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Unbelievable. Apollo 13: the imax experience chicago.

Apollo 13 3a the imax experience ratio. Getting these guys back home after a catastrophic failure was incredible. Everyone flying by the seat of their pants and none of it planned. Figuring it out in real time. I have a question. Why do none of the conspiracy morons say THIS was faked. Apollo 13: The IMAX. Apollo 13: the imax experience online. Sept. 16, 2002 -- As a child, Tom Hanks dreamed of being an astronaut, playing zero-gravity games in his swimming pool. Now, he's playing the role of astronaut once again, in Apollo 13: The IMAX Experience, a mega-screen version of the 1995 hit film that Hanks starred in. Director Ron Howard's Apollo 13 is being completely repurposed for 70mm IMAX exhibition ? the first time such a transition has been done for a live-action 35 mm feature film. Apollo 13: The IMAX Experience opens in theaters on Sept. 20. The movie starsTom Hanks, Kevin Bacon, Bill Paxton and Ed Harris, and dramatizes the precarious 1971 mission of NASA's Apollo 13 shuttle using a combination of archival footage and special effects. Hanks spoke about his role in an interview with Good Morning America's Entertainment Correspondent Alex Cambert. Below is transcript of the interview as it aired on Good Morning America. TOM HANKS: (on his appearance on the large IMAX movie screen): The first thing you think is: is my head really that big? Because it is, it is a huge, huge head. ALEX CAMBERT: Yeah, cause the screen is … HANKS: Eight stories … CAMBERT: … Eight stories high. HANKS: Essentially, your teeth are the size of cars (laughs). You know, they're huge. That being said, you forget THAT very, very quickly and you get into just whatever emotional story that the movie is able to tell. (movie clip: Apollo13: The IMAX Experience, sound "Houston, we have a problem") HANKS: It's a very emotional experience that you have ? watching this, this regular, like, story-telling movie up on IMAX. It's just different. CAMBERT: Did you snag any souvenirs from the movie? I mean, did you keep, like, a space suit? Or, what do you have? Come on! 'Fess up! What'd you take?! HANKS: Well, I still have the pressure suit. I still have the helmet. I still have a lot of the flight... CAMBERT: Where do you keep a pressure suit?! In the closet? I mean, like, 'Here's my Armani? my Boss? '... My pressure suit? HANKS: You never know when you might want to whip that thing out. It's to please the kids, you know. CAMBERT: As a kid, did you want to go up there yourself? HANKS: Sure. You bet. I used to ? I would put a brick in the bottom of my pants and sit at the bottom of the pool breathing through a, breathing through a garden hose and kind of, like, float. And I would have these little plastic tools; take apart the pool ladder and put it back together again because I wanted to be doing a service in zero gravity of outer space and also hearing the (heavy breaths) through the garden hose because that was as close as I could get to the tactile feeling of being in space. CAMBERT: Now, I heard, that you had ? actually ? astronaut DOLLS?! HANKS: Yeah, Major Matt Mason. Yeah. CAMBERT: What's he like? HANKS: Major Matt? CAMBERT: Yeah! Major Matt! HANKS: Major Matt Mason was an astronaut. And he was bendable and pose-able. CAMBERT: (pulling doll out of his jacket): I'm wondering if Major Matt looks anything like this... HANKS: (gasps) Oh my gosh! CAMBERT: (holding up doll) This is a Major Matt Mason! HANKS: (in unison) Major Matt Mason. There he is! Right there! Well, now, Okay. (handles doll) Yes. Because this would have ? used to have been white. Now, you don't have the helmet. (jokes) What's the point? But you'll notice there: see, there he would be relatively pose-able and this is what would go on. And this is what would go on for ? I would sit by the coffee table in my mom's living room, going like this (breathes deeply). I'd do that for hours and hours and hours. Was I sick or what? CAMBERT: Yeah, a little bit. HANKS (handing it back to CAMBERT): Major Matt Mason! CAMBERT: Its yours! HANKS: Oh, stop! CAMBERT: Although, you dissed me with the 'NO HELMET! ' thing, so maybe I should take it back … HANKS (laughs): Well, no, that's alright. CAMBERT: Now, I think I want it back... HANKS: No, no, no. CAMBERT: I want Major Matt back. (sarcastically at doll in HANKS's pocket) Yeah, that'll look nice. You'll talk to Major Matt. Should I ask him questions? HANKS (talking to doll in his pocket): What do you think, Major Matt? (makes deep breathing noises) CAMBERT: At the very end of our interview, I'd like to do something called: 'True And False. ' HANKS: Okay. CAMBERT: Subject: 'Tom Hanks'. Are you ready? HANKS: Yeah. CAMBERT: True or false? You are a direct descendant of Nancy Hanks Lincoln ? Abraham Lincoln's mother. HANKS: True. CAMBERT: That is true?! HANKS: Yes. CAMBERT: Mm. True or False? : because of your love of space you asked George Lucas if you could have a role in Star Wars: Episode 3, playing the part of Jar Jar Hanks. HANKS (laughs): CAMBERT: True or False? HANKS: False. I'm sorry to say. CAMBERT: True or False: Steven Spielberg refers to you as 'Old Faithful. ' HANKS: Uh, not to my face! (laughs) CAMBERT: But it could be true?! HANKS: It could be true! CAMBERT: Well, Tom ? it was great to see you again, man. HANKS: Always a pleasure. Thank you very much. Thank you for Major Matt. And, oh ? just one last thing. (holds up doll, breathes deeply) CAMBERT: You're scaring me, now. HANKS: (keeps holding up doll, breathes deeply) CAMBERT: Bye-bye. CAMBERT: It's a two-hour show, Tom. Bye-bye. (off-camera laughter).
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Mentirosos sin vergüenzas. Apollo 13 3a the imax experience tour. Apollo 13: the imax experience 2017. The most all-American, straight-arrow movie about space heroics and science would seem to be a natural for the wholesome educational programming of Imax, and “Apollo 13: The Imax Experience” fits the bigger-than-big screen quite nicely, with only a few small changes. At a time when screens and theaters grow smaller and movie palaces are a thing of the past, the new practice of re-releasing films in the IMAX format is a thrilling step in the opposite direction. Ron Howard’s “Apollo 13, ” which opens today at the IMAX theater at Navy Pier, looks bold and crisp on the big screen, and the sound has never sounded better?perhaps couldn’t have ever sounded better, because IMAX uses some 70 speakers. Although it takes place largely in outer space, “Apollo 13” isn’t the kind of adventure saga that needs the bigger screen so its effects play better. “Star Wars, ” which is headed for IMAX theaters, fits that definition. “Apollo 13” is a thrilling drama that plays mostly within enclosed spaces: The space capsule, mission control and the homes of those waiting in suspense on Earth. The film re-creates the saga of the Apollo 13 mission, which was aborted after an onboard explosion crippled the craft on its way to the moon. In a desperate exercise of improvisation, crew members and the ground support staff figure out how to return the craft safely to Earth, cannibalize life-support from both the mother capsule and the lunar landing module, and navigate into a terrifyingly narrow angle between too steep (the craft would burn up in the atmosphere) and too shallow (it would skip off and fly forever into space). Tom Hanks, Bill Paxton and Kevin Bacon play astronauts Jim Lovell, Fred Haise and Jack Swigert, respectively. On Earth, the key roles are by Gary Sinise, as the left-behind astronaut Ken Mattingly, who uses a flight simulator to help improvise a solution; Ed Harris, who is cool-headed flight director Gene Kranz, and Kathleen Quinlan, as Lovell’s wife, Marilyn, who tries to explain to their children that “something broke on Daddy’s spaceship. ” The movie has been trimmed by about 20 minutes for the IMAX release. Filmed in widescreen, it has been cropped from the sides to fit the IMAX format. Neither change bothered me. Although I am an opponent of pan-and-scan in general, I understand when it is used to maximize a different projection format. The detail and impact of the IMAX screen essentially creates a new way of looking at the film. The most all-American, straight-arrow movie about space heroics and science would seem to be a natural for the wholesome educational programming of Imax, and “Apollo 13: The Imax Experience” fits the bigger-than-big screen quite nicely, with only a few small changes. The original’s 2. 35:1 widescreen image has been reframed for the large-screen format of 4:3 (with an additional bit of masking frame at the screen’s top), and previous 139-minute running time has been trimmed of 20 minutes of action and three minutes of credit roll. Trims are mostly within scenes and amount to many slight cuts, quickening the original’s pace and losing a bit of dramatic and character color. The novelty of seeing the longest-yet Imax movie ? an actual feature for the first time ? is likely to gain the Ron Howard-Brian Grazer blockbuster some new, younger fans for a smooth flight through the Imax cinema circuit. Kevin Bacon, Tom Hanks, and Bill Paxton talking in ship in a scene from the film ‘Apollo 13’, 1995. (Photo by Universal/Getty Images) “Apollo 13” is the first of several features planned for Imax-ification, and this conservative, ultra-mainstream pic is probably the right choice for a test run. Trend is possible because Imax projectors can now unspool triple the length of the 40-minute reels that were once the format’s maximum capacity, and because of the new Imax DMR process, which digitally remasters the original 35mm film for Imax’s 70mm, 15 perforation medium. This doesn’t produce an ultra-sharp “digitized” image, but rather a blown-up celluloid picture without excessive grain. What is by far the most striking element of the new version of “Apollo 13” isn’t visual, but aural. Because of the 70mm strip, which permits a much wider soundtrack, and because of the standard Imax theater’s sheer size, which can contain a vast speaker system, the resulting sound is extraordinary. While the blast-off sequence demonstrates the top end of the loud range, many other moments are greatly enhanced, from the groaning of the crippled Apollo vessel to the sound of Jefferson Airplane vividly wafting from the Houston bedroom of ship captain Jim Lovell’s teen daughter. James Horner’s already religious music is now enormous, but still banal, in the Imax cathedral. Since director Howard has never been especially imaginative with the widescreen image, there’s no real harm to the film with the loss of (generally) the right and left sides of shots. Actor close-ups are now truly pronounced, casting an even greater spotlight on a beautifully nuanced perf by Tom Hanks, who injects his Lovell with subtle but unmistakable shots of mortality and regret. Trims tend to avoid much of the drama’s procedural character, and instead slice away at private moments (Kevin Bacon’s Jack Swigert in a shower with his lover, Kathleen Quinlan’s Marilyn Lovell trying to corral her kids to watch dad in space on TV). Cast Bill Paxton as Fred Haise Kevin Bacon as Jack Swigert Gary Sinise as Ken Mattingly Ed Harris as Gene Kranz Kathleen Quinlin as Marilyn Lovell Tom Hanks as Jim Lovell Directed by Ron Howard Written by William Broyles Jr Al Reinert Based on the book by Jim Lovell Jeffrey Kluger Read More.
Apollo 13: The IMAX expérience sur les. Cue Aaron Copland pastiche music. 35,245 feet per second is 24,030 mph. Apollo 13: the imax experience full. Check out the documentary, A funny thing happened on the way to the moon. Look at that it says, Houston, we have a problem. I thought that was a misquote. Apollo 13: the imax experience kansas city. 1:20 when youre hotboxing your room with a gatorade bottle and your mom comes home early. Apollo 13 3a the imax experience live in paris. 3:42 What the heck did they just drink? Edit: NVM It's Mountain Dew, I thought it was pee. Cause if it was, grooooooooss.

Apollo 13: the imax experience orlando. Apollo 13: the imax experience free. Apollo 13: The IMAX expérience utilisateur. Apollo 13 the imax experience. Apollo 13 3a the imax experience review. Apollo 13: the imax experience 1. In 2000, I saw no less than the first approximate hour of this 1995 Ron Howard film based on a true story, but never got to see the entire film that year. Before that, I had seen the movie mentioned in a magazine, so I was aware of its existence, but didn't know much about it. I never watched "Apollo 13" all the way from beginning to end until ten years and a few months later after just seeing some of it. I don't think I had much of an opinion on what I saw of the film just over a decade ago, but by the time I sat down to watch it all, I knew it had a good reputation, so I was expecting a decent film. After watching it, I don't think it's as great as many others who have seen at some point it in the past fifteen years do, but it's still a good drama.

In 1969, astronaut Jim Lovell is mesmerized by Neil Armstrong becoming the first person to set foot on the surface of the moon during the successful Apollo 11 mission, and hopes to go there himself someday. It seems he will have a chance to make that dream come true, as he is expecting to take part in one of these Apollo missions, originally Apollo 14, but then he is switched to Apollo 13. He will be going into space with Fred Haise and Ken Mattingly, so the three of them begin their training for the mission. Shortly before the day of the launch, Mattingly is pulled out of the mission due to exposure to the measles, and is replaced by Jack Swigert. On April 11, 1970, the spacecraft is finally launched, and leaves Earth's atmosphere with the three astronauts inside. At first, the mission doesn't get much attention, but that completely changes when things go terribly wrong, and Lovell, Haise, and Swigert find themselves in serious danger, and there's a good chance they won't survive their journey! The beginning of this historical drama features archive footage narrated by journalist Walter Cronkite, and this is an intriguing sequence. I did not care for the flirt scene right after this, but that fortunately didn't last, and most of the film can certainly hold the viewer's attention with the events leading up to the Apollo 13 launch, as the crew trains for the mission and Jim Lovell talks to his family members about going into space. There is one awkward scene with Jim's oldest daughter freaking out over the break-up of the Beatles, but fortunately, most of the movie isn't like this at all. The launch scene is intense, with a fitting musical score to go along with it, and after this, it's hard to stop watching "Apollo 13" as we see the three astronauts in peril far from the earth's surface as Mission Control tries to help them, the news reports on the spaceflight, the reactions of Jim's wife and offspring, etc. This 1995 blockbuster also has great visuals, showing the space shuttle in orbit, and also well designed sets. The performances from the lead actors (Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, and Ed Harris) are strong, while some of the supporting performances are a little weaker, but that's not the case with most of the supporting cast. The cast as a whole is very impressive. I've watched a lot of movies in the past few years, and am not sure exactly why it took me so long to get around to this one, since I had seen a lot of it years before and knew for a while that it was a popular film based on a true story. However, now that I've finally seen the whole movie, I can understand its appeal and why it was nominated for nine Academy Awards, two of which it won. This 1995 blockbuster shows that an adventure movie like this doesn't necessarily need a lot of action to be exciting, since "Apollo 13" doesn't have a lot of that, yet still manages to be effective. At 140 minutes, it's certainly not a short movie, but despite occasional stumbles in quality, it remains intriguing for the vast majority of that time. As an historical film, there are obviously inaccuracies, but it seems many have praised it for its accuracies, unlike some movies based on true stories, and this drama can remind us of how risky space travel is.

Apollo 13: the imax experience nyc. Apollo 13: the imax experience now. 1.51: it's not very fast! Must have taken forever. Apollo 13: the imax experience schedule. Apollo 13: the imax experience video. Had the honor of meeting Fred Haise today. these three gents are heros in every sense of the word. Apollo 13: the imax experience group. Apollo 13 3a the imax experience live. | Roger Ebert September 20, 2002 At a time when screens and theaters grow smaller and movie palaces are a thing of the past, the new practice of re-releasing films in the IMAX format is a thrilling step in the opposite direction. Ron Howard's " Apollo 13, " which opens today at the IMAX theater at Navy Pier, looks bold and crisp on the big screen, and the sound has never sounded better--perhaps couldn't have ever sounded better, because IMAX uses some 70 speakers. Although it takes place largely in outer space, "Apollo 13" isn't the kind of adventure saga that needs the bigger screen so its effects play better. "Star Wars, " which is headed for IMAX theaters, fits that definition. "Apollo 13" is a thrilling drama that plays mostly within enclosed spaces: The space capsule, mission control and the homes of those waiting in suspense on Earth. Advertisement The film re-creates the saga of the Apollo 13 mission, which was aborted after an onboard explosion crippled the craft on its way to the moon. In a desperate exercise of improvisation, crew members and the ground support staff figure out how to return the craft safely to Earth, cannibalize life-support from both the mother capsule and the lunar landing module, and navigate into a terrifyingly narrow angle between too steep (the craft would burn up in the atmosphere) and too shallow (it would skip off and fly forever into space). Tom Hanks, Bill Paxton and Kevin Bacon play astronauts Jim Lovell, Fred Haise and Jack Swigert, respectively. On Earth, the key roles are by Gary Sinise, as the left-behind astronaut Ken Mattingly, who uses a flight simulator to help improvise a solution; Ed Harris, who is cool-headed flight director Gene Kranz, and Kathleen Quinlan, as Lovell's wife, Marilyn, who tries to explain to their children that "something broke on Daddy's spaceship. " The movie has been trimmed by about 20 minutes for the IMAX release. Filmed in widescreen, it has been cropped from the sides to fit the IMAX format. Neither change bothered me. Although I am an opponent of pan-and-scan in general, I understand when it is used to maximize a different projection format. The detail and impact of the IMAX screen essentially creates a new way of looking at the film. Reveal Comments comments powered by.

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Apollo 13: the imax experience san antonio. A beautifully highly accurate and concise narration of the whole mission in a nutshell. Thank you. This choreographed engineering feat is still amazing to me. Especially given the technology available at the time. Yay! Non-partisan, non political, non social justice videos that everyone except moon landing deniers can enjoy. Apollo 13: the imax experience 2. Apollo 13: the imax experience san diego. If you wanna go to the moon get a VR headset and a game/experience called Apollo 11. Mind blowing stuff. ???? ??????. Its. A story fooled us over 50+ years. Probably up there with man's greatest achievements. getting the Apollo 13 command module back to earth. Absolutely stunning. Hats off to NASA. Geniuses.

I love them ? so much because they were a hero ??♀? and I miss them so much. Congratulations and thank you are so sweet. I love you. Apollo 13: The IMAX expérience client. 1:20 is what you came for. You're welcome. Apollo 13 imax experience version. Apollo 13: The IMAX expérience sur adopteunmec. Apollo 13: the imax experience new york. Apollo 13: The IMAX experiences.