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The assistant de gestion de pme. This looks like fun. Not. The assistance fund. The assistant youtube for kids. The assistante maternelle. Chick Flick. The assistant official trailer. The assistant movie where to watch. The assistants movie. The assistant movie spoiler. The assistant manager. Having just watched the trailer I think some of your complaints are how he doesnt have a comeback to her banter. The trailer cuts too early to tell. Maybe theyre saving the bond quips for the movie. I remain hopeful. She reminds me of an English actress Emily Loyd, from the film Wish you were here. Kitty Greens film about a day in the life of a young woman at a Weinstein-like company is a spare, searing story of abuse and complicity. Photo: Courtesy of Sundance Institute Whenever Jane (Julia Garner) has to write an apology email to her boss, the other assistants in the room reflexively come up behind her to suggest wording. “Its not my place to question your decisions, ” they murmur over her shoulder as she types, “Im grateful for the continued opportunity. ” Its a ritual of abasement to which theyve obviously become accustomed. Jane, on the other hand, is still learning the ropes at the New York film company at which The Assistant is set. She occupies the lowest rung on the ladder, which is why she has to arrive first, in the pre-dawn darkness, to open up the office. Its also why she puts on gloves and cleans up whatever new stains have been deposited on the couch in the chairmans office. The expression on her face when she does this is the same as the one thats there when she washes the dishes left in the kitchen by co-workers who dont even seem to see her. Its the tight, pallid look of someone trying to get through things without thinking too hard about what shes doing. That the man Jane is working under in The Assistant is a stand-in for Harvey Weinstein is understood. Hes never named and he never appears onscreen, an approach that echoes how filmmaker and former Weinstein assistant Leslye Headland wrote about her old workplace in her 2008 play Assistance. The Assistant shares an understanding that the man himself is less psychologically interesting than the people around him, and how theyve learned to tolerate, accommodate, rationalize away, or internalize his behavior. What makes the film such a spare but searingly insightful treatment of the issues at the core of Me Too is the way it refuses to separate its unseen executives sexual predation from the larger structures that enable it. The environment revolves around certain unspoken but understood rules of abuse ? namely, that abuse is something that you have to put up with until youre powerful enough to be amused by or dismissive of it when its directed at others. And here its women, especially women that the chairman finds desirable, who receive a disproportionate amount of it. The Assistant is the first scripted feature from writer-director Kitty Green. For her last film, the 2017 documentary Casting JonBenet, Green put out a call to Colorado-based actors to try out for the major roles in the unsolved 1996 child murder, and, while they were there, to offer up their own theories and recollections. It was an excavation of our true-crime obsession that was illuminating, chilly, and occasionally cruel in its pitiless use of its eager-to-please interviewees. That same sense of distance is there in The Assistant, but it serves the new film far better. The Assistant observes its main character, a recent college grad who has theoretically landed her dream job, with a detached interest, taking in her struggles and her complicity while offering?her neither sympathy nor castigation. The camera pays closer attention to Jane than the people in her professional life, most of whom treat her as ranking somewhere above office furniture but not quite at the level of actual human. In one sequence, she shares an elevator with Patrick Wilson, apparently playing himself, and the way they awkwardly attempt to exit at the same time suggests he hadnt even realized shed been standing next to him. The Assistant takes place over the course of a grueling but typical day for Jane ? an airless trudge through phone calls and photocopies that deviates from the norm only when she decides to stop by human resources to file a complaint. She does this not on her own behalf, but because of the new assistant the chairman has decided to add to the pool ? a painfully young and pretty former waitress from Idaho (Kristine Froseth) that he met at a conference and offered a job to. Its hard to tell whether Jane is moved to action because she sees herself in the new girl, whom she nevertheless escorts to her boss hotel of choice. It seems just as possible that she acts because she doesnt see any of herself in the new girl; the hiring lays bare how arbitrary their employment is. Its not work or experience that matters, its the demanded displays of loyalty and subservience ? and in that light, fielding calls from your boss angry wife and (maybe) trading sexual favors with him are all regarded as the same thing. The scene in HR that follows, and that involves Matthew Macfadyen, with a smile full of razors, makes the dilemma of Janes position apparent. He suggests shes jealous, that shes overreacting, that shes denying the agency of grown women, and thats she throwing away a prime opportunity for the sake of a whim. And once hes worn her down to a nub, he assures her, “I dont think you have anything to worry about. Youre not his type. ” Theres nothing about Jane, whom Garner plays with a rabbity air of uncertainty, that suggests shell ever speak up again. Shes a girl from a nice home who went to a good school, and shes doing what shes been told she ought to in order to rise through the ranks. When her boss gives her the verbal equivalent of a pat on the head after one of his outbursts ? “Im tough on you because Im gonna make you great” ? its easy to imagine Jane as one of the few older women executives in the office, who roll their eyes at everything she struggles to bear witness to, having long ago accepted that its all part of the business. Alison Brie Based Horse Girl on Her Own Mental Health History Russell Simmons Accuser Documentary On the Record Headed to HBO Max A Complete List of Movies Sold at Sundance See All The Assistant Is the First Great Movie About Me Too.
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The assistant labour commissioner. Is Our New Domain, Please Update Your bookmark. CEO David Wescott greatly appreciates his trusted office assistant Rachel Parsons's efforts to help out in the Wescott household too when he loses his wife, leaving his child semi-orphaned after an ailing disease. Rachel stops at nothing to make herself seem indispensable in both spheres, aiming for her boss's exclusive attention. She's confident a business trip to New York provides the perfect opportunity for her to propose, but realizing she schemed to intrude his intimacy, he puts her in her place, planting the seed for spiteful revenge at a corporate dinner. Genre: Crime, Mystery, Thriller Release: January 2, 2008 Views: 14082 Directors: Douglas Jackson Stars: Josie Davis, Chris Potter, Rachel Hunter, Veronique Natale Szalankiewicz, Jason Harper, Deborah Pollitt, Sophie Gendron, Samantha Kaine, Ian M. Watson, Paul Hopkins, Jennifer Marcil, Tina Adams, Derek Eyamie, Katherine Dines, Patricia McKenzie current rating 1 2 3 4 5 Ratings: 3. 65 ?votes: 20 How to Watch? Turn off the lights.
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The assistant. The assistant 2020. The assistant plot. Once in a while, this comes along. I cannot wait. Very happy that the trailer got released on my birthday And my father gifted me licence of scooter.??. EXCLUSIVE: This does not promise to be a very good holiday weekend for Harvey Weinstein.? Ursula MacFarlanes scathing documentary on the Weinstein scandal, Untouchable, debuts on Hulu on September 2, while on Friday a new movie, The Assistant, a fictional narrative film clearly inspired by the revelation of Weinsteins widely reported sexually predatory ways, will have its world premiere at the Telluride Film Festival as it also looks to firm up distribution. In order to push his numerous Oscar-season movies, there wasnt a film festival that Harvey Weinstein didnt covet, but you can bet The Assistant? is not a movie he would ever hope to see at Telluride or anywhere else, even if there is no direct reference in the film to the disgraced movie mogul. Related Story Telluride Film Festival: Ford V Ferrari. Judy. Motherless Brooklyn' Weinstein-Inspired Drama 'The Assistant' Among Premieres Headed To 46th Edition - Full List Kitty Green, a writer-director best known for documentaries such as Casting Jon Benet and? Ukraine Is Not a Brothel, turns to “fiction” with her first narrative effort, which was shot largely in secrecy in the February-March period over the course of just 18 days. The story follows a day in the life of Jane ? as in Doe ? ( Ozark? Emmy nominee Julia Garner) a recent college grad and hopeful producer who got a dream job as a junior assistant to a powerful entertainment mogul in a New York City production office. As she goes about the mundane business of being an assistant, she soon encounters various moments of abuse and degradations, as well as seeing unqualified young women hired in the office, or have to make arrangements for a female intern to stay in a swanky NYC hotel, that lead her to take a stand only to discover the deck is stacked against her. The entertainment mogul for whom she works is never seen in Greens film, and only once heard berating her on the other end of a phone call. He is never mentioned by name by anyone in the office ? largely only referenced as “he. ” Even though all the movie posters adorning the rather drab looking office are fictional, as is the film itself, there can be no doubt that Weinstein heavily inspired this scenario. Green, who I spoke to yesterday, says though that it originally sprang from a hybrid non-fiction project she was researching with students on consent and power at college campuses when the Weinstein story broke. Mark Lennihan/Shutterstock “I was on my phone the whole time just reading all of this stuff, ” she said. “I mean, I felt like I have a close connection to people that worked for him (Weinstein) and people that have experienced misconduct in the film industry, so immediately I shifted my focus to Hollywood, I guess, and the film industry, and thats sort of where it began, and then I started interviewing and the research process. ” Green says she spent about six months speaking to people across the industry, including those who worked at The Weinstein Company and before that at Miramax, and knew the stories she was getting from her friends in the film industry were similar to those she knew from other industries. She says she went quite broad with her research but did a lot of specific interviews with movie-industry employees. She doesnt want to pin it all on just one person or one company, though. “I feel like it would reductive to say its about The Weinstein Company or any specific one because it is a problem everywhere in industry and its global, so the idea that its specific to one company, no I dont think thats true. But I do think there are a lot of details that Im sure people that worked in Weinsteins company will recognize ? heres details that everyone will recognize. Its a bit of both, ” she says. A brief visual identifying the fictional office as in the Tribeca section of NYC (where the real Weinstein Co. was headquartered) was in the version I saw but has since been scrubbed in final VFX, I understand. Green wants to keep the focus on her lead character, not a guessing game as to how close any details might be to real-life comparisons. Michael Buckner/Deadline In terms of the larger picture, Green says she had much more on her mind. “Theres been so much coverage in the press about these issues and the rise of the MeToo movement, ” she says. “I didnt want to just give the audience more facts. What I was interested in was giving people an emotional understanding of what its like to be a young woman in the workplace, so that was kind of the first goal of the project was to have people identify with the youngest woman on the desk of a predatory boss, and how complex that situation is. ” Through the character of Jane, and the extraordinary, often silent performance of Garner, Green wanted to put a human face to it and go beyond the sensational headlines. For an audience, Jane also acts as our eyes, too, as events unfold. It is a portrayal completely devoid of artifice. “When I was reading everything in the media, I noticed the people were quick to call the people that worked at those companies enablers, and I thought it was more complicated than that, ” Green said. “I dont think somebody in Janes position is a bad person. I think that sometimes she can be kind of drawn into a complicit position over time unwittingly, so I wanted to explore that, so time was a really important part of this screenplay. Getting the screenplay right. Yeah, it was depicting how banal the job is sometimes. ” Green Sundance Green said she is exhausted after trying to get the film finished in time for its Telluride debut (so far the only fall festival where it has been entered) but she didnt want to rush it out because of headlines. “I think it will still be as relevant next year or in 10 years time than it is today. I wasnt too worried about the timeline. I guess it was just the way I like to work. ” She added that this will be the first visit for her at Telluride even though the festival had accepted and shown a short film of hers a few years ago. “I didnt understand that it was an important festival, so I didnt go, ” she said. “I actually stayed in Australia, and I remember meeting Barry Jenkins a few years later and he was like, ‘Why werent you there. and I was like, ‘Oh, I didnt know. Im just this naïve Australian sitting at home watching TV. So yeah, Im excited to finally go. Ive heard amazing things about it. ” The Assistants? producers include Scott Macaulay, James Schamus and P. Jennifer Dana and Ross Jacobson. Green had worked with Macaulay and Schamus (former head of Focus Features) on a Netflix project and pitched this idea first to Macaulay who then brought it to Schamus. She says they are brilliant and work well together as a group. The movie comes into Telluride in the rare position (for this fest) of also being a sales title, so it will be interesting to see the reaction from buyers and just how fast they can get a theatrical release, as the topic remains a hot-button one. I did ask Green if she ever considered having the mogul as more than an unseen presence, only briefly heard yelling once through the phone speaker. “The first draft didnt have the boss in it at all because it was all about the system and the culture around the predator, but slowly you realize in order to depict that you need to show his power in some way. You need to make sure audiences understand whos in charge, and depict his power over and control over Julias character. Its finding ways to do it sensitively? so that its not his movie and? its still her movie, ” she said. That also comes through in a fascinating key scene with the human resources director, played by Successions? Matthew MacFayden. So as Green hits the road to Telluride this weekend, what does she hope these first responders to her film take away from the experience? “I think if the problem was just with Harvey Weinstein it would be solved by now, but I think its a lot bigger than that, and I think in order to see change and to have equal workplaces, fair and equitable, and just workplaces for women we do need to overhaul the structure in a way, ” she said. “We need to look at everything. How weve treated younger employees, and our female employees, and women of color. We need to kind of interrogate ourselves and figure out where did we go wrong and how can we correct this moving forward. So I guess my only hope is that audiences will come out and see this issue from a different perspective and be able to think through their own part in it, because were all kind of, in some way, involved in this. Weve all been helping this. Theres a reason this has gone on for so long. ”.


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7.6 / 10

Votes: 71