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Tareq Barghout, Hanan Ashrawi
2019
Countries Israel, Canada
Info A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years
duration 114 m
score 174 votes
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This looks incredible. I appreciate that Steven used actual strong pro-choice arguments for this. Advocate Movie stream online. “Except she had the courtesy to turn off her iPhone” dead ??. Advocate movie stream voyage package. Thats what happens when an African is more intelligent than a white, they just loose it like little judge. Addict ayitan... a dog has a day... ?. Sign up for our Watching Newsletter to get recommendations on the best films and TV shows to stream and watch, delivered to your inbox. As Netflix pours more of its resources into original content, Amazon Prime Video is picking up the slack, adding new movies for its subscribers each month. Its catalog has grown so impressive, in fact, that it’s a bit overwhelming ? and at the same time, movies that are included with a Prime subscription regularly change status, becoming available only for rental or purchase. It’s a lot to sift through, so we’ve plucked out 100 of the absolute best movies included with a Prime subscription right now, to be updated as new information is made available. Here are our lists of the best TV shows and movies on Netflix, and the best of both on Disney Plus. Billy Wilder’s poison-penned love letter to Hollywood is often remembered more as a series of moments (particularly its closing line) than for its overwhelming whole: a sometimes tragic, sometimes comic, always riveting story about a faded silent movie queen (an unforgettable Gloria Swanson) and the opportunistic young man who tries to take advantage of her (a prickly William Holden). Our critic wrote that it “quickly casts a spell over an audience and holds it enthralled to a shattering climax. ” Watch on Amazon Ethan Hawke creates one of his finest performances as Father Toller, a country priest with a small parish in upstate New York, in this critically acclaimed drama. Paul Schrader, the writer and director, continues to explore the themes of earlier works like “Taxi Driver” and “Hardcore” while simultaneously seizing on the austerity of Toller’s world: The film is quiet and contemplative, which makes its apocalyptic, shattering conclusion all the more impactful. Our critic called it “ rigorously conceived and meticulously executed. ” (Also recommended: Schrader’s earlier “ American Gigolo. ”) Most superhero movies clobber the viewer with special effects, smirking quips, and strained world-building; Julia Hart’s indie drama is barely a superhero movie at all, but a rich, tender character study of three women who just so happen to move objects with their minds. Gugu Mbatha-Raw is remarkable as Ruth, who has smothered her “abilities” in addiction and irresponsibility, returning home to join her mother (Lorraine Toussaint) and daughter (Saniyya Sidney) in an attempt to, well, save the world. Hart’s rich screenplay (written with Jordan Horowitz) vibrates with small-town authenticity and hard-earned emotion; our critic called it “a small, intimate story that hints at much bigger things. ” (For more character-driven drama, add “ Mud, ” “ Nobody’s Fool, ” and “ Hard Eight ” to your watchlist. ) Two jazz musicians (Jack Lemmon and Tony Curtis) disguise themselves in drag to escape some gangsters, but one of them falls for a seductive singer (Marilyn Monroe, in one of her best performances), while the other becomes the object of a millionaire’s desire. Both uproariously funny and tight as a drum, “Some Like It Hot” works through every complication of its farcical set-up, landing not only on a picture-perfect conclusion but also on one of the best closing lines in all of cinema. Our critic dubbed it “ a rare, rib-tickling lampoon. ” (Wilder and Lemmon's later collaboration “ The Apartment ” is also on Prime. ) The great British writer/director Joanna Hogg tells a story of youthful exuberance, romantic recklessness, and unchecked addiction in early ’80s London. Her heroine is Julie (Honor Swinton Byrne, flawless), an idealistic film student who finds herself pulled, time and again, into the orbit of Anthony (Tom Burke), whose roguish charm covers a considerable number of concerning flaws. Tilda Swinton (Byrne’s real-life mother) co-stars as Julie’s concerned mum. Hogg’s film is quiet yet revelatory, trusting its audience with these characters’ secrets ? and trusting us enough to fill in their blanks. A. O. Scott raves, “This is one of the saddest movies you can imagine, and it’s an absolute joy to watch. ” (Stay in a melancholy mood with “ The Last Black Man in San Francisco, ” also streaming on Prime. ) This unapologetically dark comedy changed the high-school movie forever, from the heartfelt and ultimately sunny chronicles of John Hughes to something with a bit more bite. Winona Ryder is tart and charming as Veronica, a popular teen who has come to hate the clique she runs with. Then she meets J. D. (Christian Slater), a Jack Nicholson clone who suggests bumping off their less tolerable classmates. Nearly 30 years on, the sheer riskiness and take-no-prisoners attitude of this delightfully demented picture still shocks; our critic called it “as snappy and assured as it is mean-spirited. ” The director Frank Capra and the actor Jimmy Stewart took a marvelously simple premise ? a suicidal man is given the opportunity to see what his world would have been like without him ? and turned it into a holiday perennial. But “It’s a Wonderful Life” is too rich and complex to brand with a label as simple as “Christmas movie”; it is ultimately a story about overcoming darkness and finding light around you, a tricky transition achieved primarily through the peerless work of Stewart as a good man with big dreams who can’t walk away from the place where he’s needed most. Our critic dubbed it a “ quaint and engaging modern parable. ” Across six years in the mid-2000s, an analyst named Daniel J. Jones (portrayed by an excellent Adam Driver) pored through 6. 3 million pages of C. I. documents to write the Senate Intelligence Committee’s Report on the C. 's detention and interrogation program. This taut, angry film from Scott Z. Burns dramatizes that investigative process and what Jones discovered ? and the steady growth of his righteous indignation. Burns, in what our critic deemed a “ smart, layered screenplay, ” deftly translates the story’s intellectual urgency into emotional agency, making the political into something decidedly personal. Billi (Awkwafina), a Chinese immigrant who grew up to be a starving artist in New York City, returns to her homeland to help perpetrate a family hoax in this charming and beguiling comedy/drama from the writer-director Lulu Wang. The reason for the homecoming is her grandmother, known as Nai Nai (Zhao Shuzhen), who has only months to live, but doesn’t know it. The family hastily arranges a premature wedding as a chance to say goodbye, resulting in misunderstandings, realizations and reconciliations. Scott praised the film’s “ loose, anecdotal structure ” and “tone that balances candor and tact. ” Nearly 30 years before Quentin Tarantino and Robert Rodriguez’s “Grindhouse, ” the director Stanley Donen and the screenwriter Larry Gelbart perfected the fake double-feature with this affectionate send-up of classic Hollywood. “Movie Movie” gives us two films for the price of one, a black-and-white boxing melodrama and a color musical spectacular (with a fake trailer for a World War II flying-ace picture between them), with shared casts including George C. Scott, Trish Van Devere, Red Buttons and Eli Wallach. Our critic called it “Hollywood flimflamming at its elegant best. ” (Movie musical fans will also love “ Fiddler on the Roof. ”) In profiling leaders of the Indonesian death squads of the mid-1960s, documentarian Joshua Oppenheimer invites them to stage elaborate and surreal recreations of their crimes in the cinematic style of their choosing (musical, gangster, Western, etc. ). In doing so, Oppenheimer directs his subjects to craft an upsetting but telling statement on self-deception and the toxicity of power, and on the lies we tell ourselves in order to sleep at night. Our critic deemed it “ dogged, inventive, profoundly upsetting and dismayingly funny. ” (For more tough but essential documentary filmmaking, check out the Oscar-nominated “ For Sama. ”) Greta Gerwig made her solo feature directorial debut with this funny and piercing coming-of-age story, set in her hometown, Sacramento, Calif. Saoirse Ronan dazzles in the titular role as a quietly rebellious high-school senior whose quests for love and popularity bring her long-simmering resentments toward her mother (Laurie Metcalf, magnificent) to a boil. Parent-child conflicts are nothing new in teen stories, but Gerwig’s perceptive screenplay slashes through the familiar types and tropes, daring to create characters that are complicated and flawed, yet deeply sympathetic. Scott praised the film’s “ freshness and surprise. ” (“ Eighth Grade ” and “ Ghost World ” are similarly complicated coming-of-age stories on Prime. ) When people say, “They don’t make’ em like they used to, ” Sidney Lumet's Oscar winner is the kind of movie they’re usually talking about: a sparkling literary adaptation, handsomely mounted and elegantly acted by an all-star cast (including Sean Connery, Lauren Bacall, John Gielgud, Anthony Perkins, Vanessa Redgrave and Ingrid Bergman, who won an Oscar for her role). Albert Finney stars as Agatha Christie’s Hercule Poirot, who is called upon to figure out which passenger on the title train killed a man whom, it seems, they all had a motive to murder. Our critic called it “ superb fun. ” The director of “Tangerine, ” Sean Baker, returns with another warm and funny portrait of life on the fringes, melding a cast of nonactors and newcomers with an Oscar-nominated Willem Dafoe as the manager of a cheap Orlando motel populated by confused tourists and barely-managing families. The scrip
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  1. Writer: Rajdeep Sardesai
  2. Resume: Citizen first. Only 'ism' is humanism. newsman, tv anchor, author, father, friend. New book: 2019: How Modi Won India. pre order here:

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