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- Country - France
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- Resume - Assigned to work alongside unethical police veterans Chris (Alexis Manenti) and Gwada (Djebril Zonga) in Paris' Anti-Crime Brigade, Brigadier Stéphane Ruiz (Damien Bonnard) - a recent transplant to the working-class suburb of Montfermeil, where Victor Hugo wrote his famous novel Les Misérables - struggles to establish a working relationship with influential community leaders while attempting to maintain some semblance of peace between his disreputable team and the citizens of the local housing projects. When what should be a simple arrest goes tragically awry, the three officers must individually reconcile with the aftermath of their actions while angling to keep the neighborhood from retaliating with mob violence. Beginning as a Cesar-winning short film, the film was inspired by the 2005 riots in Paris. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival, where it won the Jury Prize (in a tie with BACURAU) and was selected as France's entry for Best International Feature Film at the 92nd Academy Awards
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3:23 The Bishop. Okay this show is hilarious but James is so underrated I mean in I dreamed a dream he ABSOLUTELY KILLED IT. Free download les miserables pdf. Download free les misérables 2012. Im disappointed in my missjudgment, i somhow thought it was a biography. Download free les misérables.
Download Free Les misÃrables. Download Free Les misérables. Home Huffington Post THE MUSICAL PHENOMENON. An intense and powerful drama that shows the raw reality of life in French inner cities. At times breathtaking, LES MISÉRABLES is doubtlessy the strongest banlieue film since LA HAINE. Ly's debut feature is more than impressive.
Free download les miserables movie. Free download les miserables. Pour tous ceux qui dénigrent le gars qui a eu une prise de conscience. Vous n êtes que des hypocrites, le livre de l ancien president de 2012 est encensé pourtant il est trempé dans des affaires louches. Les médias ont encensé mesrine, les anciens bandits. Ça ne dérangeait pas. Tout ça parce que c est un gars de banlieu qui a réussi. Certains artistes ont raison. Ce n est pas bien vu de réussir chez nois. Ils ont bien raison de fuir.?. When tomorrow comes. Les miserables audiobook free download.
It's hard to imagine that this is the same man who played Borat hahaha. Hugh my man forever. Javert is easily my favorite. Quand même un peu déçue que Geoffrey Rush ne refasse pas parti du casting. Il était pourtant éblouissant en Javert, par le passé. Petit lot de consolation avec Helena Bonham Carter tout de même, qui va sans doute tout déchirer, encore une fois ! En espérant qu'ils ne détruisent pas Les misérables en poussant la chansonnette. . "Those who live are those who fight." Victor Hugo
Download Free Les misÃrables. Download Free Les misérables. Home Huffington Post THE MUSICAL PHENOMENON. An intense and powerful drama that shows the raw reality of life in French inner cities. At times breathtaking, LES MISÉRABLES is doubtlessy the strongest banlieue film since LA HAINE. Ly's debut feature is more than impressive.
Free download les miserables movie. Free download les miserables. Pour tous ceux qui dénigrent le gars qui a eu une prise de conscience. Vous n êtes que des hypocrites, le livre de l ancien president de 2012 est encensé pourtant il est trempé dans des affaires louches. Les médias ont encensé mesrine, les anciens bandits. Ça ne dérangeait pas. Tout ça parce que c est un gars de banlieu qui a réussi. Certains artistes ont raison. Ce n est pas bien vu de réussir chez nois. Ils ont bien raison de fuir.?. When tomorrow comes. Les miserables audiobook free download.
It's hard to imagine that this is the same man who played Borat hahaha. Hugh my man forever. Javert is easily my favorite. Quand même un peu déçue que Geoffrey Rush ne refasse pas parti du casting. Il était pourtant éblouissant en Javert, par le passé. Petit lot de consolation avec Helena Bonham Carter tout de même, qui va sans doute tout déchirer, encore une fois ! En espérant qu'ils ne détruisent pas Les misérables en poussant la chansonnette. . "Those who live are those who fight." Victor Hugo
Because I have had my fill of violence recently in the realism of For Sama and the fantasy of The Gentlemen, I can more easily recognize the artistic importance of it to represent the malign tendencies of human nature and the absurdity of having to defend life with terror rather than thought. The rugged streets of ethnically-diverse Paris, usually hidden from us white travelers, come alive in this loose update of Les miserables by director Ladj Li's Violence is cinematic, and in the Oscar-nominated Les miserables, set in Hugo's modern-Paris hood, it serves to explode in our minds the great divide between kids and adults and the evil of police brutality for those kids doomed to spend their days under racist dominance and ignorant supervision. The Young Issa (Issa Perica) steals a baby lion from a circus; an active crime unit, led by modern-Javert Chris (writer Alexis Mananti) pursues him with brutal results. As white police clash with predominantly Muslim citizens, kids ironically become the antagonists, as if writer/director Li wanted to remind us that in Lord-of-the-Flies tradition, even the innocent are not so innocent if we teach them well. Hugo would have agreed that the adults in charge are jailers with cruelty on their minds. The cinematographic movement of this Oscar-nominated drama is active with Steadicam balance and drone perspective. We are there. Of the dozen or so characters, not one is neglected, and not one is irrelevant to the plot. As for the Parisian setting, Ladj makes sure the Eifel Tower appears in a few shots, more I suspect to make fun of our cliched experience with the great city because the hood we see in Les miserables is the world we most likely would never see in our travels. Chalk up another of cinema's gifts to us. Here's a film of enormous humanity and entertainment couched in a tense world of racist clashes and violent conclusions. Hugo would agree while offering a modicum of hope: The darkest night will end, and the sun will rise...Download free les misérables 85th academy awards. Les miserables free mp3 download. The “Ill see you in court” had me dying. Download Free les misérables. I love the way he stays in characters during the applause, glaring at the audience. I think this may be my favourite comment section in all of youtube. Download Free Les miserables. Free download les miserables soundtrack.
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It is really ironic, how the french usurped a king and then killed everyone who wanted a democracy to establish an emperor. xD. I CAN'T believe they didn't give him an Oscar for this amazing interpretations! 4 years and I am still crying everytime I watch it. Newt and logan are looking great. Les miserables download free.
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Download Free les miserables. Download Free Les misérables les. Crowe don't damage the sing if you see the movie you will now he should sing in this way because there are a lot of sections sing many actor in the same time So he is good. Les Misérables Jean Valjean as Monsieur Madeleine. Illustration by Gustave Brion Author Victor Hugo Illustrator Emile Bayard Country Belgium Language French Genre Epic novel, historical fiction Publisher A. Lacroix, Verboeckhoven & Cie. Publication date 1862 Les Misérables (, [1] French: [le mize?abl(?)]) is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. [2] Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption. [3] Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for film, television and the stage, including a musical. Novel form Upton Sinclair described the novel as "one of the half-dozen greatest novels of the world", and remarked that Hugo set forth the purpose of Les Misérables in the Preface: [4] So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth, and complicates a destiny that is divine with human fatality; so long as the three problems of the age?the degradation of man by poverty, the ruin of women by starvation, and the dwarfing of childhood by physical and spiritual night?are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless. Towards the end of the novel, Hugo explains the work's overarching structure: [5] The book which the reader has before him at this moment is, from one end to the other, in its entirety and details... a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life; from bestiality to duty, from hell to heaven, from nothingness to God. The starting point: matter, destination: the soul. The hydra at the beginning, the angel at the end. The novel contains various subplots, but the main thread is the story of ex-convict Jean Valjean, who becomes a force for good in the world but cannot escape his criminal past. The novel is divided into five volumes, each volume divided into several books, and subdivided into chapters, for a total of 48 books and 365 chapters. Each chapter is relatively short, commonly no longer than a few pages. The novel as a whole is one of the longest ever written, [6] with 655, 478 words in the original French. Hugo explained his ambitions for the novel to his Italian publisher: [7] I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Misérables knocks at the door and says: "open up, I am here for you". Digressions More than a quarter of the novel?by one count 955 of 2, 783 pages?is devoted to essays that argue a moral point or display Hugo's encyclopedic knowledge, but do not advance the plot, nor even a subplot, a method Hugo used in such other works as The Hunchback of Notre Dame and Toilers of the Sea. One biographer noted that "the digressions of genius are easily pardoned". [8] The topics Hugo addresses include cloistered religious orders, the construction of the Paris sewers, argot, and the street urchins of Paris. The one about convents he titles "Parenthesis" to alert the reader to its irrelevance to the story line. [9] Hugo devotes another 19 chapters (Volume II, Book I) to an account of?and a meditation on the place in history of?the Battle of Waterloo, the battlefield which Hugo visited in 1861 and where he finished writing the novel. It opens volume 2 with such a change of subject as to seem the beginning of an entirely different work. The fact that this 'digression' occupies such a large part of the text demands that it be read in the context of the 'overarching structure' discussed above. Hugo draws his own personal conclusions, taking Waterloo to be a pivot-point in history, but definitely not a victory for the forces of reaction. Waterloo, by cutting short the demolition of European thrones by the sword, had no other effect than to cause the revolutionary work to be continued in another direction. The slashers have finished; it was the turn of the thinkers. The century that Waterloo was intended to arrest has pursued its march. That sinister victory was vanquished by liberty. One critic has called this "the spiritual gateway" to the novel, as its chance encounter of Thénardier and Colonel Pontmercy foreshadows so many of the novel's encounters "blending chance and necessity", a "confrontation of heroism and villainy". [10] Even when not turning to other subjects outside his narrative, Hugo sometimes interrupts the straightforward recitation of events, his voice and control of the story line unconstrained by time and sequence. The novel opens with a statement about the bishop of Digne in 1815 and immediately shifts: "Although these details in no way essentially concern that which we have to tell... " Only after 14 chapters does Hugo pick up the opening thread again, "In the early days of the month of October, 1815... ", to introduce Jean Valjean. [11] Hugo's sources Eugène Vidocq, whose career provided a model for the character of Jean Valjean An incident Hugo witnessed in 1829 involved three strangers and a police officer. One of the strangers was a man who had stolen a loaf of bread, similar to Jean Valjean. The officer was taking him to the coach. The thief also saw the mother and daughter playing with each other which would be an inspiration for Fantine and Cosette. Hugo imagined the life of the man in jail and the mother and daughter taken away from each other. [12] Valjean's character is loosely based on the life of the ex-convict Eugène François Vidocq. Vidocq became the head of an undercover police unit and later founded France's first private detective agency. He was also a businessman and was widely noted for his social engagement and philanthropy. Vidocq also inspired Hugo's " Claude Gueux " and Le Dernier jour d'un condamné ( The Last Day of a Condemned Man). [13] In 1828, Vidocq, already pardoned, saved one of the workers in his paper factory by lifting a heavy cart on his shoulders as Valjean does. [14] Hugo's description of Valjean rescuing a sailor on the Orion drew almost word for word on a Baron La Roncière's letter describing such an incident. [15] Hugo used Bienvenu de Miollis (1753?1843), the Bishop of Digne during the time in which Valjean encounters Myriel, as the model for Myriel. [16]: 29 Hugo had used the departure of prisoners from the Bagne of Toulon in one of his early stories, Le Dernier Jour d'un Condamné. He went to Toulon to visit the Bagne in 1839 and took extensive notes, though he did not start writing the book until 1845. On one of the pages of his notes about the prison, he wrote in large block letters a possible name for his hero: "JEAN TRÉJEAN". When the book was finally written, Tréjean became Valjean. [17] In 1841, Hugo saved a prostitute from arrest for assault. He used a short part of his dialogue with the police when recounting Valjean's rescue of Fantine in the novel. [18] On 22 February 1846, when he had begun work on the novel, Hugo witnessed the arrest of a bread thief while a duchess and her child watched the scene pitilessly from their coach. [19] [16]: 29?30 He spent several vacations in Montreuil-sur-Mer. [16]: 32 During the 1832 revolt, Hugo walked the streets of Paris, saw the barricades blocking his way at points, and had to take shelter from gunfire. [20]: 173?174 He participated more directly in the 1848 Paris insurrection, helping to smash barricades and suppress both the popular revolt and its monarchist allies. [20]: 273?276 Victor Hugo drew his inspiration from everything he heard and saw, writing it down in his diary. In December 1846, he witnessed an altercation between an old woman scavenging through rubbish and a street urchin who might have been Gavroche. [21] He also informed himself by personal inspection of the Paris Conciergerie in 1846 and Waterloo in 1861, by gathering information on some industries, and on working-class people's wages and living standards. He asked his mistresses, Léonie d'Aunet and Juliette Drouet, to tell him about life in convents. He also slipped personal anecdotes into the plot. For instance Marius and Cosette’s wedding night (Part V, Book 6, Chapter 1) takes place on 16 February 1833, which is also the date when Hugo and his lifelong mistress Juliette Drouet made love for the first time. [22] Plot Volume I: Fantine The
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Les miserables pdf download free.Won 3 Oscars. Another 84 wins & 174 nominations. See more awards ? Learn more More Like This Biography | Drama Romance 1 2 4 5 6 7 8 9 10 7. 1 / 10 X A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer. Director: Tom Hooper Stars: Eddie Redmayne, Alicia Vikander, Amber Heard Musical 7. 2 / 10 Good girl Sandy and greaser Danny fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance? Randal Kleiser John Travolta, Olivia Newton-John, Stockard Channing Comedy 6. 4 / 10 The story of a bride-to-be trying to find her real father told using hit songs by the popular 1970s group ABBA. Phyllida Lloyd Meryl Streep, Pierce Brosnan, Amanda Seyfried 7. 6 / 10 Celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation. Michael Gracey Hugh Jackman, Michelle Williams, Zac Efron James Marsh Felicity Jones, Tom Prior Music 8 / 10 While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future. Damien Chazelle Ryan Gosling, Emma Stone, Rosemarie DeWitt A writer and wall street trader, Nick, finds himself drawn to the past and lifestyle of his millionaire neighbor, Jay Gatsby. Baz Luhrmann Leonardo DiCaprio, Carey Mulligan, Joel Edgerton History The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer. Colin Firth, Geoffrey Rush, Helena Bonham Carter 7. 8 / 10 A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R. M. S. Titanic. James Cameron Kate Winslet, Billy Zane 6. 7 / 10 Shakespeare's famous play is updated to the hip modern suburb of Verona still retaining its original dialogue. Claire Danes, John Leguizamo 6. 9 / 10 A smart but sensible new graduate lands a job as an assistant to Miranda Priestly, the demanding editor-in-chief of a high fashion magazine. David Frankel Anne Hathaway, Adrian Grenier A poet falls for a beautiful courtesan whom a jealous duke covets. Nicole Kidman, Ewan McGregor, Edit Storyline Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion. Written by Anonymous Plot Summary Plot Synopsis Taglines: The Dream Lives This Christmas See more ? Motion Picture Rating ( MPAA) Rated PG-13 for suggestive and sexual material, violence and thematic elements See all certifications ? Details Release Date: 25 December 2012 (USA) Box Office Budget: $61, 000, 000 (estimated) Opening Weekend USA: $27, 281, 735, 30 December 2012 Cumulative Worldwide Gross: $441, 809, 770 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia Years earlier Anne Hathaway had the chance to play the female lead in another Broadway musical film adaptation; that of Christine Daaé in Joel Schumacher 's The Phantom of the Opera (2004). She had to turn the role down, as she was under contract with Disney to make The Princess Diaries 2: Royal Engagement (2004). See more ? Goofs The calf seen wandering in the barricades scene is a whitefaced Hereford poll. That breed did not exist before the 1880, and did not reach France until the 20th century. See more ? Quotes [ first lines] Jean Valjean: Look down, look down, don't look them in the eye. Chain Gang: Look down, look down, you're here until you die. Crazy Credits "The Director would like to thank his parents Meredith and Richard Hooper, Rachel Hooper, Ben Hooper and Roger Mortimer for introducing him to musicals. " See more ? Frequently Asked Questions See more ?.Download Free les misérables les. Free download les miserables 2012 full movie. Filmdaten Deutscher Titel Les Misérables Originaltitel Les Misérables Produktionsland Vereinigtes Königreich Originalsprache Englisch Erscheinungsjahr 2012 Länge 158?Minuten Altersfreigabe FSK 12 [1] JMK 12 [2] Stab Regie Tom Hooper Drehbuch William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer Produktion Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh Musik Claude-Michel Schönberg Kamera Danny Cohen Schnitt Chris Dickens, Melanie Ann Oliver Besetzung Hugh Jackman: Jean Valjean Russell Crowe: Inspektor Javert Anne Hathaway: Fantine Eddie Redmayne: Marius Pontmercy Amanda Seyfried: Cosette Sacha Baron Cohen: Thénardier Helena Bonham Carter: Madame Thénardier Samantha Barks: Éponine Thénardier Aaron Tveit: Enjolras Colm Wilkinson: Monseigneur Bienvenu, Bischof von Digne Daniel Huttlestone: Gavroche Isabelle Allen: Cosette als Kind Synchronisation Les Misérables ist eine britische Verfilmung des gleichnamigen Musicals, das wiederum auf dem Roman Die Elenden von Victor Hugo basiert. Regie führte Tom Hooper nach einem Drehbuch von William Nicholson, Alain Boublil, Claude-Michel Schönberg und Herbert Kretzmer, die Hauptrollen sind mit Hugh Jackman, Russell Crowe, Anne Hathaway, Eddie Redmayne, Amanda Seyfried, Sacha Baron Cohen, Helena Bonham Carter, Samantha Barks und Aaron Tveit besetzt. Frühe Pläne zu einer Filmversion des Musicals existierten seit den späten 1980er Jahren. Nach der konzertanten Aufführung anlässlich des 25. Jubiläums des Musicals (in der revidierten Fassung von 1985) am 3. Oktober 2010 gab Produzent Cameron Mackintosh die Wiederaufnahme des Vorhabens bekannt. Hooper und Nicholson wurden im März 2011 für Regie und Drehbuch engagiert, die Hauptrollen im Verlauf desselben Jahres besetzt. Die Dreharbeiten begannen am 8. März 2012 [3] und endeten am 23. Juni 2012. [4] Der Film wurde am 23. November 2012 in New York uraufgeführt. [5] Der offizielle Kinostart in den Vereinigten Staaten erfolgte am 25. Dezember 2012, nachdem zuvor der 14. Dezember angekündigt worden war. [6] Im deutschsprachigen Raum war der Film ab dem 21. Februar 2013 zu sehen. [7] Handlung [ Bearbeiten | Quelltext bearbeiten] Jean Valjean wird von Inspektor Javert aus dem Zuchthaus entlassen, in dem er 19 Jahre verbüßte, weil er einst für seine Familie Brot gestohlen und einige Fluchtversuche unternommen hatte. Jahre später hat er sich eine neue Existenz als Bürgermeister einer Stadt aufgebaut. Als die junge Fantine in seinem Beisein im Krankenhaus stirbt und er von Javert wiedererkannt wird, flieht er. Auf der Flucht nimmt er Fantines Tochter Cosette zu sich, und begibt sich mit ihr nach Paris. Als sich Cosette dort in den Studenten Marius Pontmercy verliebt, geraten Valjean und Javert während des Juniaufstands 1832 erneut aneinander. Während Valjean den bewusstlosen Marius vor dem Tod bewahren kann, begeht Javert Selbstmord, indem er sich in die Seine stürzt. Valjean verlässt Cosette heimlich, weil sie niemals etwas über seine Vergangenheit erfahren soll. Während der Hochzeit mit Cosette erkennt Marius, dass es Valjean war, der ihm das Leben gerettet hat, und die beiden machen sich auf den Weg zu ihm. Sie finden ihn in dem Kloster, in dem er nach seiner Zeit im Zuchthaus Unterschlupf gesucht hatte. Geschwächt durch die vorherige Flucht vor den Geschehnissen während des Aufstandes und die Trennung von Cosette ist er am Ende seiner Kraft. Valjean stirbt und wird von Fantine ins Jenseits begleitet. Besetzung [ Bearbeiten | Quelltext bearbeiten] Hauptdarsteller Hugh Jackman bei der Premiere in Sydney Hugh Jackman als Jean Valjean, ein nach 19 Jahren Gefangenschaft entlassener Ex-Sträfling, der sein ganzes Leben mit dieser Vergangenheit kämpft. Russell Crowe als Inspektor Javert, ein Polizist auf der Suche nach Valjean. Anne Hathaway als Fantine, eine Arbeiterin mit einer unehelichen Tochter. Eddie Redmayne als Marius Pontmercy, ein Jurastudent, der sich in Cosette verliebt. Um sich auf die Rolle vorzubereiten, nahm Redmayne Gesangsunterricht. [8] Amanda Seyfried als Cosette, Fantines uneheliche Tochter, die von Valjean adoptiert wird und sich in Marius verliebt. Sacha Baron Cohen und Helena Bonham Carter als das Ehepaar Thénardier, Schankwirte, die Cosette zu sich nehmen, um das Kind schamlos auszubeuten. Samantha Barks als Éponine, Tochter der Thénardiers, die sich ebenfalls in Marius verliebt, ohne von diesem beachtet zu werden. Barks hatte diese Rolle mehrmals auf der Bühne gespielt (London 2010?2011 und 25th Anniversary Concert). Aaron Tveit als Enjolras, Anführer einer revolutionären Studentengruppe Les amis de l'ABC. Colm Wilkinson als der Bischof von Digne, der den ausgestoßenen Valjean bei sich aufnimmt und ihn dazu bringt, sein Leben zu ändern. Wilkinson sang die Rolle des Valjean bei der Uraufführung 1985 und danach noch in mindestens sechs weiteren Produktionen. [9] George Blagden als Grantaire, ein Student der Studentengruppe Les amis de l'ABC, welcher den Skeptiker der Revolutionäre und den Gegenpart zu Enjolras darstellt. Weiterhin sind Darsteller in kleineren Rollen zu sehen, die bereits in Bühnenproduktionen des Musicals mitspielten, unter anderem: Frances Ruffelle (eine Prostituierte) [9], Ashley Artus (ein Zuhälter), Lynne Wilmot (eine Prostituierte), Kelly-Anne Gower (Gast in Thénardiers Schänke), Julia Worsley (eine Prostituierte), Jonny Purchase (ein Student), John Barr (Sträfling #5), Ryan Laskey, Stevee Davies, Jos Slovick, Mary Cormack (eine Prostituierte), Linzi Hateley (eine Prostituierte), Sara Pelosi (eine Prostituierte), Alice Fearn (eine Fabrikarbeiterin, die zu Fantines Entlassung beiträgt), Josef Altin (ein Sträfling), Caroline Sheen (eine Fabrikarbeiterin), Hadley Fraser (ein Offizier), Gemma Wardle, Katy Secombe, Gina Beck, Adebaya Bolaji (ein Matrose), Alexia Khadime, Hannah Waddingham, Daniel Evans (Zuhälter), Katie Hall, Nancy Sullivan, Jacqui Dankworth (eine Fabrikarbeiterin), Clare Foster, Adrian Scarborough, Kerry Ellis (Gast in Thénardiers Schänke), Alison Jiear, Mike Donovan (Gast in Thénardiers Schänke) und Kerry Ingram. [10] [11] [12] Deutsche Synchronfassung [ Bearbeiten | Quelltext bearbeiten] Die deutsche Synchronisation erfolgte durch die Interopa Film GmbH in Berlin. Dialogregie führte Christoph Cierpka nach dem Dialogbuch von Alexander Löwe. Rolle Schauspieler Deutscher Sprecher [13] Jean Valjean Hugh Jackman Thomas Nero Wolff Inspektor Javert Russell Crowe Martin Umbach Cosette Amanda Seyfried Magdalena Turba Marius Pontmercy Eddie Redmayne Raúl Richter Fantine Anne Hathaway Marie Bierstedt Thenardier Sacha Baron Cohen Felix Goeser Madame Thenardier Helena Bonham Carter Melanie Pukaß Éponine Samantha Barks Katharina Rivilis Enjolras Aaron Tveit Tim Knauer Soundtrack [ Bearbeiten | Quelltext bearbeiten] Nr Titel Interpret 1 Look Down 2 The Bishop Colm Wilkinson 3 Valjean’s Soliloquy 4 At the End of the Day 5 I Dreamed a Dream 6 The Confrontation 7 Castle on a Cloud Isabelle Allen 8 Master of the House 9 Suddenly 10 Stars 11 ABC Café/Red & Black 12 In My Life/A Heart Full of Love 13 On My Own 14 One Day More Les Misérables Cast 15 Drink With Me 16 Bring Him Home 17 The Final Battle 18 Javert’s Suicide 19 Empty Chairs At Empty Tables 20 Epilogue Produktion [ Bearbeiten | Quelltext bearbeiten] Bereits 1988 war Alan Parker als Regisseur für einen Musicalfilm in Betracht gezogen worden. 1991 unterschrieb jedoch Bruce Beresford einen entsprechenden Vertrag, [14] und 1992 hieß es, dass Tri-Star Pictures den Film produzieren sollten; [15] das Projekt wurde jedoch wenig später aufgegeben. 2005 bestätigte Mackintosh, dass von seiner Seite weiterhin Interesse an einer Filmadaptation bestünde. [16] Schließlich enthielt die DVD bzw. Blu-ray des ?25th Anniversary Concert“, der konzertanten Aufführung anlässlich des 25. Jubiläums der Uraufführung der revidierten Fassung von 1985 (Uraufführung der originalen Fassung war 1980), den Hinweis, dass neue Pläne für eine Adaption beständen. Im März 2011 wurden Tom Hooper und William Nicholson für Regie und Drehbuch unter Vertrag genommen. [17] Im Juni 2011 begannen Mackintosh und Working Title Films die Produktion. [18] Noch im selben Monat waren Hugh Jackman und Paul Bettany als Valjean und Javert im Gespräch. [19] [20] Ebenfalls angesprochen wurden Anne Hathaway und Helena Bonham Carter. [21] Im September 2011 wurden die Rollen von Valjean und Javert schließlich mit Jackman und Russell Crowe besetzt. [22] Etwa zur selben Zeit wurde mit dem 7. Dezember 2012 ein vorläufiges Datum für den Kinostart bekannt gegeben. [23] Im Oktober wurde die Besetzung der Rolle der Fantine mit Anne Hathaway bestätigt. Im November wurde die Besetzungsliste um Eddie Redmayne als Marius erweitert, während für die Rolle der Éponine Lea Michele, Taylor Swift, Scarlett Johansson und Evan Rachel Wood in Betracht gezogen wurden. [24] Im Dezember fand das Casting für die Rolle der Cosette in New York City statt. [25] Im selben Monat gab Hooper bekannt, dass der Film nicht in 3D gedreht werde und etwa zweieinhalb Stunden dauern solle. [26] Wenige Tage später wurde erstmals über Sacha Baron Cohen als Thénardier [27] [28] und über Aaron Tveit als Enjolras gemunkelt. Ebenfalls im Dezember gab Jackman bekannt, dass Proben im Januar beginnen sollten. [29] Gleichzeitig wurde bestätigt, dass die Schauspieler live singen sollten und die Lieder nicht bereits vorher aufgenommen werden sollten.
Download Free les miserables. Download Free Les misérables les. Crowe don't damage the sing if you see the movie you will now he should sing in this way because there are a lot of sections sing many actor in the same time So he is good. Les Misérables Jean Valjean as Monsieur Madeleine. Illustration by Gustave Brion Author Victor Hugo Illustrator Emile Bayard Country Belgium Language French Genre Epic novel, historical fiction Publisher A. Lacroix, Verboeckhoven & Cie. Publication date 1862 Les Misérables (, [1] French: [le mize?abl(?)]) is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. [2] Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption. [3] Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for film, television and the stage, including a musical. Novel form Upton Sinclair described the novel as "one of the half-dozen greatest novels of the world", and remarked that Hugo set forth the purpose of Les Misérables in the Preface: [4] So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth, and complicates a destiny that is divine with human fatality; so long as the three problems of the age?the degradation of man by poverty, the ruin of women by starvation, and the dwarfing of childhood by physical and spiritual night?are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless. Towards the end of the novel, Hugo explains the work's overarching structure: [5] The book which the reader has before him at this moment is, from one end to the other, in its entirety and details... a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life; from bestiality to duty, from hell to heaven, from nothingness to God. The starting point: matter, destination: the soul. The hydra at the beginning, the angel at the end. The novel contains various subplots, but the main thread is the story of ex-convict Jean Valjean, who becomes a force for good in the world but cannot escape his criminal past. The novel is divided into five volumes, each volume divided into several books, and subdivided into chapters, for a total of 48 books and 365 chapters. Each chapter is relatively short, commonly no longer than a few pages. The novel as a whole is one of the longest ever written, [6] with 655, 478 words in the original French. Hugo explained his ambitions for the novel to his Italian publisher: [7] I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Misérables knocks at the door and says: "open up, I am here for you". Digressions More than a quarter of the novel?by one count 955 of 2, 783 pages?is devoted to essays that argue a moral point or display Hugo's encyclopedic knowledge, but do not advance the plot, nor even a subplot, a method Hugo used in such other works as The Hunchback of Notre Dame and Toilers of the Sea. One biographer noted that "the digressions of genius are easily pardoned". [8] The topics Hugo addresses include cloistered religious orders, the construction of the Paris sewers, argot, and the street urchins of Paris. The one about convents he titles "Parenthesis" to alert the reader to its irrelevance to the story line. [9] Hugo devotes another 19 chapters (Volume II, Book I) to an account of?and a meditation on the place in history of?the Battle of Waterloo, the battlefield which Hugo visited in 1861 and where he finished writing the novel. It opens volume 2 with such a change of subject as to seem the beginning of an entirely different work. The fact that this 'digression' occupies such a large part of the text demands that it be read in the context of the 'overarching structure' discussed above. Hugo draws his own personal conclusions, taking Waterloo to be a pivot-point in history, but definitely not a victory for the forces of reaction. Waterloo, by cutting short the demolition of European thrones by the sword, had no other effect than to cause the revolutionary work to be continued in another direction. The slashers have finished; it was the turn of the thinkers. The century that Waterloo was intended to arrest has pursued its march. That sinister victory was vanquished by liberty. One critic has called this "the spiritual gateway" to the novel, as its chance encounter of Thénardier and Colonel Pontmercy foreshadows so many of the novel's encounters "blending chance and necessity", a "confrontation of heroism and villainy". [10] Even when not turning to other subjects outside his narrative, Hugo sometimes interrupts the straightforward recitation of events, his voice and control of the story line unconstrained by time and sequence. The novel opens with a statement about the bishop of Digne in 1815 and immediately shifts: "Although these details in no way essentially concern that which we have to tell... " Only after 14 chapters does Hugo pick up the opening thread again, "In the early days of the month of October, 1815... ", to introduce Jean Valjean. [11] Hugo's sources Eugène Vidocq, whose career provided a model for the character of Jean Valjean An incident Hugo witnessed in 1829 involved three strangers and a police officer. One of the strangers was a man who had stolen a loaf of bread, similar to Jean Valjean. The officer was taking him to the coach. The thief also saw the mother and daughter playing with each other which would be an inspiration for Fantine and Cosette. Hugo imagined the life of the man in jail and the mother and daughter taken away from each other. [12] Valjean's character is loosely based on the life of the ex-convict Eugène François Vidocq. Vidocq became the head of an undercover police unit and later founded France's first private detective agency. He was also a businessman and was widely noted for his social engagement and philanthropy. Vidocq also inspired Hugo's " Claude Gueux " and Le Dernier jour d'un condamné ( The Last Day of a Condemned Man). [13] In 1828, Vidocq, already pardoned, saved one of the workers in his paper factory by lifting a heavy cart on his shoulders as Valjean does. [14] Hugo's description of Valjean rescuing a sailor on the Orion drew almost word for word on a Baron La Roncière's letter describing such an incident. [15] Hugo used Bienvenu de Miollis (1753?1843), the Bishop of Digne during the time in which Valjean encounters Myriel, as the model for Myriel. [16]: 29 Hugo had used the departure of prisoners from the Bagne of Toulon in one of his early stories, Le Dernier Jour d'un Condamné. He went to Toulon to visit the Bagne in 1839 and took extensive notes, though he did not start writing the book until 1845. On one of the pages of his notes about the prison, he wrote in large block letters a possible name for his hero: "JEAN TRÉJEAN". When the book was finally written, Tréjean became Valjean. [17] In 1841, Hugo saved a prostitute from arrest for assault. He used a short part of his dialogue with the police when recounting Valjean's rescue of Fantine in the novel. [18] On 22 February 1846, when he had begun work on the novel, Hugo witnessed the arrest of a bread thief while a duchess and her child watched the scene pitilessly from their coach. [19] [16]: 29?30 He spent several vacations in Montreuil-sur-Mer. [16]: 32 During the 1832 revolt, Hugo walked the streets of Paris, saw the barricades blocking his way at points, and had to take shelter from gunfire. [20]: 173?174 He participated more directly in the 1848 Paris insurrection, helping to smash barricades and suppress both the popular revolt and its monarchist allies. [20]: 273?276 Victor Hugo drew his inspiration from everything he heard and saw, writing it down in his diary. In December 1846, he witnessed an altercation between an old woman scavenging through rubbish and a street urchin who might have been Gavroche. [21] He also informed himself by personal inspection of the Paris Conciergerie in 1846 and Waterloo in 1861, by gathering information on some industries, and on working-class people's wages and living standards. He asked his mistresses, Léonie d'Aunet and Juliette Drouet, to tell him about life in convents. He also slipped personal anecdotes into the plot. For instance Marius and Cosette’s wedding night (Part V, Book 6, Chapter 1) takes place on 16 February 1833, which is also the date when Hugo and his lifelong mistress Juliette Drouet made love for the first time. [22] Plot Volume I: Fantine The
Why do I love this sad and moving musical so much? I can't watch it, or even listen to it without crying.
Reporter: Désert des Tartares
Bio: Caserne imaginaire dans un désert qui n'existe pas; le berger Andalou est à la recherche de l'Alchimiste pour connaitre son destin, je suis ses pas !
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