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Country - Italy; Beniamino Barrese; Beniamino Barrese; Resume - Benedetta wants to disappear. An iconic fashion model in the 1960s, she became a muse to Warhol, Dali, Penn and Avedon. As a radical feminist in the 1970s, she fought for the rights and emancipation of women. But at the age of 75, she becomes fed up with all the roles that life has imposed upon her and decides to leave everything and everybody behind, to disappear to a place as far as possible from the world she knows. Hiding behind the camera, her son Beniamino witnesses her journey. Having filmed her since he was a child in spite of all her resistance, he now wants to make a film about her, to keep her close for as long as possible - or, at least, as long as his camera keeps running. The making of the film turns into a battle between mother and son, a stubborn fight to capture the ultimate image of Benedetta - the image of her liberation; Genre - Documentary; 2019.
Questa che traduce fa arrabbiare e non traduce per niente.

Anche se un uomo ha fatto del male non significa che la usa intera carriera crolli IPOCRITI. Pensate se ci fossero state delle interviste all'epoca dell'imperialismo (1800) Quanti poeti, filosofi, militari, politici. avevano fatto qualcosa di sbagliato?Se dite M'è caduto un mito (ma per chiunque sottolineo) siete IPOCRITI! è ovvio che sia qualcosa di Agghiacciante, per non parlare delle altre Nazioni, è poco. M'è caduto un mito #OkBoomer.

Bisogno di un centro di denuncia contro maltratammento della donna. mohammed si scappa anche al marocco la polizia marocchina capace di arrestarlo subito. dove sono le centre sociale e di che cosa si occupano. Just saw It. OMG. Its amazing. I haven't enough words. God-level... Io sti problemi non me li faccio, davvero curo la mia bellezza per me stessa il resto è secondario. Eccellenti e più che opportune osservazioni da parte della giovane dal pubblico. Gran figura di pedofilo di merda da parte di Montanelli.

Questa donna era una giornalista eritrea, Elvira Banotti. bravissima. Benedetta wants to disappear. An iconic fashion model in the 1960s, she became a muse to Warhol, Dali, Penn and Avedon. As a radical feminist in the 1970s, she fought for the rights and emancipation of women. But at the age of 75, she becomes fed up with all the roles that life has imposed upon her and decides to leave everything and everybody behind, to disappear to a place as far as possible from the world she knows. Hiding behind the camera, her son Beniamino witnesses her journey. Having filmed her since he was a child in spite of all her resistance, he now wants to make a film about her, to keep her close for as long as possible ? or, at least, as long as his camera keeps running. The making of the film turns into a battle between mother and son, a stubborn fight to capture the ultimate image of Benedetta ? the image of her liberation Ever since my dad gave me a camera when I turned seven, making images has been a strategy to keep hold of the people I loved, saving them from the passing of time. I tried to photograph and film my mother too, but pointing a camera at her has never been easy. I have always felt a reverence, a sort of resistance in the action of photographing her. She just was too much to be contained in a single image?too beautiful, too smart, too funny, too intelligent, to aggressive, too incredible. For as hard as I tried, I just could not effectively capture her soul in a shot. She was a mystery to me. We always had a strong bond, but I had a feeling that there was so much more behind the part of her that I could see and access. For instance, she never told me that she was a model. I discovered that one day when I found locked in a wardrobe a few big photo portfolios with all her Vogue and Harper's Bazaar covers and editorials from the 1960s. I never told her I had found them, because if she didn’t tell me there was probably a reason. The Benedetta I knew was so different from the girl who was staring at me from the magazine pages ? and yet, she was so similar. I couldn’t easily bring together all of the contrasting pieces of my mother’s life, and I started to feel that it was my responsibility to recompose them into a coherent story. My mum also openly challenged me when it came to why I was taking photos and making films. Why was I so obsessed with it? Was the camera a way to hide, to avoid confronting my experience fully? Why would I need to rely on a camera to keep track of the things that mattered to me? Why didn’t I keep a memory of them, letting go of what was not worth preserving? As I grew up, the role of images became progressively more dominant in our culture. And while I was starting to work as a photographer and cinematographer, I realised that the questions that my mum had posed in time were becoming more and more relevant. Making this film became a way to confront my visceral fear of losing forever what is bound to disappear. At the same time it was a way to collect and preserve my mother’s legacy, bringing forward the intellectual ideas and emotional feelings that she had initiated by reflecting on her work as a model. Filming her again turned out to be a real challenge, as it implied exposing my reluctant mum while she was carefully explaining to me that “the lens is the enemy, ” and she just wanted to vanish, escaping the gaze and leaving behind the world as she knows it. The journey was hard, and it implied quite a lot of mutual harm ?but I hope that she will realise that what I did was hopefully done with the kind of integrity that she has always tried to keep within herself. As for me, I know that I still haven’t managed to effectively capture her essence in a frame. Instead, I might have finally learned that this is just impossible. As my mum often repeats, “what truly matters, is always invisible. ” “ Engrossing. I just found Benedetta to be an extraordinarily interesting woman ” ? Christopher Campbell, Nonfics “ An alternately tender and tempestuous doc… His obsession and her resistance intertwine, sometimes gently, sometimes explosively. This is a tumultuous muse story in which the artist and his inspiration just happen to be blood relations ” ? Keith Uhlich, The Hollywood Reporter “ One of the most moving and complex film at Sundance. ” ? AMY TUBIN, FILM COMMENT “ Beguiling. Many wonderfully contentious moments… A provocative rumination on how history is shaped by decisions and not always fact and that even the most well-intentioned interpretations can be fallible. Acknowledging that is the first step ‘The Disappearance of My Mother’ takes towards doing justice to a remarkable life in a film that evenif it reveals only a fraction of Benedetta’s true self is powerful to behold. ” ? Stephen Saito, The Moveable Fest “ It’s only January but so far, this is the best documentary I’ve seen in 2019, and honestly in quite some time. The intricacies of a mother-son relationship are laid bare for all of us to see... The ending is perfect and bittersweet.. ‘The Disappearance of My Mother’ is rife with grand philosophical questions about beauty, capitalism, love, life, and death, while still maintaining the intimacy of a family connection. (10 out of 10) ” ? Lorry Kikta, Film Threat “ The Disappearance of My Mother’ was an uplifting journey of one man and his desire to capture his only favorite model ? his mother Benedetta... The dialogues the mother and son have is all what we need to warm our hearts. They both adore each other but it’s the camera that enjoys what it captures the most… There’s a lot which can be taken away from this wonderfully shot and yet intimate portrait. (5 out of 5) ” ? Ulkar Alakbarova, Let the Movie Move Us “ Director Beniamino Barrese had a captivating subject right in front of him in his mother, Benedetta Barzini… This would make for a fascinating jumping off point for any documentary, but the fact that her son took up the camera himself makes this into a Freudian field day of unspoken needs and desires... The interplay between mother and son adds a voyeuristic thrill to the struggle of one woman to reconcile her life. The contrast between her fame as a fashion model and her railings against the overwhelming male gaze of then industry is the main dichotomy of her life, something Barrese rightfully keys in on as utterly fascinating… A captivating watch for most of its runtime ” ? Emily Wheeler, Film Inquiry “ One of several memorable documentaries in this year’s Sundance Film Festival... Deeply personal and shot through with fascinating contradictions, ‘The Disappearance of My Mother’ is a portrait of a woman in rebellion... Barzini is a severe, unsparing critic of the commodification and exploitation of the female body by men, which greatly complicates her son’s insistent, at times intrusive gaze. It also deepens the movie, making the personal ferociously political. ” ? Manohla Dargis, THE New York Times “ One solitary word cannot fully encapsulate how utterly personal the documentary comes across. Barrese guides the audience through his mother’s mindscape, and as a thoughtful, remarkably insightful woman, the documentary reflects this sentiment through its visual language and fluid editing… ‘The Disappearance of My Mother’ is a noble effort, and as the subject of the film, Barzini herself is an intriguing personality; her perspective on the world is genuinely moving to hear at times, and her insights often work their way into your mind, inspiring you to openly consider your own life. Similarly, Barrese’s talents as a filmmaker cannot be disregarded. ” ? Jonathan Christian, The Playlist “ The Disappearance of My Mother’ emerges as a tender and moving portrait… It’s a refreshing departure from the kind of (mostly American) documentaries in which a prolific subject collaborates closely with a renowned documentarian to tell their story… It’s as honest as it is persistent ” ? John Fink, The Film Stage “ Included in Hollywood Reporter Critics Pick the 20 Best Films of Sundance 2019. Italian filmmaker Beniamino Barrese helms an alternately tender and tempestuous doc about his mother... His obsession and her resistance intertwine, sometimes gently, sometimes explosively. It’s a slippery, ultimately very moving film. ” “ I think it’s really, really something… It’s a heartbreaker... She is one of the great women of our time… ‘The Disappearance of My Mother’ is formally really interesting?you don’t see that relationship between mother and son intimately acted out on camera. ” ? Amy Taubin, Film Comment Podcast Indonesia + info 12th december 2019 BELGIUM Fesival Des Cinema Italien 7th december 2019 BRAZIL Festival do Rio - Rio de Janeiro Int'l Film Festival GET TICKETS 12th December 2019 BENIAMINO BARRESE - Director / Cinematographer Born in 1986, Beniamino Barrese graduated with a degree in Philosophy at Statale di Milano, International Political Economy at King’s College London and later received his MA in Cinematography at the National Film and Television School in Beaconsfield, UK. Since 2011 he has been working as a filmmaker, director of photography and photographer. His work as a DP includes fiction and documentary features, commercials, fashion films, music promos and short films, which have travelled around festivals worldwide. The Disappearance of My Mother is his first feature-length film as a director. FILIPPO MACELLONI - Producer Filippo Macelloni is an award-winning director, producer and writer. His work has played in numerous film festivals and on TV networks across the world. Among his most significant credits are the mockumentary Il Mundial dimenticato - The lost World Cup, co-produced and directed with Lorenzo Garzella, which premiered at the Venice FIlm Festival in 2012; the 2011 documentary Silvio Forever, co-directed with Roberto Faenza, a satirical biopic of former Italian PM Silvio Berlusconi; a
WWG1WGA Europe need ! Im Voting for the far right in the EU in may. I hope it's a portrait... guide us further to the person Bannon, not an another biased documentary. Fino a questo momento nn sapevo di questo squallore ma che schifo! A pensare che ho sempre ammirato questo giornalista.
Che uomo di ? che schifo. Lo schifo del fascismo tutto in ununica uomo. e ho letto anche chi lo giustifica. che fa ancora più schifo rendermene conto di quanta ignoranza cè ancora. CLICK HERE TO WATCH FULL ?? Visit. Io so l'arabo e la conduttrice sta traducendo sbagliato dice quello che le pare insomma faceva prima a non farlo il servizio. Filling the niche can often be difficult. The theme was alive for decades, and seems more prevalent in the recent years. Try not to feel too bad that you were the ones to make this. Millions of people could, but it was you, and these are the methods you have used to portray this massive subject within the United States. I won't say thanks, but I will say sorry.
&ref(https://www.movietrainer.com/php/thumbnail_crop.php?src=https://www.movietrainer.com/img/galleria_opere/5d977b24d6aaf.jpg&w=200&h=291&t=jpg) I'm a mess. Questo video mi fa ribrezzo. Che si vergogni all'inferno, dove deve stare. We are just getting Started? Fight For Trump2020??.