Barry Brunson

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Actors - Yoshiaki Umegaki / Comedy / Japan / average Ratings - 8,4 / 10 / Runtime - 92 m / liked It - 28068 vote. Njir drumernya ngungkuk bae. Happy holidays to all, and to all a zombie savior day. Ea pelicula es hermosa, la recomiendo igual ver en español, su elenco es bastante talentoso. 14 February 2020.

Breadsword-sensei has blessed us with more teachings. We must watch. Synopsis: Meet the ultimate dysfunctional family. From acclaimed director Satoshi Kon (Perfect Blue, Millennium Actress) and Japans leading animation studio Mad House (X, Vampire Hunter D, Ninja Scroll) comes this visually and emotionally stunning tale of adventure, love and redemption. In Tokyo, three homeless peoples lives are changed forever when hey discover a baby girl at a garbage dump on Christmas Eve. As the New Year fast approaches, these three forgotten members of society band together to solve the mystery of the abandoned child and the fate of her parents. Along the way, encounters with seemingly unrelated events and people them to confront their own haunted pasts, as they learn to face their future together... Tōkyō Goddofāzāzu 8. 25 eyelights: its blend of drama and humour. its quirky protagonists. its touching tale. its animation style. eyesores: its 2D quality. “This is a Christmas present from God! Shes our baby! ” Im a big fan of Satoshi Kon. The Japanese filmmaker directed only a few films before unexpectedly passing away in 2010, but I like each one of them. His debut, ‘Pafekuto Buru was a psychological thriller that would have made Hitchcock smile. His follow-up, ‘Sennen Joyu, is a touching period drama invested with more empathy than most films. And then theres the jaw-droppingly trippy ‘Papurika, which is challenging but satisfying. Meanwhile, ‘Tokyo Goddofazazu, his third picture, is his most accessible. Inspired by Peter B. Kynes novel ‘Three Godfathers, its a quirky dramedy that follows three homeless people as they try to track down the parents of a newborn girl that they found on the street on Christmas Eve. Relative strangers to one another, Gin, Hana and Miyuki have become a surrogate family ? but they support, bicker and make up like the real deal. And like any good family, they take care of their own ? including Kiyoko, the familys new addition. What makes the movie work so well are its mix of various genres, the interplay between its leads, and the way that all the pieces interconnect. Though its a lot of elements to coordinate, Kon managed to strike the perfect balance between all the parts, which is an astonishing achievement. One would be hard-pressed to find many other pictures that are as successful at blending humour, melancholy, warmth, mystery and thrills. And a touch of magic. Our trio is also a great balancing act: Gin is an alcoholic former cyclist who left the spotlight after failing to secure the medical help his daughter required; hes gruff and implacable. Hana is a drag queen who is secretly in love with Gin and who dreams of being a mother; hes emotional and very loyal. Miyuki is a rebellious young woman whos run away from home following a familial conflict; shes sullen and antisocial. Theyre quite the cocktail. And yet, theyre genuinely affecting. The plot is developed in a fairly contrived fashion, which one mustnt challenge in order to truly enjoy the picture, but Kon connected its threads in clever ways; as our “Tokyo Godfathers” scour the city for clues leading them to Kiyokis family, every encounter or incident takes them a step further on their investigation ? and in their personal journeys, as their own individual past histories are gradually explored and eventually resolved. Whats remarkable about this picture is how it humanizes the homeless without pitying them: it serves up various different motivations and concerns for all of?its characters and illustrates quite well the challenges that they face as the perceived dregs of society. And, in the process, it also explores our collective perceptions of family values and familial connections ? in ‘Tokyo Goddofazazu, no family is a picture-perfect “traditional” one. Much?as in real life. Though Kon would peak with his next film, his swan song ‘Papurika, the animation here is also superb. The characters express themselves in mildly cartoony ways, but their motion is realistic enough ? and the rest looks life-like. As we visit all over Tokyo, we get to see it through our trios eyes, and the backgrounds look very good. Unfortunately, they have a 2D quality to them, but the falling snow sort of adds a third dimension to them. The picture ends on an exciting note, with a riotous chase featuring a stolen truck, a kidnapped baby and a taxi. Its funny, its exciting, its wholly entertaining ? and, unlike many chases, it doesnt outlast its welcome. It all wraps up with a stunning rooftop freefall and landing that Kon made beautiful, slowing it down in such a way that he was not only easing his character, but also his audience. He fashioned it into a magical moment. The kind you can only find at Christmas. ‘Tokyo Goddofazazu is masterful storytelling. It finds Satoshi Kon at the height of his powers, taking his audience on all sorts of twists that are equally dramatic and hilarious. Here he struck such a fine balance that the picture never lulls, never bores, never feels off-kilter. Were the animation just a touch stronger, this would likely be a genuine masterpiece. Despite this, its meaningful enough that it should be seen on par with the classics. On these Tokyo streets, in the company of Gin, Hana and Miyuki, its a wonderful life too. Date of viewing: December 1, 2016.
There is a singular name that keeps popping up ib the film whenever there is a turn in fortune for the main character, that name is Kyoko, the name of Kon's wife, I live that he made a tribute to his wife being someone who he feels is someone that he is fortunate to have. But if you can do it with. Select Site Language: Error: The page you tried to view can only be used when you're logged in. Note: You need cookies enabled to log in or switch language. 20] failed logins in a row will result in banning your ip! You have [20] remaining tries. Username: Password: Advanced Options: Auto Logout: Log me out after 15 minutes Restrict IP: Restrict session to my IP SSL (HTTPS) Browse website with SSL Encryption (Web browser) Connect tracker with SSL Encryption (BitTorrent client) Don't have an account? Sign up right now! Forget your password? Recover your password via email.
Good stuff. The most striking aspect of Satoshi Kon's well-regarded 2003 anime feature is the fact, that the script could have easily been a live action. In fact, the story may be hindered slightly by anime format and certainly derives no benefit from it. To be fair, Kon's animators do an excellent job of using broad kabuki facial expressions to express the various emotions the characters encounter during a wildly improbable set of Christmas Day events. They also render the dark complexity of the Tokyo underground and its forgotten homeless population (Japan's legendary low unemployment rate is helped by not including people without a permanent, legal address in the statistics) with a fearful realism. Kon's production team does render the plot-driven character development that unfolds frame by frame throughout the film with the pathos of a Tennessee Williams' play. So you can't fault the execution of the animation, it just seems unnecessary. Live action or anime, however, the story of two homeless men ? one transgender ? and a runaway who find a baby abandoned among some Tokyo garbage and their effort to unravel the mystery of its parentage plays as compellingly backwards as it does forwards. In the effort to return the baby to the rightful parents, both men are forced to confront their pasts and their own allegorical abandonments. While the plot twists defy even the best efforts at suspending disbelief, they are entertaining even if some allow the mechanics of the writing to show through. In short, see this satisfying tale for the compelling story even if you are not into Japanese anime and definitely don't wait for the inevitable American remake (Nathan Lane as "Uncle Bag" Abigail Breslin as Miyuki, etc...
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Tokyo Godfathers (2003) DVDRip, MKV, 684x528, x264 @ 1951 Kbps, 88 min, 1, 51 Gb Audio: Japanese AC3 5. 1 @ 448 Kbps, Subs (19) English, Spanish, Dutch, Arabic, Czech, Danish, Hebrew, Finnish, Greek, Hindi, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Slovenian, Swedish, Turkish, Croatian Genre: Animation, Adventure, Comedy Directors: Satoshi Kon, Shôgo Furuya (co-director) Writers: Satoshi Kon (screenplay) Satoshi Kon (story) Stars: Tôru Emori, Yoshiaki Umegaki, Aya Okamoto Christmas in Tokyo, Japan. Three homeless friends: a young girl, a transvestite, and a middle-aged bum. While foraging through some trash, they find an abandoned newborn. Hana, the transvestite with delusions of being a mother, convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way. At first glance, I wasn't sure if I would like this movie. The "miracles DO happen on Christmas" cliché is very boring and I typically don't enjoy movies that employ it, but this is a very different kind of Christmas movie. We are given three homeless characters with complex personalities and backgrounds, who are as endearing as they are repellent. They take up the task of caring for a baby they found in the trash, and trying to bring it back to its mother. We learn the secrets that made these people homeless, we learn about the workings of human shame and desperation, and we learn that "miracles DO happen on Christmas. But in the least cheesy way possible! The plot is very slow-moving, but still, it is interesting and very carefully laid out. This would be a very compelling live-action movie, but the use of animation adds so much visual interest, particularly the expressive (and sometimes hideous. face of Hana, the gangly transvestite. The choice of music is unique and very fitting: the song played during a walking-around-the-city montage is reminiscent of Clockwork Orange. Interesting and careful story, complex and realistic story, tremendous visual appeal and excellent music. I guess this movie pretty much has it all! click to enlarge) More in My Blog.

When Hokusai come to NA, Imma watch this as her catalyst. Plugin not supported. Original title Tôkyô Goddofâzâzu aka AKA Tokyo Godfathers 東京ゴッドファーザーズ Year 2003 Running time 88 min. Country Japan Director Satoshi Kon, Shôgo Furuya Screenwriter Satoshi Kon, Keiko Nobumoto (Story: Satoshi Kon) Music Moonriders, Keiichi Suzuki Cinematography Animation Cast Producer Mad House Ltd. Genre Animation. Drama. Comedy, Poverty. Christmas. Adult Animation Official Site Synopsis / Plot Christmas in Tokyo, Japan. Three homeless friends: a young girl, a transvestite, and a middle-aged bum. While foraging through some trash, they find an abandoned newborn. Hana, the transvestite with delusions of being a mother, convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way. Critics' reviews Movie Soulmates' ratings Register so you can access movie recommendations tailored to your movie taste. Friends' ratings Register so you can check out ratings by your friends, family members, and like-minded members of the FA community. Ranking Lists Position 60 My Top 10 Movies from 2003 (30) Is the synopsis/plot summary missing? Do you want to report a spoiler, error or omission? Please send us a message. If you are not a registered user please send us an email to All copyrighted material (movie posters, DVD covers, stills, trailers) and trademarks belong to their respective producers and/or distributors. For US ratings information please visit.
If your comments are in japanese, Youtube is automatically translating them. Perhaps you could use this to your dub advantage. YouTube. Nice! I hope this comes on blu ray or just gets re-released.

YESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS I'M SO HAPYYYYYYYYY. Product details Genres Drama, Animation, Comedy, Adventure Director Satoshi Kon, Shôgo Furuya Writer Satoshi Kon, Keiko Nobumoto, Satoshi Kon Stars Aya Okamoto, Shôzô Îzuka, Yoshiaki Umegaki, Tôru Emori Country Japan Also Known As Tokyo Godfathers, 東京教父, Ükskord Tokyos, Oi nonoi tou Tokyo, Pedarkhandehaye Tokyo, Tokyo godfathers - löytölapsen arvoitus, Tokiói keresztapák, Padrinhos de Tóquio, Tokyo Godfathers - I padrini di Tokyo, Nasii din Tokyo, 東京ゴッドファーザーズ, Jednom u Tokiju, Héroes al rescate, Rodzice chrzestni z Tokio Runtime 1 h 32 min Audio Subtitles Quality 480p, 720p, 1080p, 2K, 4K Download drama ?Tôkyô goddofâzâzu? Customers who watched comedy also watched.

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