DVD5 Download Free Idi i smotri

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Genres - War
directed by - Elem Klimov writed by - Ales Adamovich Audience Score - 47573 votes release date - 1985
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10 11, , ,.
Godspeed music, Classic Soviet Film, and an allegorical war film with Channel Criswell ? Heck yeah.
Saw it in cinema. Unforgettable experience. Shivers.

You can watch the whole movie for free on youtube

Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy © 1996-2014,, Inc. or its affiliates. Piękna muzyka, piękny (poniekąd) film. Cool movies. Download Free Idi i smotri. This movie portrays human misery in a crude and realistic way. Nazi to the last second. Not only criminals but also cowards. Escaping to South America if they could.
I could never give a movie a 10. That's why I am giving this one a 9. "Idi i smotri" is probably the best war movie ever.
Forget about Hollywood; if you want to find something real, shocking and disturbing, look for this movie. Everyone involved in war is a victim of fate. The world, as the movie shows, do not care about people. While Flyora is running away, he (and we) keeps thinking what he is running away from. And another good thing about this movie is the acting. The boy is amazing. Uncanny. So is the girl, I almost cried when he left her behind. The directing is very interesting, the camera runs after the characters through the Russian fields and doesn't care if they die or not: we're still watching. After you watch the movie, you won't understand war. You will understand victims.
Watching this the night before my MEPS for the Marines. @tenango: Yes you are to be congratulated; we live in an age where illness and deformity are common place and yet, you are without a doubt the most repulsive individual that I have ever met. I would shake your hand but I fear it would come off. Download free idi i smotriz. Stalin, for instance, had his own vision, and one thing is to theoreticize and another to try to make theory alive. Life itself is much more complex then theories. I can recognize French accent, I have a good ear, but you are not speaking - you are writing. If you end your sentence with ' merde' or ' Vive L'Empereur. or refer to yourself as ' le chat' or ' la poule' I would have presumed or maybe asked you ' are you French. Guess from which language is this. guzica.
It would be nice to have some subtitles for this. I loved the movie but don't understand Russian. The problem with this scene and the ending in general is that it comes of as exaggerated and pornographic. What started and continued as a story dealing with the horrors that people face during war took a left turn during the last 30 minutes, making villains of one side and heroes of the other, and each piece of dialogue and cinematography so obviously constructed to fit that purpose that the rest of the film seemed out of place. A very twisted scene.

Alali pe 29 Februarie 2016 19:06 Ororile razboiului prin ochi de copil. (pana la un punct ca dupa... manipulare). Sunt constient ca postand o parere critic la adresa acestui film, o sa imi atrag, cel mai sigur, o multime de critici. Insa o sa incerc sa imi argumentez alegerea personala, cat de cat obiectiv, zic eu si sper ca cei care sunt capabili sa inteleaga fundamentul unei rationament, sa imi raspunda tot la fel, pertinent si tintit la punctele mentionate de mine. Filmul, cred ca se subintelege inca din preambulul postarii, nu mi-a placut! Ba din contra. Folosirea dezlanata si cu o abundenta agasanta de imagini socante, care isi propun sa sfredeleasca creierele celor mai slabi de inger si astfel sa castige adepti de partea manipulativa a problematici adusa pe tapet si pe care filmul pare ca vrea sa o trateaze, au ca singur scop: transmiterea de emotie, dezgust si sila fata de o anumita tabara, invadatoare si fara de dumnezeu. Aceste imagini, bine construite cromatic… citeşte mvpsebi pe 27 Aprilie 2012 21:15 Idi i smotri "Vino sa vezi" mi'a fost un indemn foarte usor de urmat, de la prima pana la ultima secventa fiind atras ca intr'un vortex de caracteristicile inegalabile prin frumusete si atat de specifice cinematografiei sovietice. Istoria, viata, sentimentele, tragedia au fost surprinse in cele mai pure forme. Coloana sonora, imaginea, cel putin la fel de vii ca orice alt personaj in spunerea povestii, iar impreuna cu desfasurarea simbolica, fluida a actiunii, trairilor, dialogurilor, au alcatuit portretul declinului uman, atent observat si contrastat de natura inconjuratoare, capturata extraordinar de regizor. Fereastra prin care s'a vazut filmul a fost chipul lui Floria, angelic la inceput, naiv, nevinovat, iar la sfarsit, martor fiind ororilor, ranit, aproape dement, imbatranit. Subiectul l'a urmarit si constant a cules din inocenta sa si dramatism din drumul sau crud-initiatic, feciorasul dornic… citeşte.
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Excellent review. I will now find this movie and watch it. Didn't Jager only drop with sidearms with everything else in cannisters? so where did the guy in the tree get his MP40 from. Dirlewanger was beaten to death by some Polish guards. Good fir him. This movie was one of the most realistic movies I've ever seen. For a movie in a completely different language then English it was amazing how in touch I felt with each of the characters. It is a emotional roller coaster, I would advise watching this film with no references or pre knowledge of the plot. I watched it not knowing what to expect and I feel it affected me the most this way. I also don't want to write about the plot much because like I said I want you to have a clean slate once viewing. But even with such horrible images the pictures shot are also so beautiful. From a technical standpoint this movie is a masterpiece. I think what shocked me the most was how real everything was and how it was shot in almost a perspective view to make it feel as if I was there. Once my mind was connected with the film to make it seem as reality the story and plot hit me so much harder and by the end of the movie all i could really say to explain how i felt was numb.
Pure kino. There is no really much war in it. are you being serious? THIS is what exactely war looks like...
  • - ( , ) - - . ( - . . Merry Crimbo all <3. My grandad went in to see this movie when it came out and only a few minutes in he walked out he said it was to real for him to watch any further. Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July?1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian film directed by Elem Klimov filmed in the Soviet Union, with a screenplay written by Klimov and Ales Adamovich based on the 1978 book I Am from the Fiery Village [3] (original title: Я из огненной деревни, [4] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [5] The film stars Aleksei Kravchenko and Olga Mironova. [6] Come and See is generally viewed as one of the most important anti-war movies ever made, and one of the great World War II movies, with the most historically accurate depictions of the crimes on the Eastern Front. The film focuses upon the Nazi German occupation of Belarus, and primarily upon the events witnessed by a young Belarusian partisan teenager named Flyora, who?against his parents' wishes?joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II, and was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. The film was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [7] Title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [8] (English: "Come and see", Greek: ?ρχου κα? ?δε, Erchou kai ide) [9] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [10] [11] Chapter 6, verses 7?8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Plot [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as grenades are thrown into the church before it is set ablaze and shot. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population?this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” ?? Adolf Hitler, 1941 [12] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [13] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [3] [14] [15] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: "Whoever has no children can leave". And he couldn't take it, he left, and left behind his wife and little kids... or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn!
@krownkirrer this is historical fact. My greatgrandpa die in 1942.
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8.9/ 10stars

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