ?r?in] ( listen); 15 July 1606 [1] ? 4 October 1669) was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, [3] he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. [4] Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, and Flemish Baroque Peter Paul Rubens. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, [5] and for twenty years he taught many important Dutch painters. [6] Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity. [4] Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone. In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam 's Jewish population. [7] Because of his empathy for the human condition, he has been called "one of the great prophets of civilization". [8] The French sculptor Auguste Rodin said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him! " [9] Vincent van Gogh wrote, "Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language. It is with justice that they call Rembrandt?magician?that's no easy occupation. " [10] Life [ edit] Rembrandt [11] Harmenszoon van Rijn was born on 15?July 1606 in Leiden, [1] in the Dutch Republic, now the Netherlands. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck. [12] His family was quite well-to-do; his father was a miller and his mother was a baker's daughter. Religion is a central theme in Rembrandt's paintings and the religiously fraught period in which he lived makes his faith a matter of interest. His mother was Roman Catholic, and his father belonged to the Dutch Reformed Church. While his work reveals deep Christian faith, there is no evidence that Rembrandt formally belonged to any church, although he had five of his children christened in Dutch Reformed churches in Amsterdam: four in the Oude Kerk (Old Church) and one, Titus, in the Zuiderkerk (Southern Church). [13] As a boy he attended Latin school. At the age of 14, he was enrolled at the University of Leiden, although according to a contemporary he had a greater inclination towards painting; he was soon apprenticed to a Leiden history painter, Jacob van Swanenburg, with whom he spent three years. [14] After a brief but important apprenticeship of six months with the painter Pieter Lastman in Amsterdam, Rembrandt stayed a few months with Jacob Pynas and then started his own workshop, though Simon van Leeuwen claimed that Joris van Schooten taught Rembrandt in Leiden. [14] [15] Unlike many of his contemporaries who traveled to Italy as part of their artistic training, Rembrandt never left the Dutch Republic during his lifetime. [16] [17] He opened a studio in Leiden in 1624 or 1625, which he shared with friend and colleague Jan Lievens. In 1627, Rembrandt began to accept students, among them Gerrit Dou in 1628. [18] In 1629, Rembrandt was discovered by the statesman Constantijn Huygens (father of the Dutch mathematician and physicist Christiaan Huygens), who procured for Rembrandt important commissions from the court of The Hague. As a result of this connection, Prince Frederik Hendrik continued to purchase paintings from Rembrandt until 1646. [19] At the end of 1631 Rembrandt moved to Amsterdam, then rapidly expanding as the new business capital of the Netherlands, and began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer, Hendrick van Uylenburgh, and in 1634, married Hendrick's cousin, Saskia van Uylenburgh. [20] [21] Saskia came from a good family: her father had been a lawyer and the burgemeester (mayor) of Leeuwarden. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt. Rembrandt and Saskia were married in the local church of St.?Annaparochie without the presence of Rembrandt's relatives. [22] In the same year, Rembrandt became a burgess of Amsterdam and a member of the local guild of painters. He also acquired a number of students, among them Ferdinand Bol and Govert Flinck. [23] In 1635, Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat. In 1639 they moved to a prominent newly built house (now the Rembrandt House Museum) in the upscale 'Breestraat' (eng. : 'Broadway'), today known as Jodenbreestraat (Jodenbreestraat 4, 1011 NK Amsterdam-now) in what was becoming the Jewish quarter; then a young upcoming neighborhood. The mortgage to finance the 13, 000 guilder purchase would be a primary cause for later financial difficulties. [23] Rembrandt should easily have been able to pay the house off with his large income, but it appears his spending always kept pace with his income, and he may have made some unsuccessful investments. [24] It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes. [25] Although they were by now affluent, the couple suffered several personal setbacks; their son Rumbartus died two months after his birth in 1635 and their daughter Cornelia died at just three weeks of age in 1638. In 1640, they had a second daughter, also named Cornelia, who died after living barely over a month. Only their fourth child, Titus, who was born in 1641, survived into adulthood. Saskia died in 1642 soon after Titus's birth, probably from tuberculosis. Rembrandt's drawings of her on her sick and death bed are among his most moving works. [26] During Saskia's illness, Geertje Dircx was hired as Titus' caretaker and nurse and also became Rembrandt's lover. She would later charge Rembrandt with breach of promise (a euphemism for seduction under [breached] promise to marry) and was awarded alimony of 200 guilders a year. [23] Rembrandt worked to have her committed to an asylum or poorhouse (called a "bridewell") at Gouda, after learning she had pawned jewelry he had given her that once belonged to Saskia. [27] In the late 1640s Rembrandt began a relationship with the much younger Hendrickje Stoffels, who had initially been his maid. In 1654 they had a daughter, Cornelia, bringing Hendrickje a summons from the Reformed Church to answer the charge "that she had committed the acts of a whore with Rembrandt the painter". She admitted this and was banned from receiving communion. Rembrandt was not summoned to appear for the Church council because he was not a member of the Reformed Church. [28] The two were considered legally wed under common law, but Rembrandt had not married Hendrickje. Had he remarried he would have lost access to a trust set up for Titus in Saskia's will. [26] Rembrandt lived beyond his means, buying art (including b
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