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1. Creators: Kelly O'Sullivan
2. actors: Kelly O'Sullivan
3. &ref(https://m.media-amazon.com/images/M/MV5BMWFkODE5NjctZjc1Ni00OTIwLWFjYjAtZTU2MDFkZDI1NmMxXkEyXkFqcGdeQXVyMjQ0NzcxNjM@._V1_UX182_CR0,0,182,268_AL_.jpg)
4. duration: 106 Minute
5. Saint Frances is a movie starring Kelly O'Sullivan, Charin Alvarez, and Braden Crothers. After an accidental pregnancy turned abortion, a deadbeat nanny finds an unlikely friendship with the six-year old she's charged with
6. Country: USA

Image saint frances cabrini. It bothers me so much that they speak english with german and french accents. why dont you just cast french and german actors and let the people speak in their native language for gods sake? Do they think people arent able to read subtitles? It doesnt make any sense that two french people are speaking english to each other wtf. To everyone complaining: just don't watch it. Simple. Saint francis of assisi frisco. I feel like after zombieland Madison possessed zoey. Saint francis university softball. Saint francis de sales. Saint Frances Oscilloscope Home Media Press & Screenings Contact Home. Saint francis medical.
Saint frances academy basketball. Only girls movie see ????. Saint francis basketball. Saint francis high school la canada. This is going to be something I rewatch isnt it. I already love it. I love the awkwardness and everything about it. Im so watching it. K. Saint francis school. Saint frances motel. This is very powerful prayer, I got three calls for a job and I had not heard anything in over two months. More proof that Mater Dei is king right now. Saint francis jobs. This is literally midnight sun and a walk to remember. PLEASE dont tell me she dies too. Saint frances cabrini littleton. Critics Consensus Saint Frances approaches an array of weighty issues with empathy, humor, and grace -- and marks star and writer Kelly O'Sullivan as a tremendous talent to watch. 97% TOMATOMETER Total Count: 34 Coming soon Release date: Feb 28, 2020 Audience Score Ratings: Not yet available Saint Frances Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Saint Frances Photos Movie Info Flailing thirty-four-year-old Bridget (Kelly O'Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances's moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else's family. Rating: NR Genre: Directed By: Written By: In Theaters: Feb 28, 2020 limited Runtime: 98 minutes Studio: Oscilloscope Laboratories Cast News & Interviews for Saint Frances Critic Reviews for Saint Frances Audience Reviews for Saint Frances Saint Frances Quotes Movie & TV guides.
Saint francis topeka. Saint francis college brooklyn. Saint frances academy. Trailer saint frances. Saint frances movie showtimes. Saint francis school honolulu. That block towards the end was crazy ?. Saint frances movie trailer. Saint francis men's basketball. Saint frances trailer alex thompson. Saint francis of assisi prayer. Watch Online Free Movie 4K Watch Saint Online Myvue. Download Saint Streaming Watch saint frances 2018 Online HD 1080p. February 29, 2020 11:00PM PT Kelly O'Sullivan delivers a revolutionary overhaul of how women are depicted on-screen in this winning indie comedy about a 34-year-old nanny and the questionable choices she makes. At 34, Bridget doesn’t know what she wants, but she knows she doesn’t want a baby ? not now, at least ? and so she doesn’t hesitate to make the decision that might’ve served as the focal point of a different kind of film. In “ Saint Frances, ” getting an abortion is just one of the many things that happens to Bridget, and the casualness with which it’s presented will outrage some. That’s fine. But their outrage has been so oppressive for so long that it’s been silencing filmmakers’ ability to address something that nearly a quarter of adult American women have experienced. As Bridget’s mom says in one of the film’s typically frank conversations, “It’s the truth, and women should talk about it more often. ” Turns out there are a lot of things that have gone unsaid in movies until now, and “ Saint Frances ” goes there in a way that’s not only enlightening, but entertaining as well. This exceptionally frank, refreshingly nonjudgmental indie was written by and stars Kelly O’Sullivan, a “girl next door” type whose no-nonsense approach to issues facing both her gender and her generation leaves ample room for laughter ? à la Amy Schumer’s “Trainwreck. ” But unlike that Judd Apatow-produced studio entry, “Saint Frances” shares none of the pressure to partner up its potentially “unlikable” female protagonist with a man who can handle her baggage. I put “unlikable” in quotes because I adore this character: Bridget makes a lot of bad choices (who doesn’t? ) and seems totally unprepared for most of what life throws at her (she’s the last candidate most folks would hire as a nanny), but she feels as human as they come. So a better comparison might be the work of “Girls” creator Lena Dunham, as O’Sullivan embraces her own fallibility, renders it into fiction, then presents it as comedy. Named after the kid Bridget is hired to babysit, “Saint Frances” was directed by O’Sullivan’s partner, Alex Thompson, who works in service of her screenplay at every turn. His casual, unobtrusive style complements O’Sullivan’s agenda ? to demystify what she’s been through ? while bringing out the best in the predominantly female ensemble, the way that last year’s “The Last Black Man in San Francisco” was directed by a white guy, but created in close collaboration with its leading man. Full disclosure: As a gay man, much of what we might call the “female experience” is a mystery to me. Movies shy away from it. I could glean only so much from reading “Are You There God? It’s Me, Margaret. ” in middle school (thank you, Judy Blume, for writing it). At times, in my line of work, I’ve found myself in guy-talk circles where colleagues discuss the recent push to see more women behind the camera. Most of the time, these conversations feel constructive, but I will never forget one in which a fellow film writer joked, “Great. Now we’re going to get a whole lot of movies about menstruation. ” “Good, ” I thought, but wasn’t courageous enough to say. We already get movies about urination (“Billy Madison, ” “Me, Myself & Irene”), masturbation (“The Squid and the Whale, ” “There’s Something About Mary”) and boners (“Long Shot, ” “Adventureland”), courtesy of more than a century of letting guys make movies about their own bodily functions. Why do we know so little about women? And more importantly, why should they feel shame ? and men feel disgust ? for something so natural? This is what is meant by the word “normalize”: By bringing such subjects into the light, movies have the capacity to render them normal. “Saint Frances” isn’t a movie about menstruation per se, but it’s as close as I’ve come to witnessing one. Bridget bleeds, and that’s OK. In the opening scene, she strikes out with a guy her age (the successful kind, who loses interest when Bridget tells him she works as a server) and winds up hooking up with a 8-years-younger dude named Jace (Max Lipchitz) instead. The next morning, she finds blood on her face, on his face, on the sheets. “I don’t think I had, uh, started when you were going down on me, ” she says, and the moment becomes a bonding experience ??between them, but also between the audience and the film. Hollywood studios don’t make scenes like this, but they should. Such a moment will always be awkward, and “Saint Frances” plays it for uncomfortable laughs, but maybe it wouldn’t be quite so awkward if and when it happens to you if you’d seen something like it before on-screen. As a millennial (whereas Bridget identifies as being “on the cusp”), Jace seems more in touch with his feelings than she does. He keeps an emotions journal, and doesn’t mind discussing its contents. That makes him a little high-maintenance for her taste. She’s not looking for anything serious ? not in life, not in love, not in general ? which is how this young woman, who held so much promise a dozen years earlier (judging by former Northwestern classmates who say as much), comes to work as a nanny. She’s hired by a lesbian couple, Maya (Charin Alvarez) and Annie (Lily Mojekwu), who need help caring for their 6-year-old (played by Ramona Edith-Williams not as “precocious, ” but simply as someone who’s never talked down to by the adults around her) while Maya delivers their second child. A lesbian couple? Some might read that and roll their eyes. The movie keeps stacking details that will drive conservative audiences crazy, but they never feel contrived. While Bridget keeps her abortion to herself, the movie shows Maya coping with postpartum depression ? yet another perfectly human experience that goes underrepresented in movies ? and Alvarez elicits empathy without overdoing it in portraying the fragility she feels. It’s my favorite performance of the year (2019, I mean, when the film premiered at SXSW). To an extent, caring for Frances forces Bridget to grow up, or at least to assume some responsibility amid the trial-and-error pattern of her choices. But instead of being didactic about what Bridget should do, “Saint Frances” takes a stand in letting the character figure things out for herself, while illuminating those things ? like pregnancy and her period ? that she shouldn’t have to. Frances’ two moms aren’t shy about such subjects with their daughter. “I have to find something most comfortable for my body, because every woman’s body is different, ” Frances says at one point, and we laugh, because she’s clearly reciting what she’s been told. But it’s the truth, and “Saint Frances” paves the way for women to talk about it more often.
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A film by Alex Thompson & Kelly O'Sullivan In theaters starting February 28th CRITICS SAY “A likeable film elevated by its crisp, summery look and warm score. ” “Kelly O’Sullivan, who also wrote the film, gives a truly excellent performance. ” ?Brian Tallerico, ROGER “A laser-sharp analysis of femininity, motherhood, and love’s complexities. ” ? Roxana Hadadi, PAJIBA “In saying what’s been long been unsaid, SAINT FRANCES gives audiences something to talk about. ” ? Stephen Saito, MOVEABLE FEST “There are big laughs in the movie, to be sure, but it’s the quiet moments that make Saint Frances such a gem. ” ?Patrick Bromley, F THIS MOVIE! “A brash, funny, very savvy feminist comedy. ” ?Gerald Peary, THE ARTS FUSE SAINT FRANCES Flailing thirty-four-year-old Bridget (Kelly O’Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’s moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family. An Open Letter from the Writer When I got pregnant in my early thirties and knew immediately I would get an abortion, I had no idea what to expect. My mom got me the “What to Expect When You’re Expecting” pregnancy book one Christmas, hoping I would hurry up and give her a grandchild, but nobody proudly hands you a guidebook on what to expect with abortion. I had no idea my abortion could be induced just with pills, and I had no idea how long my post-abortion bleeding would last. Women and girls are encouraged, outrightly or subliminally, to keep abortion, postpartum depression, periods, or any other innate part of womanhood that’s considered messy, “gross, ” or shameful to ourselves. That makes for lonely, confusing, and isolating experiences. When my Mom finally learned what this movie was about, she said, “Well, you’re the first one in our whole family to get an abortion! ” And I clarified, “Maybe I’m just the first person you know about. ” Saint Frances endeavors to normalize and destigmatize those parts of womanhood that we’re encouraged not to talk about. I wanted not only to talk about these subjects, but to show them onscreen unapologetically, realistically. This movie could be called “There Will Be Blood 2, ” and a sense of humor is a vital intention of the film. Saint Frances tries to show that abortion doesn’t always have to equal trauma, periods shouldn’t equal shame, and postpartum depression shouldn’t equal isolation. This story and these characters are filled with sincerity, empathy, humor and 6 tons of love. And there’s that healthy amount of blood. Thank you for watching. I truly, truly hope you enjoy. -Kelly O’Sullivan CONTACT US Booking Inquiries: Andrew Carlin 630-445-1215 Press Inquiries: Sydney Tanigawa 212-219-4029 ext. 41 General:.
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2. Columnist: Roger Moore
3. Info: internationally syndicated movie critic and lifelong lover of movies movies movies

Saint Frances
9.1 out of 10 stars - 679 votes