Karen Moore

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Mary Steenburgen duration: 2 h, 17min Genre: Animation Isao Takahata &ref(https://m.media-amazon.com/images/M/MV5BMTcwODI0MzEwOF5BMl5BanBnXkFtZTgwNjkyNTEwMTE@._V1_SY1000_CR0,0,629,1000_AL_.jpg) Average rating: 8,5 / 10. This credit music is like saying its allrigth after someone you love dies. its even worse.

"Being a princess isn't all it's cracked up to be." Princess Diana

Who would have thought bamboo could produce such a delicate beauty as a princess (voice of Chloe Grace Moretz) In the hands of the Japanese Studio Ghibli, director Isao Takahata has crafted a rival story of his colleague in that same studio, Hayao Miyazaki (The Wind Rises. The 10th-century tale of a princess found in a bamboo shoot carries enough contemporary relevance to keep grad students in theses for a decade. This lovely and exciting Japanese anime sports the usual and still beautiful charcoal?watercolor motif (you'll want to linger with the plum blossoms) accompanied by Joe Hisaishi's fitting pastoral, woodland music. The surprisingly simple theme- like Dorothy and ET, she needs to get home- has multiple strains of narrative, not the least of which shows a loving adoptive mother and father (Mary Steenburgen and James Caan) who try to give her everything a princess could want only to fail to give her a most important treasure, her friends and relatives in her far away home. The lack of maudlin longing and her affection for her adoptive home make this unusual storytelling because it does not pander to the expectations of the audience. When the princess abjures the stylistic and cosmetic changes to make her look like a princess (her dad has, after all, bought her into royalty and she needs to look like one) she evidences the rebellious attitude of teens everywhere and anytime. Although violence could have been a legitimate element of this story, there is none; although a sappy romance with a handsome prince could have been warranted, there is none; although Kaguya could have been too sweet, she is not. The Tale of the Princess Kaguya is a beautifully told story in the best Japanese tradition. "My mom won't let anyone treat me like a little princess." Chloe Grace Moretz.

Gives me the feels ???. Access has been restricted for this account and/or IP address. If you are using a VPN or proxy IP, please disable it while using MAL. If you feel this ban is an error, you may have encountered a spambot's IP ban. Please contact a moderator at MAL's IRC channel: web client. Once you have connected, please private message a moderator who has an & symbol before their nick (double-click). Account ban evasions will only result in your ban becoming successively longer - and possibly permanent.　 Do not attempt to evade account bans by creating new accounts. 　Please contact a moderator (details above) to discuss the reasons for your ban and/or if the ban has been longer than expected. While banned you will be able to see your bookshelf and read purchased items, but you will be unable to access the store or purchase any new items.
Kaguya-hime no Monogatari (Sub) Other name: The Tale Of Princess Kaguya, Kaguyahime No Monogatari, Princess Kaguya Story, かぐや姫の物語 Genres: Fantasy Anime, Historical Anime, Movie Anime Date aired: Nov 23, 2013 Status: Completed Views: 229, 142 Bookmark Summary: Okina is a bamboo cutter in ancient rural Japan. One day in the forest, he finds a tiny baby in the folds of a bamboo shoot. He brings the creature home to his wife Ounaa and they decide to keep her and raise her as a princess. She is clearly not of this world. Kaguya grows at an unnatural rate, soon maturing into an uncommonly beautiful young woman. Since Okina has now also found a cache of gold and treasure in the forest, every suitor wants Kaguya. But this is not a fairy tale of courtship and marriage. Hot on KissAnime:.
Can't stop watching the trailer. That's why I love studio ghibli?. Anybody who's played Okami should recognize the title character. This looks really interesting. Speaking of the animators for this should TOTALLY make an okami movie! The art style is PERFECT. The ultimate movie for people with a foot fetish. “UH HUH! I peed all over him to show him whos boss!” (My favorite part ?.

"Tale of the Princess Kaguya", "かぐや姫の物語", and "Kaguya-hime no Monogatari" redirect here. For the Studio Ghibli film, see The Tale of the Princess Kaguya. "Taketori Monogatari" and "竹取物語" redirect here. For the 1987 film, see Princess from the Moon. Discovery of Princess Kaguya (depiction from the Edo period, late 17th century) The Tale of the Bamboo Cutter ( 竹取物語, Taketori Monogatari) is a 10th-century Japanese monogatari (fictional prose narrative) containing Japanese folklore. It is considered the oldest extant Japanese prose narrative [1] [2] although the oldest manuscript dates to 1592. [3] The tale is also known as The Tale of Princess Kaguya ( かぐや姫の物語, Kaguya-hime no Monogatari), after its protagonist. [4] It primarily details the life of a mysterious girl called Kaguya, who was discovered as a baby inside the stalk of a glowing bamboo plant. Narrative Edit Taketori no Okina takes Kaguya-hime to his home, Drawn by Tosa Hiromichi, c. 1600 One day, while walking in the bamboo forest, an old, childless bamboo cutter called Taketori no Okina ( 竹取翁, "the Old Man who Harvests Bamboo") came across a mysterious, shining stalk of bamboo. After cutting it open, he found inside it an infant the size of his thumb. He rejoiced to find such a beautiful girl and took her home. He and his wife raised her as their own child and named her Kaguya-hime (かぐや姫 accurately, Nayotake no Kaguya-hime, "Shining princess of the supple bamboo"). Thereafter, Taketori no Okina found that whenever he cut down a stalk of bamboo, inside would be a small nugget of gold. Soon he became rich. Kaguya-hime grew from a small baby into a woman of ordinary size and extraordinary beauty. At first, Taketori no Okina tried to keep her away from outsiders, but over time the news of her beauty spread. Eventually, five princes came to Taketori no Okina's residence to ask for the beautiful Kaguya-hime's hand in marriage. The princes eventually persuaded Taketori no Okina to tell a reluctant Kaguya-hime to choose from among them. Kaguya-hime concocted impossible tasks for the princes, agreeing to marry the one who managed to bring her his specified item. That night, Taketori no Okina told the five princes what each must bring. The first was told to bring her the stone begging bowl of the Buddha Shakyamuni from India, the second a jeweled branch from the mythical island of Hōrai, [5] the third the legendary robe of the fire-rat of China, the fourth a colored jewel from a dragon 's neck, and the final prince a cowry shell born of swallows. Realizing that it was an impossible task, the first prince returned with an expensive stone bowl, hoping that Kaguya-hime would believe it to be real, but after noticing that the bowl did not glow with holy light, Kaguya-hime saw through his deception. Likewise, two other princes attempted to deceive her with fakes, but also failed. The fourth gave up after encountering a storm, while the final prince lost his life (severely injured in some versions) in his attempt. After this, the Emperor of Japan, Mikado, came to see the strangely beautiful Kaguya-hime and, upon falling in love, asked her to marry him. Although he was not subjected to the impossible trials that had thwarted the princes, Kaguya-hime rejected his request for marriage as well, telling him that she was not of his country and thus could not go to the palace with him. She stayed in contact with the Emperor, but continued to rebuff his requests and marriage proposals. That summer, whenever Kaguya-hime saw the full moon, her eyes filled with tears. Though her adoptive parents worried greatly and questioned her, she was unable to tell them what was wrong. Her behaviour became increasingly erratic until she revealed that she was not of this world and must return to her people on the Moon. In some versions of this tale, it is said that she was sent to the Earth, where she would inevitably form material attachment, as a temporary punishment for some crime, while in others, she was sent to Earth for her own safety during a celestial war. The gold that Taketori no Okina had been finding had in fact been a stipend from the people of the Moon, sent down to pay for Kaguya-hime's upkeep. Kaguya-hime goes back to the Moon As the day of her return approached, the Emperor sent many guards around her house to protect her from the Moon people, but when an embassy of "Heavenly Beings" arrived at the door of Taketori no Okina's house, the guards were blinded by a strange light. Kaguya-hime announced that, though she loved her many friends on Earth, she must return with the Moon people to her true home. She wrote sad notes of apology to her parents and to the Emperor, then gave her parents her own robe as a memento. She then took a little of the elixir of life, attached it to her letter to the Emperor, and gave it to a guard officer. As she handed it to him, her feather robe was placed on her shoulders, and all of her sadness and compassion for the people of the Earth were apparently forgotten. The heavenly entourage took Kaguya-hime back to Tsuki no Miyako (月の都; lit. "the Capital of the Moon"), leaving her earthly foster parents in tears. The parents became very sad and were soon put to bed sick. The officer returned to the Emperor with the items Kaguya-hime had given him as her last mortal act, and reported what had happened. The Emperor read her letter and was overcome with sadness. He asked his servants, "Which mountain is the closest place to Heaven? ", to which one replied the Great Mountain of Suruga Province. The Emperor ordered his men to take the letter to the summit of the mountain and burn it, in the hope that his message would reach the distant princess. The men were also commanded to burn the elixir of immortality since the Emperor did not wish to live forever without being able to see her. The legend has it that the word immortality, 不死 ( fushi), became the name of the mountain, Mount Fuji. It is also said that the kanji for the mountain, 富士山 (literally "Mountain Abounding with Warriors"), are derived from the Emperor's army ascending the slopes of the mountain to carry out his order. It is said that the smoke from the burning still rises to this day. (In the past, Mount Fuji was much more volcanically active and therefore produced more smoke. ) Literary connections Edit Elements of the tale were drawn from earlier stories. The protagonist Taketori no Okina, given by name, appears in the earlier poetry collection Man'yōshū (c. 759; poem# 3791). In it, he meets a group of women to whom he recites a poem. This indicates that there previously existed an image or tale revolving around a bamboo cutter and celestial or mystical women. [6] [7] A similar retelling of the tale appears in the c. 12th century Konjaku Monogatarishū (volume 31, chapter 33), although their relation is under debate. [8] Banzhu Guniang Edit In 1957, Jinyu Fenghuang (金玉鳳凰), a Chinese book of Tibetan tales, was published. [9] In early 1970s, Japanese literary researchers became aware that "Banzhu Guniang" (班竹姑娘), one of the tales in the book, had certain similarities with The Tale of the Bamboo Cutter. [10] [11] Initially, many researchers thought that "Banzhu Guniang" must be related to Tale of Bamboo Cutter, although some were skeptical. In 1980s, studies showed that the relationship is not as simple as initially thought. Okutsu provides extensive review of the research, and notes that the book Jinyu Fenghuang was intended to be for children, and as such, the editor took some liberties in adapting the tales. No other compilation of Tibetan tales contains the story. [12] A Tibet-born person wrote that he did not know the story. [13] A researcher went to Sichuan and found that, apart from those who had already read "Jinyu Fenghuang", local researchers in Chengdu did not know the story. [14] Tibetan informants in Ngawa Tibetan and Qiang Autonomous Prefecture did not know the story either. [14] Legacy Edit The Tale of the Bamboo Cutter has been identified as proto- science fiction. Some of its science fiction plot elements include Kaguya-hime being a princess from the Moon who is sent to Earth for safety during a celestial war, an extraterrestrial being raised by a human on Earth, and her being taken back to the Moon by her real extraterrestrial family. A manuscript illustration also depicts a round flying machine that resembles a flying saucer. [15] See also Edit Big Bird in Japan The Tale of the Princess Kaguya Notes Edit ^ "Japan: Literature", Windows on Asia, MSU, ^ "17. A Picture Contest". The Tale of Genji. the ancestor of all romances) ^ Katagiri et al. 1994: 95. ^ Katagiri et al. 1994: 81. ^ McCullough, Helen Craig (1990). Classical Japanese Prose. Stanford University Press. pp.?30, 570. ISBN 978-0-8047-1960-5. ^ Horiuchi (1997:345-346) ^ Satake (2003:14-18) ^ Yamada (1963:301-303) ^ 田海燕, ed. (1957). 金玉鳳凰 (in Chinese). Shanghai: 少年兒童出版社. 百田弥栄子 (1971). 竹取物語の成立に関する一考察. アジア・アフリカ語学院紀要 (in Japanese). 3. 伊藤清司 (1973). かぐや姫の誕生―古代説話の起源 (in Japanese). 講談社. ^ 奥津 春雄 (2000). 竹取物語の研究: 達成と変容 竹取物語の研究 (in Japanese). 翰林書房. ISBN 978-4-87737-097-8. ^ テンジン・タシ, ed. (2001). 東チベットの民話 (in Japanese). Translated by 梶濱 亮俊. SKK. ^ a b 繁原 央 (2004). 日中説話の比較研究 (in Japanese). 汲古書院. ISBN 978-4-7629-3521-3. ^ Richardson, Matthew (2001). The Halstead Treasury of Ancient Science Fiction. Rushcutters Bay, New South Wales: Halstead Press. ISBN 978-1-875684-64-9. ( cf. "Once Upon a Time". Emerald City (85). September 2002. Retrieved 2008-09-17. ) References Edit Katagiri Yōichi, Fukui Teisuke, Takahashi Seiji and Shimizu Yoshiko. 1994. Taketori Monogatari, Yamato Monogatari, Ise Monogatari, Heichū Monogatari in Shinpen Nihon Koten Bungaku Zenshū series. Tokyo: Shogakukan. Donald Keene (translator), The Tale of the Bamboo C

Lol just for the record, I'm not Hispanic or speak Spanish, so please don't message me in Spanish XD I'll feel bad for ignoring you. Even when the personification of all the gifts of nature are introduced in your life man's need for trivialities away from the true boon of this world that has been so adamant through the generations of patriarchal dominance leads you into places where you get trapped. Princess Kaguya keeps everyone happy around her yet there is a sadness throughout her journey where in which she slowly realises the trappings of the world even though it doesn't fully make sense. But it is this life that includes all the flaws of this world that give pain, grief, happiness, hope and make you able to live and feel to continue the cycle of life. The beautiful animation lets you dive into the folktale and live through a heartwarming experience.
I love to watch Kikis dilervery service. The Tale of The Princess Kaguya features beautiful animation, beautiful music and a story that runs too long. Perhaps it's just because I'm not as familiar with Japanese folklore, but I also found it to be a little confusing. My kids weren't very pleased with the ending, either. I'm glad I saw it, but I probably won't be watching it again.
Why have I never heard of this, Ghibli really needs to put these side movies in the loop as the rest lol.

1. https://seesaawiki.jp/berugiri/d/ninNMo7d
2. https://seesaawiki.jp/nokibei/d/Tablet%20Full%204S...
3. https://ameblo.jp/merumidasu/entry-12587922901.htm...
4. https://gumroad.com/l/kaguyahime-no-monogatari-fre...
5. https://seesaawiki.jp/yuminshi/d/Full%20Movie%20Wa...

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