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Any body from st annes. She almost looks like Jodie Comer. Founder of the Franciscan Order, born at Assisi in Umbria, in 1181. In 1182, Pietro Bernardone returned from a trip to France to find out his wife had given birth to a son. Far from being excited or apologetic because he'd been gone, Pietro was furious because she'd had his new son baptized Giovanni after John the Baptist. The last thing Pietro wanted in his son was a man of God -- he wanted a man of business, a cloth merchant like he was, and he especially wanted a son who would reflect his infatuation with France. So he renamed his son Francesco -- which is the equivalent of calling him Frenchman. Francis enjoyed a very rich easy life growing up because of his father's wealth and the permissiveness of the times. From the beginning everyone -- and I mean everyone -- loved Francis. He was constantly happy, charming, and a born leader. If he was picky, people excused him. If he was ill, people took care of him. If he was so much of a dreamer he did poorly in school, no one minded. In many ways he was too easy to like for his own good. No one tried to control him or teach him. As he grew up, Francis became the leader of a crowd of young people who spent their nights in wild parties. Thomas of Celano, his biographer who knew him well, said, "In other respects an exquisite youth, he attracted to himself a whole retinue of young people addicted to evil and accustomed to vice. " Francis himself said, "I lived in sin" during that time. Francis fulfilled every hope of Pietro's -- even falling in love with France. He loved the songs of France, the romance of France, and especially the free adventurous troubadours of France who wandered through Europe. And despite his dreaming, Francis was also good at business. But Francis wanted than wealth. But not holiness! Francis wanted to be a noble, a knight. Battle was the best place to win the glory and prestige he longed for. He got his first chance when Assisi declared war on their longtime enemy, the nearby town of Perugia. Most of the troops from Assisi were butchered in the fight. Only those wealthy enough to expect to be ransomed were taken prisoner. At last Francis was among the nobility like he always wanted to chained in a harsh, dark dungeon. All accounts say that he never lost his happy manner in that horrible place. Finally, after a year in the dungeon, he was ransomed. Strangely, the experience didn't seem to change him. He gave himself to partying with as much joy and abandon as he had before the battle. The experience didn't change what he wanted from life either: Glory. Finally a call for knights for the Fourth Crusade gave him a chance for his dream. But before he left Francis had to have a suit of armor and a horse -- no problem for the son of a wealthy father. And not just any suit of armor would do but one decorated with gold with a magnificent cloak. Any relief we feel in hearing that Francis gave the cloak to a poor knight will be destroyed by the boasts that Francis left behind that he would return a prince. But Francis never got farther than one day's ride from Assisi. There he had a dream in which God told him he had it all wrong and told him to return home. And return home he did. What must it have been like to return without ever making it to battle -- the boy who wanted nothing more than to be liked was humiliated, laughed at, called a coward by the village and raged at by his father for the money wasted on armor. Francis' conversion did not happen over night. God had waited for him for twenty-five years and now it was Francis' turn to wait. Francis started to spend more time in prayer. He went off to a cave and wept for his sins. Sometimes God's grace overwhelmed him with joy. But life couldn't just stop for God. There was a business to run, customers to wait on. One day while riding through the countryside, Francis, the man who loved beauty, who was so picky about food, who hated deformity, came face to face with a leper. Repelled by the appearance and the smell of the leper, Francis nevertheless jumped down from his horse and kissed the hand of the leper. When his kiss of peace was returned, Francis was filled with joy. As he rode off, he turned around for a last wave, and saw that the leper had disappeared. He always looked upon it as a test from he had passed. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church. " Francis assumed this meant church with a small c -- the crumbling building he was in. Acting again in his impetuous way, he took fabric from his father's shop and sold it to get money to repair the church. His father saw this as an act of theft -- and put together with Francis' cowardice, waste of money, and his growing disinterest in money made Francis seem more like a madman than his son. Pietro dragged Francis before the bishop and in front of the whole town demanded that Francis return the money and renounce all rights as his heir. The bishop was very kind to Francis; he told him to return the money and said God would provide. That was all Francis needed to hear. He not only gave back the money but stripped off all his clothes -- the clothes his father had given him -- until he was wearing only a hair shirt. In front of the crowd that had gathered he said, "Pietro Bernardone is no longer my father. From now on I can say with complete freedom, 'Our Father who art in heaven. '" Wearing nothing but castoff rags, he went off into the freezing woods -- singing. And when robbers beat him later and took his clothes, he climbed out of the ditch and went off singing again. From then on Francis had everything. Francis went back to what he considered God's call. He begged for stones and rebuilt the San Damiano church with his own hands, not realizing that it was the Church with a capital C that God wanted repaired. Scandal and avarice were working on the Church from the inside while outside heresies flourished by appealing to those longing for something different or adventurous. Soon Francis started to preach. (He was never a priest, though he was later ordained a deacon under his protest. ) Francis was not a reformer; he preached about returning to God and obedience to the Church. Francis must have known about the decay in the Church, but he always showed the Church and its people his utmost respect. When someone told him of a priest living openly with a woman and asked him if that meant the Mass was polluted, Francis went to the priest, knelt before him, and kissed his hands -- because those hands had held God. Slowly companions came to Francis, people who wanted to follow his life of sleeping in the open, begging for garbage to loving God. With companions, Francis knew he now had to have some kind of direction to this life so he opened the Bible in three places. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule, " Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel. Francis took these commands so literally that he made one brother run after the thief who stole his hood and offer him his robe! Francis never wanted to found a religious order -- this former knight thought that sounded too military. He thought of what he was doing as expressing God's brotherhood. His companions came from all walks of life, from fields and towns, nobility and common people, universities, the Church, and the merchant class. Francis practiced true equality by showing honor, respect, and love to every person whether they were beggar or pope. Francis' brotherhood included all of God's creation. Much has been written about Francis' love of nature but his relationship was deeper than that. We call someone a lover of nature if they spend their free time in the woods or admire its beauty. But Francis really felt that nature, all God's creations, were part of his brotherhood. The sparrow was as much his brother as the pope. In one famous story, Francis preached to hundreds of birds about being thankful to God for their wonderful clothes, for their independence, and for God's care. The story tells us the birds stood still as he walked among him, only flying off when he said they could leave. Another famous story involves a wolf that had been eating human beings. Francis intervened when the town wanted to kill the wolf and talked the wolf into never killing again. The wolf became a pet of the townspeople who made sure that he always had plenty to eat. Following the Gospel literally, Francis and his companions went out to preach two by two. At first, listeners were understandably hostile to these men in rags trying to talk about God's love. People even ran from them for fear they'd catch this strange madness! And they were right. Because soon these same people noticed that these barefoot beggars wearing sacks seemed filled with constant joy. They celebrated life. And people had to ask themselves: Could one own nothing and be happy? Soon those who had met them with mud and rocks, greeted them with bells and smiles. Francis did not try to abolish poverty, he tried to make it holy. When his friars met someone poorer than they, they would eagerly rip off the sleeve of their habit to give to the person. They worked for all necessities and only begged if they had to. But Francis would not let them accept any money. He told them to treat coins as if they were pebbles in the road. When the bishop showed horror at the friars' hard life, Francis said, "If we had any possessions we should need weapons and laws to defend them. " Possessing something was the death of love for Francis. Also, Francis reasoned, what could you do to a man who owns nothing? You can't s
Green team defence horrible. Synopsis At the start of the summer, Bridget has an abortion just as she lands a much-needed job in affluent Evanston, Illinois ? nannying a six-year old. Cast Crew Details Genres Director Producers Writer Editor Cinematography Production Design Composer News Our picks of the top 10 narrative features with world premieres at SXSW 2019. Read post Popular reviews More One of the most charming and midwest films of the last few years. Fresh and egoless take on a necessary subject. To any NY and LA readers out there, go see it this weekend! Not just saying this because Alex Thompson helped?me get equipment for Keychain. (thanks Alex! ) The type of wonderful little discovery that reminds you why you love indie film. Kelly O’Sullivan’s script is funny, charming, and remarkably honest, as is her performance. Not every moment lands, but those that do do so with a striking openness and a clear desire to make spoken what is so often unspoken. Frances herself is more than just a cute kid who exists to serve the main character’s journey - she certainly has that role, but the central relationship between her and Bridget is handled beautifully and with complexity. This is certainly a very specific type of experience that won’t necessarily resonate with everyone, but the way in which everything from mental health to menstrual blood is portrayed in the film - without shame or judgement - is something we need more of generally. Impressive debut, excited to see what these two do next. GRADE: B+ High key one of the best directorial debuts of recent memory. So open and honest and lo-fi in it's approach that I was totally blindsided when it made me tear up in the home stretch. Full disclosure, I had to opportunity to sit down with the director, Alex Thompson and the writer/star, Kelly O'Sullivan for a really fantastic interview. This is just one of the most delightfully big-hearted films that tackles a lot of topics in a very personal, head-on and matter of fact manner that makes you believe that maybe, just maybe, everything will turn out okay for us in the end. You'll laugh, you'll cry and you'll feel a big boost of empathy and understanding for everyone around you. Such a thoroughly delightful surprise of a movie. Amazing, complicated characters from our protagonist to the more peripheral figures she encounters on her journey. Saint Frances is largely a comedy, but the dramatic beats are so well handled and nearly brought me to tears twice because of how quickly invested I became in this story. Without ever becoming heavy handed, there’s something quietly radical about how the film talks about women’s bodies. There is so much menstrual blood shown and talked about in this movie, and it’s directly relevant to the plot. It’s not to shock the audience, but rather to remind us all that there shouldn’t be any shame tied to a completely natural part of many people’s lives. … Didn't expect to see two great 2020 films that deal with abortion within a week apart from each other. This one is the most heartfelt of the two, but it's also refreshing to see a coming of age film where there isn't a character who has all the answers. An absolutely lovely, insightful debut from Alex Thompson and Kelly O'Sullivan. The messiness of day-to-day life is rarely depicted with this much understated empathy. Sidenote: Thompson is a pal and I truly could not be more excited for him. Big Stephen Cone energy coming off this thing, and I can't wait to see what's next. Recent reviews Watched at the Village East w/ Krista. My second movie in two nights about the surreal social position of the nanny, who is unwittingly asked to carry the weight of contemporary American parenting and its paradoxes. Whereas Lullaby was technically impeccable and every disturbing note was finely calibrated, its narrative has nowhere to go but to the depths of despair. Saint Frances ? I mean, ugh, terrible title, and there are other ways in which it's rough around the edges. But at least the title gets across that the movie you are about to watch is going to wrestle with goodness. The movie plumbs the awkwardness of being a nanny in order to really get at some constructive insights into… Taboo-busting laugh-until-you-cry tale dares to speak of oft-unspoken matters of women’s lives. So very necessary to open up the range of women’s experiences seen as baseline. I love this movie. More at. Great second half. Tackles heavy issues with real bravery and a lightness that other films would’ve avoided in favor of an extremely serious tone. Suffers from some bad directing and just takes too long to get moving. Damn this covers a lot of topics in an unassuming little package. I hope we always get heartfelt, authentic movies like this. Hang in there, SXSW. Ramona Edith Williams was incredibly precious and honestly my favorite performance of the movie. Lots to like! Estas 3 estrellas son solo por mostrar de una vez el uso de la menstruación para definir y hacer avanzar la trama. El resto de la peli es tremendamente mala. This took a while to fully hook me, but when it did it REALLY did. It deftly tackles so many important issues, seamlessly weaving them into the narrative, and it deserves high praise for that alone. The 4th of July and confessional scenes, in particular, are both pretty perfect. [Q&A with Kelly O’Sullivan and Alex Thompson] Popular Lists / \ Symmetry Vanishing points Horizon lines + 1 pt perspective.

Saint frances (2019. Here We Go Prince Of Wakanda Has Arrived. Saint frances xavier cabrini. Saint francis hospital lynwood ca. What a wonderful choir, perfect harmony and pitch. Bless them and their voices. Solo en cines bajo tierra, porque nunca sale jajaja. This is like when Darth Vader redeemed himself at the end of ROTJ. Watch Episodes Online. Saint Frances [HD Video] Online and Free Watch*Saint*Online*Movies24free Wa,tch" Saint Online~ Vidspo~t. Saint Frances HD. Saint francis church. WUUUUUUUU. Anya ufffff es preciosa. Saint frances motel. Love this watching again a recommendation from a friend. 8 wins & 8 nominations. See more awards ? Edit Storyline Thirty-four-year-old aimless server Bridget hasn't yet achieved her goal of becoming a respected writer. When casual relations with a younger 'nice guy' leads to an unexpected confrontation with potential motherhood, she manifests a job nannying a pint-sized spirit guide disguised as an obstinate six-year-old. Written by Mae Moreno Plot Summary | Add Synopsis Details Release Date: 28 February 2020 (USA) See more ? Also Known As: Saint Frances Box Office Opening Weekend USA: $16, 150, 1 March 2020 Cumulative Worldwide Gross: $17, 420 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia [ All trivia items for this title are spoilers. ] See more ?.
You know its bad when I was in love with the book when I was little but didnt know this movie was based off of it when watching the trailer. Wieder einmal ein Leben in der Schwebe, auf der Suche nach Bodenhaftung. Man hat solche in letzter Zeit oft im Kino gesehen, wohlmöglich ist das sogar die Grundform des Millennial-Films. Schier unendliche Möglichkeiten, die in ihrer Vielzahl überfordern, aber noch ungleich mehr ängstigen, wo sie verschwinden. Lebensentwürfe, die einander ausschließen, treffen auf eine halb gewollte, halb dem Zwang entspringende Flexibilität, die sich irgendwann verhärten muss. Geschichten von der Unentschlossenheit, die oft selbst unentschlossen wirken. Auch jetzt noch, wo viele Millennials nicht mehr jung sind. ?Saint Frances “ von Alex Thompson ist ein Film über eine kaum merkliche Schwellenerfahrung, eine verspätete Coming-of-Age -Geschichte. Und einer über die indirekte Teilnahme an einem Leben, das bald vielleicht nicht mehr offensteht. Bridget (Kelly O’Sullivan) ist 34, und ihr Leben konfrontiert sie unentwegt mit der Tatsache, dass sie nichts von dem erreicht hat, was gesellschaftlich als Erfolg verstanden wird. Sie jobbt als Kellnerin und hat, zur großen Enttäuschung ihrer Mutter, noch keine Familie gegründet. Nachdem sie ungewollt schwanger wird, treibt sie ab ? mit langanhaltenden emotionalen und physischen Folgen. Als ihr eines Tages ein Job als Kindermädchen der 6-jährigen Frances angeboten wird, nimmt sie sofort an, selbst wenn ihre erste Begegnung mit der Kleinen nicht unbedingt erfolgsversprechend verläuft. Das Kind und ihre Eltern Maya (Charin Alvarez) und Annie (Lily Mojekwu) werden bald wie eine Familie für sie. Doch auch in der vermeintlich harmonischen Ehe gibt es große Probleme. Kelly O’Sullivan spielt nicht nur die Hauptrolle, sondern hat auch das Drehbuch verfasst. Es ist ein melancholischer Ausdruck von Zeitgenossenschaft, immer hin- und hergerissen zwischen dem Versuch, das moderne Leben zu umarmen und fortzustoßen. Der Film verweist auf viele tagespolitische Diskussionen, ohne je ein großes Bedürfnis zu haben, tiefer darin einzusteigen. Sie dienen vor allem dazu, eine Zeit zu beschreiben und die Figuren in der Welt zu verorten. Auf dem Rasen von Frances‘ Familie ? ein lesbisches Paar aus einer Afroamerikanerin und einer Latina mit zwei Kindern???steht ein ?Black Lives Matter“-Schild. Und das Thema Abtreibung verliert unglücklicherweise nie seinen Status als Kontroverse. Saint Frances bemüht sich definitiv, vielfältige Lebensformen zu präsentieren, ohne sie je gegeneinander auszuspielen. Selbst die spießige Fremde, die in einer Szene Maya das Füttern ihres Säuglings in der Öffentlichkeit verbieten will, wird mit Empathie geschildert. Auch mit Bridgets Bekannten aus dem Literaturstudium, die sie als Haushälterin für eine Art erbärmliche Dienerin hält, hat man eher Mitleid. Saint Frances, also Franz von Assisi, orientierte sein Leben an Jesus, fragte also auch mit der Bergpredigt: Warum siehst du den Splitter im Auge deines Bruders, aber den Balken in deinem Auge bemerkst du nicht? Es ist kein gänzlich wertungsfreier, aber definitiv ein wertungsarmer Film. Daraus folgt auch, dass es kein sonderlich dramatischer ist, sondern eher einer, der die Tragik immer nur in der Bewertung von außen und innen findet. Wo jeder Pfad legitim ist, gibt es kein endgültiges Scheitern. Wenn Bridget leidet, dann unter ihrem Selbstwertgefühl, als Summe von Urteilen durch andere und sich selbst. Das macht aus Saint Frances keine übermäßig aufregende Erfahrung, die Fallhöhe ist gering. Stattdessen regiert eine Stimmung zwischen freundlichem Gleichmut und sanftem Klein-Klein. Der Film steuert nie allzu offensiv auf ein bestimmtes Ziel hin, sondern gefällt sich in der Darstellung langanhaltender Prozesse. Keine Umbrüche, sondern langsamer kontinuierlicher Wandel, Plot-Inkrementalismus. Montagen, meist zu zuckrigen Indie-Klängen, wechseln sich ab mit ausgedehnten Einzelmomenten von exemplarischem Charakter. In der Regel bringen neue Szenen und Figuren neue Angebote für Bridget. Dieser neue mögliche Partner, jene neue Lebensart. Ihre Identität ist so brüchig und unbestimmt wie ihre Biografie, ihr Beziehungs- und ihr Berufsleben. Verantwortung zu übernehmen fällt ihr schwer, das gibt sie auch selbst gerne zu. Sie mag und will keine Kinder, eigentlich, verhütet jedoch mit der eher fragwürdigen Methode ?rechtzeitig herausrausziehen“. Sie liest mit 34 zum ersten Mal Harry Potter und sagt über sich selbst, sie wäre keine eindrucksvolle Person. Es macht durchaus Spaß dabei zuzusehen, wie sich ihre Beziehung zu der dickköpfigen Frances entwickelt. In der 6-Jährigen findet sie eine Aufgabe und eine Freundin, beide wachsen aneinander. Anfängliche Fremdheit und Distanz verschwinden, der Raum, den die Inszenierung zwischen ihnen lässt, schmilzt immer mehr zusammen. Bald trennt sie von der Rolle als Mutter fast nur noch die biologische Verwandtschaft. Andere Beziehungen sind komplizierter: Bridget steht zwischen zwei Männern, die für zwei sehr verschiedene Formen von Männlichkeit stehen. Der 8 Jahre jüngere Jace (Max Lipchitz) ist freundlich, verständnisvoll und emotional offen. In seiner Sehnsucht nach gewaltfreier Kommunikation ist er manchmal fast anstrengend. Am anderen Seite des Spektrums steht Frances‘ Gitarrenlehrer Isaac, ein viriler Macho, der trotzdem nicht einfach nur toxisch ist, sondern durch die Darbietung von Jim True-Frost einen menschlichen Kern erhält. Interessant ist, wie der Film diese beiden Beziehungen lange aufbaut, sie dann aber nie für essenziell erklärt, sondern als Nebenschauplätze enttarnt. Denn wenn sich wirklich etwas in Bridgets Leben verändert, dann ihr Selbstbild. Saint Frances verweist immer wieder auf gesellschaftliche Erwartungen und die Frage, wie man diese unterläuft oder sogar überwindet. Das drückt sich auch in O`Sullivans Spiel aus: Unsichere und verschämte Bewegungen weichen immer mehr eine selbstsicheren Haltung. Als Mittel gegen die manchmal schmerzliche Bewertung durch andere empfiehlt der Film vor allem ein Patentrezept: die Solidarität, vor allem unter Frauen. Die Akzeptanz eigener Unzulänglichkeiten, auch körperlicher: Perioden- und Verletzungsblut oder Inkontinenzurin fließen mehr als Trauertränen. In einer Szene nähern sich Bridget und Maya einander an???durch ihre Begeisterung für praktische Erwachsenenwindeln. Kurios, aber wohl eben auch auf eine existente Erfahrung bezogen. Eine Stärke des Films ist, dass er keinen Lebensentwurf als großen Seligmacher überhöht. Jede Haltung kommt mit ihren Sorgen und Problemen. Natürlich wünscht man sich manchmal einen klaren Pfad, eine Entscheidung, aber da gleicht sich der Film eben seiner Figur an. Der größte Kritiker von Saint Frances wäre also wohl Franz von Assisi selbst gewesen. Denn der erklärte: ?Das größte Laster ist die Verzagtheit. “.
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Music composer for this video: John Williams who. 234 Best Saint Francis images | St francis, Francis of assisi, Saints. Idk. It's hard to beat Jeremy Nordham as Mr. Knightley. He was perfect.

Eternal life. Ohh that accent on her. I guess The Togo movie is better than it. But sad the Togo movie didnt show in theatres.