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6,4 of 10 Star
103 Minute
Mackenson Bijou
A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that it will push one of them to commit the irreparable
Bertrand Bonello
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Hi everyone, since a few years I took the habit of seeking out horror games to play in October, to try and enjoy something that I generally don't enjoy: horror games. I would like to write a premise first before simply listing games, as to explain what kind of games has intrigued me to the point of going from avoiding the genre toward trying and playing them proper each October. If you don't care about this then skip to the tl;dr below When I was a child I played some horror games (Resident Evil 2 for example is one of the first I remember, but of course way before that I scantily tried Alone in the Dark 1), and they used to be interesting, but also make me sick often. Not on the level of Silent Hill, when I had to shut immediately down the playstation, close all the doors, realize I was scared having them all closed, not wanting to stay with a single light on I played more horror games which weren't a typical horror experience. I remember very fondly Parasite Eve 2, which I played before the first one. I was still having that sensation of disgust when playing it in certain scenes (understandably so when rewatching cutscenes now), but it didn't prevent me from replaying it and replaying it ad the big big hiatus began: I had tried other titles, but besides some Indie games much had left me Dead Space and Corpse Party got into my life: when I saw the first one, I thought to myself: can I truly even play this game? It just seems like a disgusting, difficult experience to go through. But when I realized what Isaac was listening to, that video, I couldn't help but think "I have to see this through. That is, I have to ensure he sees this through" same feeling was more or less given by Corpse Party: without spoiling too much, the premise sees teenagers blocked inside a school, trying to escape with their lives. Then again I had decided that I wanted to see them reach the end, but also understand what had happened and why innocent kids were killed (with the hope that it wasn't just pure gratuitous gore). Both of the games had their moments, but it was Corpse Party in particular, with one scene seeing a child timidly and insecurely call for her mother, scared, that I realized that horror is also capable of very humane depictions of feelings and altruism, and of course, degeneracy and madness. Let's get to the TL;DR part Now that we have the premise: I would like to receive and list games suggestions to play this October and for Halloween, as it is often difficult for me to find something new and/or that I like. Please do notice though: even games that have only few elements of horror, or whose atmosphere fits into the mysterious or unsettling, would fit the category for me. (see for example Night in the Woods, Momodora, games containing monsters and demons, and so on). So let's begin with a few suggestions from my own end: (any judgment or comment is of course welcome) Parasite Eve (followed by the sequel, PE2): How not to list this at the first place? Whoever has played this and is capable of going through memory lane can realize how eponymous and emblematic the final fights were. U. B., that fateful music track, really sets the level high to put you into the shoes of someone fighting for their lives and the lives of everyone in the middle of water, aboard a ship, cold and proven after multiple strenuous fights. And the more you struggle, the more it seems is gorgeously atmospheric, still after many years, in spite of the graphic change: I remember when I first played it, alone in my tiny apartment when I was simply a poor student, and felt like I was in New York and a quarantine was genuinely happening. Graphics aren't the best always, but I admittedly always loved these kind of renditions from Square, where there are many elements to explore and dialogues and objects manage to be more compelling without taking away part of the beauty of the pre-rendered backgrounds. Probably some influence of Final Fantasy was already there in the game before final release. Yume Nikki and Yume Nikki: Dream Diary I have a fateful relationship to this game as well, because of a certain someone I know. The very first indie game is simply gorgeous, unsettling, wonderful and scary in its duality of simplicity and complexity: you are a character that is unable to get out of the room during the day, but when sleeping, you step through that door and a world (or more than one) that normally shouldn't be there is all yours to explore... with the due people have hated on the remake, but I believe it's a nice homage to the work of Mr. Kikiyama, and it has gotten his/her approval beforehand. I would suggest to play the indie game first, and the remaster afterwards. Sanitarium: This was possibly one of the first horrors as a teen that I had managed to almost finish without getting overtly disgusted. Replaying it years later made it way more eerie and creepy than mere disgust could sustain against the psychological pressure it carried with itself. A point-and-click where you have to understand if your sanity is still with you, or if you have lost it, and might now risk losing even more. The Witch's House: One of the many games I discovered thanks to VGPerson, where we see a young girl approaching the topical house that makes the title. What got me into telling each person I know each October that arrives to first and foremost try this to get into the month of horror is that I find it's relatively easy to play, it has some exaggeration but drags less than Corpse Party, and it has what I believe is the most important addition of many horror games that are already interesting on their own, but with it go one step further to be remembered: a surprising and unsettling plot twist. Saya no Uta: This game (it's a Visual Novel) didn't scare me that much at first. Sure, there were surprises and little jumps (mostly due to the unexpected things in it), but there was a single scene that was truly horrifying for me, and the kind of story it tries to tell, beyond the sexual elements present in it that might become gratuitous taken on their own, is a different story from the typical horror setting where there are sexy teens and dangers ahead. What the protagonist feels and what he is able to see and experience is what turns him into what we see in the game. Irisu Syndrome: I'm listing this one as to add how interesting horror elements can be to make a game that seems to be of a complete different genre have the same compelling/intriguing feeling fully developed horrors have. Discovering how the background plot unfolds is the most intriguing part, unless you truly enjoy the puzzle gameplay of the media, which would also help in unlocking a better ending. Although these kind of mechanics aren't exactly nice, there is still a niceness in the difference they provide a different ending, especially if compared to how games like SH2 do it. Night in the Woods: Now, this isn't a typical horror, but for sure it's one of the best games you can enjoy on Halloween and during the month of October in general: the horror elements are there but mixed with the normal, and the introduction to the 'reality' of the world behind the facade is gradual, progressive, sometimes endearing, other times making you question your own decisions and where they would actually bring you. Silent Hill series (1-2 in particular): I never got into the latter 'modern era' of Silent Hill. The very first chapter is in my opinion a good example of how to make the grotesque appear less grotesque and more palatable to someone that is not used to it. And this is about one of those games that goes under your skin and stay in your mind long after the console is turned Hill 1 saw a beginning of you crawling in the dark, looking for someone dear to you, and ending up into pure, indescribable nightmare. The darkness, bleakness and sense of inevitability and claustrophobia are what made the game great. Alone in the Dark 4 attempted to make the series palatable once more by following this kind of approach, in my opinion, but while the change was nice and in my own opinion better than the future installments that would follow, they really could never grasp the kind of dreadfulness the first Silent Hill had. Not even the third SH could, but it does stand on its own. Lone Survive takes clearly a lot of inspiration from Hill 2 instead... let's say that if Silent Hill 1 is the demonic red, blood spilling maturing child of the series, Silent Hill 2 is the gray, bleak, more psychologically thoughtful sibling. Without spoiling too much, you have the best of the first chapter revisited in its own iteration and interpretation, disconnected yet connected, and absolutely capable of giving nothing but agitation and mindfuck when taken too seriously. The way the story ends can be decided by very minuscule actions, but you won't notice it while the bigger events unfold all around you, with the helplessness the protagonist feels becoming your own the more time you spend in the game. Darkwood: A small something that deserves attention because of the developers putting it available for torrent download after someone mentioned they couldn't afford the game. Darkwood is a work made with love, and it ends up making you feel anything but loved, without overdoing it: you find yourself in a sort of entrapping forest, you're not alone in it (sometimes you might wish you were), and the definition of "you have to survive" is here put to test every night. While the gameplay might be unforgiving for those that aren't used to this style of survival games, it really helps in giving a mixture of wanting to see more and begging for it to finally stop. Year walk: Based on Swedish folklore, the game plays well with the trope of distorted memories and plot twists, and is maybe even more enjoyable later on when there is lots of snow around you. Little Nightmares: This game plays with fears that many of us have had when little. Saying more would be

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Swedish House Mafia - Miami 2 Ibiza vs How Do You Feel Right Now (MVRK UMF Intro 2018 Re-edit) Swedish House Mafia X Magnificence & Steff Da Campo X Sunstars X Nicky Romero - We Come, We Rave, We Love X Out Of My Mind X Ritual X Champion Sound (Swedish House Mafia Mashup) Felix Da Housecat & Diddy X Steve Angello & Ingrosso X Swedish House Mafia X AK9 - Jack U vs 555 vs Greyhound (MVRK SHM 2019 Reunion Edit) Thomas Feelman, Teamworx, STV X Axwell /\ Ingrosso X Corey James - Never Stop X Sun Is Shining X DNA (MVRK SHM 2019 Reunion Mashup) Alesso vs Alesso - Tileted Towers X Move Like That (MVRK Mashup) Nari & Milani vs Steve Angello X Third Party & Pete K & Cory Lasser vs Dada Life vs Henry Carlin - Like This Higher State Of Dada Land (MVRK SHM 2019 Reunion Mashup) Axwell /\ Ingrosso vs Gamiani X Dada Life vs Corey James - Dream Bigger X Our Nation (MVRK SHM 2019 Reunion Mashup) Zombie Nation vs Alesso X W&W vs Axel E & Albin Myers vs Valentino Khan - Kernkraft 400 vs Nillionaire X Take It To The Top vs Deep Down Low (Axwell Λ Ingrosso vs MVRK SHM 2019 Reunion Mashup) Eric Prydz vs Gemellini X Corey James & Henko - Every Day X Back In Time (MVRK SHM 2019 Reunion Mashup) FISHER vs Childish Gambino X Hugo Cantarra - Losing It & This Is America X Dream On (MVRK SHM 2019 Reunion Mashup) Pauls Paris ft. 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What follows is a deliciously unsettling movie that manages to encompass the pains of teenage romance with a tale of the 'undead' as a metaphor for colonialism and it actually works. I can't think of too many examples in recent cinema where two opposing themes have been as beautifully united as they are here. In some ways it's closer to something like "The Neon Demon" or the recent remake of "Suspiria" than it is to Val Lewton. Here is a film with a creeping sense of dread, we've all seen films in which schoolgirls are not as sweet as they appear to be) and the grand guignol finale is as spooky as a good horror movie should be. It also confirms director Bertrand Bonello as one of the most exciting talents working anywhere today.

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