Terry Arnold

For his first "fiction" movie (which uses only real facts as inspiration) he made a masterpiece. Nędznicy warszawa. Wonderful. unfortunately nothing was sang in Spanish at the end, considering that is the second more important language in the world, however I can listen German and other languages (Which is also very good of course. Les Mis is very popular in Spain and Spanish-speaking countries.

More than anything else, I think this is the biggest problem with Les misérables. The writing was weak to me. Like I said, it's well shot, the acting is all pretty good, the themes are relevant, and its message an important and more than agreeable one. But I just felt it did so little to involve me as a viewer. If you compare this to something like City Of God, which has a fantastic, relentless sense of pacing and a high number of hugely emotional scenes, this movie just falls apart. The main incident that gets the plot going takes too long to happen, and then doesn't really cause the plot to build or progress. The story then comes in fits and bursts. Some scenes feel like they go on forever. The characters are incredibly one-dimensional, and none really change or grow throughout the film. The dialogue is fairly basic, and there's little in the way of humour, sadness, or tension. There feels like there's about three different endings before a more exciting climax suddenly appears. only for it to be cut short by a hugely pretentious and eye-rollingly sudden ending. Like, I get what they were saying by ending it the way they did. But it felt so cheap and unearned, especially because it had already felt like the movie had ended multiple times before that. It's barely over 100 minutes in total, but it felt more like two and a half hours. Oh also, more of a nitpick- and certainly not a problem for those who speak French- but the subtitles weren't very well done in my opinion. They weren't bold enough, and so often when the white lettering appeared on a white or mostly white background, I couldn't read them too well. Giving them a black outline, making them bolder, or putting them on the black border at the bottom of the screen (which happens given this film is shot in a 2.35:1 aspect ratio) could have solved this. I think there was potential here for a more compelling movie, and if you're more after a film with a powerful message that reflects and touches upon current issues, this could be worth a watch. It'll likely start conversations, and open eyes, and maybe that's enough. I just thought it largely failed as a story; as an actual film. It highlights the importance of pacing and well-developed characters more than anything else, because everything else was done quite well. It fell apart with the writing for me, but I know I'm in an extreme minority here, so if this looks interesting to you, please don't let the ignorant, random non-French guy on the Internet put you off this too badly. I just had some thoughts I had to get out I suppose, and overall, it's far from terrible, even with what I perceived to be a fairly weak screenplay.

Une bonne cause pour faire du fric. Des caves utiles au système. La pitié des tyrans par des artistes de la finance. La tyrannie sappuie toujours sur lapitoiement ? se met toujours du côté des pauvres et des opprimés ? pour mettre au jour le monstre du pouvoir. Les tyrans assoiffés de pouvoir parlent tous damour. Mais les tyrans offensent lamour, avilissent la beauté, déchirent la tendresse et avilissent le courage. Les tyrans sont des médiocres dont lambition est de la lâcheté quils imposent à tous. (? Soyez tranquilles, nous arrivons ?) ? parce quils sont incapables dêtre responsables et donc ils créent un ennemi imaginaire (? Lautre ?) qui serait fautif du manque daffection et de sécurité des gens. Et cet ennemi imaginaire nourrit leurs discours pendant lesquels ils sadmirent eux-mêmes devant les gens terrorisés mais à qui ils sont arrivés de faire chanter des hymnes à la liberté. Au nom dun dieu ou dune autre idée quils ont à vendre pour le bénéfice des exploiteurs planétaires. Ainsi, le fascisme désigne le progrès social comme ennemi, interdit la liberté, brise légalité, brouille la fraternité et démolit les acquis sociaux des peuples. Le fascisme hait lintelligence et impose sa religion dinsoumission et dignorance. Les questions sont alors interdites. Et le peuple chante des hymnes à la liberté.

Nędznicy trailer 2020. Nędznicy cda. Nędznicy książka.