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During WWII, a Belarusian boy is thrust into the atrocities of war, fighting with a hopelessly unequipped Soviet resistance movement against ruthless German forces. Witnessing scenes of abject terror and surviving horrifying situations, he loses his innocence and then his mind; &ref(https://m.media-amazon.com/images/M/MV5BODM4Njg0NTAtYjI5Ny00ZjAxLTkwNmItZTMxMWU5M2U3M2RjXkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_SY1000_CR0,0,629,1000_AL_.jpg); Runtime=2 Hour 22m; tomatometers=8,7 of 10 star; Cast=Aleksey Kravchenko; Rating=47573 votes. Critics Consensus As effectively anti-war as movies can be, Come and See is a harrowing odyssey through the worst that humanity is capable of, directed with bravura intensity by Elem Klimov. 97% TOMATOMETER Total Count: 29 96% Audience Score User Ratings: 8, 503 Come and See (Idi i smotri) Ratings & Reviews Explanation Come and See (Idi i smotri) Photos Movie Info As seen through the eyes of teen-aged protagonist Alexei Kravchenko, the landscape of Byelorussia is devastated by the incursion of Nazi troops in 1943. The genocide perpetrated on the citizens of this region is almost secondary to the rape of the region itself. Despite his disillusionment with humanity, Florya (Kravchenko) emerges from his experiences vowing to survive no matter what comes -- and in so doing, personifies a resilience and dignity. Come and See, originally released as Idi i Smorti, was the winner of the Grand Prix at the 1985 Moscow Film Festival. Rating: NR Genre: Directed By: Written By: In Theaters: Oct 17, 1985 limited On Disc/Streaming: Oct 23, 2001 Runtime: 142 minutes Studio: Kino International Cast News & Interviews for Come and See (Idi i smotri) Critic Reviews for Come and See (Idi i smotri) Audience Reviews for Come and See (Idi i smotri) Come and See (Idi i smotri) Quotes Movie & TV guides.
Come and See (Иди и смотри) is Elem Klimov’s final feature film. It has been labelled “one of the most devastating films ever about anything. ” Background to the film Come and See (Иди и смотри / Idi i smotri) is a harrowing Soviet war movie directed by Elem Klimov in 1985. The film is based on the 1978 novel, I Am from the Fiery Village (Я из огненной деревни / Ya iz ognennoj Derevni) by Ales Adamovich. Together Klimov and Adamovich wrote the film’s screenplay. The film has come to be considered one of the greatest war films of all time. The best way to describe it is that it’s an amazing film that will ruin your day. It’s just one of the most devastating movies there is. So, be warned ? Come and See is not of the same ilk as Klimov’s other most famous movie, the uproarious comedy, Welcome, or No Trespassing. The way in which Come and See was made gives some indication to how horrific it is to view. The shoots were dangerous ? real flamethrowers and real bullets were used just feet away from actors. These difficult scenes changed the actors considerably over the course of filming. Aleksei Kravchenko, who played the lead, Flyora, as a 13-year-old, developed a full head of grey hair and wrinkles during the nine months of filming. Come and See plot Hell on earth Come and See is so nightmarish that it depicts an earthly hell. In fact, the film’s name is an allusion to the refrain from the Book of Revelation and its description of the apocalypse. This view of the Second World War as an apocalypse fundamentally distinguishes the movie from previous works of Soviet war cinema. They would traditionally present the events of the war in either a heroic or lyrical manner. Klimov, however, presents a view of the war as a world of madness and demonic possession. Not only people, but also animals are drawn into this horror. We see a stork soaked in the rain, standing motionless in the forest. It has nowhere to go and no one to fly to with glad tidings. Later, we witness the dying spasms of a cow ripped apart by a machine gun. The film attacks every sense possible, including sound. The loud crashing of bombing and gunshot deafens your ears. Meanwhile, emaciated human voices appear muffled and distorted by some sort of eternal ringing noise. Ordinary sounds are not safe, as they transform into ominous signs. Flies buzzing becomes a harbinger of a terrible pile of corpses slaughtered in Flyora’s village. Amid the sensory overload of the movie, sometimes a line will jump out that makes your skin crawl. Amid a thunderous cacophony of barking dogs, roaring engines, curdling wails, billowing flamethrowers, and chattering machine guns, a German soldier directly addresses the viewer: “You should not be. Not all nations have a right to the future. ” ?Вас не должно быть. Не все народы имеют право на будущее?. Resolution to the madness But Come and See is not just a chilling nightmare. It is much more profound than just that. The film’s resolution displays its message of the indestructibility of good and humanity. Having survived the horror of a barn full of villagers being burnt alive, Flyora takes a rifle and shoots a portrait of Hitler. Each shot by this now gray-haired, wrinkled teenager?seems to turn back time in a newsreel of Hitler’s life. And the younger he appears, the more violently Flyora continues to fire. That is, until a photograph of Hitler as a child appears ? a defenseless baby sitting in the arms of his mother. Seeing this, Flyora freezes in horror and then lowers his gun. His inability to shoot a child, no matter who he is, restores the world in tragic harmony. Reception of Come and See Critical response and awards From its first release, Come and See received a highly positive critical reception. And as the years go by, it keeps on getting applauded by critics. J. Hoberman of The Village Voice has said, “There are few images more indelible than the sight of young Alexei Kravchenko’s fear-petrified expression. ” Scott Tobias of The A. V. Club has written that Klimov’s “impressions are unforgettable. ” Meanwhile, Roger Ebert has described it as “one of the most devastating films ever about anything, and in it, the survivors must envy the dead. ” In happy news for an unhappy movie that fought years of censorship to be produced, Come and See movie won the Golden Prize and FIPRESCI prize at the 1985 Moscow International Film Festival. Quality film reviews ? Roger Ebert The Village Voice ? J. Hoberman 366 Weird Movies ? Gregory J. Smalley Acidemic Journal of Film and Media ? Erich Kuersten Angeliki Coconi’s Unsung Films ? Zachary Wyman ? Cole Smithey J. B. Spins ? Joe Bendel Jdanspsa Wyksui ? Barnaby Haszard Morris ? Lena Lisa Vogelmann MovieSteve ? Steve Morrissey Ozus’ World Movie Reviews ? Dennis Schwartz Reverse Shot ? Jeff Reichert ScreenAnarchy ? Matthew Lee Slant Magazine ? Pat Brown Surrender to the Void ? Steven Flores The Onion A. Club ? Scott Tobias The Reprobate ? Daniel Bird ? Georgi. K Varied Celluloid ? Josh Samford] Podcast episodes Video essays ??
Klimov's wife makes some wicked good movies too. @98vanguard: Because it is a pretty awful movie and some certain Marxists coxcombs tempted me into watching it by claiming that it was a war movie, though it is none; and so I had an urgent need of vengeance against this cheap Marxist propaganda flick. Hell yeah. awesome movie.
Shooting at a portrait of Stalin and going back through time in the history of the Soviet Union would have been just as appropriate. Schindler's List was a beautiful film. The ending with all the families putting a stone on his grave. Or when Schindler broke down saying he could have saved one more... or when all his workers pulled out their gold teeth to make a gold ring for him. That scene gets me every time. They should show it in schools more often. When I hear kids say the holocaust was fake, really pisses me off. Anyway forgive the ADHD... my point is, it's a beautiful film that yes can make you cringe but it's a beautiful film.
YouTube. Gardner appears to be the XO. Welcome to heaven. My grandfa told me... Americans were fools, beyond idiocy. Georg might also like The Return (Vozvrashchenie ( . Watching it right now on Ovation! Tom Berenger really nails the Bob Barnes character flawlessly.
I'm rewatching this while taking notes, in case I get drafted. 1:15:35 best part of the movie... In my opinion.
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It just hit me that the reason I love Georg so much is that I feel like I've been let in on the secret meaning of a private joke that I still don't quite get. And for that, I'm grateful. Signed, A Fan Forever (Sorry. I just rewatched his video England Explained in 10 Minutes - A Bizarre Summary which popped up in my suggested videos after watching this one... The most chilling part about that scene is the random guy with the gasoline “jerry” can that comes up to get on the picture. Its so subtle, but notice how he “wants” to be in the picture, but reluctantly stands not too close to the others. Bone chilling.
Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July?1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Box office $150, 730 [3] Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian anti-war film directed by Elem Klimov and filmed in the Soviet Union. Its screenplay, written by Elem Klimov and Ales Adamovich, was based on the latter's 1978 book I Am from the Fiery Village [4] (original title: Я из огненной деревни, [5] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [6] The film stars Aleksei Kravchenko and Olga Mironova. [7] Significance [ edit] Come and See is viewed as one of the most important anti-war movies ever made, and one of the great World War II movies. It contains some of the most historically accurate depictions of the crimes on the Eastern Front. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II. It was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. It was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [8] Premise [ edit] The film focuses upon the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who?against his parents' wishes?joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Meaning of the title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [9] (English: "Come and see", Greek: ?ρχου κα? ?δε, Erchou kai ide) [10] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [11] [12] Chapter 6, verses 7?8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see! " And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Synopsis [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as several Molotov cocktails are thrown onto and within the church before it is further set ablaze with a flamethrower as other soldiers shoot into the building. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population?this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” ? Adolf Hitler, 1941 [13] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [14] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [4] [15] [16] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: "Whoever has no children can leave". And he couldn't take it, he left, and left behind his wife and little kids... or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn! They k
“Top 10 most realistic war movies” At number 1 transformers. The scene starting at 16:33, made me feel like Gunny genuinely wanted to help Pvt. Pyle to unlock his potential. He was carrying Pyle's rifle. If he didn't care, he would have left Pyle and his rifle behind. 1:27 Atrocity after atrocity, happy Xmas by the way. Now that is the right amount of holiday cheer I wish every year would be.
Seeders: 13 Leechers: 3 Movie: Come and See Downloads: 179 Language: Russian tag: war, russia, drama, Genres: Drama, History, War, Release date: 1985 Summary: The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope. Description A rare look at World War II from the Soviet side, Come and See is based on the real-life experiences of Ales Adamovich, who fought with Russian partisans in Belarus in 1943, when the Nazis systematically torched over 600 villages and slaughtered their inhabitants. Adamovich and director Elem Klimov co-authored the screenplay, which shows the horrors through the eyes of a 13-year-old peasant boy named Florya (Alexei Kravchenko). Over his single mother's protests, he joins the partisans, but they leave him behind in their camp when they set off to fight the Germans. Glascha (Olga Mironova), a lovely young girl, befriends him, but the two are caught in the midst of an air raid which leaves Florya nearly deaf. Now utterly frightened, Florya and Glascha return to his village to find it in ruins, and, in one of the film's many harrowing scenes, they wade through a swamp to locate the survivors. Now committed to seek vengeance for the death of his mother and neighbors, Florya returns to the front, but finds himself in a village that's right in the path of the Nazi firestorm. A band of partisans arrive too late to save the village but in time to capture and mete out justice to several of the Nazi officers. Awarded the Grand Prix at the 1985 Moscow Film Festival, Come and See is notable as an honest and unflinching portrait of one of the darker chapters among many in the history of the World War II. Quote: STARS......... : Aleksey Kravchenko, Olga Mironova, Liubomiras Laucevicius DIRECTOR...... : Elem Klimov WRITERS....... : Ales Adamovich, Elem Klimov GENRE......... : War | Drama IMDB RATING... : 8. 3/10 26, 892 votes IMDB link..... : RUNTIME....... : 2h 22mn SIZE.......... : 4. 78GB VIDEO CODEC... : x264 ( [email?protected]) RESOLUTION.... : 1420x1080 ASPECT RATIO.. : 1. 37:1 BITRATE....... : 4500 Kbps (3-pass) FRAMERATE..... : 23. 976 fps AUDIO......... : Russian/Belarusian E-AC3 2. 0 320kbps SUBTITLES..... : ENG CHAPTERS...... : Yes SOURCE........ : IDI_I_SMOTRI_BD_JPN_BLUEBIRD ENCODED BY.... : Sartre ENCODE DATE... : 2016-10-27 ENCODE NOTE... : Black bars left to avoid resizing Trackers List Tracker Name udp Torrent File Content (2. 1 KB) (44. 6 KB) (201. 1 KB) (15. 4 MB) (4. 8 GB) Related torrents Torrent Name Added Size Seed Leech Come and See (1985) BluRay 720p YTS YIFY Movies > HD 5 months ago 287. 5 MB 88 9 Come and See (1985) (1080p BluRay x265 HEVC 10bit AAC 2 0 Russian r00t) QxR Movies > HEVC/x265 6. 1 GB 35 13 Come and See (1985) Idi i smotri Potemkine 1080p BluRay x265 HEVC EAC3-SARTRE 3 months ago 7. 5 GB 19 18.
The best antiwar movie ever made. Once you saw it you'll never want to see it again. Come and see what you don't want to see again.
Watch unknown soldier, there's a realistic movie for you.
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Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July?1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Box office $150, 730 [3] Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian anti-war film directed by Elem Klimov and filmed in the Soviet Union. Its screenplay, written by Elem Klimov and Ales Adamovich, was based on the latter's 1978 book I Am from the Fiery Village [4] (original title: Я из огненной деревни, [5] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [6] The film stars Aleksei Kravchenko and Olga Mironova. [7] Significance [ edit] Come and See is viewed as one of the most important anti-war movies ever made, and one of the great World War II movies. It contains some of the most historically accurate depictions of the crimes on the Eastern Front. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II. It was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. It was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [8] Premise [ edit] The film focuses upon the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who?against his parents' wishes?joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Meaning of the title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [9] (English: "Come and see", Greek: ?ρχου κα? ?δε, Erchou kai ide) [10] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [11] [12] Chapter 6, verses 7?8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see! " And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Synopsis [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as several Molotov cocktails are thrown onto and within the church before it is further set ablaze with a flamethrower as other soldiers shoot into the building. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population?this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” ? Adolf Hitler, 1941 [13] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [14] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [4] [15] [16] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: "Whoever has no children can leave". And he couldn't take it, he left, and left behind his wife and little kids... or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn! They k
“Top 10 most realistic war movies” At number 1 transformers. The scene starting at 16:33, made me feel like Gunny genuinely wanted to help Pvt. Pyle to unlock his potential. He was carrying Pyle's rifle. If he didn't care, he would have left Pyle and his rifle behind. 1:27 Atrocity after atrocity, happy Xmas by the way. Now that is the right amount of holiday cheer I wish every year would be.
Seeders: 13 Leechers: 3 Movie: Come and See Downloads: 179 Language: Russian tag: war, russia, drama, Genres: Drama, History, War, Release date: 1985 Summary: The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope. Description A rare look at World War II from the Soviet side, Come and See is based on the real-life experiences of Ales Adamovich, who fought with Russian partisans in Belarus in 1943, when the Nazis systematically torched over 600 villages and slaughtered their inhabitants. Adamovich and director Elem Klimov co-authored the screenplay, which shows the horrors through the eyes of a 13-year-old peasant boy named Florya (Alexei Kravchenko). Over his single mother's protests, he joins the partisans, but they leave him behind in their camp when they set off to fight the Germans. Glascha (Olga Mironova), a lovely young girl, befriends him, but the two are caught in the midst of an air raid which leaves Florya nearly deaf. Now utterly frightened, Florya and Glascha return to his village to find it in ruins, and, in one of the film's many harrowing scenes, they wade through a swamp to locate the survivors. Now committed to seek vengeance for the death of his mother and neighbors, Florya returns to the front, but finds himself in a village that's right in the path of the Nazi firestorm. A band of partisans arrive too late to save the village but in time to capture and mete out justice to several of the Nazi officers. Awarded the Grand Prix at the 1985 Moscow Film Festival, Come and See is notable as an honest and unflinching portrait of one of the darker chapters among many in the history of the World War II. Quote: STARS......... : Aleksey Kravchenko, Olga Mironova, Liubomiras Laucevicius DIRECTOR...... : Elem Klimov WRITERS....... : Ales Adamovich, Elem Klimov GENRE......... : War | Drama IMDB RATING... : 8. 3/10 26, 892 votes IMDB link..... : RUNTIME....... : 2h 22mn SIZE.......... : 4. 78GB VIDEO CODEC... : x264 ( [email?protected]) RESOLUTION.... : 1420x1080 ASPECT RATIO.. : 1. 37:1 BITRATE....... : 4500 Kbps (3-pass) FRAMERATE..... : 23. 976 fps AUDIO......... : Russian/Belarusian E-AC3 2. 0 320kbps SUBTITLES..... : ENG CHAPTERS...... : Yes SOURCE........ : IDI_I_SMOTRI_BD_JPN_BLUEBIRD ENCODED BY.... : Sartre ENCODE DATE... : 2016-10-27 ENCODE NOTE... : Black bars left to avoid resizing Trackers List Tracker Name udp Torrent File Content (2. 1 KB) (44. 6 KB) (201. 1 KB) (15. 4 MB) (4. 8 GB) Related torrents Torrent Name Added Size Seed Leech Come and See (1985) BluRay 720p YTS YIFY Movies > HD 5 months ago 287. 5 MB 88 9 Come and See (1985) (1080p BluRay x265 HEVC 10bit AAC 2 0 Russian r00t) QxR Movies > HEVC/x265 6. 1 GB 35 13 Come and See (1985) Idi i smotri Potemkine 1080p BluRay x265 HEVC EAC3-SARTRE 3 months ago 7. 5 GB 19 18.
The best antiwar movie ever made. Once you saw it you'll never want to see it again. Come and see what you don't want to see again.
Watch unknown soldier, there's a realistic movie for you.
Elem Klimov's 'Come and See' shows brutality and mercilessness of war. I think this film has no even plot. It just shows the horrors of war through a young boy who volunteer for a partisan. Also, a film has no heroism, no distinguishing oneself in war, and no impressive speech. There are just deaths, brutalities, and victims. Survival in war only depends on luck. Most war films are wanted to have elements of reversal, but at the same time they also are wanted to be heroism. However, in this film 'Come and See' does not have these elements at all. This film only tells us that there are no bad guys, good guys or justice in war. There is only one thing, victim.
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