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WOt r U doin? His whole left side is SHUTTING DOWWWWN BREATH EDDY BREATHHH. Daniel Radcliffe Tom felon Lucy Hale Jennifer love??Hewitt Candice bure and raven Simone can play Jam-one again. UPDATE, writethru: Sony’s Jumanji: The Next Level is out in 18 early overseas release markets ahead of domestic next weekend, and in many, the movie is stepping up versus predecessor Jumanji: Welcome To The Jungle. Overall, the Jake Kasdan-directed sequel opened to $52. 5M at the international box office, slightly down on the last film’s $54. 8M (at historical rates and in like-for-likes) while also lower than where the industry saw The Next Level ahead of the weekend ? the culprit here is China. There were 16 No. 1 openings for The Next Level across Europe and Asia, but rumble was lacking in the jungle in China as the film lags the previous installment with an estimated debut frame of $25. 3M. It still topped the Middle Kingdom box office at No. 1 in a market that also had a local pic in the mix with The Wild Goose Lake taking in about $20M. Word of mouth is down on The Next Level, with a 6. 2 on Douban and a 7. 7 on Maoyan, versus the earlier film’s respective scores of 6. 9 and 8. 6. Related Story Coronavirus: Beijing International Film Festival Postponed Indefinitely Dwayne Johnson has a big base in the Middle Kingdom, but the movie didn’t pin audiences down as hoped. Across the board, industry sources we spoke with were seeing The Next Level in China coming in at around $40M before the session began. That led to those projections of a $60M+ overseas opening. But China was ultimately flat from Friday to Saturday with no family bump. It also didn’t help that Sony’s release date changed very close to the last minute. The Middle Kingdom authorities are in charge of dating, and backed The Next Level up from an original December 13 to December 6 which impacted the ability to get Johnson and others to Beijing, particularly as the Thanksgiving holidays were in the mix. A dedicated press day for key Chinese media and social influencers had been handled out of Cabo in November and the team then did a three-city European tour, which has paid dividends so far ( France ‘s $5. 7M weekend is 93% ahead of Welcome To The Jungle, for example). China repped just 14% of the last film’s overseas gross and is not required to be the major driver on what last time around was a global property that took in nearly $1B worldwide. With domestic still to come next session and many overseas markets to go, it’s early to make a call on this one. The previous film had a wild multiple, playing as counter programming to Star Wars: The Last Jedi. This year, Star Wars: The Rise Of Skywalker starts rollout on December 18 internationally. Numbers elsewhere in Europe and Asia on The Next Level are much better, relatively, than in China. The Netherlands opened 58% ahead of the last film and the Nordics combined outperformed it by 30%. South East Asia as a whole did 47% better than Jungle including Malaysia which scored the 2nd biggest opening of the year and the biggest Sony opening ever for the market. Given the small share of markets, Jumanji: The Next Level was not expected to lead overseas play, and particularly with the Frozen 2 ice-grip in the mix. That Disney movie added $90. 2M this session in 48 offshore markets, retaining scores of No. 1s and seeing soft drops. The international cume is now $582. 1M for $919. 7M global as it looks towards $1B next weekend, and has helped push Disney past the $10B mark worldwide. Other major titles like Fox/Chernin’s Ford V Ferrari and Lionsgate’s Knives Out are continuing to perform, with respective offshore cumes of $76. 5M and $60. 6M to date. Breakdowns on the films above and more have been updated below. NEW JUMANJI: THE NEXT LEVEL Sony Pictures Sony’s sequel to the reboot of the beloved 1995 original didn’t step it up as well as hoped in its early offshore bow, but that’s primarily down to one market. China can be fickle and the family/general audience simply didn’t turn out this weekend. The Next Level still took in $52. 5M from 18 overseas markets, including $23. 5M from the Middle Kingdom (which also includes $2. 3M from IMAX there). Roundly, industry sources we heard from ahead of the weekend were pegging $40M in China for a $60M+ launch session. Ultimately, the numbers came in lower but with bright points in some areas. Dwayne Johnson & Co launch next weekend in North America as well as the UK, Germany, Spain, Russia, Korea, Japan and Mexico. The idea is to jump start the holidays before Star Wars: The Rise Of Skywalker dominates discussion beginning December 18. The last Jumanji worked as leggy counter programming to The Last Jedi, so we’ll see how that pans out this time around. Based on the initial 18 markets, it’s early to make a call ? and recalling that China repped only 14% of the earlier movie’s haul. Diving down, Europe was powered by France where a $5. 7M start was 93% ahead of Jumanji: Welcome To The Jungle. The team did local press, which helped, and a nationwide strike on Thursday also appears to have fueled some of the gross. The strikes, such as we are all too accustomed to here, are scheduled to continue next week. In the Netherlands, The Next Level topped the chart with $1. 4M, which is 58% ahead of the last film. The Nordics grabbed No. 1s in all five debut markets for a combined total of $2. 4M (+30% vs WTTJ). In Asia, Taiwan played relatively like China with just $2. However, Malaysia debuted to $4. 6M for the 2nd biggest opening of the year and the biggest Sony opening ever for the market. Indonesia bowed to $6. 4M, which is the 2nd biggest opening ever for a December release there, and Singapore and Philippines opened to $1. 7M and $1. 4M, respectively. Ultimately, the top hubs for Welcome To The Jungle last time around were China, the UK, Australia, France and Russia. The movie played to a high multiple, continuing to beat the drum for weeks until its offshore final of $557. 6M and $962. 1M global (at historic rates). We’ll obviously keep an eye on this one going forward. HOLDOVERS/EXPANSIONS FROZEN 2 Disney Disney’s winter wonderland continues as Frozen 2 has packed another $90. 2M into the sleigh this weekend internationally. That brings the offshore cume to a snow-stopping $582. 1M and global to $919. 7M with $1B worldwide in reach later this week. The sequel is about to become the No. 12 animated release of all time overseas, and the 4th Walt Disney Animation Studios?movie within that top group. In IMAX, Frozen 2 this weekend set a new global record as its biggest animated film ever. The global cume is $38. 6M to overtake Chinese title Ne Zha in the format. F2 added South Africa this weekend where $800K gave Disney its best animated opening ever. Elsewhere, there were continued No. 1s in Austria, Belgium, France, Germany, Hungary, Italy, Poland, Russia, Spain, Switzerland, UAE, UK, Korea, Japan, Hong Kong, Philippines, Australia, New Zealand and every territory released in Latin America. Brazil does not release until January 2. In holds, the grip is tight. Overall, the drop was 47% overseas. The best holds included Poland (-13%), Spain (-18%), Chile (-22%), Germany (-25%), Israel (-25%), Netherlands (-30%), Japan (-30%), France (-40%), Hong Kong (-43%), Australia (-44%), Korea (-47%), Mexico (-47%), Italy (-48%) and Taiwan (-49%). Frozen 2 has already become the highest grossing animated title of all time in Korea, Indonesia, Philippines, Malaysia and Thailand as well as the 2nd highest grossing animated title of all time in India and Ukraine. The movie has further surpassed the original in Philippines, Indonesia, Thailand, Taiwan, Malaysia, Singapore, Korea, Mexico, Vietnam, India, China, Poland, Hong Kong, Russia, Peru, Central America, Colombia, Ecuador, Albania, Bosnia/Herz, Croatia, Czech Rep, Egypt, Ethiopia, Hungary, Israel, Kuwait, Macedonia, Oman, Qatar, Romania, Serbia, Slovakia, Slovenia, Syria, Turkey, UAE and Ukraine. Here are the Top 5 markets: China ($104. 4M), Korea ($75. 5M), Japan ($55M), UK ($43. 1M) and Germany ($34. 4M). FORD V FERRARI 20th Century Fox Adding Korea and Thailand, notably, Fox/Chernin’s awards-season racer has lifted its international cume to $76. 5M. The Disney release picked up $8. 3M in 52 material markets this lap, and raised the global total to $167. 6M so far. The Christian Bale/Matt Damon-starrer raced to $3. 3M at No. 2 in Korea, behind only Frozen 2. Elsewhere, holds have been strong in Germany (-23%), Hungary (-24%), Austria (-28%), New Zealand (-31%), Australia (-33%), Spain (-36%), Denmark (-37%), India (-39%), Taiwan (-39%), Belgium (-40%), Netherlands (-43%), Brazil (-43%), Hong Kong (-44%), Switzerland (-49%) and Peru (-49%). Still to come is the Japan release on January 10, and the China date is still TBD. The Top 5 markets so far are Russia ($9. 5M), France ($8. 2M), UK ($7. 3M), Australia ($5. 8M) and Mexico ($4. 6M). KNIVES OUT Claire Folger/Lionsgate Lionsgate’s ensemble thriller is keeping audiences on the edge of their seats offshore with another $18. 7M from 68 counter programmed markets this weekend. That cuts a fine figure of $60. 6M international for $124. 1M global. Korea this session was the top debut market with a strong?$1. 7M, ranked No. 4 from 686 locations. Italy and Mexico also kicked off well with?$1. 2M?from 361 locations and?$1. 1M?from 871 locations, ranked Nos 3 and 2, respectively. China, where the Daniel Craig pic had an impressive start last session, remains the top grossing market with?$23. 6M to date. In the UK, the gross is $8. 1M so far, just a 20% drop from open. Upcoming major markets include Brazil on December 12, followed by Germany and Japan in January. LAST CHRISTMAS Universal Universal’s romantic comedy added $10. 9M in 61 markets this weekend, including 22 new outings. The offshore cume is now $51. 3M for $84. 8M global as play continues through the festive season.
I think back to the future movie concept of changing something when you come back is incomparable to what happened when you come back from jumanji to real world. Coming back here after watching jumanji 2. And this time it was the fat dude complaining ??. Free download jumanji: el siguiente nivel del. Unexpected chain of events start right from the beginning. New actors add more flavor. Despite being a fun movie with silly jokes, it became another good movie about friendship and celebration of life and adventures. 1. ) Avengers: Endgame 2. ) The Lion King 3. ) Star Wars: the Rise of Skywalker 4. ) Frozen 2 5. ) Toy Story 4 6. ) Captain Marvel 7. ) Spider-Man: Far From Home 8. ) Aladdin 9. ) Joker 10. ) Jumanji: The Next Level These are the same films that are the top 10 at the worldwide box office for 2019, but in a different order. level 1 Jumanji is also at the same spot both domestically and worldwide. level 2 Jumanji is also the only film on the worldwide top 10 that won't pass a billion. level 1 2019 was an interesting year, with 10 $300 million movies but only a single $200 million movie level 2 Thanks to It Chapter Two underperforming. level 2 There were many predictions for 2019 movies that would make over $200M domestically like Godzilla, Detective Pikachu, Shazam, and Hobbs and Shaw. I think this is the first time in a while that we only had 1 $200M film in one year. level 1 FYI it's at $299. 67M, so not quite yet.
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Not a bad film but I felt it was spoilt by the addition of the new characters who brought nothing new to the story. I thought the first Jumanji was the better film. Free download jumanji: el siguiente nivel online gratis. I'm here because of Jablinski and that is all. His name is fridge... his weaknesses makes sense. The main thing we all missed was the movie. Characterisation looks complicated but still good. YES! YES! YES. Free Download Jumanji: El siguiente novel writing. Free Download Jumanji: El siguiente niveau. Free download jumanji: el siguiente nivel para.
I was curious to see whether this movie, the sequel to the previous one, was going to be as unique and different as the first one in terms of adventure movies.

I believe that there were some unique elements through the narrative including the new characters, and it was nice to see the humorous, entertaining moments that were in the previous movie combined with the unique adventure moments that you don't often see in other adventure movies. I'm also impressed by the editing quality in these movies and the acting which is up to standard by all of the actors. I will give this movie 7/10, I enjoyed it. TERMINATOR: OH HELL NO GRANDMA IS BAACK. Free Download Jumanji: El siguiente novel.

I bet in the next movie fridge is still gonna have lots of weakness and little strength. Poll If you've seen the film, please rate it at this poll. If you haven't seen the film but would like to see the result of the poll click here. Rankings Click here to see rankings for 2019 films Click here to see rankings for every poll done Summary: Unknown to his friends, Spencer kept the pieces of the Jumanji video game and one day repaired the system in the basement of his mother’s house. When Spencer's friends Bethany, Fridge, and Martha arrive, they find Spencer missing and the game running and decide to re-enter Jumanji to save him. Spencer's grandfather Eddie and his friend Milo Walker inadvertently get sucked into the game too before any of Spencer's friends can select their avatars. With a new quest offered to them by Nigel Billingsley who claims that one of them will not make it out of this adventure alive, the teenaged friends must help Eddie and Milo get used to their in-game avatars, get them to help find Spencer, and escape Jumanji again, once and for all. Director: Jake Kasdan Writers: screenplay by Jake Kasdan, Jeff Pinkner, Scott Rosenberg based on the book "Jumanji" by Chris Van Allsburg Cast: Dwayne Johnson as Dr. Smolder Bravestone Zachary Tzegaegbe as young Smolder Bravestone Jack Black as Professor Sheldon "Shelly" Oberon Kevin Hart as Franklin "Mouse" Finbar Karen Gillan as Ruby Roundhouse Nick Jonas as Jefferson "Seaplane" McDonough Awkwafina as Ming Fleetfoot Rhys Darby as Nigel Billingsley Rory McCann as Jurgen the Brutal John Ross Bowie as Jurgen's spokesperson Dania Ramirez as an NPC seductress Alex Wolff as Spencer Gilpin Morgan Turner as Martha Kaply Madison Iseman as Bethany Walker Danny DeVito as Eddie Gilpin Danny Glover as Milo Walker Colin Hanks as Alex Vreeke Massi Furlan as Switchblade Bebe Neuwirth as Nora Shepherd Rotten Tomatoes: 71% Metacritic: 58/100 After Credits Scene? No.
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We’ve seen plenty of benchmarks for the new Mac Pro, but if you want an idea of how it stacks up in real-life use, a British animation studio has shared the story of how it used early access to one to work on the movie Jumanji: The Next Level. Lunar Animation said that animation is one of the toughest tasks for a computer, and it had initially thought Apple’s failure to update the trash can Mac Pro might have forced it to switch to PCs… The company said in a blog post that the iMac Pro enabled it to hold the fort while it waited for the new Mac Pro. Since we started the animation studio back in 2014, our entire pipeline has been based around the Mac. However, in recent years it’s been more challenging than we would have liked. With fewer and fewer hardware updates and the release of the trash can Mac Pro that seemed limited, things were certainly looking grim. We had many conversations about how we might eventually have to move over to use PCs. Fortunately in 2017, Apple announced the iMac Pro, which has been our main studio production machine for all artists. Now the new Mac Pro is here and we’ve been really excited to see how it’s going to evolve our studio. Apple then provided Lunar with early access to what it describes as a mid-range Mac Pro. Mid-range by animation studio standards, anyway. 3. 2 GHz 16?core Intel Xeon W processor, Turbo Boost up to 4. 4 GHz 192 GB (6x32GB) of DDR4 ECC memory Two Radeon Pro Vega II with 32 GB of HBM2 memory each 4 TB SSD storage Apple Afterburner card Pro Display XDR This arrived at a particularly opportune moment. The timing of receiving the machine couldn’t have been better as the studio was just about to begin work on the new Jumanji movie, JUMANJI THE NEXT LEVEL. We were tasked to create the “Main on Ends” (MOE), which is essentially the end animated credits for the movie. This was a fantastic project and opportunity for us as a studio and involved a number of challenging aspects you can expect from working on a feature. The project had to be photorealistic, and there were 28 unique panels for the credits, with each panel featuring at least one prop related to the movie. This was spread across a two-minute sequence. The project would be done with a single camera move, and there were also weather effects to create. All of this had to be done within a timeframe of four weeks. For anyone that’s wondering, four weeks is not a long time… It’s said that the iMac Pro machines it had been using before the Mac Pro weren’t quite up to the job. One of the immediate things we noticed as soon as we began the animation stage on an iMac Pro, is that we were struggling to get all of the assets into a scene with all of their high-resolution texture maps without running out of Graphics RAM […] Sure enough, we can clamp the resolution of the textures in the scene and the problem goes away. However this is fine for working with the scene, but because clamping the textures is across the entire scene it meant that our 8K Jumanji map became a much lower resolution. This became more of an issue for us when sending the client updates to approve. The only other option would be to render the whole thing out, but we were sending updates daily, so this wasn’t an option. The company said that it expected the Mac Pro to solve this problem, but was surprised at the dramatic difference it saw. With the texture issues we were encountering on the iMac Pro, we opened the same scene on the Mac Pro and all of the textures loaded up completely fine. This makes sense, as there is double the graphics memory for textures (32 GB instead of 16 GB). We were then surprised to see that it was playing back in real time without pre-caching, because even with clamped textures on the iMac Pro, we weren’t getting a consistent 24 frames-per-second during playback. We then unlocked the 24 frames-per-second cap on the playback and got speeds of up to 134 frames-per-second. This allowed us to review, change, and preview everything at lightning speed avoiding the need to create proxy textures and models, and we were able to work with the content directly. One task that took 21 minutes on a 10-core iMac Pro took just five minutes on the Mac Pro. The Pro Display XDR also makes a huge difference, allowing the studio to see its work exactly as it would be viewed by the client on high-end reference monitors. As a smaller studio without £30k ($39k) to drop on a [reference] monitor, it’s allowed us to see exactly what the final deliverable looked like as it was intended to go to the client. As our final deliverables were EXR files, we had the range to see past the maximum brightness of a standard iMac display. Knowing that our final files were accurate saved us the cost of spending money to rent out a facility to check the files, which in all honesty we didn’t have time to do because of the tight turnaround. This is now an invaluable tool that we’re going to be using on all projects moving forward. Jumanji: The Next Level grossed over $300 million worldwide, topping the box office in the US and Canada. There’s more detail, and sample videos, in the full blog post. You can also see how the machine fared with a real-life recording session using Logic Pro X. Check out all our coverage of the Mac Pro, including a bunch of upgrade options. Image: Shutterstock FTC: We use income earning auto affiliate links. More. Check out 9to5Mac on YouTube for more Apple news:.
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Jumanji: The Next Level
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