Just Mercy Rated 3.2 / 5 based on 228 reviews.
Just Mercy Mojo 
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&ref(https://m.media-amazon.com/images/M/MV5BYmM4YzA5NjUtZGEyOS00YzllLWJmM2UtZjhhNmJhM2E1NjUxXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_UY190_CR0,0,128,190_AL_.jpg); User rating: 8,1 of 10; 137 Minutes; description: Just Mercy is a movie starring Jamie Foxx, Charlie Pye Jr., and Michael Harding. World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner; 2019; Charlie Pye Jr. I n an emotionally charged scene in the new movie Just Mercy, Jamie Foxx, cast as a death row prisoner named Walter McMillian, accosts the young lawyer who has taken up his case with an uncomfortable truth about being black in the deep south. “You don’t know what you’re into down here in Alabama, ” he warns. “Here you’re guilty from the moment you’re born. ” That phrase could stand as a catchphrase for the ingrained racial injustice that Bryan Stevenson, the rookie lawyer played in the film by Michael B Jordan, has devoted his adult life to fighting. From his first meeting with McMillian in 1988 to his star billing today as a one of America’s most incisive commentators on race and inequity ? and now as a fully fledged Hollywood icon ? Stevenson has never taken his eyes off the prize. His epic six-year struggle to prove McMillian an innocent man provides the narrative arc of Just Mercy. It is based on the 2014 memoir of the same name in which Stevenson, 60, relates how he came to find himself representing some of the most godforsaken prisoners in the country. He was 23 and a student at Harvard law school when his professor suggested he take an internship in Atlanta, Georgia, with a not-for-profit legal firm. The firm’s director, a towering figure in death penalty jurisprudence named Stephen Bright, took Stevenson under his wing and taught him justice, southern-style. Lesson one, Bright told him, was: “Capital punishment means, ‘Them without the capital get the punishment’. ” Michael B Jordan as Bryan Stevenson and Jamie Foxx as Walter McMillian in Just Mercy. Photograph: Warner Bros/Kobal/Rex/Shutterstock Bright remembers his new intern as a slightly lost soul in search of a purpose in life. Those existential doubts vaporised as soon as Bright dispatched Stevenson to Alabama to investigate its death row. “When Bryan started looking into what was down there, ye gods! It was horrible! ” Bright told the Guardian. “People were being sentenced to death in a perfunctory fashion represented by lawyers who had no idea what they were doing. ” Bright recalls his young charge returning from a prison visit in an excited state. “This man is innocent, ” Stevenson said. “I know he is innocent. ” The man in question was Walter McMillian who had been sentenced to death for the 1986 murder of an 18-year-old white woman. When Stevenson began looking into the case he was struck by a legion of inconsistencies and ironies. The main irony was that the murder happened in Monroeville, home town to Harper Lee, which just went to show how much Alabama had taken to heart the moral of To Kill A Mockingbird. Even before he got going on the case, the trial judge ? aptly named Robert E Lee Key ? tried to talk Stevenson out of it. “Why the hell would you want to represent someone like McMillian? ” the judge said. Undeterred, Stevenson began digging into the record and discovered that not only had McMillian been found guilty in a trial lasting all of two days, but the defendant had a rock-solid alibi with dozens of witnesses. The prosecution relied on a jailhouse snitch who was offered money and freedom to provide false testimony against him. Exposing the racial animus at the heart of the death penalty was not easy. There were bomb threats and many disappointments and legal setbacks along the way. But in 1993 McMillian was exonerated and walked free. As Stevenson writes in Just Mercy, “there is light within this darkness”. Bryan Stevenson at the Prison Reform Trust office in London. Photograph: Linda Nylind/The Guardian At this point we must say goodbye to Jamie Foxx and Michael B Jordan. It’s a measure of the exceptional nature of Stevenson that just where the movie ends ? with the good guys winning their death row battle ? his own story begins to get all the more interesting. Stevenson has gone on, post-McMillian, to create an entire operation dedicated to uncovering miscarriages of justice in the deep south. Back in the 1980s he had a poky office and a single assistant; today the organisation he founded, Equal Justice Initiative, employs 140 people, many of them whip-smart lawyers in his own mould. EJI has won reversals or release from prison for more than 135 wrongly convicted prisoners. Among them was Anthony Ray Hinton, who like McMillian was proven innocent in his case after 28 years on death row. Having turned EJI into a justice powerhouse, Stevenson has switched his energies to what might well become the most significant aspect of his legacy. He is now emerging as a leading exponent of America’s racial fault-line in which he has begun to join the dots between slavery, racial segregation, terror lynchings of African Americans, capital punishment and the scourge of modern mass incarceration. He has taken his hands-on experience of southern brutality ? what he calls his “proximity to injustice” ? and extracted from it a philosophy of the open wound that runs through American society and politics. To do that he has drawn from his roots as the great-grandson of slaves in Virginia and his experiences growing up as a black child in a small, segregated town in rural Delaware. From regular attendance at his family’s local black church he imbibed the preacher’s art of engaging an audience. You can see it in action in his Ted talk which has been viewed more than 6m times and which earned him one of the longest standing ovations in Ted’s history. Bryan Stevenson at Alabama’s Memorial to Peace and Justice, which he founded. Photograph: Brendan Gilliam/The Guardian Stevenson’s mission to join the dots began when he started thinking about the nature of public memorialising in Montgomery, the capital of Alabama where he set up base in the 1980s. He counted 59 Confederate markers glorifying the slave-owning south, while there was nothing to memorialise the suffering that the slave trade induced. In 2013, after a long tussle with local authorities, he managed to have three markers to the domestic slave trade erected in downtown Montgomery. From there it was but a short hop to thinking about the racial composition of death row. Why were Walter McMillian and Anthony Ray Hinton both black? Why are 42% of death row inmates today African American, when black people form just 13% of the US population? The culmination of these meditations is the National Memorial for Peace and Justice, Stevenson’s most breathtaking and audacious achievement yet. Through it he holds up a mirror to America of a central element of its character, one that until now has been almost entirely obscured ? its tragic history of lynchings of more than 4, 000 African Americans. The memorial, cast in bronze, sits on top of the hill that rises above Montgomery. Physically, and symbolically, it looks down on the Alabama State Capitol where so many of the political decisions that upheld white supremacy were taken ? and still are taken. Standing in the centre of the memorial the power of Stevenson’s unfolding vision is almost overwhelming. From Montgomery’s slave warehouse and the thousands of men and women who died hanging from a tree, to Walter McMillian who came so close to a latter-day judicial lynching, this is America’s unfinished business, its truly strange and bitter fruit.
Something went wrong, but don’t fret ? let’s give it another shot. You had me at Brie Larson. And for that reason. Im out. Just Mercy: Avengers. #ReleaseTheSnyderCut and make #ManOfSteel2 happen with Henry Cavill. Had a really high expectations with this since Jordan and fox were attach and this story is very Emotional to tell but this film is forcing the stuff so much u will forgot what it's actually trying to say.horrible writing needed a better writer.
How is Jamie Foxx not in the title of actors? Come On! Its Jamie Foxx.
Dont know why this film has a low rating. This true story about a young lawyer who uncovers miscarriages of justice a from discriminating legal system in the deep south, it has a great central performance by Michael B Jordan and is backed up by Jamie Foxx, who surely should be nominated for a best supporting actor Oscar come next year. I usually only prefer, horror, sci-fi and thriller movies but this is going to be one of the exceptions. I'm excited to see this movie. He truly is an angel and a beacon of light.
Jamie's hairline deserves a Golden globe
Based on Just Mercy: A Story of Justice and Redemption by Bryan Stevenson Country Release Date January 17, 2020 Just Mercy is a 2019 drama film directed by Destin Daniel Cretton. The cast of the film consists of Michael B. Jordan, Jamie Foxx, Brie Larson, O'Shea Jackson Jr., and Tim Blake Nelson. Plot Edit To be added Cast Edit Michael B. Jordan as Bryan Stevenson Jamie Foxx as Walter McMillian Brie Larson as Eva Ansley O'Shea Jackson Jr. as Anthony Ray Hinton Tim Blake Nelson as Ralph Myers Videos Edit To be added.
Looks good. Jackson is the man
This movie would of been perfect for Denzel Washington. Wow. This is going to be great. That's a whole life philosophy right there, do you want to yell or do you want to make plane. Using this video for a research paper on the death penalty and it helped a lot thanks. Everyone should enlighten themselves and watch this movie.
Thank God ??. The people that put him away should be locked up. Team Brie and mbj love them. I met Jamie Foxx in person at the Dream hotel, and he's cool people. He is an awesome mentor to Michael B. Jordan. They have excellent chemistry working together. Must watch. everyday there are innocent people seating in jail without mercy that is wrongfully convicted. You know who was John Gotti's biggest fan. John Gotti. Movie Review Deep in Alabama, just a 90-minute drive north from Mobile, you’ll find the small town of Monroeville, home of To Kill a Mockingbird author Harper Lee. The folks of Monroeville, circa 1991, are proud of their literary heritage. Ask anyone, and they’ll point you to the To Kill a Mockingbird museum down the way. Or to the courthouse, where Lee had Atticus Finch make his fabled defense of a black man falsely accused of rape. It’s a civil rights landmark, they’ll tell you. Perhaps a few?too few?would see a sad irony, too. Walter McMillian, better known as Johnny D, is on death row. The black man was convicted of killing a white woman named Ronda Morrison: Prosecutors said that he walked into a laundromat on Nov. 1, 1986, and shot her several times in the back. In a trial that took just a day and a half, he was tried and convicted by an almost all-white jury, which recommended life in prison. Not harsh enough, the judge decided, and slapped Johnny D with the death penalty. Never mind that the crime’s main witness was a convicted felon himself who had plenty of reason to frame McMillian. Never mind the lack of motive or physical evidence. Never mind that a score of witnesses said he was at a fish fry when the crime took place. (The fact that those witnesses were black, apparently, made their testimony unwanted. ) Enter Bryan Stevenson, a graduate of Harvard Law School who rejected a position at a posh law firm to head a non-profit legal team called the Equal Justice Initiative?an organization that gives convicted felons (particularly those on death row) the sort of legal help that might’ve escaped them the first time around. He looks into McMillian’s case and finds all sorts of inconsistencies?so many, in fact, that he wonders whether anyone read the evidence at all. If anyone deserves a second chance at justice, it’s McMillian. But Monroeville’s power brokers don’t want to hear it. They got their man, never mind the evidence. They knew McMillian was guilty just by looking at him. And if Ronda Morrison’s spirit doesn’t rest easy, her parents sure do. Maybe if Stevenson had looked more like Atticus Finch?a white man born and bred in the south, a man who knew everyone from the mayor and sheriff to the lady serving coffee at the corner diner?Monroeville’s power brokers might’ve listened to him. But Stevenson’s a Delaware-born, East-coast educated black man. And Sheriff Tate and D. A. Tommy Champan don’t take kindly to carpet-bagging northerners telling them how to run their town. Positive Elements Bryan Stevenson, in this movie at least, looks like a candidate for sainthood. We hear hints of his childhood, how he grew up poor, in a neighborhood not so different from McMillian’s own; and we see how his desire to help people on death row first germinated. When he leaves for Alabama, Bryan tells his nervous mother that she “always taught me to fight for the people need it the most. ” Outside these brief early snippets, though, we don’t see much of the guy’s personal life. And no wonder, given his single-minded dedication to his work and the clients he defends. He stays up all night working, pushes tirelessly against unfair barriers and even risks his life. And those who work with Bryan sometimes risk theirs, too. Eva Ansley, who works closely with Bryan, notes that unlike most lawyers, Bryan gets close to his clients?so much so that they become nearly family to him. And when one of those clients is sent to the electric chair in spite of Bryan’s help, the condemned man thinks so highly of Bryan that he has the Army (from which he was honorably discharged) send the flag he earned to the lawyer. While “Johnny D” McMillian is no saint (as we’ll see), he becomes a strong, faithful friend to many fellow death-row prisoners. When one suffers a panic attack after getting an execution date, Johnny D walks him through calming breathing and visualization exercises. “Whatever you did, ” Johnny tells the man, “Your life is still meaningful. ” And when that man is led to the execution chamber, Johnny D leads a noisy salute to the condemned. He’s deeply saddened by how he hurt his family, too, and wants to do whatever he can to make amends. And sometimes, when the case against him seems to hit a wall, Johnny D encourages Bryan, rather than the other way around. Spiritual Elements While Just Mercy isn’t technically a Christian movie, faith’s fingerprints are everywhere here. Bryan, it’s suggested, is a Christian: He bonds with a death-row inmate over how both of them grew up in church. (Bryan played the piano there, while the convict sang in the church choir. ) And when the guard roughs up the convict and forces him out of the room, the prisoner begins to sing an old hymn with a smile. Later, Bryan participates in a worship ceremony at a Monroeville church?watching and singing along as fellow congregants enthusiastically praise God. A convict is led to the electric chair as the gospel song “Old Rugged Cross” plays in the background. The movie seems to suggest thin parallels between the man’s execution and Jesus’ own unjustified death: The condemned man looks compassionately at one of the jail guards fastening his leg to the chair, and when he asks whether he has any last words to give, he simply says that he harbors “no ill will” to anyone. The man’s gentleness, combined with the horrific way he dies, deeply impacts the guard?much as Jesus’ own forgiveness from the cross is sometimes shown to impact the Roman soldiers who took part in the execution. As mentioned, Johnny D was actually attending a fish fry during the murder he was accused of committing?a fundraiser, we’re told, for the church he attended. The spiritual “Lay Down My Life for the Lord” plays as the credits roll. We see plenty of churches and crosses in the background of various scenes. Sexual Content Before being accused of murder, Johnny D was caught fooling around with a white woman?an act of infidelity that made him a target, he and his family believe. As soon as Johnny D’s dalliances became widely known, unfounded stories about him quickly began to circulate: Soon people were saying that he was a drug dealer, too, and then a leader of the Dixie mafia. A guard forces Bryan to strip before entering a prison (which I’ll say more about in Other Negative Content). A couple of women stare at Bryan as he works, with one telling the other that he’s a good-looking single guy. The other woman corrects her, telling her that Bryan’s “married?to his work. ” Violent Content Bryan and his work partner, Eva, engender some ill will around town. One disgruntled Alabaman calls Eva at home, telling her he’s put a bomb in her house. After she, her family and Bryan evacuate, police don’t find anything, but Eva is understandably shaken. “Maybe people will stop trying to kill us when they realize how charming we are, ” she jokes grimly. Bryan, meanwhile, is harassed by police: He’s stopped on the road for no apparent reason; and, when he asks why he’s been pulled over, one of the arresting officers pulls his gun and screams for Bryan to get out of the car. The officer shoves the lawyer against the hood and pushes the barrel of the gun into his neck. Eventually, after several tense moments, the officers allow Bryan to leave without offering a word of explanation. It’s not the only time we see police manhandling or mistreating people in their custody. A man is executed. Though we don’t see the man die, we watch witnesses to the execution as they watch, absorbing the horror they feel. Another convict says he was on death row during another execution, with his room being the closest to the “kill room. ” He says he could smell and even taste the flesh of his old friend in the air. After a disappointing court date, Johnny D resists being put back in his cell: Guards are forced to shove him in and restrain him. We hear about the alleged crimes of death row inmates?particularly that of a man who killed a woman by placing a bomb on her front porch. The man?a Vietnam vet who struggles mightily with post-traumatic stress disorder?struggles to understand why he’d even do such a thing. Another convict has disfiguring scars, apparently the result of a fiery accident he had when he was 7 years old. Though the story centers around Ronda Morrison’s murder?a “terrible” and “horrific” crime, we’re told?the film steers clear of unpacking the details of her murder. We occasionally see a static photo of Ronda when she was still alive. Crude or Profane Language We hear about 15 s-words. We also hear at least one f-word, though perhaps the hints of a few others can be heard in the background. Characters also say “a?, ” “b?ch, ” “d?n, ” “h?” and the n-word. God’s name is misused twice, once paired with “d?n. ” Drug and Alcohol Content Eva and her husband drink beer over dinner, as Bryan sips a glass of water. One or two characters smoke cigarettes. Other Negative Elements A prison guard forces Bryan to strip before entering a prison?even though the law explicitly states that lawyers don’t have to do so before talking with prospective clients. Bryan takes off his shirt, pants and finally (off-camera) his boxers. The guard then increases Bryan’s humiliation by telling the lawyer to “bend over and spread. ” The horrified Bryan waits a beat before the guard smirks and tells Bryan he can get dressed again. The guard’s actions clearly communicate his desire to humiliate Bryan and to demonstrate his perceived power over
I'm so sorry. OMG Idk why everytime I see MBJ, I feel like obsessed with him?? perfect guy. I'm not crazy btw lol. Love you sm MBJ from your little crazy fan in Indonesia LMAO.
Creator Mike Carolla
And I just want to point out that these 7 reviews (not counting mine) average a score of 8.29. I don't know how they got a 5.7.This is a good movie. ???. I lived to see Anthony star in such a movie. ??. Оригинальное название Just Mercy Год 2020 Страна США Фотоальбом Отзывы Сценаристы, Эндрю Ланхем Оператор Бретт Павлак Композитор Джоэл П. Уэст Художник Шэрон Сеймур Продюсеры Ашер Голдстайн, Майк Дрэйк (иcп. ), Майкл Би Джордан (иcп. ), Джил Неттер (иcп. ), Даниель Хаммонд (иcп. ), Габриэль Хаммонд (иcп. ), Ниия Куикендалл (иcп. ), Брайан Стивенсон (иcп. ), Артур Спектор (иcп. ) Кастинг-директор Кармен Куба Актеры Майкл Би Джордан, Джейми Фокс, Бри Ларсон, Каран Кендрик, Тим Блэйк Нельсон, О'Ши Джексон-мл., Роб Морган, Линдсей Эйлифф, Рода Гриффис, Си Джей ЛеБланк, Рон Клинтон Смит, Доминик Богарт, Хейс Меркюр, Мэри Крафт, Теренс Розмор, Джасинт Бланкершип, Майкл Хардинг, Алекс Ван Производство Netter Productions Премьера 17 января 2020 (США), 27 февраля 2020 (Россия) Жанр биография, драма, экранизация На основе мемуаров знаменитого афроамериканского адвоката Брайана Стивенсона. Он прославился как гуманист и защитник самых бедных и угнетенных слоев общества. Одним из первых дел Стивенсона стало дело заключенного Уолтера Макмиллана, который много лет провел в камере смертников по ложному обвинению в убийстве. Молодой Стивенсон борется за его жизнь и свободу, бросая вызов жестокой системе. последнее обновление информации: 12. 02. 20 дополнительная информация >> Если Вы располагаете дополнительной информацией, то, пожалуйста, напишите письмо по этому адресу или оставьте сообщение для администрации сайта в гостевой книге. Будем очень признательны за помощь. Просто помиловать (2020): новости >> 14 декабря 2019 Церемония вручения премии состоится 19 января.
Thank God ??. The people that put him away should be locked up. Team Brie and mbj love them. I met Jamie Foxx in person at the Dream hotel, and he's cool people. He is an awesome mentor to Michael B. Jordan. They have excellent chemistry working together. Must watch. everyday there are innocent people seating in jail without mercy that is wrongfully convicted. You know who was John Gotti's biggest fan. John Gotti. Movie Review Deep in Alabama, just a 90-minute drive north from Mobile, you’ll find the small town of Monroeville, home of To Kill a Mockingbird author Harper Lee. The folks of Monroeville, circa 1991, are proud of their literary heritage. Ask anyone, and they’ll point you to the To Kill a Mockingbird museum down the way. Or to the courthouse, where Lee had Atticus Finch make his fabled defense of a black man falsely accused of rape. It’s a civil rights landmark, they’ll tell you. Perhaps a few?too few?would see a sad irony, too. Walter McMillian, better known as Johnny D, is on death row. The black man was convicted of killing a white woman named Ronda Morrison: Prosecutors said that he walked into a laundromat on Nov. 1, 1986, and shot her several times in the back. In a trial that took just a day and a half, he was tried and convicted by an almost all-white jury, which recommended life in prison. Not harsh enough, the judge decided, and slapped Johnny D with the death penalty. Never mind that the crime’s main witness was a convicted felon himself who had plenty of reason to frame McMillian. Never mind the lack of motive or physical evidence. Never mind that a score of witnesses said he was at a fish fry when the crime took place. (The fact that those witnesses were black, apparently, made their testimony unwanted. ) Enter Bryan Stevenson, a graduate of Harvard Law School who rejected a position at a posh law firm to head a non-profit legal team called the Equal Justice Initiative?an organization that gives convicted felons (particularly those on death row) the sort of legal help that might’ve escaped them the first time around. He looks into McMillian’s case and finds all sorts of inconsistencies?so many, in fact, that he wonders whether anyone read the evidence at all. If anyone deserves a second chance at justice, it’s McMillian. But Monroeville’s power brokers don’t want to hear it. They got their man, never mind the evidence. They knew McMillian was guilty just by looking at him. And if Ronda Morrison’s spirit doesn’t rest easy, her parents sure do. Maybe if Stevenson had looked more like Atticus Finch?a white man born and bred in the south, a man who knew everyone from the mayor and sheriff to the lady serving coffee at the corner diner?Monroeville’s power brokers might’ve listened to him. But Stevenson’s a Delaware-born, East-coast educated black man. And Sheriff Tate and D. A. Tommy Champan don’t take kindly to carpet-bagging northerners telling them how to run their town. Positive Elements Bryan Stevenson, in this movie at least, looks like a candidate for sainthood. We hear hints of his childhood, how he grew up poor, in a neighborhood not so different from McMillian’s own; and we see how his desire to help people on death row first germinated. When he leaves for Alabama, Bryan tells his nervous mother that she “always taught me to fight for the people need it the most. ” Outside these brief early snippets, though, we don’t see much of the guy’s personal life. And no wonder, given his single-minded dedication to his work and the clients he defends. He stays up all night working, pushes tirelessly against unfair barriers and even risks his life. And those who work with Bryan sometimes risk theirs, too. Eva Ansley, who works closely with Bryan, notes that unlike most lawyers, Bryan gets close to his clients?so much so that they become nearly family to him. And when one of those clients is sent to the electric chair in spite of Bryan’s help, the condemned man thinks so highly of Bryan that he has the Army (from which he was honorably discharged) send the flag he earned to the lawyer. While “Johnny D” McMillian is no saint (as we’ll see), he becomes a strong, faithful friend to many fellow death-row prisoners. When one suffers a panic attack after getting an execution date, Johnny D walks him through calming breathing and visualization exercises. “Whatever you did, ” Johnny tells the man, “Your life is still meaningful. ” And when that man is led to the execution chamber, Johnny D leads a noisy salute to the condemned. He’s deeply saddened by how he hurt his family, too, and wants to do whatever he can to make amends. And sometimes, when the case against him seems to hit a wall, Johnny D encourages Bryan, rather than the other way around. Spiritual Elements While Just Mercy isn’t technically a Christian movie, faith’s fingerprints are everywhere here. Bryan, it’s suggested, is a Christian: He bonds with a death-row inmate over how both of them grew up in church. (Bryan played the piano there, while the convict sang in the church choir. ) And when the guard roughs up the convict and forces him out of the room, the prisoner begins to sing an old hymn with a smile. Later, Bryan participates in a worship ceremony at a Monroeville church?watching and singing along as fellow congregants enthusiastically praise God. A convict is led to the electric chair as the gospel song “Old Rugged Cross” plays in the background. The movie seems to suggest thin parallels between the man’s execution and Jesus’ own unjustified death: The condemned man looks compassionately at one of the jail guards fastening his leg to the chair, and when he asks whether he has any last words to give, he simply says that he harbors “no ill will” to anyone. The man’s gentleness, combined with the horrific way he dies, deeply impacts the guard?much as Jesus’ own forgiveness from the cross is sometimes shown to impact the Roman soldiers who took part in the execution. As mentioned, Johnny D was actually attending a fish fry during the murder he was accused of committing?a fundraiser, we’re told, for the church he attended. The spiritual “Lay Down My Life for the Lord” plays as the credits roll. We see plenty of churches and crosses in the background of various scenes. Sexual Content Before being accused of murder, Johnny D was caught fooling around with a white woman?an act of infidelity that made him a target, he and his family believe. As soon as Johnny D’s dalliances became widely known, unfounded stories about him quickly began to circulate: Soon people were saying that he was a drug dealer, too, and then a leader of the Dixie mafia. A guard forces Bryan to strip before entering a prison (which I’ll say more about in Other Negative Content). A couple of women stare at Bryan as he works, with one telling the other that he’s a good-looking single guy. The other woman corrects her, telling her that Bryan’s “married?to his work. ” Violent Content Bryan and his work partner, Eva, engender some ill will around town. One disgruntled Alabaman calls Eva at home, telling her he’s put a bomb in her house. After she, her family and Bryan evacuate, police don’t find anything, but Eva is understandably shaken. “Maybe people will stop trying to kill us when they realize how charming we are, ” she jokes grimly. Bryan, meanwhile, is harassed by police: He’s stopped on the road for no apparent reason; and, when he asks why he’s been pulled over, one of the arresting officers pulls his gun and screams for Bryan to get out of the car. The officer shoves the lawyer against the hood and pushes the barrel of the gun into his neck. Eventually, after several tense moments, the officers allow Bryan to leave without offering a word of explanation. It’s not the only time we see police manhandling or mistreating people in their custody. A man is executed. Though we don’t see the man die, we watch witnesses to the execution as they watch, absorbing the horror they feel. Another convict says he was on death row during another execution, with his room being the closest to the “kill room. ” He says he could smell and even taste the flesh of his old friend in the air. After a disappointing court date, Johnny D resists being put back in his cell: Guards are forced to shove him in and restrain him. We hear about the alleged crimes of death row inmates?particularly that of a man who killed a woman by placing a bomb on her front porch. The man?a Vietnam vet who struggles mightily with post-traumatic stress disorder?struggles to understand why he’d even do such a thing. Another convict has disfiguring scars, apparently the result of a fiery accident he had when he was 7 years old. Though the story centers around Ronda Morrison’s murder?a “terrible” and “horrific” crime, we’re told?the film steers clear of unpacking the details of her murder. We occasionally see a static photo of Ronda when she was still alive. Crude or Profane Language We hear about 15 s-words. We also hear at least one f-word, though perhaps the hints of a few others can be heard in the background. Characters also say “a?, ” “b?ch, ” “d?n, ” “h?” and the n-word. God’s name is misused twice, once paired with “d?n. ” Drug and Alcohol Content Eva and her husband drink beer over dinner, as Bryan sips a glass of water. One or two characters smoke cigarettes. Other Negative Elements A prison guard forces Bryan to strip before entering a prison?even though the law explicitly states that lawyers don’t have to do so before talking with prospective clients. Bryan takes off his shirt, pants and finally (off-camera) his boxers. The guard then increases Bryan’s humiliation by telling the lawyer to “bend over and spread. ” The horrified Bryan waits a beat before the guard smirks and tells Bryan he can get dressed again. The guard’s actions clearly communicate his desire to humiliate Bryan and to demonstrate his perceived power over
I'm so sorry. OMG Idk why everytime I see MBJ, I feel like obsessed with him?? perfect guy. I'm not crazy btw lol. Love you sm MBJ from your little crazy fan in Indonesia LMAO.
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