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2019. USA. Bolshoi Ballet: The Nutcracker download full. Bolshoi ballet the nutcracker download full album. Bolshoi ballet: the nutcracker download full youtube. Bolshoi ballet: the nutcracker download full movie.

I remember getting this part in my ballet department, I almost broke my legs practicing. and the bloody shoes, but it was worth it. バレエで?くるみ割り人形?が一番好きですね. Bolshoi ballet: the nutcracker download full free. Bolshoi Ballet: The Nutcracker Download full article on foot. I'd love to see a recording of this entire performance. Everyone is good here but Clara totally sells it, both as a dancer and an actress even though it's not a speaking role. Bolshoi ballet: the nutcracker download full song. Bravo. Versão muito boa e inovada. Parabéns a todos. Dancers exquisite - the orchestra pretty much sucks. I can see olga ??. This article is about the ballet and the music by Tchaikovsky. For other uses, see Nutcracker (disambiguation). Ballets by Pyotr Ilyich Tchaikovsky Swan Lake (1876) The Sleeping Beauty (1889) The Nutcracker (1892) List of all compositions v t e The Nutcracker (Russian: Щелкунчик [a], tr. Shchelkunchik listen ( help ? info)) is an 1892 two-act ballet (" fairy ballet "; Russian: балет-феерия, balet-feyeriya), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann 's story " The Nutcracker and the Mouse King ". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. However, the complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. [1] Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. [2] [3] The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is noted for its use of the celesta, an instrument that the composer had already employed in his much lesser known symphonic ballad The Voyevoda. Composition [ edit] After the success of The Sleeping Beauty in 1890, Ivan Vsevolozhsky, the director of the Imperial Theatres, commissioned Tchaikovsky to compose a double-bill program featuring both an opera and a ballet. The opera would be Iolanta. For the ballet, Tchaikovsky would again join forces with Marius Petipa, with whom he had collaborated on The Sleeping Beauty. The material Petipa chose was an adaptation of E. Hoffmann 's story " The Nutcracker and the Mouse King ", by Alexandre Dumas called "The Story of a Nutcracker". [4] The plot of Hoffmann's story (and Dumas' adaptation) was greatly simplified for the two-act ballet. Hoffmann's tale contains a long flashback story within its main plot titled "The Tale of the Hard Nut", which explains how the Prince was turned into the Nutcracker. This had to be excised for the ballet. [5] Petipa gave Tchaikovsky extremely detailed instructions for the composition of each number, down to the tempo and number of bars. [4] The completion of the work was interrupted for a short time when Tchaikovsky visited the United States for twenty-five days to conduct concerts for the opening of Carnegie Hall. [6] Tchaikovsky composed parts of The Nutcracker in Rouen, France. [7] History [ edit] Saint Petersburg premiere [ edit] ( Left to right) Lydia Rubtsova as Marianna, Stanislava Belinskaya as Clara and Vassily Stukolkin as Fritz, in the original production of The Nutcracker (Imperial Mariinsky Theatre, Saint Petersburg, 1892) The original production of The Nutcracker, 1892 The first performance of the ballet was held as a double premiere together with Tchaikovsky's last opera, Iolanta, on 18 December?[ O. S. 6 December]?1892, at the Imperial Mariinsky Theatre in Saint Petersburg, Russia. Although the libretto was by Marius Petipa, who exactly choreographed the first production has been debated. Petipa began work on the choreography in August 1892; however, illness removed him from its completion and his assistant of seven years, Lev Ivanov, was brought in. Although Ivanov is often credited as the choreographer, some contemporary accounts credit Petipa. The performance was conducted by Italian composer Riccardo Drigo, with Antonietta Dell'Era as the Sugar Plum Fairy, Pavel Gerdt as Prince Coqueluche, Stanislava Belinskaya as Clara, Sergei Legat as the Nutcracker-Prince, and Timofey Stukolkin as Drosselmeyer. Unlike in many later productions, the children's roles were performed by real children ? students of the Imperial Ballet School in Saint Petersburg, with Belinskaya as Clara, and Vassily Stukolkin as Fritz ? rather than adults. The first performance of The Nutcracker was not deemed a success. [8] The reaction to the dancers themselves was ambivalent. While some critics praised Dell'Era on her pointework as the Sugar Plum Fairy (she allegedly received five curtain-calls), one critic called her "corpulent" and "podgy". [9] Olga Preobrajenskaya as the Columbine doll was panned by one critic as "completely insipid" and praised as "charming" by another. [9] Alexandre Benois described the choreography of the battle scene as confusing: "One can not understand anything. Disorderly pushing about from corner to corner and running backwards and forwards ? quite amateurish. " [9] The libretto was criticized as "lopsided" [10] and for not being faithful to the Hoffmann tale. Much of the criticism focused on the featuring of children so prominently in the ballet, [11] and many bemoaned the fact that the ballerina did not dance until the Grand Pas de Deux near the end of the second act (which did not occur until nearly midnight during the program). [10] Some found the transition between the mundane world of the first scene and the fantasy world of the second act too abrupt. [4] Reception was better for Tchaikovsky's score. Some critics called it "astonishingly rich in detailed inspiration" and "from beginning to end, beautiful, melodious, original, and characteristic". [12] But this also was not unanimous, as some critics found the party scene "ponderous" and the Grand Pas de Deux "insipid". [13] Subsequent productions [ edit] In 1919, choreographer Alexander Gorsky staged a production which eliminated the Sugar Plum Fairy and her Cavalier and gave their dances to Clara and the Nutcracker Prince, who were played by adults instead of children. This was the first production to do so. An abridged version of the ballet was first performed outside Russia in Budapest (Royal Opera House) in 1927, with choreography by Ede Brada. [14] In 1934, choreographer Vasili Vainonen staged a version of the work that addressed many of the criticisms of the original 1892 production by casting adult dancers in the roles of Clara and the Prince, as Gorsky had. The Vainonen version influenced several later productions. [4] The first complete performance outside Russia took place in England in 1934, [8] staged by Nicholas Sergeyev after Petipa's original choreography. Annual performances of the ballet have been staged there since 1952. [15] Another abridged version of the ballet, performed by the Ballet Russe de Monte Carlo, was staged in New York City in 1940, [16] Alexandra Fedorova ? again, after Petipa's version. [8] The ballet's first complete United States performance was on 24 December 1944, by the San Francisco Ballet, staged by its artistic director, Willam Christensen, and starring Gisella Caccialanza as the Sugar Plum Fairy, and Jocelyn Vollmar as the Snow Queen. [17] [8] After the enormous success of this production, San Francisco Ballet has presented Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967, and 2004. The original Christensen version continues in Salt Lake City, where Christensen relocated in 1948. It has been performed every year since 1963 by the Christensen-founded Ballet West. [18] The New York City Ballet gave its first annual performance of George Balanchine 's staging of The Nutcracker in 1954. [8] Beginning in the 1960s, the tradition of performing the complete ballet at Christmas eventually spread to the rest of the United States. Since Gorsky, Vainonen and Balanchine's productions, many other choreographers have made their own versions. Some institute the changes made by Gorsky and Vainonen while others, like Balanchine, utilize the original libretto. Some notable productions include Rudolf Nureyev 's 1963 production for the Royal Ballet, Yury Grigorovich for the Bolshoi Ballet, Mikhail Baryshnikov for the American Ballet Theatre, Kent Stowell for Pacific Northwest Ballet starting in 1983, and Peter Wright for the Royal Ballet and the Birmingham Royal Ballet. In recent years, revisionist productions, including those by Mark Morris, Matthew Bourne, and Mikhail Chemiakin have appeared; these depart radically from both the original 1892 libretto and Vainonen's revival, while Maurice Bejart 's version completely discards the original plot and characters. In addition to annual live stagings of the work, many productions have also been televised or released on home video. [1] Roles [ edit] The following extrapolation of the characters (in order of appearance) is drawn from an examination of the stage directions in the score. [19] Act I [ edit] Herr Stahlbaum His wife His children, including: Clara, his daughter, sometimes known as Marie or Masha Fritz, his son Louise, his daughter Children Guests Parents dressed as incroyables Herr Drosselmeyer His nephew (in some versions) who resembles the Nutcracker Prince and is played by the same dancer Dolls (spring-activated, sometimes all three dancers instead): Harlequin and Columbine, appearing out of a cabbage (1st gift) Vivandière and a Soldier (2nd gift) Nutcracker (3rd gift, at first a normal-sized toy, then full-sized and "speaking", then a Prince) Owl (on clock, changing into Drosselmeyer) Mice Sentinel (speaking role) The Bunny Soldiers
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