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Torrent details Cover Download Torrent rating (1 rated) Language: English Info Hash: 0c964f28ec51e9da3e32fec72daf338b704b321b Added: 21-02-2020 06:31 Health: File List (4): Description CYRANO DE BERGERAC by stand New version by Live at the West End Theatre, London 02. 20. 2020 James McAvoy (X-Men, Atonement) returns to the stage in an inventive new adaptation of Cyrano de Bergerac, broadcast live to cinemas from the West End in London. Fierce with a pen and notorious in combat, Cyrano almost has it all - if only he could win the heart of his true love Roxane. There’s just one big problem: he has a nose as huge as his heart. Will a society engulfed by narcissism get the better of Cyrano - or can his mastery of language set Roxane’s world alight? Edmond Rostand’s masterwork is adapted by Martin Crimp, with direction by Jamie Lloyd (Betrayal). This classic play will be brought to life with linguistic ingenuity to celebrate Cyrano’s powerful and resonant resistance against overwhelming odds. A production from The Jamie Lloyd Company Files.......... : Part I & II Size........... : 23. 2 GiB Container...... : ts Resolution..... : 1920 x 1080 interlaced TFF Codec.......... : Advanced Video Codec @ 20. 0 Mbps ofile. : High @ Level 4. 1 AC3 5. 1 chs @ 640 kbps Frame Rate..... : 25 fps Language....... : English Subtitles...... : none Runtime........ : 2:37:23 No similar torrents were found. I'm a simple gal. I see Michael and James, I click.

He wears a wedding ring but I thought he was divorced/separated. Download torrent nt live: cyrano de bergerac dvd. Download torrent nt live: cyrano de bergerac en. Download torrent nt live: cyrano de bergerac 1. Download torrent nt live: cyrano de bergerac movie. Lol this is testing my English comprehension skills so hard rn. Looking through all these comments makes me glad im fae Glasgow and can understand the big man ?. Download torrent nt live: cyrano de bergerac youtube.
Sees James and Emily Laughs in bisexual. Download torrent nt live: cyrano de bergerac francais. New kink: James Mcavoy saying Shu‘ up. Download torrent nt live: cyrano de bergerac pc. Download torrent nt live 3a cyrano de bergerac review. I absolutely adore him! from Narnia Days, last king of Scotland, atonement. He is a brilliant actor, and i find him to be a good human too. <3 him. Download torrent nt live: cyrano de bergerac full. 46:05 esponja ¿enloquesiste.
Download torrent nt live: cyrano de bergerac 3. Download torrent nt live: cyrano de bergerac video. This makes me feel so much comfort ??. Omg the first time I watched it I thought he said didn't you knock someone up. Download torrent nt live 3a cyrano de bergerac remix. James McAvoy one of the most talented actors ever. He scares me a lil but the celebrity crush is still there?. Benedict is so amazing! He has done it all! Ive never seen him in a bad film/show. I am semi new to theatre (I only have 1 actual show under my belt, everything else has been in school) but Hamlet is one of the ones Ive wanted to do for a while.

Download torrent nt live 3a cyrano de bergerac live. Download torrent nt live: cyrano de bergerac scene. Download Torrent NT Live: Cyrano de. I never read the play but in one version Roxanne's last line is supposed to be, In my life I have loved but one man, and now I have lost him twice.? Without that line the ending seems dull.

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‘Filth is still his best film, watch it, its like a Scottish ‘bad lieutenant with a bit of ‘trainspotting thrown in the mix but even crazier lol.

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So excited, this show already looks amazing even before watching. This scene makes me wanna cry, i've never been more moved by a proclamation of loved before. Download torrent nt live 3a cyrano de bergerac karaoke. CYRANO DE BERGERAC The Project Gutenberg EBook of Cyrano de Bergerac, by Edmond Rostand This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at Title: Cyrano de Bergerac Author: Edmond Rostand Posting Date: April 12, 2009 [EBook #1254] Release Date: March, 1998 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK CYRANO DE BERGERAC *** Produced by Sue Asscher A Play in Five Acts CONTENTS Dramatis personae Act I. Scene 1. I. Scene Scene 1. V. Act II. Scene 2. I. Scene 2. V. Scene 2. X. Act III. Scene 3. I. Scene 3. V. Scene 3. X. ACT IV. Scene 4. I. Scene 4. V. Scene 4. X. Act V. Scene 5. I. Scene 5. V. Edmond Rostand This etext was prepared by Sue Asscher A Play in Five Acts by Translated from the French by Gladys Thomas and Mary F. Guillemard CHRISTIAN DE NEUVILLETTE COUNT DE GUICHE RAGUENEAU LE BRET CARBON DE CASTEL-JALOUX THE CADETS LIGNIERE DE VALVERT A MARQUIS SECOND MARQUIS THIRD MARQUIS MONTFLEURY BELLEROSE JODELET CUIGY BRISSAILLE THE DOORKEEPER A LACKEY A SECOND LACKEY A BORE A MUSKETEER ANOTHER A SPANISH OFFICER A PORTER A BURGHER HIS SON A PICKPOCKET A SPECTATOR A GUARDSMAN BERTRAND THE FIFER A MONK TWO MUSICIANS THE POETS THE PASTRY COOKS ROXANE SISTER MARTHA LISE THE BUFFET-GIRL MOTHER MARGUERITE THE DUENNA SISTER CLAIRE AN ACTRESS THE PAGES THE SHOP-GIRL The crowd, troopers, burghers (male and female), marquises, musketeers, pickpockets, pastry-cooks, poets, Gascons cadets, actors (male and female), violinists, pages, children, soldiers, Spaniards, spectators (male and female), precieuses, nuns, etc. A Representation at the Hotel de Bourgogne. The hall of the Hotel de Bourgogne, in 1640. A sort of tennis-court arranged and decorated for a theatrical performance. The hall is oblong and seen obliquely, so that one of its sides forms the back of the right foreground, and meeting the left background makes an angle with the stage, which is partly visible. On both sides of the stage are benches. The curtain is composed of two tapestries which can be drawn aside. Above a harlequin's mantle are the royal arms. There are broad steps from the stage to the hall; on either side of these steps are the places for the violinists. Footlights. Two rows, one over the other, of side galleries: the highest divided into boxes. No seats in the pit of the hall, which is the real stage of the theater; at the back of the pit, i. e., on the right foreground, some benches forming steps, and underneath, a staircase which leads to the upper seats. An improvised buffet ornamented with little lusters, vases, glasses, plates of tarts, cakes, bottles, etc. The entrance to the theater is in the center of the background, under the gallery of the boxes. A large door, half open to let in the spectators. On the panels of this door, in different corners, and over the buffet, red placards bearing the words, 'La Clorise. ' At the rising of the curtain the hall is in semi-darkness, and still empty. The lusters are lowered in the middle of the pit ready to be lighted. The public, arriving by degrees. Troopers, burghers, lackeys, pages, a pickpocket, the doorkeeper, etc., followed by the marquises. Cuigy, Brissaille, the buffet-girl, the violinists, etc. (A confusion of loud voices is heard outside the door. A trooper enters hastily. ) THE DOORKEEPER (following him): Hollo! You there! Your money! THE TROOPER: I enter gratis. THE DOORKEEPER: Why? THE TROOPER: Why? I am of the King's Household Cavalry, 'faith! THE DOORKEEPER (to another trooper who enters): And you? SECOND TROOPER: I pay nothing. How so? I am a musketeer. FIRST TROOPER (to the second): The play will not begin till two. The pit is empty. Come, a bout with the foils to pass the time. (They fence with the foils they have brought. ) A LACKEY (entering): Pst... Flanquin...! ANOTHER (already there): Champagne?... THE FIRST (showing him cards and dice which he takes from his doublet): See, here be cards and dice. (He seats himself on the floor): Let's play. THE SECOND (doing the same): Good; I am with you, villain! FIRST LACKEY (taking from his pocket a candle-end, which he lights, and sticks on the floor): I made free to provide myself with light at my master's expense! A GUARDSMAN (to a shop-girl who advances): 'Twas prettily done to come before the lights were lit! (He takes her round the waist. ) ONE OF THE FENCERS (receiving a thrust): A hit! ONE OF THE CARD-PLAYERS: Clubs! THE GUARDSMAN (following the girl): A kiss! THE SHOP-GIRL (struggling to free herself): They're looking! THE GUARDSMAN (drawing her to a dark corner): No fear! No one can see! A MAN (sitting on the ground with others, who have brought their provisions): By coming early, one can eat in comfort. A BURGHER (conducting his son): Let us sit here, son. A CARD-PLAYER: Triple ace! A MAN (taking a bottle from under his cloak, and also seating himself on the floor): A tippler may well quaff his Burgundy (he drinks): in the Burgundy Hotel! THE BURGHER (to his son): 'Faith! A man might think he had fallen in a bad house here! (He points with his cane to the drunkard): What with topers! (One of the fencers in breaking off, jostles him): brawlers! (He stumbles into the midst of the card-players): gamblers! THE GUARDSMAN (behind him, still teasing the shop-girl): Come, one kiss! THE BURGHER (hurriedly pulling his son away): By all the holies! And this, my boy, is the theater where they played Rotrou erewhile. THE YOUNG MAN: Ay, and Corneille! A TROOP OF PAGES (hand-in-hand, enter dancing the farandole, and singing): Tra' a la, la, la, la, la, la, la, lere... THE DOORKEEPER (sternly, to the pages): You pages there, none of your tricks!... FIRST PAGE (with an air of wounded dignity): Oh, sir! --such a suspicion!... (Briskly, to the second page, the moment the doorkeeper's back is turned): Have you string? THE SECOND: Ay, and a fish-hook with it. FIRST PAGE: We can angle for wigs, then, up there i' th' gallery. A PICKPOCKET (gathering about him some evil-looking youths): Hark ye, young cut-purses, lend an ear, while I give you your first lesson in thieving. SECOND PAGE (calling up to others in the top galleries): You there! Have you peashooters? THIRD PAGE (from above): Ay, have we, and peas withal! (He blows, and peppers them with peas. ) THE YOUNG MAN (to his father): What piece do they give us? THE BURGHER: 'Clorise. ' Who may the author be? Master Balthazar Baro. It is a play!... (He goes arm-in-arm with his son. ) THE PICKPOCKET (to his pupils): Have a care, above all, of the lace knee-ruffles--cut them off! A SPECTATOR (to another, showing him a corner in the gallery): I was up there, the first night of the 'Cid. ' THE PICKPOCKET (making with his fingers the gesture of filching): Thus for watches-- THE BURGHER (coming down again with his son): Ah! You shall presently see some renowned actors... THE PICKPOCKET (making the gestures of one who pulls something stealthily, with little jerks): Thus for handkerchiefs-- Montfleury... SOME ONE (shouting from the upper gallery): Light up, below there! THE BURGHER:... Bellerose, L'Epy, La Beaupre, Jodelet! A PAGE (in the pit): Here comes the buffet-girl! THE BUFFET-GIRL (taking her place behind the buffet): Oranges, milk, raspberry-water, cedar bitters! (A hubbub outside the door is heard. ) A FALSETTO VOICE: Make place, brutes! A LACKEY (astonished): The Marquises! --in the pit?... ANOTHER LACKEY: Oh! only for a minute or two! (Enter a band of young marquises. ) A MARQUIS (seeing that the hall is half empty): What now! So we make our entrance like a pack of woolen-drapers! Peaceably, without disturbing the folk, or treading on their toes! --Oh, fie! Fie! (Recognizing some other gentlemen who have entered a little before him): Cuigy! Brissaille! (Greetings and embraces. ) CUIGY: True to our word!.., we are here before the candles are lit. THE MARQUIS: Ay, indeed! Enough! I am of an ill humor. ANOTHER: Nay, nay, Marquis! see, for your consolation, they are coming to light up! ALL THE AUDIENCE (welcoming the entrance of the lighter): Ah!... (They form in groups round the lusters as they are lit. Some people have taken their seats in the galleries. Ligniere, a distinguished-looking roue, with disordered shirt-front arm-in-arm with christian de Neuvillette. Christian, who is dressed elegantly, but rather behind the fashion, seems preoccupied, and keeps looking at the boxes. ) The same. Christian, Ligniere, then Ragueneau and Le Bret. CUIGY: Ligniere! BRISSAILLE (laughing): Not drunk as yet? LIGNIERE (aside to Christian): I may introduce you? (Christian nods in assent): Baron de Neuvillette. (Bows. ) THE AUDIENCE (applauding as the first luster is lighted and drawn up): Ah! CUIGY (to Brissaille, looking at Christian): 'Tis a pretty fellow! FIRST MARQUIS (who has overheard): Pooh! LIGNIERE (introducing them to Christian): My lords De Cuigy. De Brissaille... CHRISTIAN (bowing): Delighted!... FIRST MARQUIS (to second): He is not ill to look at, but certes, he is not costumed in the latest mode. LIGNIERE (to Cuigy): This gentleman comes from Touraine. CHRISTIAN: Yes, I have scarce been twenty days in Paris; tomorrow I join the Guards, in the Cadets. FIRST MARQUIS (watching the people who are coming into the boxes): There is the wife of the Chief-Justice. THE BUFFET-GIRL: Oranges, milk... THE VIOLINISTS (tuning up): La--la-- CUIGY (to Christian, pointing to the hall, which is filling fast): 'Tis crowded. Yes, indeed. FIRST MARQUIS: All the great world! (They recognize and name the different elegantly dressed ladies who enter the boxes, bowing low to them. The ladies
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