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- average Ratings=8,2 of 10 star
- synopsis=Tôkyô goddofâzâzu is a movie starring Tôru Emori, Yoshiaki Umegaki, and Aya Okamoto. On Christmas Eve, three homeless people living on the streets of Tokyo find a newborn baby among the trash and set out to find its parents
- Comedy, Animation
- Director=Shôgo Furuya
- 2003
- creator=Satoshi Kon
Japanese filmmaker Satoshi Kon directs this bittersweet comedy anime about three homeless friends, a young girl, Miyuki (Aya Okamoto), aging transvestite Hana (Yoshiaki Umegaki) and middle-aged down-and-out Gin (Toru Emori), who have formed a makeshift family bond that sees them through life in the dirty backstreets of Tokyo. On Christmas Eve, while foraging through a rubbish dump for food, they come across an abandoned newborn baby. Hana, who has always dreamed of being a mother, persuades the others to let her keep the baby overnight. The next day, using their only clue, a key they discovered with the baby, the trio set out on an event-filled journey to find the baby's parents, coping with their own emotional reactions along the way. Nedan information kommer från CNET, kan inte garantera att denna information är korrekt. Ljud: Bild: Språk: Engelska, Japanska Längd (min): 88 Text: Engelska Beräknad leveranstid: från 1 arbetsdag Kategori: Import, Anime/manga, Anime - Drama Releasedatum: 2018-10-15 Originaltitel: Tôkyô goddofâzâzu Region: 2 (Europa) Regissör: Satoshi Kon, Shôgo Furuya Åldersgräns: 11 år Inspelningsår: 2003 Skådespelare: Extramaterial: Antal recensioner: 0 Genomsnittsbetyg: 0.Tôkyô goddofâzâzu. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu performance.
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Why is this called tokyo godfathers when one of them is a women
Tôkyô goddofÃzÃzu diesem hotel. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu oil. Tôkyô goddofÃzÃzu spielen. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu price. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu service. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu parts. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu for sale. Wolf children. awww so amazing ! Metropolis. watched at cinema at midnight couse they didnt understood how amazing was. went home at 3 am. totally knocked out but it worth it. Children who chase lost voices. another milestone. Nice sum of video ! on series, what about GATE ? SAO ? and last but not least Last EXILE. Best Beethoven remix ever.
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I really like her voice. It reminds me of some other character. I guess it is the same as the fmc from paradise kiss. Gets me in the Christmas spirit.
2/10. I love you for this, this one of my favorite films. Just checking after 2 months later of what BREADSWORD is doing. I get here without notice, a hour long video of one of my favorite movies that has been out under an hour(55mins. AND he's not getting paid. I am attuned to this, I'm gonna have to pay for it. I'll be meeting you soon on patron.Oh my God yes. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu nz. Plugin not supported. Original title Tôkyô Goddofâzâzu aka AKA Tokyo Godfathers 東京ゴッドファーザーズ Year 2003 Running time 88 min. Country Japan Director Satoshi Kon, Shôgo Furuya Screenwriter Satoshi Kon, Keiko Nobumoto (Story: Satoshi Kon) Music Moonriders, Keiichi Suzuki Cinematography Animation Cast Producer Mad House Ltd. Genre Animation. Drama. Comedy | Poverty. Christmas. Adult Animation Official Site Synopsis / Plot Christmas in Tokyo, Japan. Three homeless friends: a young girl, a transvestite, and a middle-aged bum. While foraging through some trash, they find an abandoned newborn. Hana, the transvestite with delusions of being a mother, convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way. Critics' reviews Movie Soulmates' ratings Register so you can access movie recommendations tailored to your movie taste. Friends' ratings Register so you can check out ratings by your friends, family members, and like-minded members of the FA community. Ranking Lists Position 60 My Top 10 Movies from 2003 (30) Is the synopsis/plot summary missing? Do you want to report a spoiler, error or omission? Please send us a message. If you are not a registered user please send us an email to All copyrighted material (movie posters, DVD covers, stills, trailers) and trademarks belong to their respective producers and/or distributors. For US ratings information please visit:.
Tôkyô goddofÃzÃzu diesem hotel. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu oil. Tôkyô goddofÃzÃzu spielen. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu price. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu service. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu parts. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu for sale. Wolf children. awww so amazing ! Metropolis. watched at cinema at midnight couse they didnt understood how amazing was. went home at 3 am. totally knocked out but it worth it. Children who chase lost voices. another milestone. Nice sum of video ! on series, what about GATE ? SAO ? and last but not least Last EXILE. Best Beethoven remix ever.
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This was just purely terrifying. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu services. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu pdf.
I really like her voice. It reminds me of some other character. I guess it is the same as the fmc from paradise kiss. Gets me in the Christmas spirit.
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The music is of Your Name. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu medical. Critics Consensus Beautiful and substantive, Tokyo Godfathers adds a moving -- and somewhat unconventional -- entry to the animated Christmas canon. 90% TOMATOMETER Total Count: 69 91% Audience Score User Ratings: 13, 854 Tokyo Godfathers Ratings & Reviews Explanation Tokyo Godfathers Photos Movie Info Japanese filmmaker Satoshi Kon directs his third anime feature with the holiday film Tokyo Godfathers. The story takes place in Shinjuku, Tokyo, on Christmas Eve. Middle-aged has-been Gin, aging transvestite Hana, and teenage runaway Miyuki are three homeless friends who have formed a kind of makeshift family structure. Their bond is tested when they find an abandoned baby while searching for food in a garbage dump. They have no choice but to care for the infant themselves. The group travels throughout the city, searching for the baby's parents and coping with their personal reactions to the situation. Tokyo Godfathers premiered at the Big Apple Anime Fest in 2003. ~ Andrea LeVasseur, Rovi Rating: PG-13 (for thematic elements, violent images, language and some sexual material) Genre: Directed By: Written By: In Theaters: Aug 30, 2003 wide On Disc/Streaming: Apr 13, 2004 Runtime: 92 minutes Studio: Sony Pictures Cast Critic Reviews for Tokyo Godfathers Audience Reviews for Tokyo Godfathers Tokyo Godfathers Quotes Movie & TV guides.
The single smartest man on YouTube is back. Tôkyô goddofÃzÃzu berlin. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu review. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu 2017. Tôkyô goddofÃzÃzu unserem. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu center. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu test. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu business. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu driver. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu llc. Tokyo is looked upon in awe by the rest of the world as the archetypal modern metropolis. Sprawling and chaotic, the city seethes with a boundless energy that its streets struggle to contain. To outsiders, it often appears alienating, perplexing and impenetrable. Its unique combination of exotic ‘otherness’ and technological progressiveness, and the overwhelming assault of neon lighting and tinny, otherworldly electronic street sounds make it appear, at times, completely divorced from nature. As well as serving as an inspiring model of progress and mechanical efficiency, the city has provided fuel for numerous dystopian projections in international cinema, including the five-minute sequence of its concrete and chrome cityscape shot through the front windshield of a moving vehicle in Andrei Tarkovsky’s Solaris (1972) and its deployment as a template for the bleak Los Angeles of the future in Ridley Scott’s Blade Runner (1982). More recently, it’s been recreated as both hedonistic theme park and nightmarish dreamscape in works including Kill Bill: Volume 1 (2003), The Grudge (2004), The Fast and the Furious: Tokyo Drift (2006) and Enter the Void (2009). The 50 best movies of all time Formerly known as Edo, Tokyo’s population exploded during the 16th century to make it the largest urban centre in the word. Despite its role as the cultural and political centre of Japan, it only officially achieved capital-city status with the beginning of the Meiji era in 1868. The city has seen some remarkable changes since then. Twice during the past century it found itself flattened: first by the 1923 Kanto earthquake, and next in the Allied firebombing raids of 1945. Both times it was reconstructed to the near exact same street plans that have existed since the Edo era. Following the construction of Tokyo Tower in 1958, its majestic international profile has been defined by its gleaming skyscrapers and futuristic redevelopments,?linked by the arterial spread of one of the world’s most efficient public transport systems. 10 to try Each of the recommendations included here is available to view in the UK. Abbas Kiarostami ’s Like Someone in Love, a portrait of a relationship between a retired professor and a young woman paying her way through university by moonlighting as a high-class prostitute, is but one recent attempt to piece together the perplexing puzzle the city presents. Watch Like Someone in Love online on BFI Player There are no end of places to begin in any overview of films that have attempted to interpret, represent and explore the changing face of this most dynamic of world capitals. Let’s journey through 10 of the most emblematic… 10 great films set in Beijing 10 great films set in Hong Kong Stray Dog (1949) Director? Akira Kurosawa Stray Dog (Nora inu, 1949) Akira Kurosawa ’s gritty film noir about a police officer on the trail of the homicidal killer who has pickpocketed his pistol is among the director’s finest, and displays the same deft hand in invoking the lawlessness and chaos of the rubble-strewn aftermath of the war that Carol Reed brought to Vienna in The Third Man the same year. The heavy use of location shooting makes this an invaluable document of the pockmarked city during the occupation. Most impressive is how Kurosawa manages to build tension by capturing Tokyo’s sweaty, stifling heat and humidity during the summer months. Bodies glisten with sweat, as its characters continually fan themselves and mop their brows, until the drama climaxes in a stormy downpour. Stray Dog has inspired a number of remakes and homages, including Azuma Morisaki ’s Nora inu in 1973, and Johnny To ’s Hong Kong-set PTU in 2003. The most intriguing is Shinji Aoyama ’s An Obsession (1997), which reworks the premise to fit the paranoiac pre-millennial cultural climate of the wake of the 1995 Sarin gas attacks on the Tokyo subway by the renegade Aum sect. Aoyama’s film features a suicidal cult member suffering from congenital leukaemia as the listless police officer protagonist’s dark nemesis. Watch Stray Dog online on BFI Player Tokyo Story (1953) Director ?Yasujiro Ozu Tokyo Story (Tôkyô monogatari, 1953) Occupying the top spot in Kinema Junpo’s 2009 poll of Japanese critics and coming in at number three in the 2012 Sight & Sound poll, Yasujiro Ozu ’s timeless tale of intergenerational conflict and miscomprehension offers far more than just a trip down memory lane for modern viewers. The story, of an aged couple who travel up from the countryside to visit their children only to find them so wrapped up in their daily lives that they have no time for them, is classic Ozu home drama. What makes this one stand out from other works by the director in the 1950s is his deployment of the capital, still smarting after destruction wreaked by the Allied bombings less than 10 years earlier but in the process of rebuilding, to portray a city that, despite retaining its traditions and idiosyncrasies, has changed forever. Ozu’s subtle blend of nostalgic yearning, muted smiles and choked-back tears suggests that cities the world over are less defined by the physical presence of their streets and buildings than by the memories, the imaginations and the patterns of existence of their inhabitants. Watch Tokyo Story online on BFI Player Godzilla (1954) Director ?Ishiro Honda Godzilla (Gojira, 1954) The shadows of the Hiroshima and Nagasaki A-bombings loom large over Ishiro Honda ’s classic monster movie. However, it was the combined forces of the 1952 Japanese reissue of? King Kong (1933), the release of The Beast from 20, 000 Fathoms (1953) and a real-life tragedy closer to home, the Bikini Atoll incident of 1 March 1954, in which the crew of a Japanese fishing boat were exposed to radioactive fallout following US nuclear testing in the Pacific, that prompted the iconic fire-breathing giant lizard to emerge from the murky depths. (This incident also inspired Kaneto Shindo ’s more overtly political Lucky Dragon No. 5 in 1959). The beast would make regular reappearances to wreak havoc on a Tokyo meticulously constructed through scale models (or on Manhattan, in Roland Emmerich ’s much-maligned 1998 Hollywood remake), with Honda directing eight of the 15 films in the first cycle, up to his final as a director, Terror of Mechagodzilla (1975). The original is still by far the best, presenting a poignant allegory about the destructive power of nuclear weapons, before the series became increasingly pitched towards younger audiences. Watch Godzilla online on BFI Player House of Bamboo (1955) Director ?Samuel Fuller Captured for the very first time in glorious Eastmancolor and expansive CinemaScope, Tokyo provides a suitably exotic backdrop for Samuel Fuller ’s all-American crime drama about a gang of ex-servicemen-gone-bad running riot in postwar Japan. Not just Tokyo, but Yokohama, Mount Fuji and the Kamakura Buddha ? all presented in vivid picture-postcard glory to symbolise the new breaking down of barriers between east and west in the Cold War era. In accordance with this new entente cordiale, the American Motion Picture Code was revised for House of Bamboo’s racy depiction of the interracial romance between leading man Robert Stack and his ‘kimono girl’, Shirley Yamaguchi. Local Japanese pressure groups were not so impressed, perhaps not surprising with Yamaguchi’s cartoonish Madam Butterfly offering a misleading cultural 101 through such hackneyed lines as “In Japan, a woman is taught from childhood to please a man”. While far from Fuller’s finest work, it is a fascinating time capsule of a movie, worth watching for its vibrant street locations and the finale’s bravura shootout on a rooftop amusement park. The Insect Woman (1963) Director ?Shohei Imamura Insect Woman (Nippon konchûki, 1963) Shohei Imamura ’s approach to his tale of a country girl lured to the big city where she rises to become one of Tokyo’s top brothel madams was apparently motivated by the tireless and seemingly unmotivated motions of an insect he noticed circling his ashtray as he wrote the script while drinking sake. His ethnographical fanfare to the indomitable spirit of Japanese women is similarly shot in observational documentary mode, using long lenses to depict his subjects within their natural (or unnatural) environment: the seething termite mound of Tokyo during the construction boom that saw the erection of Tokyo Tower and, in the year following the film’s release, the opening of the main Shinkansen line linking the city to Osaka and the staging of the 1964 Tokyo Olympics. The result is an ant’s-eye view of the emergence of the modern metropolis, filmed with all the clutter and vitality that became a crucial component of Imamura’s signature style. Funeral Parade of Roses (1969) Director ?Toshio Matsumoto Funeral Parade of Roses (Bara no sôretsu, 1970) Tokyo’s Shinjuku district was a hotbed of countercultural activity throughout the 1960s. Seldom was it captured with such energy and wit as in Toshio Matsumoto ’s ‘mockumentary’ portrait of the area’s transvestite subculture, combined with dramatised scenes based on the Oedipus Rex myth. Unfolding in an experimental melange of to-camera interviews, more naturalistic observational sequences, freeze frames, sped-up sequences, onscreen text, solarised and over-exposed shots, wavering news footage filmed directly from TV, and stroboscopic cross-cuts, the film is a testament to the mould-breaking, taboo-s
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Coauthor: Jamie Talon
Biography business analyst by trade, pure cineast at heart
Tôkyô goddofÃzÃzu wetten. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu inc. We pour hours every day into grooming and preening this make believe instance of us. Making sure the perfect version of ourself is put forward for the world to see. What about the rest of us who just picked smug anime girls for shitposting.Tôkyô goddofÃzÃzu unserem geschäftsbereich. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu health. Before I saw this film I had heard that it was one of the best anime films ever and it had appeared on some peoples list of favorite films. So I leaned back and watched this beautiful anime about three bums who find a baby in a dumpster and they start looking for the baby's parents. The amazing thing about this movie is that it is never boring, something happens all the time. I also love the type of films where things happens by chance. The Characters in the movie are very funny and human and the characters and the the environment are very realistic created. One of the best anime movies I have seen. It's nearly as good as "Akira" on of my favorite movies. Tokyo Godfathers will become a classic.
The music is of Your Name. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu medical. Critics Consensus Beautiful and substantive, Tokyo Godfathers adds a moving -- and somewhat unconventional -- entry to the animated Christmas canon. 90% TOMATOMETER Total Count: 69 91% Audience Score User Ratings: 13, 854 Tokyo Godfathers Ratings & Reviews Explanation Tokyo Godfathers Photos Movie Info Japanese filmmaker Satoshi Kon directs his third anime feature with the holiday film Tokyo Godfathers. The story takes place in Shinjuku, Tokyo, on Christmas Eve. Middle-aged has-been Gin, aging transvestite Hana, and teenage runaway Miyuki are three homeless friends who have formed a kind of makeshift family structure. Their bond is tested when they find an abandoned baby while searching for food in a garbage dump. They have no choice but to care for the infant themselves. The group travels throughout the city, searching for the baby's parents and coping with their personal reactions to the situation. Tokyo Godfathers premiered at the Big Apple Anime Fest in 2003. ~ Andrea LeVasseur, Rovi Rating: PG-13 (for thematic elements, violent images, language and some sexual material) Genre: Directed By: Written By: In Theaters: Aug 30, 2003 wide On Disc/Streaming: Apr 13, 2004 Runtime: 92 minutes Studio: Sony Pictures Cast Critic Reviews for Tokyo Godfathers Audience Reviews for Tokyo Godfathers Tokyo Godfathers Quotes Movie & TV guides.
The single smartest man on YouTube is back. Tôkyô goddofÃzÃzu berlin. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu review. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu 2017. Tôkyô goddofÃzÃzu unserem. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu center. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu test. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu business. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu driver. T c3 b4ky c3 b4 goddof c3 a2z c3 a2zu llc. Tokyo is looked upon in awe by the rest of the world as the archetypal modern metropolis. Sprawling and chaotic, the city seethes with a boundless energy that its streets struggle to contain. To outsiders, it often appears alienating, perplexing and impenetrable. Its unique combination of exotic ‘otherness’ and technological progressiveness, and the overwhelming assault of neon lighting and tinny, otherworldly electronic street sounds make it appear, at times, completely divorced from nature. As well as serving as an inspiring model of progress and mechanical efficiency, the city has provided fuel for numerous dystopian projections in international cinema, including the five-minute sequence of its concrete and chrome cityscape shot through the front windshield of a moving vehicle in Andrei Tarkovsky’s Solaris (1972) and its deployment as a template for the bleak Los Angeles of the future in Ridley Scott’s Blade Runner (1982). More recently, it’s been recreated as both hedonistic theme park and nightmarish dreamscape in works including Kill Bill: Volume 1 (2003), The Grudge (2004), The Fast and the Furious: Tokyo Drift (2006) and Enter the Void (2009). The 50 best movies of all time Formerly known as Edo, Tokyo’s population exploded during the 16th century to make it the largest urban centre in the word. Despite its role as the cultural and political centre of Japan, it only officially achieved capital-city status with the beginning of the Meiji era in 1868. The city has seen some remarkable changes since then. Twice during the past century it found itself flattened: first by the 1923 Kanto earthquake, and next in the Allied firebombing raids of 1945. Both times it was reconstructed to the near exact same street plans that have existed since the Edo era. Following the construction of Tokyo Tower in 1958, its majestic international profile has been defined by its gleaming skyscrapers and futuristic redevelopments,?linked by the arterial spread of one of the world’s most efficient public transport systems. 10 to try Each of the recommendations included here is available to view in the UK. Abbas Kiarostami ’s Like Someone in Love, a portrait of a relationship between a retired professor and a young woman paying her way through university by moonlighting as a high-class prostitute, is but one recent attempt to piece together the perplexing puzzle the city presents. Watch Like Someone in Love online on BFI Player There are no end of places to begin in any overview of films that have attempted to interpret, represent and explore the changing face of this most dynamic of world capitals. Let’s journey through 10 of the most emblematic… 10 great films set in Beijing 10 great films set in Hong Kong Stray Dog (1949) Director? Akira Kurosawa Stray Dog (Nora inu, 1949) Akira Kurosawa ’s gritty film noir about a police officer on the trail of the homicidal killer who has pickpocketed his pistol is among the director’s finest, and displays the same deft hand in invoking the lawlessness and chaos of the rubble-strewn aftermath of the war that Carol Reed brought to Vienna in The Third Man the same year. The heavy use of location shooting makes this an invaluable document of the pockmarked city during the occupation. Most impressive is how Kurosawa manages to build tension by capturing Tokyo’s sweaty, stifling heat and humidity during the summer months. Bodies glisten with sweat, as its characters continually fan themselves and mop their brows, until the drama climaxes in a stormy downpour. Stray Dog has inspired a number of remakes and homages, including Azuma Morisaki ’s Nora inu in 1973, and Johnny To ’s Hong Kong-set PTU in 2003. The most intriguing is Shinji Aoyama ’s An Obsession (1997), which reworks the premise to fit the paranoiac pre-millennial cultural climate of the wake of the 1995 Sarin gas attacks on the Tokyo subway by the renegade Aum sect. Aoyama’s film features a suicidal cult member suffering from congenital leukaemia as the listless police officer protagonist’s dark nemesis. Watch Stray Dog online on BFI Player Tokyo Story (1953) Director ?Yasujiro Ozu Tokyo Story (Tôkyô monogatari, 1953) Occupying the top spot in Kinema Junpo’s 2009 poll of Japanese critics and coming in at number three in the 2012 Sight & Sound poll, Yasujiro Ozu ’s timeless tale of intergenerational conflict and miscomprehension offers far more than just a trip down memory lane for modern viewers. The story, of an aged couple who travel up from the countryside to visit their children only to find them so wrapped up in their daily lives that they have no time for them, is classic Ozu home drama. What makes this one stand out from other works by the director in the 1950s is his deployment of the capital, still smarting after destruction wreaked by the Allied bombings less than 10 years earlier but in the process of rebuilding, to portray a city that, despite retaining its traditions and idiosyncrasies, has changed forever. Ozu’s subtle blend of nostalgic yearning, muted smiles and choked-back tears suggests that cities the world over are less defined by the physical presence of their streets and buildings than by the memories, the imaginations and the patterns of existence of their inhabitants. Watch Tokyo Story online on BFI Player Godzilla (1954) Director ?Ishiro Honda Godzilla (Gojira, 1954) The shadows of the Hiroshima and Nagasaki A-bombings loom large over Ishiro Honda ’s classic monster movie. However, it was the combined forces of the 1952 Japanese reissue of? King Kong (1933), the release of The Beast from 20, 000 Fathoms (1953) and a real-life tragedy closer to home, the Bikini Atoll incident of 1 March 1954, in which the crew of a Japanese fishing boat were exposed to radioactive fallout following US nuclear testing in the Pacific, that prompted the iconic fire-breathing giant lizard to emerge from the murky depths. (This incident also inspired Kaneto Shindo ’s more overtly political Lucky Dragon No. 5 in 1959). The beast would make regular reappearances to wreak havoc on a Tokyo meticulously constructed through scale models (or on Manhattan, in Roland Emmerich ’s much-maligned 1998 Hollywood remake), with Honda directing eight of the 15 films in the first cycle, up to his final as a director, Terror of Mechagodzilla (1975). The original is still by far the best, presenting a poignant allegory about the destructive power of nuclear weapons, before the series became increasingly pitched towards younger audiences. Watch Godzilla online on BFI Player House of Bamboo (1955) Director ?Samuel Fuller Captured for the very first time in glorious Eastmancolor and expansive CinemaScope, Tokyo provides a suitably exotic backdrop for Samuel Fuller ’s all-American crime drama about a gang of ex-servicemen-gone-bad running riot in postwar Japan. Not just Tokyo, but Yokohama, Mount Fuji and the Kamakura Buddha ? all presented in vivid picture-postcard glory to symbolise the new breaking down of barriers between east and west in the Cold War era. In accordance with this new entente cordiale, the American Motion Picture Code was revised for House of Bamboo’s racy depiction of the interracial romance between leading man Robert Stack and his ‘kimono girl’, Shirley Yamaguchi. Local Japanese pressure groups were not so impressed, perhaps not surprising with Yamaguchi’s cartoonish Madam Butterfly offering a misleading cultural 101 through such hackneyed lines as “In Japan, a woman is taught from childhood to please a man”. While far from Fuller’s finest work, it is a fascinating time capsule of a movie, worth watching for its vibrant street locations and the finale’s bravura shootout on a rooftop amusement park. The Insect Woman (1963) Director ?Shohei Imamura Insect Woman (Nippon konchûki, 1963) Shohei Imamura ’s approach to his tale of a country girl lured to the big city where she rises to become one of Tokyo’s top brothel madams was apparently motivated by the tireless and seemingly unmotivated motions of an insect he noticed circling his ashtray as he wrote the script while drinking sake. His ethnographical fanfare to the indomitable spirit of Japanese women is similarly shot in observational documentary mode, using long lenses to depict his subjects within their natural (or unnatural) environment: the seething termite mound of Tokyo during the construction boom that saw the erection of Tokyo Tower and, in the year following the film’s release, the opening of the main Shinkansen line linking the city to Osaka and the staging of the 1964 Tokyo Olympics. The result is an ant’s-eye view of the emergence of the modern metropolis, filmed with all the clutter and vitality that became a crucial component of Imamura’s signature style. Funeral Parade of Roses (1969) Director ?Toshio Matsumoto Funeral Parade of Roses (Bara no sôretsu, 1970) Tokyo’s Shinjuku district was a hotbed of countercultural activity throughout the 1960s. Seldom was it captured with such energy and wit as in Toshio Matsumoto ’s ‘mockumentary’ portrait of the area’s transvestite subculture, combined with dramatised scenes based on the Oedipus Rex myth. Unfolding in an experimental melange of to-camera interviews, more naturalistic observational sequences, freeze frames, sped-up sequences, onscreen text, solarised and over-exposed shots, wavering news footage filmed directly from TV, and stroboscopic cross-cuts, the film is a testament to the mould-breaking, taboo-s
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Coauthor: Jamie Talon
Biography business analyst by trade, pure cineast at heart
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