Andrea Hohertz

A woman's panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man's body to his family. Blood on Her Name (2019) Genre: Crime, Drama, Thriller Release Date: Feb 28, 2020 Stars: Bethany Anne Lind, Will Patton, Elisabeth Röhm Source: Language: English Subtitle Language: English IMDB: More on... Blood on Her Name Watch stream new. Photo: Blood On Her Name movie.. Image courtesy Vertical Entertainment The neo-noir thriller Blood On Her Name tells a haunting story about guilt and consequences passed down through families. There isn’t nearly enough of Matthew Pope’s poignantly grim Blood On Her Name to satisfy. I feel like?Bong Joon Ho?demanding a six-hour version of a movie?instead of two. About midway through the film,?I got terribly upset that it wasn’t longer or perhaps developed into a miniseries. There is so much more to this story than what we’re shown, a truckload’s worth of backstory that just barely peeks out from behind the curtain. This is in no way a complaint though. Keeping certain details in the dark grounded the film in reality and fashioned around it a quiet type of suspense. So quiet, it was like tip-toeing on landmines. Structurally speaking, Blood On Her Name is a perfect thriller. Its plot, sequence, and development are balanced and well-rounded. A good showcase of what director and writer Matthew Pope can do. Nothing is what it seems and even if you manage to guess what’s happening, it doesn’t happen the way you expect. Ghosts from the past haunt the living, right along beside the mind’s two greatest threats; guilt and fear. This is definitely a slow build type of film. The mystery unfolds at a moderate pace alongside the main character’s growing paranoia, never going too far too fast. It takes its time. It knows where it’s going and is in no rush to get there. Lots of people might turn away the instant they hear “slow build”, but don’t let this disenchant you. The payoff is brilliant. I couldn’t look away for a single minute. This is a true accomplishment in my judgment, because no matter how much I love films, I very rarely find one that keeps my attention so consistently. Even at its weaker moments, the story keeps moving. The many mysteries reveal themselves like chocolate chips in a cookie, sprinkled throughout the body just waiting to be discovered. Photo: Blood On Her Name movie. Image courtesy Vertical Entertainment Leigh Tiller (Bethany Anne Lind) is a struggling woman running her ex-husband’s garage after he’s put away for running cars, and their son Ryan (Jared Ivers) is on probation for violently assaulting another boy at school. The film opens with her standing over a dead body, a man she seemingly killed by accident. She stands in the washed-out grays that surround the garage looking down at the blood pooling around the man’s head, her expressions ranging from shock to panic to numb acceptance. It’s the perfect opening to such a story. Despite her claims that it was self-defense, she opts not to report it to the police. This decision quickly spins out of control when her guilty conscience demands that she return the body to the dead man’s family. This ends up being, as you can guess, a huge mistake. The question of whether or not she knew the victim is cleared up pretty quickly. It’s easy to figure out that something had exchanged between them before the accident but many questions remain as Leigh covers up lies with more lies.?There is, of course, an actual reason why she doesn’t report the crime, but this reason lives underneath the many layers of Leigh and her troubled life, including the strained relationship between her and her crooked cop father?(Will Patton). Image courtesy Vertical Entertainment Leigh’s consumed by guilt, suffocating under its weight. However, what truly haunts her is not the man she may or may not have intentionally murdered, but past events that have tormented her since childhood. There is a running theme of moral inheritance or, more appropriately, sins of the father taking place. Whether it’s Leigh and her father or Ryan and his father. There’s a forceful look at how we inherit our family’s actions and often take responsibility for them. Overall, Blood On Her Name is a well-executed thriller that stays with you long after it’s over. It may not be as bloody or explosive as other films, but it holds you in other ways. Blood On Her Name will be released in select theaters and on VOD on Feb. 28, 2020.
Abigail from my soaps! No wonder why she was out for a minute. MOVIES 2:38 PM PDT 7/19/2019 by Courtesy of Fantasia A gritty tale of thwarted cover-ups and handed-down guilt. Matthew Pope's debut stars Bethany Anne Lind as a single mother with a fresh corpse to hide. Loosely related to dramas like Frozen River, in which the perils inherent to the working-class crime film are complicated by single motherhood, Matthew Pope's Blood on Her Name watches as a woman's attempt to rid herself of a dead body soon has her wishing she'd just called the cops on herself. A tense debut built around a compelling lead performance by Bethany Anne Lind, it benefits from a couple of graceful storytelling flourishes and a persuasive sense of character. Prospective distributors shouldn't take its Fantasia premiere as a sign that its audience is limited to genre die-hards. Leigh Tiller (Lind) runs a failing auto garage once owned by her now-incarcerated husband. Her widowed father Richard (Will Patton) is the town sheriff, but some rift between the two leaves Leigh fairly stranded in this isolated town; the closest thing she has to a friend may be Rey (Jimmy Gonzales), the only mechanic she's able to keep on payroll. But Rey's duties don't include dead-body disposal. The body is dead from the start. The movie will only explain how he got that way piecemeal over its running time, like a dishonest witness whose story can't hold up under cross-examination. What's clear immediately is that Leigh panics, and the first steps she takes to cover things up doom her to what follows ??if only because her humanity keeps her from behaving as a killer would: She has the dead man in a boat and is ready to toss him into a lake when the phone in his pocket chimes with voicemail. Turns out he has a son who's worried that he didn't come home last night. Leigh can't let him and the boy's mother spend their lives wondering if the man just ran off. She risks a lot to leave the body where they will find it; then, far from the evidence, she realizes she may have left bread crumbs that will lead back to her. Lind navigates an emotional minefield as Leigh spends the next day or two trying to dig herself out of this jam. There's her concern for her son Ryan (Jared Ivers), a teenager who's already on probation and may be headed toward his dad's fate; her resentment for the father she's forced to leave Ryan with; and her need to keep Rey from deducing why she's suddenly so irritable and secretive around the garage. In his smaller role, Gonzales stands out as the story's most morally uncompromised character; Rey wants to help before he knows what the problem is, and the actor projects a concern complicated by the things Rey accidentally oversees. (In between attempts to fix the mess she's in, Leigh does some illicit self-medicating. ) If Pope and Don M. Thompson's script is a little coy about how the man in the garage got himself dead, the parallel mystery of what lingers between Leigh and her father unfolds more gracefully. Pope offers nicely staged flashbacks, some drug-induced, in which Leigh witnesses childhood trauma from multiple perspectives. Leigh's present-tense problems may all trace back to her trying to protect others ??innocent bystanders, a dead man's loved ones, a son who may soon have two parents in prison. But when the film's title hints at an original sin responsible for all this grief, it's no misdirection. Venue: Fantasia Film Festival Production company: Rising Creek Cast: Bethany Anne Lind, Will Patton, Jimmy Gonzales, Jared Ivers, Jack Andrews, Elisabeth Rohm Director: Matthew Pope Screenwriters: Don M. Thompson, Matthew Pope Producers: Matthew Pope, Don M. Thompson Director of photography: Matthew Rogers Production designer: Russ Williamson Costume designer: Dana Konick Editor: M. R. Boxley Composers: Brooke Blair, Will Blair Casting directors: Sunday Boling, Meg Morman 83 minutes.

Blood on Her Name Watch stream online. Blood on Her Name Watch stream of consciousness. Blood on her name watch streaming.

Blood on Her Name Watch. Its murdoc yeahhhhh. Blood on Her Name Watch streaming. February 27, 2020 10:39PM PT A desperate woman’s good intentions make a bad situation much worse in this tense and twisty Southern noir thriller. In the opening moments of “ Blood on Her Name, ” an arrestingly twisty and suspenseful Southern noir thriller in the tradition of “One False Move, ” we’re introduced to Leigh, the working-class protagonist played by Bethany Anne Lind, with a jarring close-up that is at once explicit and ambiguous. Her face is battered, her breathing is labored, and she appears to have just gotten the worst of it in a fight. But, then again, maybe not the very worst of it. The bloodied man lying in front of her, we quickly learn, isn’t just unconscious or injured; he is seriously dead. And even before she pauses before completing a 911 call, it’s quite clear that, whatever the reason for the guy’s recent quietus, Leigh views his inconvenient corpse as incriminating evidence. This is the first of several wrong decisions ? most, but by no means all, made by Leigh ? that propel the fatalistic narrative director Matthew Pope and co-writer Don M. Thompson have devised for “Blood on Her Name, ” a film that remains relentlessly absorbing for all of its compact 83-minute length largely because it places its audience in the position of helpless witnesses to a slow-motion trainwreck. Pope and Thompson shrewdly structure their story so that, right from the start, we’re prompted to have a rooting interest in Leigh, even before we know for certain exactly how culpable she is for ? well, for what? A self-defense killing? A crime of passion? A violent conclusion to a criminal co-conspiracy? We learn the truth only gradually, as the filmmakers slowly unveil the motives of Leigh and other characters in the manner of someone slowly, almost tauntingly, peeling an onion. But, again, they persuade us to be instinctively sympathetic toward Leigh, thereby making it all the more nerve-wracking when she tries ? belatedly, ill-advisedly ? to do the right thing. If it seems like I’m being a tad evasive about plot particulars, well, that’s only because I am. Your enjoyment of “Blood on Her Name” likely will be inversely proportionate to how much you know about it ahead of time. Leigh ? played by Lind throughout the movie with exceptionally compelling and emotionally precise skill ? owns the none-too-successful small-town garage where the act of violence takes place, and she’s anxious to move the body as quickly as possible, as far away as possible. But she has a change of heart before she dumps it into a nearby lake. Rather, she feels that the dead man’s girlfriend and teenage son are entitled to have some sense of closure, or at least find comfort in the knowledge that the guy didn’t simply abandon them. So she stashes the corpse in a shed at the trailer park where they reside, and leaves behind an anonymous note expressing regret. It’s a decent thing to do, but also a terribly self-incriminating mistake. And to make matters worse, the note isn’t the only thing she leaves behind. As Leigh’s mistakes accumulate, we’re periodically given jigsaw-piece revelations about why she is doing what she’s doing, and how much what she’s done in the past is an impetus. The info comes mostly through her contacts with such vividly defined supporting characters as Ryan (Jared Ivers), her teenage son, whose own violent behavior could make him a prime suspect; Richard (Will Patton), her estranged father, a sheriff who’s willing to bend and break a few laws to protect his daughter; Rey (Jimmy Gonzales), a mechanic who appears to be Leigh’s sole remaining employee at her failing business; and Dani (Elisabeth Rohm), the victim’s girlfriend, who turns out to have more than a little in common with Leigh. The interactions and miscalculations interlock with what feels like the inevitability of unforgiving fate. At the same time, however, you are never not aware that one smart move could possibly forestall disaster. Everything leads inexorably to a dead-solid-perfect denouement that suggests a perfect moral for this drama about desperate characters driven to extremes: Once you’re well along on the road to perdition, it may not be a good idea to attempt a detour. Leaders of the Directors Guild of America have approved a three-year?successor deal to the DGA master contract, triggering a ratification vote by the 18, 000 members. The DGA national board announced Saturday that it had approved the deal unanimously. The guild revealed that the agreement includes a significant increase in residuals for high-budget streaming content, pension, [... ] In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ] The Cinequest Film & Creativity Festival will push back its second week of programming to August due to concerns over the coronavirus. Co-founders Halfdan Hussey and Kathleen J. Powell made the announcement in a statement released on Saturday. “We want to make clear that our very first concern is for the health and well-being of [... ] Disney-Pixar’s fantasy film “Onward” is dominating North American moviegoing this weekend, opening with $40 million at 4, 310 locations, estimates showed on Saturday. The figure is at the low end of pre-release forecasts, which had pegged “Onward” for a launch in the $40-45 million range. The movie centers on a pair of teenage elf brothers ? [... ] The American Film Institute has postponed its Life Achievement Award gala due to concerns over the spread of coronavirus. The annual ceremony, set this year to honor Julie Andrews, was scheduled to take place April 25 at the Dolby Theatre in Los Angeles. The event will be rescheduled for a date in early summer. “AFI’s [... ] Dave Bautista’s “My Spy” is moving its North American release date back a month to April 17 in order to take advantage of a recently cleared slot for the family comedy. After “No Time to Die” was pushed from April 10 to November due to the coronavirus slowing the global box office, “Trolls World Tour” [... ] Remi Chayé’s “Calamity, a Childhood of Martha Jane Cannary, ” Benoît Chieux’ “Sirocco and the Kingdom of the Winds” and “They Shot the Piano Player, ” from Fernando Trueba and Javier Mariscal, were among projects which caught attention at this week’s 22nd Cartoon Movie, which ran March 3-5 in the French port city of Bordeaux. The presentation [... ].
Just watched this movie and It was actually good. Check it out if you get a chance.