Full Movie™ Download Torrent 1917

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Author: Barney Ashworth
Biography: Musical Supervisor/Director, Pianist, Conductor, Composer, Arranger Based in London - UK - Endorsed by ROLAND & JH Audio - AGENT @Marvin_Godfrey @UKRevolution

Creators Sam Mendes
release Year 2019
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directors Sam Mendes
253447 votes
Star Colin Firth, George MacKay

Waste of time. Wait until it hits the redbox if you must see it

Critics Consensus Hard-hitting, immersive, and an impressive technical achievement, 1917 captures the trench warfare of World War I with raw, startling immediacy. 89% TOMATOMETER Total Count: 416 88% Audience Score Verified Ratings: 30, 239 1917 Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. 1917 Videos Photos Movie Info At the height of the First World War, two young British soldiers, Schofield (Captain Fantastic's George MacKay) and Blake (Game of Thrones' Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers--Blake's own brother among them. Rating: R (for violence, some disturbing images, and language) Genre: Directed By: Written By: In Theaters: Jan 10, 2020 wide On Disc/Streaming: Mar 10, 2020 Runtime: 110 minutes Studio: Universal Pictures Cast News & Interviews for 1917 Critic Reviews for 1917 Audience Reviews for 1917 1917 Quotes Movie & TV guides.
Stream Blueray.

Brilliant! had enough of CGI movies, This is the real thing. YouTube. At 22:04 you can see the camera crew in the background.
IMAX was way better. 22:05 - Watch for the cameraman in the background. What a big mistake to make. cannot believe they didn't spot that error while scrutinizing the final product... That James Bond trailer Didn't Show # T.
Well, I just finished reading the script of 1917, and I gotta say... what an experience. I did it while listening to the soundtrack, trying to read each part listening to the equivalent song from the movie. It was really good, actually. There was this quote, "nothing is heavier than the dead body of someone you loved" when Blake dies, and goddamn, that caught me off guard. I couldn't hold back the tears. That line hit me differently. I needed to stop for a minute and recompose myself. And it's crazy because I've watched 1917 countless times now, and I thought I had already felt everything there was to feel. Oh, how wrong I was. Anyway, I highly recommend that you guys read it, as well, ?it's a whole new type of pain, I assure you. ?.
NO WHY DID YOU MENTION HIS BROTHER AND NOT CLOSING HIS FIST ON THE RINGS AND STUFF THAT SCENE STILL HURTS ME. WHY. WHYYY. 1917 | 360 Trench Experience | In Theaters Now. Scene after this is the most epic scene. Guy flames a cop and runs for it. Robopolice: Superhero landing time. Bree Larson was born to play. Ah ok sure. Roger. Deakins. I'm excited for History Buff's review of this. This movie is being shilled by the studio and producers. Any negative review is being brigaded. I liked American Beauty, but Mendes looks like the bully-type and they are probably sensitive since they have high profit-hopes for this to rebound after the GG.
Questions: The camera work is awesome, but be warned this is not a great war movie. It's an average war movie with major flaws. The entire scenario isn't even sensical or plausible; like other people have said- if it was so important, why not fly a plane to reach them? Why weren't these two somewhat inexperienced soldiers protected and accompanied by at least a few more soldiers if it was so important? Why were the two soldiers so clean-cut and clean-shaven that they looked like female primadonnas in the middle of WWI? Why would they dumbly and naively try to save an enemy pilot without caution to the point one of them is stabbed (were they not trained properly in boot camp and the military. Why are they so alone and isolated on the farm, but just so conveniently suddenly after the one of them dies, another battalion happens to show up immediately at that moment (for one-take, one-shot continuity, of course) Why is the commander of the big battle so easy to reach by an unknown subordinate who hasn't proven to be trustworthy? Why is the soldier who prevails beyond the pilot saving scene so impervious to bullets and gunfire- is he Rambo or Commando? He doesn't look like it. Why does it happen that the one little room he hides out in in the middle of such a horrific war has this perfectly made up young female with a baby in it (Oh and slap yourself in the head that you didn't think of it- yes, the milk he got from the farm is just so perfectly arranged to be used here; could you be manipulated for sentimentalism any more. Why did the soldier who was chasing him just decide to give up when he jumped in the river? Why in the final scene are bombs landing all around him as he foolishly runs above the bunker, but he doesn't get a scratch on him? Why didn't the brother look anything like the other one, and why when he was told to look at the casualty area was the other brother perfectly unscathed? Again, the camera work is outstanding, acting suffices, but some of the scenes and writing is downright implausible and almost funny. Was there a GG sympathy award handed to this to help it at the box office or with viewership by giving it recognition or something? It's a decent movie, but other than cinematography, it's not award-worthy on that high of a level.

This movie is brutally real! It is the best war movie Ive ever seen

T he recent run of World War I centennial anniversaries led to a spike in interest in the conflict, which ended in 1918, and Hollywood has been no exception. The few critically acclaimed Great War movies, such as All Quiet on the Western Front (1930) and Sergeant York (1941), were joined in 2018 by Peter Jackson’s documentary They Shall Not Grow Old. On Christmas Day, that list will get a new addition, in the form of Sam Mendes’ new film 1917. The main characters are not based on real individuals, but real people and events inspired the movie, which takes place on the day of April 6, 1917. Here’s how the filmmakers strove for accuracy in the filming and what to know about the real World War I history that surrounded the story. Get our History Newsletter. Put today's news in context and see highlights from the archives. Thank you! For your security, we've sent a confirmation email to the address you entered. Click the link to confirm your subscription and begin receiving our newsletters. If you don't get the confirmation within 10 minutes, please check your spam folder. The real man who inspired the film The 1917 script, written by Mendes and Krysty Wilson-Cairns, is inspired by “fragments” of stories from Mendes’ grandfather, who served as a “runner” ? a messenger for the British on the Western Front. But the film is not about actual events that happened to Lance Corporal Alfred H. Mendes, a 5-ft. -4-inch 19-year-old who’d enlisted in the British Army earlier that year and later told his grandson stories of being gassed and wounded while sprinting across “No Man’s Land, ” the territory between the German and Allied trenches. In the film, General Erinmore (Colin Firth) orders two lance corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay), to make the dangerous trek across No Man’s Land to deliver a handwritten note to a commanding officer Colonel Mackenzie (Benedict Cumberbatch), ordering them to cancel a planned attack on Germans who have retreated to the Hindenburg Line in northern France. Life in the trenches The filmmakers shot the film in southwestern England, where they dug about 2, 500 feet of trenches ? a defining characteristic of the war’s Western Front ? for the set. Paul Biddiss, the British Army veteran who served as the film’s military technical advisor and happens to have three relatives who served in World War I, taught the actors about proper techniques for salutes and handling weapons. He also used military instruction manuals from the era to create boot camps meant to give soldiers the real feeling of what it was like to serve, and read about life in the trenches in books like Max Arthur’s Lest We Forget: Forgotten Voices from 1914-1945, Richard van Emden’s The Last Fighting Tommy: The Life of Harry Patch, Last Veteran of the Trenches, 1898-2009 (written with Patch) and The Soldier’s War: The Great War through Veterans’ Eyes. He put the extras to work, giving each one of about three dozen tasks that were part of soldiers’ daily routines. Some attended to health issues, such as foot inspections and using a candle to kill lice, while some did trench maintenance, such as filling sandbags. Leisure activities included playing checkers or chess, using buttons as game pieces. There was a lot of waiting around, and Biddiss wanted the extras to capture the looks of “complete boredom. ” The real messengers of WWI The film’s plot centers on the two messengers sprinting across No Man’s Land to deliver a message, and that’s where the creative license comes in. In reality, such an order would have been too dangerous to assign. When runners were deployed, the risk of death by German sniper fire was so high that they were sent out in pairs. If something happened to one of them, then the other could finish the job. “In some places, No Man’s Land was as close as 15 yards, in others it was a mile away, ” says Doran Cart, Senior Curator at the National World War I Museum and Memorial in Kansas City. The muddy terrain was littered with dead animals, dead humans, barbed wires and wreckage from exploding shells?scarcely any grass or trees in sight. “By 1917, you didn’t get out of your trench and go across No Man’s Land. Fire from artillery, machine guns and poison gas was too heavy; no one individual was going to get up and run across No Man’s Land and try to take the enemy. ” Human messengers like Blake and Schofield were only deployed in desperate situations, according to Cart. Messenger pigeons, signal lamps and flags, made up most of the battlefield communications. There was also a trench telephone for communications. “Most people understand that World War I is about trench warfare, but they don’t know that there was more than one trench, ” says Cart. “There was the front-line trench, where front-line troops would attack from or defend from; then behind that, kind of a holding line where they brought supplies up, troops waiting to go to to the front-line trench. ” The “bathroom” was in the latrine trench. There were about 35, 000 miles of trenches on the Western Front, all zigzagging, and the Western Front itself was 430 miles long, extending from the English Channel in the North to the Swiss Alps in the South. April 6, 1917 The story of 1917 takes place on April 6, and it’s partly inspired by events that had just ended on April 5. From Feb. 23 to April 5 of that year, the Germans were moving their troops to the Hindenburg Line and roughly along the Aisne River, around a 27-mile area from Arras to Bapaume, France. The significance of that move depends on whether you’re reading German or Allied accounts. The Germans saw it as an “adjustment” and “simply moving needed resources to the best location, ” while the Allies call the Germans’ actions a “retreat” or “withdrawal, ” according to Cart. In either case, a whole new phase of the war was about to begin, for a different reason: the Americans entered the war on April 6, 1917. A few days later, the Canadians captured Vimy Ridge, in a battle seen to mark “the birth of a nation” for Canada, as one of their generals put it. Further East, the Russian Revolution was also ramping up. As Matthew Naylor, President and CEO of the National World War I Museum and Memorial in Kansas City, Mo., says of the state of affairs on the Western Front in April 1917, “Casualties on both sides are massive and there is no end in sight. ” Correction, Dec. 24 The original version of this article misstated how WWI soldiers de-loused themselves. The troops used a candle to burn and pop lice, they did not pour hot wax on themselves. Write to Olivia B. Waxman at.
I enjoyed the tour thoroughly thanks.

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