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Year - 2018. Countries - USA. Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band. 67 M.
The Stones, Beatles, Pink Floyd, The Doors & Led Zepplin are definitely my top bands
Damn. amazing. simply amazing. Ray is amazing, seriously. I always thought Jim took off to Paris to escape the sentence of prison with hard labor hanging over his head for the indecent exposure charge. Best liveperformance of ligth my fire ever. What great musicians. the doors of perception will be never closed. Taylor rocks! D. Love and respect him so much, met him,seen him live, ill never forget, thankyou ray love u always.
Keep criticizing the Doors and maybe you stop them from playing again, You A holes
RIP Ray. ?♪. As a teenager, I stuck a picture of Ray Manzarek on my school pencil tin ? no other musician could make you feel like you were just one small step from wildness Hello, I love you … Ray Manzarek of the Doors. Photograph: Jan Persson/Redferns I arrived at the music of the Doors, and therefore the genius of Ray Manzarek, in rather circuitous fashion. I was 13, and at that time quite besotted with David Lynch's excellently peculiar TV series Twin Peaks. It stirred in me a passion for twinsets and fir trees, cherry pie and strong coffee, and naturally when I learned that my beloved Agent Cooper (Kyle MacLachlan) would be playing Manzarek in Oliver Stone's biopic of the band, I decided that I absolutely had to see the film. Some weeks later, having failed on numerous occasions to convince the cinema staff that I was old enough to buy a ticket for an 18-certified movie, I conceded defeat and bought the soundtrack instead. People can get a little sniffy about soundtrack compilations, but at that malleable age this proved a strangely influential album for me. It introduced me to the Velvet Underground, who remain one of my favourite bands, and of course it was also my first immersion in the music of the Doors themselves. Reading this on mobile? Watch the Doors performing Light My Fire It was an awakening of sorts ? to my young ears this was music that sounded otherworldly and full-grown. Unlike the neat, chirpy pop songs I heard on the radio, it sprawled louchely from the speakers. It wasn't the spreadeagled sound of the Stone Roses exactly, though to my mind then it shared a similar rambling expansiveness. Instead there was an intent to it, something blistering beneath. I would listen to Light My Fire and Riders on the Storm, to The End, Break On Through (To the Other Side) and Love Her Madly, and wonder at this music's ability to transport the listener, at where and how it had begun and where and when it would end. In the months that followed I accumulated a few facts about the Doors ? that Jim Morrison met Ray Manzarek at UCLA, that they would run into one another some while later in Venice Beach and form a band, that Manzarek then met drummer John Densmore and guitarist Robby Krieger at a lecture on transcendental meditation. And I liked these stories; they fed this music's delicious sense of otherness. I liked the idea of these songs being spawned on an oceanfront halfway around the world, of cinematography courses and lectures about meditation. I liked the sound of a Vox Continental combo organ. Reading this on mobile? Watch the Doors performing When The Music's Over While I understood the charm of Jim Morrison's snake-hipped crooning, for me the seductiveness of the Doors always lay in the keys: the way they twinkled beneath Riders on the Storm, the constant nag of them in the side of LA Woman, the near-spasm of them at the start of When the Music's Over. There was always something so physical and commanding about their presence. It seemed to me then that the pulse beneath these songs was always Manzarek's playing, that those keys somehow embodied all the storms and strangeness, the fire and love, the other side of these songs. It was the keys that made you feel as if you were always on the cusp of something: the strange outsider trying to set the night on fire, loving madly, riding that storm; it was the keys that made you feel you were occupying that teetering space on the edge of society, the brink of insanity, one step from wildness, from succumbing; that you were hovering somewhere between a threat and a thrill. And so to hear Manzarek play always summoned in me a similar feeling to all those other early adolescent adventures. It was the sound of car rides with boys and warm beer in bus stops. It was a stomach flip, a flutter in the chest, the veins rushed with blood. I felt charged by the danger of it, the glowering lust of this music. Reading this on mobile? Listen to Love Street I remember I had a particular passion for Love Street. Released as a B-side in 1968, it was inspired by the road in Laurel Canyon where Morrison lived with his girlfriend, and where he would sit on their balcony watching the hippies walk by. I liked the sweet surface simplicity of it, the lolloping joy of a house and a garden and a girl and "la la la, la la la la. And then it was the keys that seemed to twist it, to provide an unexpected undercurrent that drew your attention to the robes and monkeys, the lazy diamond-studded flunkies. And so the picture shifted, from easy domesticity to something more psychedelic. And into that open-hearted, wide-world curiosity of "I would like to see what happens" my adolescent mind wandered. On the inside of my school pencil tin I had stuck a picture of Agent Cooper. Now beside him I added another of Ray Manzarek.
Free Full The Doors: Break On Thru - A Celebration Of Ray manzarek. Probably the last time they came to this area. Wish I'd been there, no more chances to see them live. Ray is one of my favorite keyboardists. So sad. When you enter the ether, tell Jim that we all loved and have missed him. You two have fun and we'll be there shortly. Peace be with you.
I wonder if jim was waiting for him when he got there. Epic! already deserve a tribute the god of the keys. This song??????? Mr Mojo Rising still giving energy in 2019. Everyone was awesome as usual but Robbie was really killing it on that solo. The Doors The Doors in 1966. From left to right: Jim Morrison, John Densmore, Ray Manzarek, Robby Krieger Background information Origin Los Angeles, California, U. S. Genres Psychedelic rock [1] blues rock [2] acid rock [3] Years active 1965?1973 Labels Elektra Associated acts Rick & the Ravens The Psychedelic Rangers Butts Band Nite City Manzarek?Krieger Website thedoors Past members Jim Morrison Ray Manzarek Robby Krieger John Densmore The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, mostly because of Morrison's lyrics and his erratic stage persona, and the group was widely regarded as representative of the era's counterculture. [4] The band took its name from the title of Aldous Huxley 's book The Doors of Perception, itself a reference to a quote by William Blake. After signing with Elektra Records, the Doors released eight albums in five years, some of which are considered among the greatest of all time, 5] including The Doors (1967. 6] Strange Days (1967. 7] and L. A. Woman (1971. 8] By 1972 the Doors had sold over 4 million albums domestically and nearly 8 million singles. [9] Morrison died in uncertain circumstances in 1971. The band continued as a trio until disbanding in 1973. [10] 11] They released three more albums in the 1970s, two of which featured earlier recordings by Morrison, and over the decades reunited on stage in various configurations. In 2002, Manzarek, Krieger and Ian Astbury of the Cult on vocals started performing as the Doors of the 21st Century. Densmore and the Morrison estate successfully sued them over the use of the band's name. After a short time as Riders on the Storm, they settled on the name Manzarek?Krieger and toured until Manzarek's death in 2013. The Doors were the first American band to accumulate eight consecutive gold LPs. [12] According to the RIAA, they have sold 33 million records in the US [13] and over 100 million records worldwide, 14] making them one of the best-selling bands of all time. [15] The Doors have been listed as one of the greatest artists of all time by magazines including Rolling Stone, which ranked them 41st on its list of the " 100 Greatest Artists of All Time. 16] In 1993, they were inducted into the Rock and Roll Hall of Fame. History Origins (July 1965 ? August 1966) The Doors logo, designed by an Elektra Records assistant, first appeared on their 1967 debut album. The Doors began with a meeting between acquaintances Jim Morrison and Ray Manzarek, both of whom had attended the UCLA School of Theater, Film and Television, on Venice Beach in July 1965. Morrison told Manzarek he had been writing songs (Morrison said "I was taking notes at a fantastic rock'n'roll concert going on in my head. 17] and with Manzarek's encouragement sang " Moonlight Drive. The members came from a varied musical background of jazz, rock, blues, and folk idioms. [18] Keyboardist Manzarek was in a band called Rick & the Ravens with his brothers Rick and Jim, while drummer John Densmore was playing with the Psychedelic Rangers and knew Manzarek from meditation classes. [19] In August 1965, Densmore joined the group, which had been renamed the Doors. The five (Morrison having previously joined the band) along with bass player Patty Sullivan [nb 1] recorded a six-song demo on September 2, 1965 at World Pacific Studios, Los Angeles, California (officially made available much later in October 1997 on the Doors' Box Set CD release. This has circulated widely since then as a bootleg recording. The band took their name from the title of Aldous Huxley 's book The Doors of Perception, itself derived from a line in William Blake 's The Marriage of Heaven and Hell: If the doors of perception were cleansed, everything would appear to man as it is: infinite. 20] In mid-1965, after Manzarek's two brothers left, guitarist Robby Krieger joined. [21] From February to May 1966, the group had a residency at the "rundown" and "sleazy" Los Angeles club London Fog, appearing on the bill with "Rhonda Lane Exotic Dancer. 22] The experience gave Morrison confidence to perform in front of a live audience, and the band as a whole to develop and, in some cases, lengthen their songs and work "The End. When the Music's Over" and "Light My Fire" into the pieces that would appear on their debut album. [22] Ray Manzarek would later say that at the London Fog the band "became this collective entity, this unit of is where the magic began to happen. 23] The Doors soon graduated to the more esteemed Whisky a Go Go, where they were the house band (starting from May 1966) supporting acts including Van Morrison 's group Them. On their last night together the two bands joined up for " In the Midnight Hour " and a twenty-minute jam session of Them's " Gloria. 24] On August 10, 1966, they were spotted by Elektra Records president Jac Holzman, who was present at the recommendation of Love singer Arthur Lee, whose group was with Elektra Records. After Holzman and producer Paul A. Rothchild saw two sets of the band playing at the Whisky a Go Go, they signed them to the Elektra Records label on August 18 ? the start of a long and successful partnership with Rothchild and sound engineer Bruce Botnick. The Doors were fired from the Whisky on August 21, 1966 when Morrison added an explicit retelling and profanity-laden version of the Greek myth of Oedipus during " The End. 25] The Doors and Strange Days (August 1966 ? December 1967) The band recorded their first album from August 24 to 31, 1966, at Sunset Sound Recording Studios. The debut album, The Doors, was released in the first week of January 1967. It included most of the major songs from their set, including the nearly 12-minute musical drama " The End. In November 1966, Mark Abramson directed a promotional film for the lead single " Break On Through (To the Other Side. To promote the single, the Doors made several television appearances such as on Shebang, a Los Angeles TV show, miming to "Break On Through. nb 2] In early 1967, the Doors appeared on The Clay Cole Show (which aired on Saturday evenings at 6 pm on WPIX Channel 11 out of NYC) where they performed their single "Break On Through. Since "Break on Through" was not very successful on the radio, the band turned to " Light My Fire. Light My Fire" became the first single from Elektra Records to reach number one on the Billboard Hot 100 singles chart, selling over one million copies. [26] From March 7 to 11, 1967, the Doors performed at the Matrix Club in San Francisco, California. The March 7 and 10 shows were recorded by a co-owner of The Matrix, Peter Abram. These recordings are notable as they are among the earliest live recordings of the band to circulate. On November 18, 2008, the Doors published a compilation of these recordings, Live at the Matrix 1967, on the band's boutique Bright Midnight Archives label. [27] 28] The Doors appeared on American television on August 25, 1967, guest-starring on the variety TV series Malibu U, performing "Light My Fire. They did not appear live. The band is seen on a beach and is performing the song in playback. The music video did not gain any commercial success and the performance was more or less forgotten. [29] It was not until they appeared on The Ed Sullivan Show that they gained attention on television. [30] The Doors made their international television debut in May 1967, recording a version of "The End" for the Canadian Broadcasting Corporation (CBC) at O'Keefe Centre in Toronto. [31] But after its initial broadcasts, the performance remained unreleased except in bootleg form until the release of The Doors Soundstage Performances DVD in 2002. [31] On September 17, 1967, the Doors gave a memorable performance of "Light My Fire" on The Ed Sullivan Show. [30] According to Ray Manzarek, network executives asked that the word "higher" be removed. The group appeared to acquiesce, but performed the song in its original form, because either they had never intended to comply with the request or Jim Morrison was nervous and forgot to make the change (Manzarek has given conflicting accounts. Either way, higher" was sung out on national television, and the show's host, Ed Sullivan, canceled another six shows that had been planned. After the program's producer told the band they would never play on the show again, Jim Morrison reportedly replied: Hey man. We just did the Sullivan Show. clarification needed] 30] On December 24, the Doors performed "Light My Fire" and "Moonlight Drive" live for The Jonathan Winters Show. Their performance was taped for later broadcast. From December 26 to 28, the group played at the Winterland Ballroom in San Francisco; during one set the band stopped performing to watch themselves on The Jonathan Winters Show on a TV set wheeled onto the stage. [32] The Doors spent several weeks in Sunset Studios in Los Angeles recording their second album, Strange Days, experimenting with the new technology, notably the Moog synthesizer they now had available. The commercial success of Strange Days was middling, peaking at number three on the Billboard album chart but quickly dropping, along with a series of underperforming singles. [26] The chorus from the album's single " People Are Strange " inspired the name of the 2010 documentary of the Doors, When You're Strange. Although session musician Larry Knechtel had been featured on bass on several tracks on the band's debut album, 33] Strange Days was the first Doors album recorded with a studio musician on bass on most of the tracks, and this continued on
The curse of The Doors. Ray was a genius on keyboards. Love the way they wanted to play every song forever. I had no idea it was supposed to be, “She gets high”. Edit Storyline Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band. Written by The Doors Music Company Plot Summary, Add Synopsis Details Release Date: 28 April 2018 (USA) See more ?? Also Known As: The Doors: Break On Thru - A Celebration Of Ray Manzarek Company Credits Technical Specs See full technical specs ??.
Break on Through to the Other Side was the song that got me into rock when i was a toddler or slightly older. Now, memories are never perfect, but this song was in a Tony Hawk video game. I fucking loved that song, and so did my grandma. She showed the first doors album to me and Ive been into rock ever since. Again, long time ago. Like, over a decade. Memories are not the most trust worthy things ever. Edit: corrected some grammar. Hopefully I got everything. Esperé 4 años por esto... excelente. De las mejores bandas viva los doors.
Something went wrong, but dont fret ? lets give it another shot.
Free Full The Doors: Break On Thru - A Celebration Of Ray manzarek. Probably the last time they came to this area. Wish I'd been there, no more chances to see them live. Ray is one of my favorite keyboardists. So sad. When you enter the ether, tell Jim that we all loved and have missed him. You two have fun and we'll be there shortly. Peace be with you.
I wonder if jim was waiting for him when he got there. Epic! already deserve a tribute the god of the keys. This song??????? Mr Mojo Rising still giving energy in 2019. Everyone was awesome as usual but Robbie was really killing it on that solo. The Doors The Doors in 1966. From left to right: Jim Morrison, John Densmore, Ray Manzarek, Robby Krieger Background information Origin Los Angeles, California, U. S. Genres Psychedelic rock [1] blues rock [2] acid rock [3] Years active 1965?1973 Labels Elektra Associated acts Rick & the Ravens The Psychedelic Rangers Butts Band Nite City Manzarek?Krieger Website thedoors Past members Jim Morrison Ray Manzarek Robby Krieger John Densmore The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, mostly because of Morrison's lyrics and his erratic stage persona, and the group was widely regarded as representative of the era's counterculture. [4] The band took its name from the title of Aldous Huxley 's book The Doors of Perception, itself a reference to a quote by William Blake. After signing with Elektra Records, the Doors released eight albums in five years, some of which are considered among the greatest of all time, 5] including The Doors (1967. 6] Strange Days (1967. 7] and L. A. Woman (1971. 8] By 1972 the Doors had sold over 4 million albums domestically and nearly 8 million singles. [9] Morrison died in uncertain circumstances in 1971. The band continued as a trio until disbanding in 1973. [10] 11] They released three more albums in the 1970s, two of which featured earlier recordings by Morrison, and over the decades reunited on stage in various configurations. In 2002, Manzarek, Krieger and Ian Astbury of the Cult on vocals started performing as the Doors of the 21st Century. Densmore and the Morrison estate successfully sued them over the use of the band's name. After a short time as Riders on the Storm, they settled on the name Manzarek?Krieger and toured until Manzarek's death in 2013. The Doors were the first American band to accumulate eight consecutive gold LPs. [12] According to the RIAA, they have sold 33 million records in the US [13] and over 100 million records worldwide, 14] making them one of the best-selling bands of all time. [15] The Doors have been listed as one of the greatest artists of all time by magazines including Rolling Stone, which ranked them 41st on its list of the " 100 Greatest Artists of All Time. 16] In 1993, they were inducted into the Rock and Roll Hall of Fame. History Origins (July 1965 ? August 1966) The Doors logo, designed by an Elektra Records assistant, first appeared on their 1967 debut album. The Doors began with a meeting between acquaintances Jim Morrison and Ray Manzarek, both of whom had attended the UCLA School of Theater, Film and Television, on Venice Beach in July 1965. Morrison told Manzarek he had been writing songs (Morrison said "I was taking notes at a fantastic rock'n'roll concert going on in my head. 17] and with Manzarek's encouragement sang " Moonlight Drive. The members came from a varied musical background of jazz, rock, blues, and folk idioms. [18] Keyboardist Manzarek was in a band called Rick & the Ravens with his brothers Rick and Jim, while drummer John Densmore was playing with the Psychedelic Rangers and knew Manzarek from meditation classes. [19] In August 1965, Densmore joined the group, which had been renamed the Doors. The five (Morrison having previously joined the band) along with bass player Patty Sullivan [nb 1] recorded a six-song demo on September 2, 1965 at World Pacific Studios, Los Angeles, California (officially made available much later in October 1997 on the Doors' Box Set CD release. This has circulated widely since then as a bootleg recording. The band took their name from the title of Aldous Huxley 's book The Doors of Perception, itself derived from a line in William Blake 's The Marriage of Heaven and Hell: If the doors of perception were cleansed, everything would appear to man as it is: infinite. 20] In mid-1965, after Manzarek's two brothers left, guitarist Robby Krieger joined. [21] From February to May 1966, the group had a residency at the "rundown" and "sleazy" Los Angeles club London Fog, appearing on the bill with "Rhonda Lane Exotic Dancer. 22] The experience gave Morrison confidence to perform in front of a live audience, and the band as a whole to develop and, in some cases, lengthen their songs and work "The End. When the Music's Over" and "Light My Fire" into the pieces that would appear on their debut album. [22] Ray Manzarek would later say that at the London Fog the band "became this collective entity, this unit of is where the magic began to happen. 23] The Doors soon graduated to the more esteemed Whisky a Go Go, where they were the house band (starting from May 1966) supporting acts including Van Morrison 's group Them. On their last night together the two bands joined up for " In the Midnight Hour " and a twenty-minute jam session of Them's " Gloria. 24] On August 10, 1966, they were spotted by Elektra Records president Jac Holzman, who was present at the recommendation of Love singer Arthur Lee, whose group was with Elektra Records. After Holzman and producer Paul A. Rothchild saw two sets of the band playing at the Whisky a Go Go, they signed them to the Elektra Records label on August 18 ? the start of a long and successful partnership with Rothchild and sound engineer Bruce Botnick. The Doors were fired from the Whisky on August 21, 1966 when Morrison added an explicit retelling and profanity-laden version of the Greek myth of Oedipus during " The End. 25] The Doors and Strange Days (August 1966 ? December 1967) The band recorded their first album from August 24 to 31, 1966, at Sunset Sound Recording Studios. The debut album, The Doors, was released in the first week of January 1967. It included most of the major songs from their set, including the nearly 12-minute musical drama " The End. In November 1966, Mark Abramson directed a promotional film for the lead single " Break On Through (To the Other Side. To promote the single, the Doors made several television appearances such as on Shebang, a Los Angeles TV show, miming to "Break On Through. nb 2] In early 1967, the Doors appeared on The Clay Cole Show (which aired on Saturday evenings at 6 pm on WPIX Channel 11 out of NYC) where they performed their single "Break On Through. Since "Break on Through" was not very successful on the radio, the band turned to " Light My Fire. Light My Fire" became the first single from Elektra Records to reach number one on the Billboard Hot 100 singles chart, selling over one million copies. [26] From March 7 to 11, 1967, the Doors performed at the Matrix Club in San Francisco, California. The March 7 and 10 shows were recorded by a co-owner of The Matrix, Peter Abram. These recordings are notable as they are among the earliest live recordings of the band to circulate. On November 18, 2008, the Doors published a compilation of these recordings, Live at the Matrix 1967, on the band's boutique Bright Midnight Archives label. [27] 28] The Doors appeared on American television on August 25, 1967, guest-starring on the variety TV series Malibu U, performing "Light My Fire. They did not appear live. The band is seen on a beach and is performing the song in playback. The music video did not gain any commercial success and the performance was more or less forgotten. [29] It was not until they appeared on The Ed Sullivan Show that they gained attention on television. [30] The Doors made their international television debut in May 1967, recording a version of "The End" for the Canadian Broadcasting Corporation (CBC) at O'Keefe Centre in Toronto. [31] But after its initial broadcasts, the performance remained unreleased except in bootleg form until the release of The Doors Soundstage Performances DVD in 2002. [31] On September 17, 1967, the Doors gave a memorable performance of "Light My Fire" on The Ed Sullivan Show. [30] According to Ray Manzarek, network executives asked that the word "higher" be removed. The group appeared to acquiesce, but performed the song in its original form, because either they had never intended to comply with the request or Jim Morrison was nervous and forgot to make the change (Manzarek has given conflicting accounts. Either way, higher" was sung out on national television, and the show's host, Ed Sullivan, canceled another six shows that had been planned. After the program's producer told the band they would never play on the show again, Jim Morrison reportedly replied: Hey man. We just did the Sullivan Show. clarification needed] 30] On December 24, the Doors performed "Light My Fire" and "Moonlight Drive" live for The Jonathan Winters Show. Their performance was taped for later broadcast. From December 26 to 28, the group played at the Winterland Ballroom in San Francisco; during one set the band stopped performing to watch themselves on The Jonathan Winters Show on a TV set wheeled onto the stage. [32] The Doors spent several weeks in Sunset Studios in Los Angeles recording their second album, Strange Days, experimenting with the new technology, notably the Moog synthesizer they now had available. The commercial success of Strange Days was middling, peaking at number three on the Billboard album chart but quickly dropping, along with a series of underperforming singles. [26] The chorus from the album's single " People Are Strange " inspired the name of the 2010 documentary of the Doors, When You're Strange. Although session musician Larry Knechtel had been featured on bass on several tracks on the band's debut album, 33] Strange Days was the first Doors album recorded with a studio musician on bass on most of the tracks, and this continued on
The curse of The Doors. Ray was a genius on keyboards. Love the way they wanted to play every song forever. I had no idea it was supposed to be, “She gets high”. Edit Storyline Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band. Written by The Doors Music Company Plot Summary, Add Synopsis Details Release Date: 28 April 2018 (USA) See more ?? Also Known As: The Doors: Break On Thru - A Celebration Of Ray Manzarek Company Credits Technical Specs See full technical specs ??.
Break on Through to the Other Side was the song that got me into rock when i was a toddler or slightly older. Now, memories are never perfect, but this song was in a Tony Hawk video game. I fucking loved that song, and so did my grandma. She showed the first doors album to me and Ive been into rock ever since. Again, long time ago. Like, over a decade. Memories are not the most trust worthy things ever. Edit: corrected some grammar. Hopefully I got everything. Esperé 4 años por esto... excelente. De las mejores bandas viva los doors.
I'm slowly but surely beginning to realize that this is probably the best music recording in all of history.Jim's voice is so unique, It's so profound and projects feeling. His songs are often both hypnotic and reassuringly pleasant. The Doors: Break On Thru - A Celebration Of Ray Manzarek Séances Bandes-annonces Casting Critiques spectateurs Critiques presse Photos VOD Blu-Ray, DVD Musique Secrets de tournage Box Office Récompenses Films similaires News noter: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Envie de voir Rédiger ma critique Synopsis et détails The Doors: Break On Thru - A Celebration of Ray Manzarek est un film hybride entre concert et documentaire, capturant la performance hommage de 2016 à Los Angeles par les membres demeurant de The Doors, John Densmore et Robby Krieger en lhonneur de Ray Manzarek le jour de son anniversaire. La set list contient les chansons de The Doors joués par John et Robby, avec un ensemble de brillants musiciens incluant des membres de Foo Fighters, X, Stone Temple Pilots, Janes Addiction, Paul McCartneys Band, Govt Mule et bien plus. Le film inclus également de rares images darchives des membres du groupe, avec des conversations entre Jim Morrison et Ray Manzarek, et le journaliste musical de renom Ben Fong-Torres, mais aussi de nouveaux entretiens avec John et Robby. Distributeur Publiciscinémas Voir les infos techniques Acteurs et actrices Casting complet et équipe technique Si vous aimez ce film, vous pourriez aimer... Voir plus de films similaires Commentaires.
Something went wrong, but dont fret ? lets give it another shot.
Love how Robbie adds some of John Coltrane's My Favorite Things at 8:20
Free Full The Doors: Break On Thru - A Celebration Of ray manzarek. His is absolutely the best ever. live eternity. ??. Unfortunately Jim was stoned but he could live much more if living here in Brazil. Good band and missing the past. The audience don't realize that there are two gods in their presence.
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