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Rating: 47577 vote; &ref(https://m.media-amazon.com/images/M/MV5BODM4Njg0NTAtYjI5Ny00ZjAxLTkwNmItZTMxMWU5M2U3M2RjXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_UY190_CR0,0,128,190_AL_.jpg); Elem Klimov; Soviet Union; actor: Vladas Bagdonas; Release Year: 1985. @robmac411 Thats true. Idi i smotri ruski film. I saw "Come and See" only once (on the big screen, in 1987) and it remains one, of very few, dramatic works that have had an immediate, and lasting, impact on my life. This movie's artistry, emotional power, and integrity, combined to produce a profoudly disturbing affect, on me, at the time of viewing; its lasting legacy, is that it made the onset of "shell shock" seem, not just readily understandable, but almost inevitable, among combatants, in a total war situation. Even though World War Two may seem historically remote, to some, I would, unreservedly, recommend this film, to anyone who would like a greater insight into, any, post-Soviet society.
Idi i smotri online sa prevodom. Was ein Blödsinn. Русская версия Soviet Movies Drama War Films Come and See Original title: Иди и смотри IMDB: 8. 3 Views: 129 379 Year: 1985 Subs: Come and See with English French German Spanish Portuguese Hebrew Arabic Persian subtitles is a 1985 Soviet war drama film directed by Elem Klimov. Come and See had to wait eight years for approval from Soviet authorities before the film was finally produced to commemorate the 40th anniversary of the Soviet victory in World War II, and was a large box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. The film was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family’s wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope. Watch online Come and See with English French German Spanish Portuguese Hebrew Arabic Persian subtitles Russian language English Dubbing Arabic Dubbing Download movie & subs Only for members with one month access or higher The movie is not available Sorry about that Come and See with English subtitles On you can watch Come and See with English subtitles online. On our site contains the best Soviet drama movies in English. All Soviet movies in English you can watch online on your mobiles (iOs or Android) and on tablets.
@Ward S: Thats right: If the Russian government does fight partisans in the selfsame manner as the Germans, it has either to convict itself of war crimes or stop whining about the Germans. Else it is hypocrisy and this deserves as always the double punishment. And yes: Showing drunk German soldiers on duty is like showing lazy Chinese or French eating awful food: A thing not possible in real life. So when making propaganda try to catch the national character of your opponent. Damn she's so beautiful, impressive.
I can highly recommend you watch the following Russian movies related to this topic, but way more realisic and heart-wrenching: on the Road - this one in particular. stiny of a Man 3. Two Comrades were Serving You can all watch them online for free with English subtitles on sovietmoviesonline(dot)com You are welcome.
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Click Here To Watch Or Download Иди и смотри Movie Unlimited: Genre: Comedy Companies: Belarus Release: 1985-07-01 Watch Иди и смотри (2019) Movie Online Streaming | Watch Movie and TV Shows… Watch Иди и смотри Movie Online For Free and Download Full HD without Registration | HDFlix Via ‘Иди и смотри’ Review: Keanu Reeves Kills Everybody in Breathtakingly Violent Sequel One of Hollywood’s best action franchises gets bigger ? if not always better ? in a bloody sequel that functions as a meditation on fame. “Иди и смотри” For a semi-retired super assassin who’s killed more people than the Bubonic plague, John Wick (Keanu Reeves) is actually a pretty relatable guy. Beneath the concave cheekbones, the magical handguns with infinite bullet capacity, and the byzantine criminal underworld that stretches to every corner of the globe, he’s just a monosyllabic middle-aged man who wants to be left the fuck alone. When the first movie of this increasingly ridiculous saga began, Mr. Wick was grieving his wife’s death in peace?then some Russian mobsters made the mistake of killing his dog (her name was Daisy, and she was very cute). This aggression, unknowingly committed against a man so dangerous that he used to be known as “Baba Yaga, ” forced John back into the network of contract killers he’d once left behind. And ever since the shadowy crime lords of the High Table sniffed blood, they haven’t lost the scent or minded their own business. At the end of “John Wick: Chapter 2, ” our laconic hero committed a big no-no by shooting a pest on the consecrated grounds of the Continental Hotel, but desperate times call for desperate measures, and every New Yorker knows what it’s like when the world gets a bit too close for comfort. Giddy, exhausting, and breathtakingly violent, “Иди и смотри” begins a few seconds after the previous installment left off, with the excommunicated assassin trying to make the most of the hour-long headstart he’s been given to hide before the $14 million bounty on his head is triggered and the entire criminal underworld comes after him. Of course, anyone who’s seen the previous films in this unexpected franchise knows that its criminal underworld is more of an overworld, and that almost every featured extra? ?? from street vendors and waiters to dog-walkers and homeless people? ?? is a heat-packing hired gun who uses their role in the capitalist system as a disguise for their deeper allegiance to a veiled society that operates on an ancient market of codes and blood oaths. Now that Mr. Wick is square in the middle of all of those crosshairs, it’s become comically impossible for the deathless widower to find the solace he seeks. He’s a target, and it seems like the entire world has its finger on the trigger; he used to be anonymous, but now he’s a celebrity. In its most enjoyably demented moments, “Parabellum” is nothing short of a non-stop metaphor for being famous. Less artful but more concussive than its immediate predecessor, this latest outing finds Mr. Wick being clocked by strangers every time he enters a room, stalked by his biggest fans, and so desperate for someone who will treat him like an actual human being that he travels all the way to the Sahara Desert to find them. Everyone in the world knows him by name, New York City is the only place on Earth he can hide in plain sight, and the perks of his job don’t seem to compare with the harassment that comes with them. As Wick stumbles through the wet neon streets of Times Square?returning us to a surprisingly involved film world that flows like “The Raid” and looks like a hyper-saturated Instagram feed? ?? it’s hard not to think of Reeves’ recent experience on a malfunctioning airplane, and how even that death-defying ordeal was turned into a viral moment (to the actor’s mild chagrin). Reeves once said that Wick was 40% him, but that number seems to have crept up a bit this time around. No movie has ever expressed the fight for anonymity with such viscerally literal force. True to the serialized nature of its title, “Иди и смотри” starts in media res and ends on a cliffhanger. For an 131-minute film that devotes roughly 110 minutes of its runtime to people shooting each other in the head at close range, it would be almost impossible to follow for someone who isn’t up to speed. Still, the gist of the plot is pretty simple: John Wick kills a lot of people. Like, a lot of people. By the end of “Parabellum, ” he’s basically the leading cause of death in henchmen between the ages of 25 and 50. More of a one-man massacre than ever before (but just raggedy enough to keep things “real”), Mr. Wick fights in a punishingly brutal style that builds on what director Chad Stahelski invented for the character in the previous films. This is a character who appears to know every single language under the sun, but violence is the most expressive part of his vocabulary (Reeves speaks maybe 100 words in the entire movie). Chinese wushu, Japanese judo, Southeast Asian silat, American Glock… Wick is fluent in them all. But while Stahelski and his team have obviously put a great deal of thought into every frame of fisticuffs, “Parabellum” is so relentless that it often devolves into a numbing flurry of shoulder flips and headshots. If “Chapter 2” bordered on high art for how cleverly it weaved tactical shootouts into public locations (and made every fight operate like an organic bit of world-building), “Chapter 3” is more out in the open. A sneaky little skirmish in Grand Central Station doesn’t live up to Stahelski’s creative potential, even if it’s amazing they pulled off the scene at all. Elsewhere, a motorcycle chase along an empty Manhattan bridge is too rushed and blurry to deliver the “Fury Road” ferocity it teases, and the climactic brawl? ?? which makes great use of some familiar faces, and hinges on a funny dynamic of mutual respect?is overwhelmed by a set that looks like a high-end watch commercial, and feels like a watered-down retread of the house of mirrors sequence from the end of the previous movie. Driven by a profound respect for the expressive power of beating someone to death, and empowered by their 54-year-old star’s remarkable skill and commitment, Stahelski and the other poets of percussive carnage that work at his 87Eleven Productions are still (a severed) head and shoulders above the rest of Hollywood’s stunt community. But they can do more with this character, even if it means slowing things down and widening them out. To that end, it’s telling that the most exciting brawl in “Parabellum” (with the possible exception of a knife fight in a Chinatown antiques store) maintains a more expansive vision, as Mr. Wick fights alongside Halle Berry and some four-legged sidekicks. Traveling to Casablanca for reasons that are never adequately explained, Mr. Wick meets up with an assassin named Sofia who owns a pair of well-trained Malinois dogs; like every other supporting character in this movie, there’s mixed blood between them, and she owes him something for some reason. There are coins and seals and lots of jibber jabber about High Table manners and then “Game of Thrones” star Jerome Flynn shows up as a Bronn-like business type who’s a bit too greedy for his own good (it’s hard to tell what accent Flynn is doing here, but he’s most definitely doing it). When the bullets fly, Sofia’s very Иди и смотри lend a valuable assist, and Stahelski has to open things up in order to frame the dogs as they chew on fresh corpses. The sequence is very “John Wick” and horribly terrific in a hand-over-your-mouth kind of way; it does more than any of the tossed-off business with the Bowery King (Laurence Fishburn) or the Continental Hotel owner (Ian McShane) to whet our appetites for another adventure. Anjelica Huston is also somewhat wasted as the matriarch of a Harlem ballet academy with ties to Wick’s past, but her scenes are so immaculately shot that you’re willing to let it slide. In a film that plays fast and loose with NYC geography, all is forgiven by turning 175th street’s United Palace into the “Tarkovsky Theater, ” where people are trained to be killers in between performances of “Swan Lake. ” The film’s world-building works best in small doses. A meeting in the middle of the desert is a total dead end, whereas all sorts of fun details can be inferred from Stahelski’s frequent cutaways to the High Table nerve center, where dozens of tattooed and lip-glossed workers monitor Wick’s bounty with an old-fashioned switchboard (imagine a SuicideGirls reboot of “Mad Men” and you’ll have the right idea). Non-binary “Billions” star Asia Kate Dillon plays a stiff and slinky High Table adjudicator who’s covered in Thierry Mugler coture; part referee and part femme fatale, their performance speaks to an underworld that’s sustained by a mutual respect for all people so long as they don’t shoot the wrong target. While this franchise is starting to feel a bit long in the tooth, such details suggest that screenwriter Derek Kolstad (here sharing credit with three other scribes) can still mine this world for plenty of new life, so long as future installments find a way to deepen the John Wick mythos instead of just stretching it out. With the significant exception of “Mission: Imposs
Idi i smotri 1985. Idi i smotri english. Come and see. Idi i smotri online. Idi i smotri (come and see. Kilmov's 1985 film ' Idi i smotri' or the American title ' Come and See' does a extraordinary job of not only inviting the audience to witness the time of war in Soviet Russia but to understand and feel how it affected one through the eyes of a young boy named Florya(Sonny in English subtitles.
The film opens with a scene where a Partisan is yelling followed by Florya digging painstakingly on the ground for weapons with another boy. The day after, Partisans come to Florya's home and take him with them to start organizing for the Nazi confrontation, while the Florya's mother is left in tears. Soon after joining the Partisans to face the Nazi's, Florya is left behind, as well as a girl named Glasha. Through the film, the audience is able to experience the brutality of human beings towards one another. At times it is hard to understand what is happening precisely, perhaps one of the reason is because there is not a lot of straight forward dialogue. For instance, I feel the movie instead reaches out to the audience through the use of graphic demonstrations of the plot rather than explanations from the characters. One of the most crucial moments is when the Nazis moved forced villagers into a wooden church only to demolish it. Florya was one of many that were mixed into the crowds and fatefully fled when the Nazis gave mercy for those who did not have children. There is a scene where a woman was able to leave the wooden church but her baby was thrown carelessly back into the church. Although towards the end of the film Florya barely speaks, one can define his emotions by his facial expressions. As his experience during the Soviet War progresses, so does his age. At the beginning of the film he looks healthy and around thirteen years old. By the end of the film, he looks as if he has aged twice his own age, but still had some sanity with the exception of his condition. When Florya meets Glasha again, they both look almost as if under psychological trauma and there is a sense of understanding through their silence. In the scene where Florya's mother pleads the Partisans to not take her son to go fight and says that he is a good polite boy and would never hurt anybody. Florya took his revenge through art. In his revenge scene, which is considered to be the most memorable and powerful scene in the film, shows Florya shooting at a Adolf Hitler painting, which was carried earlier in the film by someone. Within every few seconds of him destroying the painting, there are flashback clips of dead bodies at the concentration camp, Hitler giving regards to a German boy, the Nazi party, and many other Hitler moments. As each of these images unwind, Florya viciously shoots the painting. He does not shoot when the image of Hitler as a baby in his mother's lap appears, which shows a kind of purity and innocence for which he protects. His little sisters and mother may be one of many personal reasons he wanted to join the Partisans. I feel he wanted to protect his family and he wanted to make sure his siblings were going to be able to have a future. Come and See definitely sets the bar at being one of the most crucial, disturbing, and unforgettable films. Klimov allowed many of the rifle shots heard throughout the film to be real. Apparently, one of the bullets was only seven inches away from the head of the boy who played the character Florya. Klimov did this to give the film a more authentic feel within the set. With this extremely risky technique and the works of a brilliant director, the final product and outcome were all done precisely, leaving a long lasting impression on the audience as if they were there.
Idi i smotri torrent. For me this is the best movie i have movie will make other movies like saving pvt. Ryan look like a disney remember this movie will make you depressed for atleast 2-3 days(personal experience. director used real ammuniton during its is not your average war is a PURE WAR about the war is always movie is ugly,bitter,and sad for weak hearted at your own risk.?. Idi i smotri (1985. Idi i smotri streaming. Idi i smotri full movie. Idi i smotri criterion. It seems that this Russian propaganda flick has confused the German army with the Mongol horde; as it did show German soldiers being drunk on duty and wearing shabby uniforms, which is as likely as meeting sober Danes. So I hope that in the next Mongol movie the Mongols dont attack with Tiger tanks; while the Russians have doomed themselves here, as the world has since then seen in Chechnya that they themselves fight partisans in the selfsame manner as they show the Germans doing here.
YouTube. Idi i smotri csfd. I have always wondered what syle of dancing that was. Someone please tell me. Idi i smotri film. I've watched Brokeback Mountain dozens of times and cried every time. Its a beautiful heartbreaking story with two incredible actors staring (RIP Heath Ledger. Its utterly captivating and amazing and is in my top 5 favourite films of all time. Idi i smotri izle. Idi i smotri.
Idi i smotri - 1985 rus drama war masterpiece. Idi i smotri review. Idi i smotri english subtitles. What gives you the right to charge for a movie that has already been seen on tv. Idi i smotri. Idi i smotri ruski film sa prevodom na srpski. Idi i smotri partisan attack. @Belligerent Stag: And what is so particular about this brigade? Was it some crack counter-insurgency unit or what. Idi i smotri filmi. How can this movie be rated G on Google Play? When I was a kid, I think this is the movie that was rated R. I remember the hands up scene on the front cover, but was too young to watch it.
Idi i smotri (1985) online. Idi i smotri movies rej elem klimov. Idi i smotri (come and see) 1985. And this is why even Wilhelm II got shamed of being a German. Idi i smotri youtube. Idi i smotri imdb. Idi i smotri sport. Injured Kyrgios, de Minaur out of Australia Davis Cup tie - 04:00 2 Injured Nick Kyrgios and Alex de Minaur were on Friday ruled out of Australia's Davis Cup qualifier against Brazil, dealing captain Lleyton Hewitt a blow in his bid to steer them to the Madrid finals.... Read more.
It's funny to see this video now that we know 2019 brought peace to the world. Idi i smotri trailer. This film is definitely, on my list of favorites. I feel like The artist behind the film (Klimov) creates this foundation, whether it be the direction of actors, how the actors are portrayed or even the setting the actions take place in, ha-ha) in which the audience receives an intense amount of emotion from every detail shown. Even close-up shots, of some of the characters' faces, make me feel on edge, and even intimidated. What was going through my mind, while watching the film, was the depiction of war, and how others interpret it. Is war defined as bravery and courage, or suffering and insanity? Could it even be both? Personally, i see it as not explainable, therefore each viewer may have their own interpretation of the film, and concept of war overall.
Hell indeed. Edit: I am now crying.
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