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I wanted it to be as good as Snatch, and it isnt, so it cant get a 10.

Hugh Grant was well cast and did a brilliant job of his character, as does Colin Farrell. The story is good and kept me entertained, but the missus got bored. I think if you go in expecting 10/10... you'll be disappointed. Expect 7/10 and you'll get good value. The gentleman critical role. The gentlemen review. The gentlemen trailer. The gentlemen metacritic. A British drug lord tries to sell off his highly profitable empire to a dynasty of Oklahoma billionaires. Get this movie as soon as it becomes available By ordering or viewing, you agree to our Terms. Sold by Services LLC. | There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on January 26, 2020 Format: Prime Video “The Gentlemen” Distributed by STX Films, 113 Minutes, Rated R, Released January 24, 2020: If you examine his motion picture resume, there seem to be at least three different versions of filmmaker Guy Ritchie. One version is the director-for-hire, the successful filmmaker behind such box office successes as Disney’s blockbuster live-action reimaging of the animated classic “Aladdin” in 2019, the contemporary updating of “Sherlock Holmes” starring Robert Downey Jr. in 2009, and its 2011 sequel “Sherlock Holmes: A Game of Shadows. ” Another version of Guy Ritchie is the radical revisionist filmmaking auteur behind such resounding box office failures as the 2002 remake of the Italian masterpiece “Swept Away, ” the 2015 adaptation of the classic 1960s television series “The Man from U. N. C. L. E., ” and “King Arthur: Legend of the Sword, ” the muddled and grimy 2017 retelling of the Camelot legend. The third version of Guy Ritchie, the one his legions of loyal and devoted fans cherish, is the writer and director of smart, stylish, and fast-moving British crime films. “Lock, Stock, and Two Smoking Barrels” in 1998 and “Snatch” in 2000 established Ritchie’s reputation as the filmmaker behind the most swift, irreverent, and intelligent little comedy crime capers since the days of England’s Ealing comedies of the 1940s and 1950s--the legendary films starring Alec Guinness, with titles such as “Kind Hearts and Coronets” and “The Ladykillers. ” That’s precisely the version of Guy Ritchie his fans are hoping for with the release of “The Gentlemen, ” the new action comedy from STX Films. Written and directed by Ritchie from a screen story formulated by Ritchie in collaboration with Ivan Atkinson and Marn Davies, in “The Gentlemen, ” social-climbing American-born, Oxford-educated millionaire marijuana baron Mickey Pearson seeks to expand his British interests by growing an especially potent strain of the illegal plant--an unlikely hybrid called Skunk-a-Mola White Widow Super Cheese--in underground greenhouses hidden on ancestral lands leased from cash-poor aristocrats. Sensing eventual British legalization of recreational marijuana, Pearson simultaneously seeks to sell his expanding cannabis empire for $400 million to double-dealing American billionaire Matthew Berger, in order to retire peacefully to the English countryside with his beloved British-born wife Rosalind. But first the enterprising Pearson needs to defend his extensive business interests from hostile takeover attempts from an array of colorful international criminal organizations. Unfortunately, it all sounds funnier than it is. With its combination of crime comedy and social satire, “The Gentlemen” might satisfy fans of Guy Ritchie’s earlier work, but will likely leave newcomers cold. The picture’s Cockney-flavored slang, often delivered at a breathless pace, will render much of the film’s plot incomprehensible to American ears. And in creating a host of unsavory characters with dishonorable intentions, placing them into often graphically violent situations, and filling the script with crude, expletive-laden dialogue, Ritchie crafts a world with plenty of attitude, but no heroes, no humanity, no nobody to cheer for. Often pretentious and sometimes obnoxious, the picture contains elements from Ritchie’s “Snatch” and “Lock, Stock, and Two Smoking Barrels, ” but none of their brilliance. The movie is about as dramatically viable as any of Steven Soderbergh’s “Ocean’s Eleven” pictures, but at other times resembles nothing more than a combination of 1995’s “Get Shorty” and 1960’s “The Grass is Greener” (no pun intended), filtered through the sensibilities of Quentin Tarantino. With style to spare but little heart and no soul, “The Gentlemen” relies instead on the considerable amount of goodwill generated by its megawatt cast of Hollywood superstars. “The Gentlemen” includes performances by Matthew McConaughey as the American marijuana baron Mickey Pearson, a bearded and genteel Charlie Hunnam as Pearson’s capable assistant Raymond, rising matinee idol Henry Golding as the unsympathetic Chinese criminal underboss Dry Eye, Michelle Dockery of “Downton Manor” fame as Pearson’s business executive wife Rosalind, Colin Farrell as an Irish gangleader with designs on Pearson’s empire, and Hugh Grant in an atypical role as a seedy and smarmy private investigator who fits the pieces of the plot together with a notion to sell the story to a Hollywood studio. Grant seems to be basing his fast-talking characterization on British comic Ricky Gervais. Still, “The Gentlemen” is receiving admiring reviews for the critics, including an approval rating of 72% from Rotten Tomatoes, against a weighted average of 51% from Metacritic. Rotten Tomatoes in its review reports, “It may not win writer-director Guy Ritchie many new converts, but for those already attuned to the filmmaker’s brash wavelength, ‘The Gentlemen’ stands tall. ” Exit audiences polled by CinemaScore awarded the picture an average grade of B-plus. Released to 2165 theaters across the United States and Canada, “The Gentlemen” earned a little over $11 million in box office receipts over its opening weekend, enough to score a fourth-place finish in the Box Office Mojo Top Ten behind the returning “Bad Boys for Life” in first place with $34 million, the historical drama “1917” in second with $15. 8 million, and the family adventure “Dolittle” in third with $12. 5 million. Rated R for violence, language concerns, sexual references, and drug use throughout, “The Gentlemen” is also attracting a measure of unwanted criticism, with a number of reviewers noting strains of anti-Semitism, homophobia, racism, and sexism in Ritchie’s portrayal of ethnic- and gender-based stereotypes. Reviewed in the United States on January 25, 2020 Format: Prime Video In The Gentlemen, Mickey Pearce (Matthew McConaughey), the head of a large British marijuana ring, is planning to retire and sell off his business. However, things go awry when his empire is threatened. This was a fun film. This is directed and written by Guy Ritchie, and like his Lock Stock and Two Smoking Barrels and, I believe, some of his other crime films (I haven't seen the rest) it relies on a lot of characters and twists-and-turns. What results is a good helping interesting moving parts, dialogue, and performances from great actors. The script isn't quite as tight as LS&TSB. The movie could've been a bit shorter. The character of a tabloid editor played by Eddie Marsan could've been cut without effecting anything. I also felt the last scene missed a bit of a punch. The previous criticisms are more nitpicks than major issues. Overall, this movie is a good time and I recommend it. It's not something you need to see immediately but should be given a shot. Reviewed in the United States on January 31, 2020 Format: Prime Video Saw it in a theater. Fondly remembering "Lock, Stock, and Two Smoking Barrels", I expected two hours of mindless pleasure leaving essentially no residue except for the feeling that it was fun, a bit like remembering a good party in which one gets a bit too drunk. Sadly enough I was disappointed. In this movie the action scenes are dispersed among longish dialogues and monologues that futilely try to imitate Tarentino. I found myself dosing! On top of it, despite the obviously expert handling of the violent action sequences, it is very difficult to describe the overall undercurrent as plot. In the last two decades films tend more and more to resemble passive computer games, where the speed and special effects totally obviate the need for coherent and semi-logical plot. Also, the cartoon treatment of the characters prevents any attempt on the side of the actors to demonstrate a more refined art of acting. I suppose I am getting too old for this genre of cinematography, still stuck in oldies like Chinatown, The Draughtsman's Contract, or the more recent Insomnia. No added value, alas. Reviewed in the United States on January 25, 2020 Format: Prime Video When Guy Ritchie began making gangster films with Lock, Stock and Two Smoking Barrels and Snatch he had a distinctive style that was highly entertaining. They featured memorable characters, great music, a bit of fun and crime. They showed that he could give his own original twist to those types of stories. Since then he’s gone onto a number of other films, but returned to the genre with The Gentlemen. Again, he wrote the script but dropped the ball with a highly inconsistent story that doesn’t really get going until the end. Things begin with Mickey Pearson (Matthew McConaughey) talking about how a lion has to be the lord of the jungle otherwise there would be chaos. That relates to the plot where he’s a major crime lord protecting his turf from all comers, friend and foe. The main characters however are actually his top henchman Raymond (Charlie Hunnam) and a reporter named Fletcher (Hugh Grant). Fletcher is trying to sell a story about Pearson’s various dealings for a small fortune. The problem is that things drag for most of the film. There’s just not enough drive to the story to keep it interesting. Yes there are gangsters, a bit of gunplay, and some backstabbing, but there’s nothing really special about it. It’s not until the end that things finally get going

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