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Action. Country: UK. user Ratings: 6,1 / 10 Stars. &ref(https://m.media-amazon.com/images/M/MV5BZDMyZjQwY2QtYzRhMS00NDBkLWIzZjAtY2I1Nzg3OTEzMDBlXkEyXkFqcGdeQXVyODE5NzE3OTE@._V1_UY113_CR0,0,76,113_AL_.jpg). Blake Lively. Release year: 2020. I hope Netflix beats Disney. The rhythm section review. The rhythm section film. The rhythm section 2020. &ref(https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/i/6719aba1-efb9-4c83-8eac-5d7c5213fc50/d97z4yz-f26bdae9-e72c-454c-bb41-be57f2ef5623.jpg/v1/fill/w_444,h_250,q_70,strp/_mmd_video__rhythm_of_agarest_war__vocaloids_by_benjaminromero_d97z4yz-250t.jpg)
This movie was awesome... wish i was living back in the 1950s. . The rhythm section theme song. The rhythm section movie review. This is something we rarely seen, I'm excited. ??. I love dejavu. That's why I'm here ?. The rhythm section csfd. The rhythm section box office. Heeeeyyyy there, guys. I think I've already left a comment like this before. Drumeo, you guys are doing great work. The list of drummers you've had on the channel now is absolutely world-class. You've achieved a lot. Serious props. Now I really think the next step is improving how you host your segments and how you interact with the artists/clinicians while they present their stuff. Like, I'm sorry, call me old school, but,?if during one of these presentations Billy Cobham is looking at you and talking to you directly about a drumming idea and you're looking at a laptop, pressing keys n' stuff, we have a problem. I know no disrespect is ever intended, but it looks pretty bad to me.? I know it's probably the nature of the interactive service you're providing to your audience and how Drumeo got started, but maybe have someone else manning computers n stuff while these music veterans are taking to you. I'm not saying you guys should turn into cheesy, super-slick tv host-type guys or anything, just?maybe sharpen some of that stuff up a little.?Use a little more etiquette, just like you would in everyday life, and maybe prepare for how you're going to present each artist to your audience?a little more. Anway, just some thoughts. I'm actually leaving this comment because I?LIKE what you do.
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Trailer was going good until i started paying attention to the dialogues. The Rhythm Section Theatrical release poster Directed by Reed Morano Produced by Barbara Broccoli Michael G. Wilson Written by Mark Burnell Based on The Rhythm Section by Mark Burnell Starring Blake Lively Jude Law Sterling K. Brown Music by Steve Mazzaro Cinematography Sean Bobbitt Edited by Joan Sobel Production company Eon Productions Global Road Entertainment Ingenious Danjaq LLC Distributed by Paramount Pictures Release date January?31,?2020 (United States) Running time 109 minutes Country United Kingdom United States Language English Budget $50 million [1] Box office $5. 9 million [2] The Rhythm Section is a 2020 action drama film directed by Reed Morano and written by Mark Burnell, based on Burnell's novel of the same name. [3] The film stars Blake Lively, Jude Law, and Sterling K. Brown, and follows a grieving woman who sets out for revenge after discovering the plane crash that killed her family was a terrorist attack. The Rhythm Section was released in the United States on January 31, 2020, by Paramount Pictures. The film received negative reviews from critics and was a box-office bomb, having the worst wide opening weekend of all-time, the biggest drop in theaters, and is projected to lose the studio as much as $40 million. Plot [ edit] Three years after her family's death in a plane crash, Stephanie Patrick works as a prostitute in London and is addicted to drugs. One day, she is approached at her brothel by a journalist, Keith Proctor, who tells her that the plane crash was not an accident, but was a terrorist attack covered up by the government. Though she initially doesn't believe him, Stephanie visits his apartment, where she sees all of his research on the crash. He tells her that the plane crash was caused by a bomb made by a man named Reza, who attends university in London. Stephanie buys a gun and tracks Reza to the university cafeteria. She plans to kill him, but at the last second, she is unable to pull the trigger and Reza escapes. Hours later, Stephanie returns to Proctor's apartment, where she had been staying, and finds Proctor dead. Through Proctor's notes, she discovers that his source for his research, B (an ex-MI6 agent), lives in a remote location in Scotland. She travels to Scotland to find B, who is disgusted with her quest to find and kill Reza. After she explains that she has nothing to lose, he reluctantly trains her to complete her quest. B, Iain Boyd, explains to her that Reza was hired by a radical terrorist, U-17, who downed the plane to kill liberal Muslim reformer Abdul Kaif. The rest of the plane crash was collateral damage. Stephanie is trained to assume the identity of an assassin, Petra Reuter, whom Boyd killed, but whose body was never found. After months of extensive training, Boyd instructs her to go to Madrid to find Marc Serra, an information broker and ex-CIA agent. Stephanie visits Kaif's father Suleman and asks him to fund her mission, as he had been funding Proctor's research. Suleman refuses, accusing Proctor of taking his money and vanishing, and tells Stephanie to leave. Kaif's mother Alia overhears and offers to fund Stephanie. Stephanie accepts and leaves her father's wedding ring with Alia, promising to return for it. Stephanie arrives in Madrid and makes contact with Serra, posing as Petra Reuter. Serra is skeptical but tells her that he needs Lehmans killed, a notorious gangster in Tangier, who arranged for the bomb to be on the flight. Boyd tells her to take the job, to prove herself as Petra Reuter. She travels to Tangier and finds Lehmans, who requires an oxygen mask to breathe. After a prolonged fight, Lehmans dies when separated for his breathing mask for too long. Stephanie is discovered by Lehmans' men, but escapes after a car chase. Serra next tells Stephanie to kill businessman Leon Giler in New York. Boyd once again tells her to take the job, as Giler financed the bombing and U-17. Boyd goes with her to New York and provides her with a knockout gas inhaler, and a knife to slit his throat. Stephanie poses as a prostitute and seduces Giler, but is unable to kill him and leaves. As Giler leaves the hotel and gets into his car, Boyd detonates a remote bomb, killing Giler, along with his chauffeur and two young children. Back at their New York hotel, Stephanie is horrified by the death of Giler's children. Though Boyd had only planned to kill Giler, he is unapologetic. He also reveals that he was released from MI6 after killing Petra, who killed his wife. The CIA disapproved of killing Petra, as she had intel on U-17; thus Boyd also feels responsible for the plane bomb. With this new information, Stephanie leaves Boyd, and returns to Madrid to be with Serra, with whom she begins a relationship. Boyd warns her that U-17 hired Serra to find someone to eliminate Giler and is eliminating all ties to him, which leads Serra to suggest that Reza is U-17. Serra provides Stephanie information that Reza is in Marseilles. She discovers him with a female associate wearing a suicide vest, preparing for another bombing. Stephanie attempts to kill them, but they escape after a firefight. Following them onto a bus, she attacks Reza. Reza's associate attempts to trigger the bomb, but it does not detonate. The bus passengers evacuate while Stephanie fights and subdues Reza. Reza's associate realises the bomb is on a timer, and that Reza had not intended to sacrifice himself. She accuses him of being a coward and tells Stephanie to leave the bus before the bomb is detonated, killing Reza and the bomber. Stephanie returns to Serra's house and reveals that she is not Petra Reuter. She kills him with a deadly venom, revealing that she has discovered that Serra is U-17, as Reza was too inconsequential to be the mastermind behind the bombing. Her revenge complete, she leaves his house and visits Kaif's mother Alia, telling her that the people behind her son's death have been killed. Alia thanks her and returns Stephanie's father's ring. Some time later, Boyd attacks Stephanie in the street, pinning her against a wall. She asks if he is working for MI6 again, and he tells her that he will be allowed back if he kills "Petra". He releases her and tells her to disappear. As Stephanie walks away, a smile crosses her face. Cast [ edit] Blake Lively as Stephanie Patrick Jude Law as Iain Boyd Sterling K. Brown as Marc Serra Max Casella as Leon Giler Daniel Mays as Dean West Geoff Bell as Green Richard Brake as Lehmans Raza Jaffrey as Keith Proctor Tawfeek Barhom as Reza David Duggan as David Patrick Nasser Memarzia as Suleman Kaif Amira Ghazalla as Alia Kaif Production [ edit] On August 16, 2017, it was reported that Paramount Pictures had acquired the rights to the project. [4] It had a production budget of around $50 million, and was produced by EON Productions, the film company known for producing the James Bond films. [1] Principal photography on the film began in December 2017 in Dublin, Ireland. [5] Production was halted temporarily after Lively was injured on the film set, with filming scheduled to begin again in June 2018. [6] Sterling K. Brown joined the cast, as production resumed in Spain in mid-2018. [7] In July 2018, filming took place in Almería with Law and Lively. [8] [9] Release [ edit] The film was originally scheduled to be released on February 22, 2019, but was pushed back to November 22, 2019 following Lively's on-set injury, and later again to its ultimate release date, January 31, 2020. [10] [11] Reception [ edit] Box office [ edit] In the United States and Canada, the film was released alongside Gretel & Hansel, and was originally projected to gross $9?12 million from 3, 049 theaters in its opening weekend. [12] However, after making just $1. 2 million on its first day (including $235, 000 from Thursday night previews), projections were lowered to $3 million. [13] It went on to debut to $2. 8 million, marking the worst opening weekend ever for a film playing in over 3, 000 theaters. [14] It is estimated the film will lose the studio $30?40 million. [15] The film made $1 million in its second weekend, and then its third weekend made $25, 602. It was pulled from 2, 955 theaters (97. 5%, 3, 049 to 94), marking the largest third-weekend theater drop in history, beating The Darkest Minds ' s record of 2, 679. [16] Critical response [ edit] On review aggregator Rotten Tomatoes, the film holds an approval rating of 27% based on 142 reviews, with an average rating of 4. 65/10. The website's critical consensus reads, "Blake Lively delivers an impressive lead performance, but The Rhythm Section plods predictably through a story that could have used some flashier riffs. " [17] On Metacritic, the film has a weighted average score of 45 out of 100, based on 36 critics, indicating "mixed or average reviews. " [18] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale, and PostTrak reported it received 2. 5 out of 5 stars in their polling, with 35% of people saying they would definitely recommend it. [14] Writing for Variety, Peter DeBruge stated that the main character, Stephanie ? unlike the protagonists in Atomic Blonde, Red Sparrow and La Femme Nikita ? displayed a "near-incompetence in the face of danger [that] makes her relatable in ways very few cinematic assassins have ever been. " [19] References [ edit] ^ a b Galuppo, Mia; Kit, Borys (January 29, 2018). "Blake Lively Spy Thriller 'The Rhythm Section' Suspends Production (Exclusive)". The Hollywood Reporter. Retrieved December 15, 2018. ^ "The Rhythm Section (2020)". Box Office Mojo. IMDb. Retrieved February 18, 2020. ^ "Reed Morano: Production break on 'The Rhythm Section' was a 'blessing in disguise' for Blake Lively thriller". Yahoo. Retrieved December 15, 2018. ^ Jr, Mike Fleming (August 16, 2017). "Paramount Lands Blake Lively Spy Thriller 'The Rhythm Section' By 007 Producers &
The rhythm section book wiki. The rhythm section by mark burnell. Go to Kickstarter, get your funding and make this into a movie. Who grew up with these books? Edit: what's funny is that I didn't. And I still managed to get a top comment. The rhythm section blake lively. My God Linda Hamilton really aged. The Rhythm section 8. There is no human left on earth without chemicals in their blood put there by DuPont's actions. This should have been made a long time ago. I'm off to see The Rythm Section film just for this. Sounded awesome on the trailer. The rhythm section trailer blake lively. The rhythm section plot. Blake kicking ass, yes. We didn't need another vampire movie. We didn't need another superhero movie. Instead we got both.
It's just a ball of dust, underneath my feet. take that, flat earthers! Why did a kid, barely out of primary school, decide to play Fleet Defender and Jane's F/A-18 for FUN, pestering their parents for a throttle/pedal and stick set? Talk to me, Goose. Honey, I'm home! PennyBenjamin. Love the cast shake-ups you guys are doing. Eh. feel like I already seen it. The rhythm section behind the scenes. Hollywood shoveling out more forgettable crap for the unwashed masses. I see confused Hollywood execs lamenting poor ticket sales in the future. The rhythm section clip. The rhythm section cast. I got chills, I'll be waiting for this one. The rhythm section movie release date.
The Rhythm sections. The rhythm section novel. The rhythm section song. After reading the title, i legit thought this was a musical film. The rhythm section movie reviews. The cover song is electric ?. The rhythm section premiere. The Rhythm section jugement. Killer. The rhythm section movie. Best line of the movie: The shit's gonna hit the fan-gio. Star Wars: “They fly now! ” A Quiet Place: “They Drive now! ”. OMG five whole minutes on how slow the movie was. I almost couldn't watch this review. The Rhythm section européenne. Great movie. Can't wait to see the trailer.

You know you’ve got a problem when someone in your movie calls the protagonist “a cliché” and there’s no counterargument, ever, at any point in the film. Reed Morano’s “The Rhythm Section” takes well-worn genre material and removes all the substance and ingenuity, leaving behind only an undeveloped plot, a blank main character, and a sense of gravitas that is entirely unearned. It hardly feels like a story. It’s as though a vague structure somehow got a mind of its own and wandered into cinemas without supervision. Blake Lively plays Stephanie Patrick, a young woman who used to be one of the top two students at Oxford, but now she’s a drug-addicted sex worker, which is all the work that “The Rhythm Section” thinks is necessary to show she’s sad. Her family, an amorphous clutch of dialogue-free memory strands who apparently Stephanie only ever saw in two rooms in the same house, has been killed in a plane crash, which we also never see. Watch Video: Blake Lively Trains With Jude Law in 'The Rhythm Section' Latest Trailer One day, a reporter named Keith Proctor (Raza Jaffrey, “Lost in Space”) shows up at her brothel to tell her that the crash wasn’t an accident, and was instead the result of a terrorist bombing. What’s more, the bomber is living in her neighborhood. There’s no reason for him to tell her this: she never asked him about it, and he doesn’t need her to provide any useful information for his story. He just assumed she’d want to know, apparently. Stephanie quickly quits her job, gets an information dump at his apartment, and tries to kill the bad guy only to discover that she just can’t do it and ? whoops! ? she tipped Proctor’s hand too early, so now he’s dead and the villain has escaped. Also Read: 'The Rhythm Section' Arrives During Super Bowl Slump Weekend for Box Office Stephanie’s only remaining lead is Proctor’s mysterious information source, whom she somehow predicts could train her to be an assassin, which seems like a stretch. But she’s right, somehow (what are the odds? ), and soon she unearths a former MI6 agent named Iain Boyd, played by Jude Law, who has nothing better to do than train her to kill terrorists. The training includes a quick bout of jogging, followed by a rather chilly swim, followed by gun training where she learns to always, always shoot people twice. She eventually graduates by shooting someone once. (Never mind, I guess. ) Boyd and Stephanie’s plan is a head-scratching enterprise in which she impersonates a famous, recently-deceased assassin who looks vaguely like Stephanie, and gets hired by a man named Marc Serra (Sterling K. Brown) to kill people who were exclusively involved in the terrorist attack who killed her family. Which is quite a coincidence, since if she’d had to kill anybody else, it would have been really inconvenient for the film’s shaky morals. It might have even been interesting, which is not “The Rhythm Section”‘s modus operandi. “The Rhythm Section” is a revenge movie in which all the elements that make sense have been strategically removed. The emotional core is empty because Stephanie’s loss is academic, never visceral, and her pain is illustrated by only condescending clichés about sex work. We don’t actually see Stephanie before the tragedy except in fleeting, silent snippets of her family making moon-eyes at each other. We are expected to assume that there’s a big contrast because “sex work” is trite movie code for “fallen woman. ” And since we never see any element of the bombing that took her family away either, her grief is just a vague backstory, justifying the film’s action but never coming across as significant on a human level. Also Read: Blake Lively's Hand Injury Halts Production on Spy Thriller 'The Rhythm Section' The plot of “The Rhythm Section” is exceedingly simple, but you’d never know if from the dialogue. The scheme to blow up the airplane is described as a labyrinthine web of co-conspirators, but we never get a sense of who they are or what they really wanted. At one point Boyd tells Stephanie that the real culprit was an Islamic cleric, but when she asks follow-up questions about him, Boyd immediately adds that the cleric died off-screen so that’s unimportant now. And he’s right, since that plot point never comes up again. It’s one of many completely superfluous details that makes an otherwise straightforward storyline indistinct. “The Rhythm Section” seems to be trying to take familiar movie conventions and reduce them to their original, base elements. But only the elements of plot remain. The idea of pain is introduced, but the sensation of it is completely absent. Blake Lively, an actor capable of injecting great depth and nuance into simplistic material like “The Shallows, ” seems to have been instructed to play Stephanie as though tragedy has left her a blank slate, as opposed someone who’s driven enough to dedicate their whole life to revenge. Meanwhile, Jude Law seems to be playing a loose variation on his patronizing mentor figure from “Captain Marvel, ” without any of the narrative developments or thematic underpinnings that make such a character interesting. Filmed with harsh solemnity by cinematographer Sean Bobbitt (“Widows”), Morano’s film exists in a world of grey surfaces hit by chilly, low light or heavy blasts of sun. It’s a serious approach to visualizing a tale that’s hard to take seriously, and it sadly does little to elevate the material. The editing by Joan Sobel (“Nocturnal Animals”) has understandable trouble keeping the film’s awkward structure clear. “The Rhythm Section” opens with an attempted assassination, then cuts to eight months earlier, in the middle of Stephanie having a flashback to several years before that. There’s no opportunity to ground the audience from the moment, and the film never quite finds its footing from there on out. There’s one double-espresso shot of energy that “The Rhythm Section” finds, halfway through the running time, when a hit goes bad and Stephanie finds herself in a chaotic car chase in Tangier. Morano (“I Think We’re Alone Now”) designs the sequence as though it were a single shot taken from the passenger seat of Stephanie’s car, as it careens haphazardly through crowded streets and caroms off enemy vehicles. For one brief moment, “The Rhythm Section” actually finds its rhythm and illustrates the harrowing, life-or-death intensity of exacting bloody revenge whilst being almost entirely inexperienced. If the whole movie had been as smartly developed and executed, “The Rhythm Section” might have been worth following. Instead, Morano’s film never clicks into tempo. It’s a simple story made unnecessarily complicated by off-camera detail and an emotional narrative rendered moot by a bizarre lack of interest in human feeling. Even as a straightforward action movie exercise, “The Rhythm Section” stumbles; it seems like half the bodycount stems from Stephanie’s indecisiveness. She’s not sure if she wants to get on a plane, and her family dies. She’s not sure she wants to go through with revenge, and a reporter dies. She’s not sure she wants to kill another terrorist, and the collateral damage skyrockets on two separate occasions. The whole movie is predicated on a hero being passionately motivated, but all the scenes within it rely on her having little or no wherewithal and everyone ? including whatever interest the audience may once have had ? dying as a result. ? Blake Lively Lookbook: 15 Stunning 'Age of Adaline' Styles (Photos) TheWrap picks some of star’s best looks from the film’s 20th Century gowns to modern-day red carpet moments

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Can't wait for this. So impressed with everything Blake Lively does. The rhythm section release date.

The rhythm section rating.