Zombi Child Online Now

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Author - Jason Di Rosso

Genre Fantasy
Actor Wislanda Louimat
reviews Zombi Child is a movie starring Louise Labeque, Wislanda Louimat, and Katiana Milfort. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her
Release date 2019
Bertrand Bonello
Tomatometers 6,7 of 10
Synopsis Haiti, 1962: A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at the prestigious Légion d’honneur boarding school, a Haitian girl confesses an old family secret to a group of new friends - never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable. Cast Crew Details Genres Director Producers Writer Editor Cinematography Production Design Composer Studios Country Languages Popular reviews More There are any number of horror films about “voodoo” magic and its colonialist underpinnings ? Jacques Tourneur’s 1943 “I Walked with a Zombie” remaining the most formative example ? but only Bertrand Bonello’s take on the subject includes an oral presentation on the life and times of Rihanna. It would be foolish to expect anything else from the firebrand director behind “House of Pleasures” and “Nocturama, ” whose films see history as less of a forward march than an uneasy churn; his work obfuscates clearly delineated temporalities in order to emphasize that while everyone may live in the present the past is never really dead. As its title suggests, “Zombi Child” finds Bonello taking that idea to its logical and most… Hoop-tober (hopefully), #25: This is so tremendously similar to a short piece that I wrote while locked in a residential treatment facility, during my senior year of high school (the narrative was legitimately a multigenerational story about Clairvius Narcisse himself, and one of his relatives! ) but, alas, that is a lost chronicle -- as is my contemporary Little Red Riding Hood redux -- a sad actuality that I've been trying to come to terms with for years, swept away in the clouds of non-replication and discarded student desktops. Oh well, I could never tell a story as well as maestro Bonello anyway. After the godardian doomed revolutionaries of Nocturama, Bonello asks for a reconsideration of the very concept of revolution - in a classroom of all places. This takes me back to what Régis Debray said in his book about May '68: the counterrevolution was so successful that it's nearly impossible to have a revolution in Europe now, but the African revolutionary movements are well and alive. Perhaps one of the biggest changes in European politics that Marx didn't anticipate was the turn towards social-democracies. Of course, this kind of regime can only successfully exist in a post-industrial society, i. e. in a society that has withdrawn from the industrial competion for the lowest cost of production. This current state of affairs where… La séquence finale m'a fait vraiment peur, mais en sortant du film on a découvert que ça existe pour vrai, des écoles uniquement pour les filles dont les parents ont reçu la Légion d'honneur, et ça ça m'a fait encore plus peur. Comment ne pas aimer un film qui se termine avec des statistiques sur le nombre de zombis qui hantent encore Haïti? A mixed bag. Bonello can certainly come up with a scene and one can admire his go for broke mentaily. His handling of young cast and shifting power balances is fine as well, yet while one can praise Bonello for not setting for facile white European humanism, this remains a movie about the heritage of European colonialism that can't avoid failing pray to it. Knowing where the booby traps are doesn't mean you are avoiding them. "Don't take notes, just try to think, " says the prof at the very exclusive girls' school built on "national values" - but perhaps it should be 'feel', judging by the one girl whose mind is on a boy ("I miss your kisses") in the midst of all the academic chatter. Horror too is treated academically, with playful ambivalence, the (white) girls tinged with horror iconography - a slo-mo sequence in the communal bathroom echoes Carrie, green goo coming out of one girl's mouth (for a joke) brings up The Exorcist - then suddenly it's not, Bonello doing his own Personal Shopper with a startling irrational streak. Is it because the girl uses voodoo to try and fix her own First… Recent reviews Many holes, but still cool Extremely competent and well done filmmaking culminates in... extremely mediocre and half baked film what lame dialogue to give teens “Zombies are cool” “No, they're gross” “Zombies used to walk slowly, but now they run” “Is she cool? Or is she weird? ” (Not exact quotations but you get it. I wish I got it. The same two expressions from these kids gets boring. ) "History is continual, not stuck in time, and Zombi Child is a genre-defying reminder that culture hasn’t exactly moved beyond the horrors of the past so much as its having an ongoing dialogue with it... " READ FULL REVIEW HERE: There’s a lot of interesting ideas here and several standout moments, but as a whole this movie didn’t always work. It feels a bit drawn out and poorly stitched together. There’s some great horror in the third act, but also the weirdest use of shitty jump scare sound effects I’ve ever seen. They literally just play the jump scare sound during a scary scene a few times, but without any accompanying on screen jump scare of any kind. C+ The last movie I saw in theaters before they shut them down for the corona virus which, of course, colored the whole experience. There's a lot to unpackage here, and the whole thing is as oblique as it is didactic, but to me, it felt like the perfect pop-song of a movie about how we will make the mistakes of today on top of the mistakes of yesterday, and they will be more forceful and unforgiving and awe inspiring as we move along. history is not linear or circular, but a maze that we are already very lost in. This review may contain spoilers. I can handle the truth. Bonello handles his subject with curious indictment & none of the bitterness that could have blurred his vision of blending Haitian Voodou culture, French colonial past & Zombi-slave bio-pic, mashing it with a dose of the fantastic in a contemporary privileged setting, to examine it all thru a fictional-fact narrative, a cinematic full plate indeed, but one that the French auteur carries without fear of a spillover. Komplette Kritik: "Leicht zu verstehen oder einfach zu konsumieren sind die Filme von Bertrand Bonello ja nie. Ähnlich wie sein französischer Kollege Bruno Dumont arbeitet auch er sich stets an den Rand- und Schattenbereichen der Gesellschaft und Kultur ab, unterläuft Zuschauererwartungen und bürstet Formeln und Versatzstücke von scheinbar Bekanntem gegen den Strich. Insofern war man schon ein wenig gewarnt, als es hieß, Bonellos neues Werk nach dem grandiosen Nocturama sei ein Zombie-Film. " (Joachim Kurz) Been thinking about how Bonello is the king of choosing *just* the right 50s-60s R&B gem for his movies and wondering what would come of it if he ever felt led to film something set in New Orleans. Unleash him on some Fats Domino, Irma Thomas, Allen Toussaint... What would that movie be? Need to focus all my powers on manifesting this into being. Also: Zombi Child is still a near-perfect movie. I’m far, far removed from high school, and I certainly didn’t go to high school in France, but this movie took me back to *a place. * I deeply love all the protagonists. I love this multifaceted look at one man’s (admittedly very unusual) story and the ripples it… Popular Lists Long, Weird List of Movies Step One: Go to. Step Two: Pick a Number. Step Three: GET WEIRD! * * Nobody cares if you don't think….

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Zombi Child
8.3 stars - yukingo

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