Johnny Russell

A Sony Pictures Classics Release Synopsis Tim Roth and Clive Owen star in François Girard's (The Red Violin) sweeping historical drama, about a man searching for his childhood best friend ? a violin prodigy orphaned in the Holocaust ? who vanished decades before on the night of his first public performance. About Testimonial About The Production TESTIMONIAL "Can a film be both heartbreaking and heart-healing at the same time? The Song of Names is a triumphant combination of history, artistry, and deep pathos. Some few stories help us comprehend the enormity of the losses, the astonishing resilience and the creative passion that marked a people¡Çs darkest time. Song of Names is such a story, tracing a haunting melody that carries us far beyond words to a soul stirring climax. In an age of forgetfulness and coarse cruelty, when the slogans of hate reappear throughout the globe, The Song of Names is a gripping and vital contribution: a reminder of all that was lost, all that remained, and all that remains to be done. A film of broken friendship that devastates then uplifts, and finally, gives us back our faith. " ? Rabbi David Wolpe is the Max Webb Senior Rabbi of Sinai Temple in Los Angeles. Named one of the 500 Most Influential People in Los Angeles in 2016 and again in 2017, Most Influential Rabbi in America by Newsweek and one of the 50 Most Influential Jews in the World by The Jerusalem Post, David Wolpe is the Max Webb Senior Rabbi of Sinai Temple. Rabbi Wolpe previously taught at the Jewish Theological Seminary of America in New York, the American Jewish University in Los Angeles, Hunter College, and UCLA. A columnist for, he has been published and profiled in The New York Times, Los Angeles Times, Washington Post¡Çs On Faith website, The Huffington Post, and the New York Jewish Week. He has been featured on The Today Show, Face the Nation, ABC This Morning, and CBS This Morning. In addition, Rabbi Wolpe has appeared prominently in series on PBS, A&E, History Channel, and Discovery Channel. Rabbi Wolpe is the author of eight books, including the national bestseller Making Loss Matter: Creating Meaning in Difficult Times. His new book is titled David, the Divided Heart. It was a finalist for the National Jewish Book Awards, and has been optioned for a movie by Warner Bros. ABOUT THE PRODUCTION As the first Gulf War was ending in 1991, Norman Lebrecht, a British commentator on classical music, was about to fly from Liverpool to Los Angeles. ¡ÈThere was a war on another continent, and it gave me an overwhelming sense of fragility, ¡É he says. ¡ÈI had an idea about lives being unsettled by larger historic events. And the particular idea I had was: What if a man is so close to another person that they have an almost symbiotic connection?and that person suddenly disappears? How do you continue your life with only half a functioning self? You can lose a part of yourself and spend your whole life looking for it. ¡É As he continued to think about this idea over the coming years, it developed into his first novel, The Song of Names. The two halves of one soul that Lebrecht created in the novel were Martin, son of a modest music publisher, Gilbert Simmonds, and a Polish Jewish violin prodigy, Dovidl Rapoport, that Martin¡Çs father invites to live in their home. ¡ÈThe day before Dovidl came along, if you asked Martin what he was, he would have said ¡Æordinary, ¡Ç¡É says Lebrecht. ¡ÈWhen Dovidl arrives, Martin¡Çs ordinariness ceases. When Dovidl disappears, Martin suffers two losses: the loss of his father, which he blames on Dovidl, and the loss of whatever lit Martin up from the inside and made him feel not ordinary. All this lives within Martin as slow-burning anger, the hope against hope that something will be resolved and that when it¡Çs resolved, there will be rage. ¡É For Lebrecht, The Song of Names is about coping with loss. ¡ÈIt¡Çs something that happens to all of us in our lives, ¡É he says. ¡ÈDo we then allow loss to paralyze us? Do we allow loss to leave us living half lives or half-hearted lives? Or are we able to, in some way or another, adjust to loss, and find a way to overcome that thing, however terrible it is? ¡É As THE SONG OF NAMES is set within the world of music and musicians, producer Robert Lantos saw François Girard (THE RED VIOLIN, THIRTY TWO SHORT FILMS ABOUT GLENN GOULD) as an ideal director. ¡ÈThis film lives or dies on the emotional impact of its music, ¡É says Lantos. ¡ÈI thought it wouldn¡Çt be enough to have a terrific film director who just left the music to the composer. It had to be someone who is as familiar with the language of classical music as he is with the language of cinema, so he could work with a composer from a place of knowledge and conviction. And that led me to François. He directs opera, theatre, and Cirque du Soleil shows. I doubt there are many other filmmakers in the world who are as comfortable and familiar with classical music as he is. ¡É Despite his passion for music, Girard didn¡Çt want the film¡Çs emphasis to be on music and the artistic temperament, as he felt it had been in Lebrecht¡Çs novel: ¡ÈMusic is a very important vehicle in tackling this story, but to me this is not a film about music, ¡É he says. ¡ÈThis is an intimate story of two brothers, in which the undercurrents of the Holocaust and the memory of those that disappeared, gradually emerges. I made sure at all times that the music was always serving that, and never the reverse. ¡É Six actors play the principal roles of Martin and Dovidl, in different stages of their lives: as boys, adolescents, and middle-aged adults (Tim Roth and Clive Owen). ¡ÈWe¡Çre following characters from 9 to 55, which turns out to be my age and pretty much Clive and Tim¡Çs age, ¡É says Girard. ¡ÈThe first period in the script goes from age 9 to about 21. You can't have the same actor play 9 and 21. You need a child and then a young man. And then, when you connect with the characters 35 years later, you need yet another pair of actors. ¡É Finding the right mix was a big challenge for Girard and casting directors Kirsty Kinnear, Susie Figgis, and Pam Dixon. ¡ÈIf you have Tim Roth and Clive Owen, you have to find the middle Tim and Clive and then the young ones, ¡É says Girard. ¡ÈWhenever we moved a piece, the whole puzzle would shift. It took us more than a year to make sure we were making the right casting choices. ¡É The casting of these roles was pivotal, because the impact of Martin¡Çs quest to find Dovidl rests on the depth of the relationship forged between the boys in their early years as evoked in the film. ¡ÈI did everything possible to invest in that relationship with love, ¡É says Girard. ¡ÈLove would be the key word. That way, the disappearance of Dovidl would be that much more charged. ¡É Luke Doyle, who plays Dovidl from age 9 to 13, is a violin prodigy himself, but unlike the other members of the cast, he was cast for his experience as a virtuoso violinist, and had no prior experience as an actor. ¡ÈIf a young person is already in touch with his emotions performing music, you can expect that he will be able to express his emotions with acting, ¡É says Girard. The director eventually found a musical process for communicating with Doyle, which sometimes meant literally conducting him: ¡ÈI¡Çd give him a tempo, give him a flow, much like a conductor does with musicians, using my body and my arms to keep the rhythms of the text flowing through a scene. And Luke, being the brilliant young artist he is, reacted to that really well. ¡É Luke Doyle found young Dovidl to be a fascinating character to play. ¡ÈThere are not too many people out there who are like Dovidl, ¡É he says. ¡ÈHe never does anything boring, and that always makes him the center of attention. His arrogance and confidence is quite gravitational. At the same time he can sometimes be quite selfish, and doesn¡Çt really care about others. ¡É Doyle also perceives hidden vulnerability in Dovidl: ¡ÈIn the first few scenes, it feels as if Martin is the one who can¡Çt control his emotions, but as the story progresses and the two get to know each other, the tables turn and you begin to realize that it¡Çs actually Dovidl who can¡Çt control his emotions, and for good reason. ¡É Misha Handley plays young Martin, who at first sees Dovidl as an unwanted invader in his house. ¡ÈWhen Dovidl comes into his room and they are alone for the first time, Martin tries to establish dominance, but Dovidl just naturally takes up the space, ¡É says Handley. ¡ÈHe is clearly better than Martin at most things. The two despise each other after that first contact, especially on Martin¡Çs side, but after certain events, the bond forms, and they become incredibly close, like blood brothers. ¡É Handley recognized that underneath Martin¡Çs exterior, there are more complicated feelings brewing. ¡ÈYou take another look and you realize there is this darkness in the background. Martin loves Dovidl, but at the same time there¡Çs this hatred, there¡Çs this jealousy. ¡É When we meet Dovidl at 17, as Jonah Hauer-King begins to play him, he has lived in the UK for quite a few years and he¡Çs assimilating with his surroundings and his new family. ¡ÈHe has begun the journey, consciously or subconsciously, away from his Polish-Jewish identity, ¡É says Hauer-King. ¡È It¡Çs a time of great change because a lot of his identity was connected to his parents and to his family and the mystery surrounding what happened to them. ¡É By this point in the story a very specific dynamic has been formed in Dovidl and Martin¡Çs relationship. ¡ÈDovidl is talented, flamboyant, precocious, self-centered, and ambitious, and Martin is the one who tries to keep him grounded and act as a rock. They are both playing roles within that brotherhood. Dovidl doesn¡Çt articulate it much, but I think he has a huge love and respect for Martin for putting up with him, as he can be quite difficult to be around. ¡

I was disappointing. This is quite a poorly done work. Another user reviwer here said the ending was "shocking." No it is not, it is predictable. In fact the entire film is a endless run of cliche.

Something went wrong, but don¡Çt fret ? let¡Çs give it another shot

Movie online the song of names boys. Mirren and McKellan: Im in. Mr Rogers was a good man inside out. We need him now more than ever. Im glad God wanted him to be his neighbor. Those 14k are not dislikes. Its a like from australians. Movie online the song of names new. Life was simple back then. Bread for 10 million reichsmark. I guess mr Goldstein dont know much about history... Movie Online The Song of names new. This song is so amazing, I can't wait for the full album. but can you upload the background picture for us, please? it's breathtaking.
"The Song of Names" directed by the wonderful François Girard, surpassed all of my expectations! The story is about the relationship two "brothers" and how that relationship changes over the years as the mystery unfolds. The score, by the great Howard Shore, expertly showcases the film's haunting, mysterious tone. Acting, directing and cinematography, to name a few, were all brilliant. Certainly worth a watch, even if just for the magnificent violin solos! The film catches your attention from the very first scene and leaves you wanting more after the shocking finale. I would recommend this film to musicians, as well as anyone who loves a good character-based mystery.

Pretty enjoyable and refreshing break from Hollywood. Looks beautiful. The first great film of the trump era wtf does that mean. Movie Online The Song of. Movie Online The Song of namespace. I could totally imagine this going into a series. Damn this was a good movie. Movie online the song of names 2016. Movie Online The Song of namespaces in xml. Movie online the song of names youtube. Movie online the song of names full. On Manchester Day my daughter went in as a lowry matchstick girl representing him, about time brilliant ??. What is the name of song playing in background.? looks good...

Legend of 1900 continues. The movie is beautiful. The intensity of just moments touch you soul. It's a mature communication from my perspective. And the ending has left an immense impact on me. I just keep thinking, why would you go through that? Would there be no way? I get the complications she had with her mother and that she felt she wasn't free, but wouldn't it be so lovely if the painter did and was able to set her free not in the methaphoric way. Obviously it's a story and this would be many people's reality, but couldnt you just try? Try to find a way to he together? Or at least be in touch? Why let go something so deep and loving as as just a strong memory. When she sees her at the end, god. It's hard to go after what you want because of circumstances but it also makes you alive. It makes you happier. And to be able to find such magical intense love is so rare. No offense to anything and anyone! I would really like to know what others think about the ending. Holy shit. I remember this guy as a james bond villain, damn he got old.

Movie Online The Song of names and numbers. Hey, Plop's in this.

Movie online the song of names online. I just saw the movie. Julianne Moore best actress. Back when everybody use to make to this ? nostalgia hitting hard rn. 2020 ina couple hours. new blessings ??. Finally a trailer that doesnt make you feel youve watched the entire movie. Im left guessing. Movie online the song of names hd. Movie online the song of names list. I think Timothée and Saoirse must have signed a blood pact or something. They come as a package deal for every movie they're in or else it triggers the apocalypse.
Just finished watching it, thought it was really good. Would recommend watching it. Movie online the song of names 2017. Both great feckin actors. Movie online the song of names love. Movie online the song of names lyrics. Movie Online The Song of namespaces.

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