Cameron Gonzales

Had to revisit this one! It's incredible how far you've come as a dancer, choreographer. artist man. Your hard work shows & I couldn't be happier for you! Keep reppin' the Chicago area well. A 1924 silent psychological drama film directed by Erich von Stroheim, based on the novel McTeague by Frank Norris. John McTeague (Gibson Gowland) is a miner in the California gold country. A visiting dentist inspires him to try something new, and the dentist takes him on as an apprentice. McTeague eventually settles down as a dentist in San Francisco. His friend Marcus (Jean Hersholt) brings his girlfriend Trina (ZaSu Pitts) to McTeague as a patient. Marcus nobly steps aside when McTeague falls in love with Trina. McTeague and Trina are married. In the meantime, Trina has bought a lottery ticket. Said ticket hits for five thousand dollars. Marcus becomes bitter at missing out on the money and has a falling out with McTeague. Trina for her part zealously guards the $5, 000, refusing to spend a dime. She still won't spend any of it after Marcus rats out McTeague for practicing dentistry without a license, leaving the couple destitute. The McTeagues' formerly intimate marriage dissolves in hatred. Eventually McTeague murders Trina and takes off with the $5, 000, fleeing to Death Valley, but Marcus is determined to track him down. Greed is remembered as much (if not more) for what it isn't as for what it is. Von Stroheim's original cut was forty-two reels, or nearly eight hours. It is often considered the most "literal" film adaptation of a novel ever (the runtime is only two hours shy of that of the novel's unabridged audiobook). von Stroheim tried to talk the producers into showing the film in multiple parts, but eventually edited down to a four-hour cut. MGM eventually took the film out of von Stroheim's hands and released it with a running time of about two and a half hours. The shortened film was a flop, panned by critics and disowned by its director. It has, however, been Vindicated by History, and is commonly considered one of the masterpieces of silent cinema. The four-hour Director's Cut of Greed is sometimes called the "Holy Grail" of film archivists. No copy of the deleted footage has ever been found, but the twelve people who did see the full eight-hour version have deemed it one of the greatest films ever made. This film provides examples of: Amusement Park: Trina and Marcus go to one on a date. Animal Motifs: McTeague and his wife are represented as birds, caged together in a dysfunctional relationship, while Marcus is the cat watching from below and waiting to pounce. At the end, McTeague, desperate for someone to survive, releases his last bird from its cage. It immediately dies. Beard of Sorrow: McTeague grows one after getting fired. The Blade Always Lands Pointy End In: Marcus flings a knife at McTeague which sticks neatly in the wall. (This being an obviously reversed shot in which a knife was yanked out of a wall. ) Color Motif: Yellow for greed, and specifically gold?see Splash of Color below. Contrived Coincidence: After McTeague leaves for good, Trina leaves their sad little shack and takes up residence at a kindergarten where she works as custodian and sleeps in a side room. McTeague for his part is just randomly walking down a street one day, which happens to be the street in front of the school, and just happens to see his and Trina's wedding picture, torn in half and thrown in the garbage. This is how he finds her again. Did I Mention It's Christmas? : The unsettling scene where Mac murders Trina takes place in a school that is decorated for the Christmas season, complete with tree. Downer Ending: McTeague beats Trina to death, and the film ends with him stuck in Death Valley, chained to Marcus' corpse. He frees the canary, so that something would live ? but the bird immediately dies too. Dude, She's Like, in a Coma! : McTeague feels up Trina while she's out cold in his dentist's chair. Ear Ache: Marcus bites McTeague's earlobe when they get into a fight. Epic Movie: Certainly in its original form. Even the surviving cut has an epic feel, with location shooting in San Francisco and Death Valley that was very unusual for The Roaring '20s. Establishing Character Moment: McTeague pauses while hauling a load of gold ore to tend to a wounded bird. Then, when another miner hassles him over it, McTeague flies into a rage and throws the miner into a ravine. His tender side and his violent temper are both established. The following title card even says "Such was McTeague. " Foreshadowing: Not hard to figure out that McTeague and Trina are headed for a bad end. First comes their rather ominous first kiss, which McTeague delivers forcefully, followed by Trina fleeing in terror during a pouring rain. Then there's the wedding, in which a funeral procession passes by while they are exchanging vows. Gold Fever: As usual, not a good thing. Greed: In the title! It's a driving force of most of the character actions and ultimately McTeague's Fatal Flaw. Kissing Cousins: Marcus introduces Trina as both his girlfriend and his cousin. Love Triangle: Gone horribly wrong, as Marcus seeks revenge. Money Fetish: Trina has an unhealthy relationship with her money. Oh how I saved and slaved for you. Nobody will ever have you. Rapunzel Hair: Trina’s hair is so long she covers herself with it while naked. Re-Cut: A "restored" version was released that combined the existing footage with still pictures from the production. It runs nearly four hours. Seven Deadly Sins: Most of the characters' actions are driven by greed, but McTeague shows lust as he kisses an unconscious Trina, and Marcus is overcome with envy, before that envy turns to wrath in the final confrontation. Gluttony is also on display at the wedding feast. Slashed Throat: Maria's fate. Splash of Color: Everything made of gold in the film is hand-tinted yellow?gold nuggets, Trina's gold bridgework, her wedding ring, the gold watch that Marcus gives her, the gold coins that make up her $5000. The canaries that McTeague keeps in a cage are also tinted yellow. Staggered Zoom: The chilling last shot, where the film zooms out to show McTeague handcuffed to a corpse in the middle of a desert. Tempting Fate: Marcus agrees to let McTeague have Trina, saying that they are "Friends for life?" Thanatos Gambit: As McTeague beats him to death in the desert, Marcus handcuffs them together. Thirsty Desert: Really, Death Valley is a poor choice for refuge when fleeing from the police. Unholy Matrimony: McTeague, who lusts for his patient while she's unconscious, causes trouble with his violent temper and hoards money for alcohol, and Trina, who has a serious Money Fetish. Zerkow and his wife Maria, who marry for mutual avarice, and whose marriage dissolves into hatred even quicker than the McTeagues'. "Wanted! " Poster: This is pretty much all the segue there is from Trina's murder to the last sequence of McTeague fleeing into the desert. This is one of the biggest cuts in von Stroheim's film?a long section where McTeague goes back home to see his parents again was removed. Wedding Day: A pretty ominous one?see Foreshadowing above. Worthless Yellow Rocks: You got the gold. Mazel tov. Too bad you're in the middle of a desert with no water and handcuffed to a dead guy.
Movie greed playing. Greed movie 2020. Movie greedy dinner. Don't care about a rich billionaire making money off people misery just Christmas. Men and Masculinity John McClane is a man's man. He knows his way around a weapon, smokes cigarettes, and swears like a sailor. He's also terrible at talking about his feelings and has a marriage on the rocks. In other words, he's a guy and a half, and much of Die Hard 's wit stems from McClane flexing his metaphorical man muscles. His masculinity manifests itself in his constant wisecracking, his ability to make the most serious of situations a little lighter with a little snark. While other characters find ways to assert their manhood?mainly by trying to dominate their surroundings?McClane's manliness shines on the fly. He just can't help himself. Questions About Men and Masculinity What's the relationship between masculinity and violence in Die Hard? The more violent the character, the more manly? Or is it maybe the opposite? What's so masculine about all of McClane's wisecracks, anyway? In what ways do the different law enforcement officers?Chief Robinson, Sergeant Powell, F. B. I. agents Johnson and Johnson, the SWAT guys?challenge each other's masculinity? Let's hear it for the girls. In a movie so full of men being manly, how do the ladies fare? Chew on This John McClane's wisecracks are really just a manifestation of his insecurity about being a good family man. John McClane represents the manly ideal?brave, heroic, a little rough around the edges?while Hans represents the effeminate threat to that ideal. He's suave, polished, and cares way too much about clothes. Violence The weird thing about violent action movies is that the characters hardly ever talk about the violence they're experiencing and perpetrating. And yet, in movies like Die Hard, there's violence in practically every scene. It's just a part of the bargain. From the brutal fistfights to the point-blank shootings to the berserk gunfights, Die Hard is chock full of people doing each other physical harm. And it's not just the villains who perpetrate it?it's our hero, too. John McClane single-handedly does away with all of the terrorists except Karl, whether it's through explosions, shooting, or a good old-fashioned fall down the stairs. Dude does not play. Questions About Violence Is the violence in Die Hard excessive? Did you ever cringe and avert your eyes? Or do you think it's all good if it's in the service of the story? What, would you argue, is the most violent scene in the movie? Is it the Karl-McClane fight? The brutal shooting of Takagi? Something else? What purpose do you think violence serves in Die Hard? Does it have any meaning beyond entertainment and shock value? Chew on This The violence in Die Hard is straight-up gratuitous. It serves no purpose other than to shock viewers and satisfy our ever-growing urge for ever-increasing horror. Die Hard is violent because without the threat of real physical harm?even death?the stakes wouldn't be high enough for us to root for a McClane victory. Greed In Die Hard, unlike another classic 80s movie, greed is not so good. It's what drives Gruber to take an entire skyscraper hostage, and it's what makes Ellis the smarmy dude he is. Greed gets a lot of people killed, and it's only the un- greedy types?the everymen who aren't looking for glory or greenbacks?who manage to do right by all the folks caught in the cross-hairs. Does that make the movie anti-capitalist? Probably not. But it does make the movie anti-selfish-jerk. Questions About Greed Greed can be about more than just money. What other characters in Die Hard are greedy, and what are they greedy for? In what way does Holly's watch symbolize greed? In what way does Gruber's greed for money make him different from McClane? Chew on This It's not greed that makes Gruber bad?it's ego. The greediest person in Die Hard is actually Chief Robinson. He's greedy for glory, and that makes him a terrible cop. Cunning and Cleverness If you just looked at the establishment law enforcement officers in Die Hard, you'd be forgiven for thinking that this movie is a moral parable about the consequences of being an idiot. Thank goodness for John McClane and Hans Gruber. They're both whip smart, just in totally different ways. It's those differing forms of intelligence that drive the plot of the movie forward, holding both their goals in tension. Where Gruber is cold and calculating, McClane is street smart, able to improvise. You can guess which brand of brains wins in the end. Questions About Cunning and Cleverness What's McClane's smartest move in the movie? Gruber's? Which character do you think is smarter in the end? Why do you think the movie goes out of its way to portray the local law enforcement officers (except Powell of course) and even the FBI seem like oafish idiots? Who's the cleverest henchmen? What makes you say so? Chew on This This isn't a case of book smarts versus street smarts. It's a case of planning versus instinct. McClane triumphs because he trusts his gut. Gruber? Not so much. The movie makes the LAPD look like idiots to show that the working class men?McClane and Powell?are the only ones who know what they're doing. Duty Villain's gotta vill. Hero's gotta save the day. Bureaucrat's gotta get in the way. In Die Hard, everyone does their duty?it's just that their duties often clash. And, to be fair, some people are better at it than others. John McClane? He never shirks his duty?not once. That fact has cost him a few things here and there?like, say, his marriage. But in the end, it's that sense of duty that also redeems McClane and his marriage?and keeps him alive, too. Questions About Duty Where does McClane's bigger sense of duty lie: with the NYPD or with his family? Does the answer change over the course of the movie? Does Gruber operate with any sense of duty? If so, duty to what? Where does Sergeant Powell's sense of duty come from? Chew on This McClane's values ultimately show us that a healthy balance between work and family isn't possible. McClane's strong sense of duty to his job ultimately proves him hero-like, as he's able to solve all of his problems.
Something so beautiful it makes me cry. Greed Theatrical release poster Directed by Erich von Stroheim Produced by Erich von Stroheim Abe Lehr Irving Thalberg Screenplay by Contractually credited: June Mathis Based on McTeague by Frank Norris Starring Gibson Gowland ZaSu Pitts Jean Hersholt Music by William Axt Cinematography Ben F. Reynolds William H. Daniels Edited by Frank Hull (42- reel and 24-reel versions) Rex Ingram Grant Whytock (18-reel version) Joseph W. Farnham (10-reel version) Production company The Goldwyn Company?Metro-Goldwyn Distributed by Metro-Goldwyn-Mayer Release date December?4,?1924 Running time Over 9 hours (first cut) [1] [2] 140 minutes (original release) [2] 239 minutes (reconstruction) Country United States Language Silent film English intertitles Budget $665, 603 Box office $274, 827 Greed is a 1924 American silent drama film written and directed by Erich von Stroheim and based on the 1899 Frank Norris novel McTeague. It stars Gibson Gowland as Dr. John McTeague, ZaSu Pitts as Trina Sieppe, his wife, and Jean Hersholt as McTeague's friend and eventual enemy Marcus Schouler. The film tells the story of McTeague, a San Francisco dentist, who marries his best friend Schouler's girlfriend Trina. Greed was one of the few films of its time to be shot entirely on location, with Stroheim shooting approximately 85 hours of footage before editing. Two months alone were spent shooting in Death Valley for the film's final sequence, and many of the cast and crew became ill. Stroheim used sophisticated filming techniques such as deep-focus cinematography and montage editing. He considered Greed to be a Greek tragedy, in which environment and heredity controlled the characters' fates and reduced them to primitive bêtes humaines (human beasts), a naturalistic concept in the vein of Zola. During editing, the production company merged into Metro-Goldwyn-Mayer, putting Irving Thalberg in charge of post-production. Thalberg had fired Stroheim a few years earlier at Universal Pictures. Originally almost eight hours long, Greed was edited against Stroheim's wishes to about two-and-a-half hours. Only twelve people saw the full-length 42-reel version, now lost; some of them called it the greatest film ever made. Stroheim later called Greed his most fully realized work and was hurt both professionally and personally by the studio's re-editing of it. [3] The uncut version has been called the "holy grail" for film archivists, amid repeated false claims of the discovery of the missing footage. In 1999, Turner Entertainment created a four-hour version of that used existing stills of cut scenes to reconstruct the film. Greed was a critical and financial failure upon its initial release, but, by the 1950s, it began to be regarded as one of the greatest films ever made; filmmakers and scholars have noted its influence on subsequent films. Plot summary [ edit] I never truckled, I never took off the hat to fashion and held it out for pennies. By God, I told them the truth. They liked it or they didn't like it. What had that to do with me? I told them the truth; I knew it for the truth then and I know it for the truth now. ?Frank Norris, quoted from his essay "The True Reward of the Novelist", in a title card at the beginning of Greed. [4] John McTeague is a miner working in Placer County, California. A traveling dentist calling himself Dr. "Painless" Potter visits the town, and McTeague's mother begs Potter to take her son on as an apprentice. Potter agrees and McTeague eventually becomes a dentist, practicing on Polk Street in San Francisco. Marcus Schouler brings Trina Sieppe, his cousin and intended fiancée, into McTeague's office for dental work. Schouler and McTeague are friends and McTeague gladly agrees to examine her. As they wait for an opening, Trina buys a lottery ticket. McTeague becomes enamored with Trina and begs Schouler for permission to court Trina. After seeing McTeague's conviction, Schouler agrees. Trina eventually agrees to marry McTeague and shortly afterwards her lottery ticket wins her $5, 000. [a] Schouler bitterly claims that the money should have been his, causing a rift between McTeague and Schouler. After McTeague and Trina wed, they continue to live in their small apartment with Trina refusing to spend her $5, 000. Trina and McTeague have a relationship that moves from romance to tragedy. Schouler leaves the city to become a cattle rancher. Before he goes, he secretly, in order to ruin his former friend, reports McTeague for practicing dentistry without a license. McTeague is ordered to shut down his practice or face jail. Even though she has saved over $200 in addition to the original $5, 000 from the lottery ticket, Trina is unwilling to spend her money. Money becomes increasingly scarce, with the couple forced to sell their possessions. McTeague finally snaps and bites Trina's fingers in a fit of rage. Later, he goes fishing to earn money, taking Trina's savings (now totaling $450). Trina's bitten fingers become infected and have to be amputated. To earn money she becomes a janitor at a children's school. She withdraws the $5, 000 from the bank to keep it close to her, eventually spreading it on her bed so she can sleep on it. McTeague then returns, having spent the money he took, and asks Trina for more. The following day McTeague confronts Trina at the school. After a heated argument McTeague beats Trina to death and steals her $5, 000. Now an outlaw, McTeague returns to Placer County and teams up with a prospector named Cribbens. Headed towards Death Valley, they find a large quantity of quartz and plan to become millionaires. Before they can begin mining, McTeague senses danger and flees into Death Valley with a single horse, the remaining money and one water jug. Several marshals pursue him, joined by Schouler. Schouler wants to catch McTeague personally and rides into Death Valley alone. The oppressive heat slows McTeague's progress. Schouler's progress is also beginning to wane when he spies McTeague and moves in to arrest him. After a confrontation, McTeague's horse bolts and Schouler shoots it, puncturing the water container. The water spills onto the desert floor. The pair fight one last time, with McTeague proving the victor; however, Schouler has handcuffed himself to McTeague. The film ends with McTeague left in the desert with no horse and no water, handcuffed to a corpse and unable to reach the remaining money. Sub-plots [ edit] Von Stroheim's original edit contained two main sub-plots that were later cut. The point of these sub-plots was to contrast two possible outcomes of Trina and McTeague's life together. The first depicted the lives of the junkman Zerkow and Maria Miranda Macapa, the young Mexican woman who collects junk for Zerkow and sold Trina the lottery ticket. Maria often talks about her imaginary solid gold dining set with Zerkow, who becomes obsessed by it. Eventually, believing she has riches hidden away, Zerkow marries her. He often asks about it, but she gives a different answer each time he mentions it. Zerkow does not believe her and becomes obsessed with prying the truth from her. He murders her and after having lost his mind, leaps into San Francisco Bay. The second sub-plot depicts the lives of Charles W. Grannis and Miss Anastasia Baker. Grannis and Baker are two elderly boarders who share adjoining rooms in the apartment complex where Trina and McTeague live. Throughout their time at the apartment complex, they have not met. They both sit close to their adjoining wall and listen to the other for company, so they know almost everything about each other. They finally meet and cannot hide their long-time feelings for each other. When they reveal their love, Grannis admits he has $5, 000, making him just as rich as Trina. But this makes little difference to them. Eventually, they marry and a door connects their rooms. Cast [ edit] Gibson Gowland as Dr. John McTeague, a dentist ZaSu Pitts as Trina Sieppe, McTeague's wife Jean Hersholt as Marcus Schouler, McTeague's friend Prologue Jack Curtis as McTeague's father Tempe Pigott as McTeague's mother Florence Gibson as a hag Erich von Ritzau as Dr. 'Painless' Potter, a travelling dentist Sieppe Family Chester Conklin as Hans 'Popper' Sieppe, Trina's father Silvia Ashton as 'Mommer' Sieppe, Trina's mother Austen Jewell as August Sieppe, Trina's younger brother Oscar Gottell as Max Sieppe, Trina's younger brother Otto Gottell as Moritz Sieppe, Trina's younger brother Joan Standing as Selina, Trina's cousin Max Tyron as Uncle Rudolph Oelbermann, Trina's uncle Subplots Dale Fuller as Maria Miranda Macapa, Zerkow's wife Cesare Gravina as Zerkow, a junkman Frank Hayes as Charles W. Grannis, proprietor of the Modern Dog Hospital Fanny Midgley as Miss Anastasia Baker, Grannis' neighbor and later wife Friends and Neighbors at Polk Street Hughie Mack as Mr. Heise, the harness maker E. 'Tiny' Jones as Mrs. Heise J. Aldrich Libbey as Mr. Ryer Reta Revela as Mrs. Ryer S. S. Simon as Joe Frenna Hugh J. McCauley as the photographer William Mollenhauer as the palmist Others William Barlow as the Minister Lon Poff as the man from the lottery company James F. Fulton as Cribbens, a prospector James Gibson as a Deputy Jack McDonald as the sheriff of Placer County Erich von Stroheim as the balloon vendor [5] Production [ edit] I intended to show men and women as they are all over the world, none of them perfect, with their good and bad qualities, their noble and idealistic sides and their jealous, vicious, mean and greedy sides. I was not going to compromise. I felt that after the last war, the motion picture going public had tired of the cinematographic 'chocolate éclairs' which had been stuffed down their throats and which had in a large degree figuratively ruined their stomachs with this overdose of Saccharose in pictures. Now, I felt, they were ready for a large bowl of plebeian but honest corned beef a
He's right to be honest. Jinmi the song is amazing a banga. Tell you the sky is your starting point you shall make headway in this great career of yours. Keep on soaring higher in Jesus name amen. Too bad this program isnt around anymore, could do a piece on trump. Greed movie 2019. And still waiting on another season playing with my emotions. He was a decent guy, I think you and I have very different definitions of that term. But what's wrong with the street. Op skin shutdown was how i got my knife, i mean everyone paniced and started to sell their skins so they were so cheap. And now im sitting with factory new butterfly knife marble fade??smart investments everbody. The skull fish couldnt last forever. Movie greed ii. WOWZA I have all the feels.

Movies greeley colorado. One of the most perfect dou performances I've ever seen. They work so perfectly together, this is a perfect routine. My first rule: TO BE FILTHY RICH. This isn't American greed. This is pure Talmudic rapine. Movie green day. Movie greed based on.

Movie grease cast. We are all pawns controlled by something greater, MEMES, the DNA of the soul. Greedy movie trailer. 0:56 thats the wierdest scream in my entire life. Also this is caillou. Give me everything that i want. It probably would be easier to relax a little about the encouraging economic signs here and there, if we weren’t constantly being told we’re about to plunge off the so-called fiscal cliff. What to do? Watching a movie is always a good solution. Here are 10 films about money that may not take your mind off the fiscal cliff, exactly, but at least will entertain you in case your nest egg disappears. "Wall Street" (1987) Remember when greed was good? Michael Douglas won an Oscar for his portrayal of Gordon Gekko, the corporate raider who takes a shine to Charlie Sheen and teaches him the dark arts of financial manipulation. All very entertaining, though you get the idea some of the Wall Street folks two decades later used it as a training manual. “Glengarry Glen Ross” (1992) “Second prize is a set of steak knives. Third prize is, you’re fired. Get the picture? ” Ah, Alec Baldwin’s brilliant, brief takedown of the men working at a real-estate office is truly a thing of profane beauty. Based on David Mamet’s play, James Foley’s film is a hilarious, heartbreaking and ultimately scary look at the pressures to succeed, and the lengths that people will go to to try. “Put that coffee down. Coffee’s for closers only. ” Man. “Casino” (1995) This is probably flawed thinking, but Martin Scorsese’s movie always seemed like the little brother of “Goodfellas. ” Still, it’s powerful stuff. The film stars Robert De Niro and Joe Pesci, but Sharon Stone is the one who got an Oscar nomination. De Niro and Pesci play mobsters ? surprise! ? who move to Las Vegas. De Niro runs a casino, while Pesci is his muscle. Brutal but really well made. And it’s all about the money (at least until it’s not). “It’s a Wonderful Life” (1946) This is a movie about money? Hey, it’s not all goofball angels trying to get their wings, you know. Frank Capra’s masterpiece is set in motion because, among other things, Jimmy Stewart’s George Bailey is broke. (Uncle Billy was of no help in this regard. ) When you watch it, as you must every year around the holidays (it’s some kind of rule), it’s amazing how contemporary the financial talk sounds. “Slumdog Millionaire” (2008) Danny Boyle’s film won a whopping eight Oscars, including best picture. It’s the story of a poor boy (Dev Patel) who starts winning on the Indian version of “Who Wants to Be a Millionaire, ” arousing suspicion that he must be cheating. Flashbacks show how he has come to know the answers to the questions. It’s great storytelling, and the final scene is joyous, but don’t be fooled. There is plenty of brutality along the way. “Jerry Maguire” (1996) OK, all together now: “Show me the money! ” Cuba Gooding Jr. won an Oscar for shouting that at several times during the movie. Well, that and some other things. Cameron Crowe’s film is about a sports agent (Tom Cruise) who sets out on his own, trying to do things right, and ultimately sides with love. Although Gooding, as an Arizona Cardinals wide receiver, gets his payday, too. “The Queen of Versailles” (2012) Lauren Greenfield’s documentary follows the fortunes of Jackie Siegel, the wife of time-share king David Siegel, as they go south. Originally a chronicle of how they set out to build the largest home in the U. S., after the economy tanked (and the Siegels let Greenfield keep filming), it became something far richer: the downfall of the ultimate bit-off-more-than-he-can-chew player. It’s easy to feel superior to them, but Jackie brings an offbeat humanity to the movie. “Trading Places” (1983) Ralph Bellamy and Don Ameche, filthy-rich brothers, go in for a little social engineering, betting that they can swap the lives of one of their employees (Dan Aykroyd) with that of a street-smart homeless man (Eddie Murphy). The subjects figure out what’s going on and seek revenge, with the help of, yes, a hooker with a heart of gold (Jamie Lee Curtis). John Landis knows his way around comedy, and this is no exception. Funny stuff, in an early ’80s sort of way. “The Company Men” (2010) John Wells wrote and directed this film about a rich corporate suit (Ben Affleck) who loses his job, with the accompanying hit to his posh lifestyle. Chris Cooper and Tommy Lee Jones also are affected. They eventually figure a way out of their crisis (well, two of them do), and if the solution feels a little too pat, there is real fear here, fear that many people affected by the financial fallout will recognize. “Margin Call” (2011) So, this is how it all went down. J. C. Chandler’s fictionalized account of how a Lehman Brothers-like financial institution tanked, nails the exact moment in 2008 when it was too late for Wall Street to turn back. Kevin Spacey is outstanding as an executive trying to retain a little dignity and soul; Jeremy Irons is good as the reptile who runs the company. For all its insider talk and action, the film is surprisingly entertaining, as long as you can keep what it’s really about at arm’s length. Maddening, frustrating and valuable. Read or Share this story:.

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1. Publisher: Jeremiah Fracson
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