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Country - UK. Description - Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son Peter and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family. Genre - Mystery, Comedy. &ref(https://m.media-amazon.com/images/M/MV5BZGI1YzllMmUtZjFlOC00YTFiLWJmODktMGI1ZjBlMzhiYmFkXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_SY1000_CR0,0,629,1000_AL_.jpg). writed by - Frank Cottrell Boyce. User rating - 6,9 / 10.
This song gives me chills. A szavak ereje watch online 1. 4 / 5 stars 4 out of 5 stars. The veteran actor shines as an ageing word wizard searching for his estranged son in Carl Hunter’s kind-hearted debut Beguiling Englishness … Bill Nighy in Sometimes Always Never. T here’s a beguiling Englishness to this elegant, offbeat comedy-drama, terrifically written by Frank Cottrell-Boyce and directed by feature debutant Carl Hunter. It has a wonderful syncopation in its writerly rhythm and narrative surprises. The film positively twinkles with insouciance, and is performed with aplomb, particularly by Bill Nighy, who brings a droll sprightliness and deadpan wit to the lead part, but shows how these mannerisms mask emotional pain. Sam Riley is excellent as the character’s long-suffering son. Nighy plays Alan, a retired Merseyside tailor ? and Nighy nails an engaging and consistent voice, sounding like a kind of donnish Ringo Starr. The actor shows how his character, a formidable and quietly intelligent man, has retreated into his habits and eccentricities to shield himself from the cares of the world. Long ago, Alan’s favourite son left home, never to return. In the decades since, Alan has searched for him, a quest that has sparked mixed feelings in the heart of his other, now grownup son Peter (Riley) who feels that he was always second-best. Watch the trailer for Sometimes Always Never But Alan has fixated on one thing in particular: the fact that his son stormed out over an ostensible argument over Scrabble, and whether the two-letter word “Zo” was admissible. Now Alan is obsessed with Scrabble; he is a grandmaster, a black-belt, even hustling unsuspecting players he meets in B&Bs ? a funny and unexpected interlude with a couple played by Tim McInnerny and Jenny Agutter. But while staying with Peter, his wife Sue (Alice Lowe) and their withdrawn teen son Jack (Louis Healy), things reach a crisis. Playing Scrabble online, Alan encounters a virtual opponent whose style he recognises ? and who deploys the controversial word “Zo”. Is someone trying to get in touch? The Scrabble and Scrabble-obsession are emblems of a complex sort of communication crisis. Alan’s mastery of the game has taken him along a certain type of loneliness spectrum. He is simultaneously very good with words and absolutely terrible with them. He can’t make contact with Peter and Peter can’t make contact with him. And yet, Alan has far from given up on life: to Peter’s exasperation and dismay, he continues to be an assertive personality, airily dapper, liking everything just so in ways that can’t simply be written off as dysfunctional. He has a positive effect on Jack, showing him the correct way to wear a suit (the title refers to the jacket’s three buttons, top, middle, bottom, and which may be done up). The “tailoring-mentoring” scenes here incidentally have a thousand times more wit and humanity than those in the boorish Kingsman films. Riley, Lowe, McInnerny and Agutter are all superb in their roles and the Scrabble face-off with McInnerny in an early scene ? together with its highly surprising second encounter the following morning ? is carried off with wit and flair. This film is a distinct, articulate pleasure.
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Bill Nighy stars as a dapper tailor trying to mend fences with his family through the magic of Scrabble in this British comedy-drama, written by Frank Cottrell Boyce and directed by Carl Hunter. Whimsical and wistful, if occasionally a little too self-consciously kooky, British comedy-drama Sometimes Always Never constructs a pleasant portrait of a mildly unhappy family living in the English northwest. As a lanky, semi-retired tailor whose droll style disguises an enduring inner grief, Bill Nighy leads a strong cast that includes Sam Riley ( Control), Alice Lowe ( Sightseers) and veteran Jenny Agutter ( Walkabout, An American Werewolf in London), among others. Deploying some fun retro effects like rear projection screens and animation, and a jaunty soundtrack from Edwyn Collins and Sean Read, rocker-turned-director Carl Hunter (from '90s beat combo The Farm) manages to bring cohesion to the amusing but herky-jerky script by Frank Cottrell Boyce (who also wrote Hunter's last feature, Grow Your Own). Often, the whole shebang plays like a rattle bag of tropes, digressions and stray running gags. Then again, that randomness is perfectly apt given the centrality here of the board game Scrabble, which requires players to make meaning out of letters selected by chance. Nighy's Alan is first met staring sadly out to sea, almost blending in, if it weren't for the umbrella he's holding, with the life-size cast-iron men created by artist Antony Gormley on Crosby Beach near Liverpool. He's a dapperly dressed fellow with the elegant posture of a professional clotheshorse. Like many characters in the Michael Winterbottom- or Danny Boyle-directed films written by Cottrell Boyce, who was once a film critic for a Marxist publication, Alan comes from working-class stock. But those who underestimate the smarts of this autodidact do so at their peril. That's especially true when it comes to Scrabble, which has been a lifelong passion for Alan. A single widower on awkward terms these days with his son Peter (Riley), a sign painter, Alan mostly plays the game online with strangers. His enthusiasm wasn't even dimmed by an argument over Scrabble that he believes caused his son Michael to leave home many years ago, never to be seen again. The choice of words and game strategy of one of his online opponents reminds Alan of Michael, and he starts to wonder if this ghost in the smartphone might actually be his lost son. The chances that's the case improve after Alan and Peter visit a coroner's office to look at a corpse that fits Michael's description. However, the dead man isn't Michael, giving Alan hope his son might still be alive and playing Scrabble somewhere. Having just viewed the corpse, he comes back to report the happy news to Peter in the waiting room, all smiles and bounce, oblivious to the fact that this may be bad news for Margaret (Agutter) and Arthur (Tim McInnerny), a couple he met the night before who are also looking for their own missing son. This dark little interlude abruptly changes the stakes, creating a tonal instability the film struggles to stabilize. The coroner scene comes right on the heels of a witty sequence where Alan hustles Arthur out of 200 pounds through a "friendly" game of Scrabble played in the sad, shabby little bar of the bed and breakfast where all four characters coincidentally happen to be staying. Laying down obscure words only a Scrabble player, poet or 13-year-old spelling bee champ would know ? "scopone, " "muzhik" or the usefully two-letter, high-scoring and conveniently symbolic "qi" (a Chinese word for life force) ? Alan proves himself a formidable opponent. Aware that he needs to improve his relationship with Peter, the latter's wife Sue (Lowe) and their own teenage son Jack (Louis Healy) before Jack leaves the nest, Alan comes to live with them without really being invited. Naturally, before long and according to the laws of movie storytelling, the fish-out-of-water is soon accepted and proves a useful member of the micro community, particularly for his withdrawn grandson. In this instance, he helps Jack discover the joys of Scrabble rather than online shooter games, and teaches him to dress smarter in order to help catch the eye of pretty fellow student Rachel (Ella-Grace Gregoire), with a little assist from an old-fashioned label maker, the kind that embosses letters into a strip of self-adhesive plastic. Alan even teaches Jack to appreciate the label maker's "elegant" font. Stylistically, the quick-fire montages, inserted bits of animation and densely decorated sets evoke the wacky worlds of Wes Anderson and the recent Paddington franchise, and that will cut both ways as either a good or a bad thing, depending on the viewer. There's also a dash of Aki Kaurismaki in the deadpan expressions and milky, higher-latitude light of Northern England. But it all blends together pretty well, just as the weird random dribs and drabs of the plot coalesce reasonably neatly at the end. Perhaps too neatly, but then again that also goes with the tidy, graph-paper quality of Scrabble, a wonderful game that deserves more filmic attention than its cold, distant cousin chess. Production companies: Hurricane Films, Goldfinch Studios Distributor: Parkland Entertainment Cast: Bill Nighy, Sam Riley, Alice Lowe, Louis Healy, Jenny Agutter, Tim McInnerny, Ella-Grace Gregoire, Oliver Sindcup, Alexei Sayle Director: Carl Hunter Screenwriter: Frank Cottrell Boyce Producers: Roy Boulter, Alan Latham, Solon Papadopoulos Executive producers: Bill Nighy, Andrea Gibson, Geoffrey Iles, Kirsty Bell, Jason Moring, Ron Moring, Phil McKenzie, Sarada McDermott, Luke Taylor, Matthew Helderman Director of photography: Richard Stoddard Production designer: Tim Dickel Costume designer: Lance Milligan Editor: Stephen Haren Music: Edwyn Collins, Sean Read Casting director: Michelle Smith Sales: Double Dutch International Rating 12A (in the U. K. ), 89 minutes.
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